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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #52ACCD it is the complementary color #AD5332. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #52ACCD. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #52ACCD shade: #57ACC8, #68BEDB, #79D0EE, #8AE2FF and #9BF4FF

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #52ACCD. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #52ACCD shade: #52ACCD, #419ABA, #3088A7, #1F7694 and #0E6481

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #52ACCD shade: #51ABCC, #518ACC, #5168CC, #5A51CC and #7B51CC

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #52ACCD shade: #51ABCC, #518ACC, #5168CC and #5151CC

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #52ACCD shade matches the following richer shades: #51ABCC, #3EB3DE and #2CBCF0

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #52ACCD shade: #51ABCC, #63A2BA, #759AA8, #879296 and #998983

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #52ACCD shade: #51CCAB, #51CCCC, #51ABCC, #518ACC and #5169CC

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #52ACCD shade: #2D7F9D, #3699BD, #51ABCC, #71BAD5 and #91CADF

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #52ACCD shade: #52ACCD, #8A51CC and #CCBC51

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #52ACCD shade: #52ACCD, #CC51AB and #ABCC51

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #52ACCD shade: #52ACCD, #8A51CC, #CC7251 and #92CC51

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #52ACCD shade: #52ACCD, #AF51CC, #CC7251 and #6DCC51

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 60 / 16 / 0 / 20

HEX #52ACCD

RGB 82 172 205

HSL 196.1, 0.55%, 0.56%

LAB 66.3, -17.14, -24.86

 

Complementary color

CMYK 0 / 52 / 71 / 32

HEX #AD5332

RGB 173 83 50

HSL 16.1, 0.55%, 0.44%

LAB 46.04, 34.37, 35.98

 

CMYK 57 / 14 / 0 / 22

HEX #57ACC8

RGB 87 172 200

HSL 194.87, 0.51%, 0.56%

LAB 66.29, -17.68, -22.09

 

CMYK 53 / 13 / 0 / 14

HEX #68BEDB

RGB 104 190 219

HSL 195.13, 0.61%, 0.63%

LAB 72.82, -18.04, -22.5

 

CMYK 49 / 13 / 0 / 7

HEX #79D0EE

RGB 121 208 238

HSL 195.38, 0.77%, 0.7%

LAB 79.24, -18.32, -22.9

 

CMYK 46 / 11 / 0 / 0

HEX #8AE2FF

RGB 138 226 255

HSL 194.87, 1%, 0.77%

LAB 85.51, -19.07, -22.33

 

CMYK 39 / 4 / 0 / 0

HEX #9BF4FF

RGB 155 244 255

HSL 186.6, 1%, 0.8%

LAB 91.18, -23.94, -13.71

 

CMYK 60 / 16 / 0 / 20

HEX #52ACCD

RGB 82 172 205

HSL 196.1, 0.55%, 0.56%

LAB 66.3, -17.14, -24.86

 

CMYK 65 / 17 / 0 / 27

HEX #419ABA

RGB 65 154 186

HSL 195.87, 0.48%, 0.49%

LAB 59.69, -16.49, -24.44

 

CMYK 71 / 19 / 0 / 35

HEX #3088A7

RGB 48 136 167

HSL 195.63, 0.55%, 0.42%

LAB 52.98, -15.62, -23.98

 

CMYK 79 / 20 / 0 / 42

HEX #1F7694

RGB 31 118 148

HSL 195.38, 0.65%, 0.35%

LAB 46.16, -14.41, -23.45

 

CMYK 89 / 22 / 0 / 49

HEX #0E6481

RGB 14 100 129

HSL 195.13, 0.8%, 0.28%

LAB 39.23, -12.71, -22.83

 

CMYK 60 / 16 / 0 / 20

HEX #51ABCC

RGB 81 171 204

HSL 196.1, 0.55%, 0.56%

LAB 65.93, -17.1, -24.87

 

CMYK 60 / 32 / 0 / 20

HEX #518ACC

RGB 81 138 204

HSL 212.2, 0.55%, 0.56%

LAB 56.37, 1.34, -39.72

 

CMYK 60 / 49 / 0 / 20

HEX #5168CC

RGB 81 104 204

HSL 228.78, 0.55%, 0.56%

LAB 46.99, 22.1, -54.64

 

CMYK 56 / 60 / 0 / 20

HEX #5A51CC

RGB 90 81 204

HSL 244.39, 0.55%, 0.56%

LAB 41.87, 37.99, -62.88

 

CMYK 40 / 60 / 0 / 20

HEX #7B51CC

RGB 123 81 204

HSL 260.49, 0.55%, 0.56%

LAB 44.88, 44.63, -57.86

 

CMYK 60 / 16 / 0 / 20

HEX #51ABCC

RGB 81 171 204

HSL 196.1, 0.55%, 0.56%

LAB 65.93, -17.1, -24.87

 

CMYK 60 / 32 / 0 / 20

HEX #518ACC

RGB 81 138 204

HSL 212.2, 0.55%, 0.56%

LAB 56.37, 1.34, -39.72

 

CMYK 60 / 49 / 0 / 20

HEX #5168CC

RGB 81 104 204

HSL 228.78, 0.55%, 0.56%

LAB 46.99, 22.1, -54.64

 

CMYK 60 / 60 / 0 / 20

HEX #5151CC

RGB 81 81 204

HSL 240, 0.55%, 0.56%

LAB 41.21, 36.43, -63.99

 

CMYK 60 / 16 / 0 / 20

HEX #51ABCC

RGB 81 171 204

HSL 196.1, 0.55%, 0.56%

LAB 65.93, -17.1, -24.87

 

CMYK 72 / 19 / 0 / 13

HEX #3EB3DE

RGB 62 179 222

HSL 196.13, 0.71%, 0.56%

LAB 68.42, -18.61, -31

 

CMYK 82 / 22 / 0 / 6

HEX #2CBCF0

RGB 44 188 240

HSL 195.92, 0.87%, 0.56%

LAB 71.41, -19.26, -36.19

 

CMYK 60 / 16 / 0 / 20

HEX #51ABCC

RGB 81 171 204

HSL 196.1, 0.55%, 0.56%

LAB 65.93, -17.1, -24.87

 

CMYK 47 / 13 / 0 / 27

HEX #63A2BA

RGB 99 162 186

HSL 196.55, 0.39%, 0.56%

LAB 63.37, -13.74, -18.69

 

CMYK 30 / 8 / 0 / 34

HEX #759AA8

RGB 117 154 168

HSL 196.47, 0.23%, 0.56%

LAB 61.41, -9.27, -11.44

 

CMYK 10 / 3 / 0 / 41

HEX #879296

RGB 135 146 150

HSL 196, 0.07%, 0.56%

LAB 59.81, -3.12, -3.48

 

CMYK 0 / 10 / 14 / 40

HEX #998983

RGB 153 137 131

HSL 16.36, 0.1%, 0.56%

LAB 58.32, 4.96, 5.4

 

CMYK 60 / 0 / 16 / 20

HEX #51CCAB

RGB 81 204 171

HSL 163.9, 0.55%, 0.56%

LAB 74.75, -42.1, 6.32

 

CMYK 60 / 0 / 0 / 20

HEX #51CCCC

RGB 81 204 204

HSL 180, 0.55%, 0.56%

LAB 75.63, -33.6, -10.2

 

CMYK 60 / 16 / 0 / 20

HEX #51ABCC

RGB 81 171 204

HSL 196.1, 0.55%, 0.56%

LAB 65.93, -17.1, -24.87

 

CMYK 60 / 32 / 0 / 20

HEX #518ACC

RGB 81 138 204

HSL 212.2, 0.55%, 0.56%

LAB 56.37, 1.34, -39.72

 

CMYK 60 / 49 / 0 / 20

HEX #5169CC

RGB 81 105 204

HSL 228.29, 0.55%, 0.56%

LAB 47.25, 21.47, -54.22

 

CMYK 71 / 19 / 0 / 38

HEX #2D7F9D

RGB 45 127 157

HSL 196.07, 0.55%, 0.4%

LAB 49.7, -14.47, -23.24

 

CMYK 71 / 19 / 0 / 26

HEX #3699BD

RGB 54 153 189

HSL 196, 0.56%, 0.48%

LAB 59.2, -16.67, -26.92

 

CMYK 60 / 16 / 0 / 20

HEX #51ABCC

RGB 81 171 204

HSL 196.1, 0.55%, 0.56%

LAB 65.93, -17.1, -24.87

 

CMYK 47 / 13 / 0 / 16

HEX #71BAD5

RGB 113 186 213

HSL 196.2, 0.54%, 0.64%

LAB 71.85, -15.62, -20.67

 

CMYK 35 / 9 / 0 / 13

HEX #91CADF

RGB 145 202 223

HSL 196.15, 0.55%, 0.72%

LAB 78.22, -13.23, -16.29

 

CMYK 60 / 16 / 0 / 20

HEX #52ACCD

RGB 82 172 205

HSL 196.1, 0.55%, 0.56%

LAB 66.3, -17.14, -24.86

 

CMYK 32 / 60 / 0 / 20

HEX #8A51CC

RGB 138 81 204

HSL 267.8, 0.55%, 0.56%

LAB 46.51, 48, -55.15

 

CMYK 0 / 8 / 60 / 20

HEX #CCBC51

RGB 204 188 81

HSL 52.2, 0.55%, 0.56%

LAB 75.7, -7.38, 54.85

 

CMYK 60 / 16 / 0 / 20

HEX #52ACCD

RGB 82 172 205

HSL 196.1, 0.55%, 0.56%

LAB 66.3, -17.14, -24.86

 

CMYK 0 / 60 / 16 / 20

HEX #CC51AB

RGB 204 81 171

HSL 316.1, 0.55%, 0.56%

LAB 53.67, 58.76, -24.14

 

CMYK 16 / 0 / 60 / 20

HEX #ABCC51

RGB 171 204 81

HSL 76.1, 0.55%, 0.56%

LAB 77.54, -28.9, 56.17

 

CMYK 60 / 16 / 0 / 20

HEX #52ACCD

RGB 82 172 205

HSL 196.1, 0.55%, 0.56%

LAB 66.3, -17.14, -24.86

 

CMYK 32 / 60 / 0 / 20

HEX #8A51CC

RGB 138 81 204

HSL 267.8, 0.55%, 0.56%

LAB 46.51, 48, -55.15

 

CMYK 0 / 44 / 60 / 20

HEX #CC7251

RGB 204 114 81

HSL 16.1, 0.55%, 0.56%

LAB 57.53, 32.37, 33.64

 

CMYK 28 / 0 / 60 / 20

HEX #92CC51

RGB 146 204 81

HSL 88.29, 0.55%, 0.56%

LAB 76, -38.41, 54.03

 

CMYK 60 / 16 / 0 / 20

HEX #52ACCD

RGB 82 172 205

HSL 196.1, 0.55%, 0.56%

LAB 66.3, -17.14, -24.86

 

CMYK 14 / 60 / 0 / 20

HEX #AF51CC

RGB 175 81 204

HSL 285.85, 0.55%, 0.56%

LAB 51.1, 56.85, -47.54

 

CMYK 0 / 44 / 60 / 20

HEX #CC7251

RGB 204 114 81

HSL 16.1, 0.55%, 0.56%

LAB 57.53, 32.37, 33.64

 

CMYK 47 / 0 / 60 / 20

HEX #6DCC51

RGB 109 204 81

HSL 106.34, 0.55%, 0.56%

LAB 74.21, -50.75, 51.52

 

Description

Color code: HEX #52ACCD | qconv.com Color code: HEX #52ACCD | qconv.com - big

Since the color values are relatively high compared to others, this hue appears lighter to us.

The breakdown of the color into the RGB color system: of 255 maximum color components, 82 red, 172 green and 205 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
82 172 205 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, 60 cyan, 16 magenta, none yellow and 20 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
60% 16% 0% 20% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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