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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #527A0A it is the complementary color #AD85F5. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #527A0A. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #527A0A shade: #577A05, #688C18, #799E2B, #8AB03E and #9BC251

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #527A0A. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #527A0A shade: #527A0A, #416800, #305600, #1F4400 and #0E3200

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #527A0A shade: #527A09, #707A09, #7A6609, #7A4709 and #7A2909

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #527A0A shade: #527A09, #347A09, #157A09, #097A1C and #097A3B

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #527A0A shade matches the following richer shades: #527A09

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #527A0A shade: #527A09, #4F6F14, #4C651F, #495A2A and #464F34

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #527A0A shade: #7A6509, #717A09, #537A09, #357A09 and #177A09

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #527A0A shade: #1F2E03, #385406, #527A09, #6CA00D and #85C610

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #527A0A shade: #527A0A, #097A47 and #75097A

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #527A0A shade: #527A0A, #09537A and #7A0953

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #527A0A shade: #527A0A, #097A47, #31097A and #7A093C

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #527A0A shade: #527A0A, #097A69, #31097A and #7A091A

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 33 / 0 / 92 / 52

HEX #527A0A

RGB 82 122 10

HSL 81.43, 0.85%, 0.26%

LAB 46.62, -30.07, 49.14

 

Complementary color

CMYK 29 / 46 / 0 / 4

HEX #AD85F5

RGB 173 133 245

HSL 261.43, 0.85%, 0.74%

LAB 63.55, 38.26, -50.81

 

CMYK 29 / 0 / 96 / 52

HEX #577A05

RGB 87 122 5

HSL 77.95, 0.92%, 0.25%

LAB 46.92, -28.14, 50.53

 

CMYK 26 / 0 / 83 / 45

HEX #688C18

RGB 104 140 24

HSL 78.62, 0.71%, 0.32%

LAB 53.78, -29.06, 52.4

 

CMYK 23 / 0 / 73 / 38

HEX #799E2B

RGB 121 158 43

HSL 79.3, 0.57%, 0.39%

LAB 60.51, -29.7, 52.79

 

CMYK 22 / 0 / 65 / 31

HEX #8AB03E

RGB 138 176 62

HSL 80, 0.48%, 0.47%

LAB 67.13, -30.13, 52.36

 

CMYK 20 / 0 / 58 / 24

HEX #9BC251

RGB 155 194 81

HSL 80.71, 0.48%, 0.54%

LAB 73.64, -30.42, 51.53

 

CMYK 33 / 0 / 92 / 52

HEX #527A0A

RGB 82 122 10

HSL 81.43, 0.85%, 0.26%

LAB 46.62, -30.07, 49.14

 

CMYK 38 / 0 / 100 / 59

HEX #416800

RGB 65 104 0

HSL 82.5, 1%, 0.2%

LAB 39.62, -28.87, 45.41

 

CMYK 44 / 0 / 100 / 66

HEX #305600

RGB 48 86 0

HSL 86.51, 1%, 0.17%

LAB 32.44, -27.31, 39.44

 

CMYK 54 / 0 / 100 / 73

HEX #1F4400

RGB 31 68 0

HSL 92.65, 1%, 0.13%

LAB 25.03, -25.58, 32.92

 

CMYK 72 / 0 / 100 / 80

HEX #0E3200

RGB 14 50 0

HSL 103.2, 1%, 0.1%

LAB 17.34, -23.48, 24.34

 

CMYK 33 / 0 / 93 / 52

HEX #527A09

RGB 82 122 9

HSL 81.24, 0.86%, 0.26%

LAB 46.62, -30.1, 49.34

 

CMYK 8 / 0 / 93 / 52

HEX #707A09

RGB 112 122 9

HSL 65.31, 0.86%, 0.26%

LAB 48.74, -16.95, 51.95

 

CMYK 0 / 16 / 93 / 52

HEX #7A6609

RGB 122 102 9

HSL 49.38, 0.86%, 0.26%

LAB 43.74, -1.04, 48.37

 

CMYK 0 / 42 / 93 / 52

HEX #7A4709

RGB 122 71 9

HSL 32.92, 0.86%, 0.26%

LAB 35.33, 17.36, 41.8

 

CMYK 0 / 66 / 93 / 52

HEX #7A2909

RGB 122 41 9

HSL 16.99, 0.86%, 0.26%

LAB 28.76, 33.87, 36.71

 

CMYK 33 / 0 / 93 / 52

HEX #527A09

RGB 82 122 9

HSL 81.24, 0.86%, 0.26%

LAB 46.62, -30.1, 49.34

 

CMYK 57 / 0 / 93 / 52

HEX #347A09

RGB 52 122 9

HSL 97.17, 0.86%, 0.26%

LAB 45.18, -40.76, 47.55

 

CMYK 83 / 0 / 93 / 52

HEX #157A09

RGB 21 122 9

HSL 113.63, 0.86%, 0.26%

LAB 44.37, -47.52, 46.54

 

CMYK 93 / 0 / 77 / 52

HEX #097A1C

RGB 9 122 28

HSL 130.09, 0.86%, 0.26%

LAB 44.32, -47.64, 40.84

 

CMYK 93 / 0 / 52 / 52

HEX #097A3B

RGB 9 122 59

HSL 146.55, 0.86%, 0.26%

LAB 44.65, -43.57, 26.48

 

CMYK 33 / 0 / 93 / 52

HEX #527A09

RGB 82 122 9

HSL 81.24, 0.86%, 0.26%

LAB 46.62, -30.1, 49.34

 

CMYK 33 / 0 / 93 / 52

HEX #527A09

RGB 82 122 9

HSL 81.24, 0.86%, 0.26%

LAB 46.62, -30.1, 49.34

 

CMYK 29 / 0 / 82 / 56

HEX #4F6F14

RGB 79 111 20

HSL 81.1, 0.69%, 0.26%

LAB 42.89, -25.63, 43.13

 

CMYK 25 / 0 / 69 / 60

HEX #4C651F

RGB 76 101 31

HSL 81.43, 0.53%, 0.26%

LAB 39.48, -21.12, 35.3

 

CMYK 19 / 0 / 53 / 65

HEX #495A2A

RGB 73 90 42

HSL 81.25, 0.36%, 0.26%

LAB 35.78, -15.41, 25.4

 

CMYK 11 / 0 / 34 / 69

HEX #464F34

RGB 70 79 52

HSL 80, 0.21%, 0.26%

LAB 32.13, -9.01, 14.8

 

CMYK 0 / 17 / 93 / 52

HEX #7A6509

RGB 122 101 9

HSL 48.85, 0.86%, 0.26%

LAB 43.46, -0.46, 48.15

 

CMYK 7 / 0 / 93 / 52

HEX #717A09

RGB 113 122 9

HSL 64.78, 0.86%, 0.26%

LAB 48.82, -16.49, 52.05

 

CMYK 32 / 0 / 93 / 52

HEX #537A09

RGB 83 122 9

HSL 80.71, 0.86%, 0.26%

LAB 46.68, -29.69, 49.42

 

CMYK 57 / 0 / 93 / 52

HEX #357A09

RGB 53 122 9

HSL 96.64, 0.86%, 0.26%

LAB 45.21, -40.46, 47.6

 

CMYK 81 / 0 / 93 / 52

HEX #177A09

RGB 23 122 9

HSL 112.57, 0.86%, 0.26%

LAB 44.41, -47.23, 46.58

 

CMYK 33 / 0 / 93 / 82

HEX #1F2E03

RGB 31 46 3

HSL 80.93, 0.88%, 0.1%

LAB 16.76, -14.17, 22.62

 

CMYK 33 / 0 / 93 / 67

HEX #385406

RGB 56 84 6

HSL 81.54, 0.87%, 0.18%

LAB 32.25, -22.7, 37.4

 

CMYK 33 / 0 / 93 / 52

HEX #527A09

RGB 82 122 9

HSL 81.24, 0.86%, 0.26%

LAB 46.62, -30.1, 49.34

 

CMYK 33 / 0 / 92 / 37

HEX #6CA00D

RGB 108 160 13

HSL 81.22, 0.85%, 0.34%

LAB 60.21, -37.03, 60.44

 

CMYK 33 / 0 / 92 / 22

HEX #85C610

RGB 133 198 16

HSL 81.43, 0.85%, 0.42%

LAB 73.16, -44.04, 71.11

 

CMYK 33 / 0 / 92 / 52

HEX #527A0A

RGB 82 122 10

HSL 81.43, 0.85%, 0.26%

LAB 46.62, -30.07, 49.14

 

CMYK 93 / 0 / 42 / 52

HEX #097A47

RGB 9 122 71

HSL 152.92, 0.86%, 0.26%

LAB 44.85, -41.25, 20.06

 

CMYK 4 / 93 / 0 / 52

HEX #75097A

RGB 117 9 122

HSL 297.35, 0.86%, 0.26%

LAB 27.8, 54.48, -36

 

CMYK 33 / 0 / 92 / 52

HEX #527A0A

RGB 82 122 10

HSL 81.43, 0.85%, 0.26%

LAB 46.62, -30.07, 49.14

 

CMYK 93 / 32 / 0 / 52

HEX #09537A

RGB 9 83 122

HSL 200.71, 0.86%, 0.26%

LAB 33.24, -5.51, -27.9

 

CMYK 0 / 93 / 32 / 52

HEX #7A0953

RGB 122 9 83

HSL 320.71, 0.86%, 0.26%

LAB 26.61, 49.86, -12.44

 

CMYK 33 / 0 / 92 / 52

HEX #527A0A

RGB 82 122 10

HSL 81.43, 0.85%, 0.26%

LAB 46.62, -30.07, 49.14

 

CMYK 93 / 0 / 42 / 52

HEX #097A47

RGB 9 122 71

HSL 152.92, 0.86%, 0.26%

LAB 44.85, -41.25, 20.06

 

CMYK 60 / 93 / 0 / 52

HEX #31097A

RGB 49 9 122

HSL 261.24, 0.86%, 0.26%

LAB 16.76, 44.57, -54.46

 

CMYK 0 / 93 / 51 / 52

HEX #7A093C

RGB 122 9 60

HSL 332.92, 0.86%, 0.26%

LAB 25.74, 47.47, 1.79

 

CMYK 33 / 0 / 92 / 52

HEX #527A0A

RGB 82 122 10

HSL 81.43, 0.85%, 0.26%

LAB 46.62, -30.07, 49.14

 

CMYK 93 / 0 / 14 / 52

HEX #097A69

RGB 9 122 105

HSL 170.97, 0.86%, 0.26%

LAB 45.63, -32.62, 1.27

 

CMYK 60 / 93 / 0 / 52

HEX #31097A

RGB 49 9 122

HSL 261.24, 0.86%, 0.26%

LAB 16.76, 44.57, -54.46

 

CMYK 0 / 93 / 79 / 52

HEX #7A091A

RGB 122 9 26

HSL 350.97, 0.86%, 0.26%

LAB 24.98, 45.3, 23.9

 

Description

Color code: HEX #527A0A | qconv.com Color code: HEX #527A0A | qconv.com - big

Since the color values are relatively low compared to others, this hue appears darker to us.

The breakdown of the color into the RGB color system: of 255 maximum color components, 82 red, 122 green and 10 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
82 122 10 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, 33 cyan, none magenta, 92 yellow and 52 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
33% 0% 92% 52% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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