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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #52853C it is the complementary color #AD7AC3. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #52853C. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #52853C shade: #578537, #68974A, #79A95D, #8ABB70 and #9BCD83

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #52853C. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #52853C shade: #52853C, #417329, #306116, #1F4F03 and #0E3D00

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #52853C shade: #52853C, #66853C, #79853C, #857D3C and #85693C

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #52853C shade: #52853C, #3E853C, #3C854D, #3C8561 and #3C8575

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #52853C shade matches the following richer shades: #52853C, #4C952C, #45A51C and #3FB40D

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #52853C shade: #52853C, #58764B, #5E665B, #64566B and #6B477A

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #52853C shade: #7A853C, #67853C, #53853C, #3F853C and #3C854C

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #52853C shade: #2F4C22, #40692F, #52853C, #63A248 and #78B65D

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #52853C shade: #52853C, #3C857D and #853C70

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #52853C shade: #52853C, #3C5385 and #853C53

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #52853C shade: #52853C, #3C857D, #6E3C85 and #853C44

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #52853C shade: #52853C, #3C7885, #6E3C85 and #85493C

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 38 / 0 / 55 / 48

HEX #52853C

RGB 82 133 60

HSL 101.92, 0.38%, 0.38%

LAB 50.56, -31.41, 33.69

 

Complementary color

CMYK 11 / 37 / 0 / 24

HEX #AD7AC3

RGB 173 122 195

HSL 281.92, 0.38%, 0.62%

LAB 58.74, 32.95, -30.42

 

CMYK 35 / 0 / 59 / 48

HEX #578537

RGB 87 133 55

HSL 95.38, 0.41%, 0.37%

LAB 50.78, -30.17, 36.53

 

CMYK 31 / 0 / 51 / 41

HEX #68974A

RGB 104 151 74

HSL 96.62, 0.34%, 0.44%

LAB 57.63, -30.17, 35.33

 

CMYK 28 / 0 / 45 / 34

HEX #79A95D

RGB 121 169 93

HSL 97.89, 0.31%, 0.51%

LAB 64.35, -30.08, 34.1

 

CMYK 26 / 0 / 40 / 27

HEX #8ABB70

RGB 138 187 112

HSL 99.2, 0.36%, 0.59%

LAB 70.95, -29.96, 32.88

 

CMYK 24 / 0 / 36 / 20

HEX #9BCD83

RGB 155 205 131

HSL 100.54, 0.43%, 0.66%

LAB 77.44, -29.81, 31.72

 

CMYK 38 / 0 / 55 / 48

HEX #52853C

RGB 82 133 60

HSL 101.92, 0.38%, 0.38%

LAB 50.56, -31.41, 33.69

 

CMYK 43 / 0 / 64 / 55

HEX #417329

RGB 65 115 41

HSL 100.54, 0.47%, 0.31%

LAB 43.57, -31.35, 34.85

 

CMYK 51 / 0 / 77 / 62

HEX #306116

RGB 48 97 22

HSL 99.2, 0.63%, 0.23%

LAB 36.43, -31.01, 35.57

 

CMYK 61 / 0 / 96 / 69

HEX #1F4F03

RGB 31 79 3

HSL 97.89, 0.93%, 0.16%

LAB 29.13, -30.16, 35.31

 

CMYK 77 / 0 / 100 / 76

HEX #0E3D00

RGB 14 61 0

HSL 106.23, 1%, 0.12%

LAB 21.69, -27.98, 29.32

 

CMYK 38 / 0 / 55 / 48

HEX #52853C

RGB 82 133 60

HSL 101.92, 0.38%, 0.38%

LAB 50.56, -31.41, 33.69

 

CMYK 23 / 0 / 55 / 48

HEX #66853C

RGB 102 133 60

HSL 85.48, 0.38%, 0.38%

LAB 51.75, -23.76, 35.39

 

CMYK 9 / 0 / 55 / 48

HEX #79853C

RGB 121 133 60

HSL 69.86, 0.38%, 0.38%

LAB 53.13, -15.78, 37.35

 

CMYK 0 / 6 / 55 / 48

HEX #857D3C

RGB 133 125 60

HSL 53.42, 0.38%, 0.38%

LAB 51.81, -6.12, 36.07

 

CMYK 0 / 21 / 55 / 48

HEX #85693C

RGB 133 105 60

HSL 36.99, 0.38%, 0.38%

LAB 46.2, 5.31, 29.35

 

CMYK 38 / 0 / 55 / 48

HEX #52853C

RGB 82 133 60

HSL 101.92, 0.38%, 0.38%

LAB 50.56, -31.41, 33.69

 

CMYK 53 / 0 / 55 / 48

HEX #3E853C

RGB 62 133 60

HSL 118.36, 0.38%, 0.38%

LAB 49.65, -37.91, 32.37

 

CMYK 55 / 0 / 42 / 48

HEX #3C854D

RGB 60 133 77

HSL 133.97, 0.38%, 0.38%

LAB 49.82, -35.78, 23.44

 

CMYK 55 / 0 / 27 / 48

HEX #3C8561

RGB 60 133 97

HSL 150.41, 0.38%, 0.38%

LAB 50.21, -31.76, 12.63

 

CMYK 55 / 0 / 12 / 48

HEX #3C8575

RGB 60 133 117

HSL 166.85, 0.38%, 0.38%

LAB 50.71, -26.92, 1.73

 

CMYK 38 / 0 / 55 / 48

HEX #52853C

RGB 82 133 60

HSL 101.92, 0.38%, 0.38%

LAB 50.56, -31.41, 33.69

 

CMYK 49 / 0 / 70 / 42

HEX #4C952C

RGB 76 149 44

HSL 101.71, 0.54%, 0.38%

LAB 55.29, -42.09, 46.32

 

CMYK 58 / 0 / 83 / 35

HEX #45A51C

RGB 69 165 28

HSL 102.04, 0.71%, 0.38%

LAB 60.12, -51.35, 56.41

 

CMYK 65 / 0 / 93 / 29

HEX #3FB40D

RGB 63 180 13

HSL 102.04, 0.87%, 0.38%

LAB 64.75, -58.57, 63.45

 

CMYK 38 / 0 / 55 / 48

HEX #52853C

RGB 82 133 60

HSL 101.92, 0.38%, 0.38%

LAB 50.56, -31.41, 33.69

 

CMYK 25 / 0 / 36 / 54

HEX #58764B

RGB 88 118 75

HSL 101.86, 0.22%, 0.38%

LAB 46.36, -19.57, 20.29

 

CMYK 8 / 0 / 11 / 60

HEX #5E665B

RGB 94 102 91

HSL 103.64, 0.06%, 0.38%

LAB 42.21, -5.38, 5.16

 

CMYK 7 / 20 / 0 / 58

HEX #64566B

RGB 100 86 107

HSL 280, 0.11%, 0.38%

LAB 38.6, 10.07, -9.91

 

CMYK 12 / 42 / 0 / 52

HEX #6B477A

RGB 107 71 122

HSL 282.35, 0.26%, 0.38%

LAB 36.06, 25.26, -23.05

 

CMYK 8 / 0 / 55 / 48

HEX #7A853C

RGB 122 133 60

HSL 69.04, 0.38%, 0.38%

LAB 53.21, -15.35, 37.47

 

CMYK 23 / 0 / 55 / 48

HEX #67853C

RGB 103 133 60

HSL 84.66, 0.38%, 0.38%

LAB 51.82, -23.35, 35.49

 

CMYK 38 / 0 / 55 / 48

HEX #53853C

RGB 83 133 60

HSL 101.1, 0.38%, 0.38%

LAB 50.62, -31.05, 33.77

 

CMYK 53 / 0 / 55 / 48

HEX #3F853C

RGB 63 133 60

HSL 117.53, 0.38%, 0.38%

LAB 49.69, -37.62, 32.43

 

CMYK 55 / 0 / 43 / 48

HEX #3C854C

RGB 60 133 76

HSL 133.15, 0.38%, 0.38%

LAB 49.81, -35.95, 23.98

 

CMYK 38 / 0 / 55 / 70

HEX #2F4C22

RGB 47 76 34

HSL 101.43, 0.38%, 0.22%

LAB 29.13, -19.95, 21.45

 

CMYK 39 / 0 / 55 / 59

HEX #40692F

RGB 64 105 47

HSL 102.41, 0.38%, 0.3%

LAB 40.24, -26.28, 27.9

 

CMYK 38 / 0 / 55 / 48

HEX #52853C

RGB 82 133 60

HSL 101.92, 0.38%, 0.38%

LAB 50.56, -31.41, 33.69

 

CMYK 39 / 0 / 56 / 36

HEX #63A248

RGB 99 162 72

HSL 102, 0.38%, 0.46%

LAB 60.75, -37.25, 40.01

 

CMYK 34 / 0 / 49 / 29

HEX #78B65D

RGB 120 182 93

HSL 101.8, 0.38%, 0.54%

LAB 68.2, -36.48, 38.88

 

CMYK 38 / 0 / 55 / 48

HEX #52853C

RGB 82 133 60

HSL 101.92, 0.38%, 0.38%

LAB 50.56, -31.41, 33.69

 

CMYK 55 / 0 / 6 / 48

HEX #3C857D

RGB 60 133 125

HSL 173.42, 0.38%, 0.38%

LAB 50.94, -24.77, -2.61

 

CMYK 0 / 55 / 16 / 48

HEX #853C70

RGB 133 60 112

HSL 317.26, 0.38%, 0.38%

LAB 36.72, 38.15, -15.5

 

CMYK 38 / 0 / 55 / 48

HEX #52853C

RGB 82 133 60

HSL 101.92, 0.38%, 0.38%

LAB 50.56, -31.41, 33.69

 

CMYK 55 / 38 / 0 / 48

HEX #3C5385

RGB 60 83 133

HSL 221.1, 0.38%, 0.38%

LAB 35.68, 6.75, -30.72

 

CMYK 0 / 55 / 38 / 48

HEX #853C53

RGB 133 60 83

HSL 341.1, 0.38%, 0.38%

LAB 35.68, 33.86, 1.3

 

CMYK 38 / 0 / 55 / 48

HEX #52853C

RGB 82 133 60

HSL 101.92, 0.38%, 0.38%

LAB 50.56, -31.41, 33.69

 

CMYK 55 / 0 / 6 / 48

HEX #3C857D

RGB 60 133 125

HSL 173.42, 0.38%, 0.38%

LAB 50.94, -24.77, -2.61

 

CMYK 17 / 55 / 0 / 48

HEX #6E3C85

RGB 110 60 133

HSL 281.1, 0.38%, 0.38%

LAB 34.48, 35.19, -32.31

 

CMYK 0 / 55 / 49 / 48

HEX #853C44

RGB 133 60 68

HSL 353.42, 0.38%, 0.38%

LAB 35.27, 32.12, 10.29

 

CMYK 38 / 0 / 55 / 48

HEX #52853C

RGB 82 133 60

HSL 101.92, 0.38%, 0.38%

LAB 50.56, -31.41, 33.69

 

CMYK 55 / 10 / 0 / 48

HEX #3C7885

RGB 60 120 133

HSL 190.68, 0.38%, 0.38%

LAB 47.09, -15.56, -13.07

 

CMYK 17 / 55 / 0 / 48

HEX #6E3C85

RGB 110 60 133

HSL 281.1, 0.38%, 0.38%

LAB 34.48, 35.19, -32.31

 

CMYK 0 / 45 / 55 / 48

HEX #85493C

RGB 133 73 60

HSL 10.68, 0.38%, 0.38%

LAB 37.98, 24.08, 18.95

 

Description

Color code: HEX #52853C | qconv.com Color code: HEX #52853C | qconv.com - big

Since the color values are relatively low compared to others, this hue appears darker to us.

The breakdown of the color into the RGB color system: of 255 maximum color components, 82 red, 133 green and 60 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
82 133 60 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, 38 cyan, none magenta, 55 yellow and 48 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
38% 0% 55% 48% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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