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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #52BB5F it is the complementary color #AD44A0. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #52BB5F. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #52BB5F shade: #57BB5A, #68CD6D, #79DF80, #8AF193 and #9BFFA6

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #52BB5F. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #52BB5F shade: #52BB5F, #41A94C, #309739, #1F8526 and #0E7313

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #52BB5F shade: #52BB5F, #61BB52, #7EBB52, #9ABB52 and #B7BB52

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #52BB5F shade: #52BB5F, #52BB7B, #52BB98, #52BBB4 and #52A6BB

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #52BB5F shade matches the following richer shades: #52BB5F, #3FCF50, #2BE242 and #18F633

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #52BB5F shade: #52BB5F, #65A86E, #79957C, #8C818B and #9F6E99

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #52BB5F shade: #7EBB52, #62BB52, #52BB5E, #52BB7A and #52BB96

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #52BB5F shade: #34873E, #40A44C, #52BB5F, #70C77A and #8DD296

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #52BB5F shade: #52BB5F, #529ABB and #BB5270

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #52BB5F shade: #52BB5F, #5E52BB and #BB5E52

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #52BB5F shade: #52BB5F, #529ABB, #BB52AF and #BB7352

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #52BB5F shade: #52BB5F, #527ABB, #BB52AF and #BB9352

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 56 / 0 / 49 / 27

HEX #52BB5F

RGB 82 187 95

HSL 127.43, 0.44%, 0.53%

LAB 68.14, -49.67, 37.45

 

Complementary color

CMYK 0 / 61 / 8 / 32

HEX #AD44A0

RGB 173 68 160

HSL 307.43, 0.44%, 0.47%

LAB 46.39, 54.18, -29.32

 

CMYK 53 / 0 / 52 / 27

HEX #57BB5A

RGB 87 187 90

HSL 121.8, 0.42%, 0.54%

LAB 68.24, -49.1, 40.1

 

CMYK 49 / 0 / 47 / 20

HEX #68CD6D

RGB 104 205 109

HSL 122.97, 0.5%, 0.61%

LAB 74.64, -49.13, 38.78

 

CMYK 46 / 0 / 43 / 13

HEX #79DF80

RGB 121 223 128

HSL 124.12, 0.61%, 0.67%

LAB 80.96, -49.04, 37.49

 

CMYK 43 / 0 / 39 / 5

HEX #8AF193

RGB 138 241 147

HSL 125.24, 0.79%, 0.74%

LAB 87.2, -48.88, 36.25

 

CMYK 39 / 0 / 35 / 0

HEX #9BFFA6

RGB 155 255 166

HSL 126.6, 1%, 0.8%

LAB 92.24, -46.98, 33.57

 

CMYK 56 / 0 / 49 / 27

HEX #52BB5F

RGB 82 187 95

HSL 127.43, 0.44%, 0.53%

LAB 68.14, -49.67, 37.45

 

CMYK 62 / 0 / 55 / 34

HEX #41A94C

RGB 65 169 76

HSL 126.35, 0.44%, 0.46%

LAB 61.67, -49.42, 38.83

 

CMYK 68 / 0 / 62 / 41

HEX #309739

RGB 48 151 57

HSL 125.24, 0.52%, 0.39%

LAB 55.13, -48.83, 40.17

 

CMYK 77 / 0 / 71 / 48

HEX #1F8526

RGB 31 133 38

HSL 124.12, 0.62%, 0.32%

LAB 48.52, -47.68, 41.26

 

CMYK 88 / 0 / 83 / 55

HEX #0E7313

RGB 14 115 19

HSL 122.97, 0.78%, 0.25%

LAB 41.85, -45.62, 41.63

 

CMYK 56 / 0 / 49 / 27

HEX #52BB5F

RGB 82 187 95

HSL 127.43, 0.44%, 0.53%

LAB 68.14, -49.67, 37.45

 

CMYK 48 / 0 / 56 / 27

HEX #61BB52

RGB 97 187 82

HSL 111.43, 0.44%, 0.53%

LAB 68.53, -47.33, 44.37

 

CMYK 33 / 0 / 56 / 27

HEX #7EBB52

RGB 126 187 82

HSL 94.86, 0.44%, 0.53%

LAB 69.88, -37.91, 46.31

 

CMYK 18 / 0 / 56 / 27

HEX #9ABB52

RGB 154 187 82

HSL 78.86, 0.44%, 0.53%

LAB 71.57, -27.38, 48.69

 

CMYK 2 / 0 / 56 / 27

HEX #B7BB52

RGB 183 187 82

HSL 62.29, 0.44%, 0.53%

LAB 73.69, -15.6, 51.67

 

CMYK 56 / 0 / 49 / 27

HEX #52BB5F

RGB 82 187 95

HSL 127.43, 0.44%, 0.53%

LAB 68.14, -49.67, 37.45

 

CMYK 56 / 0 / 34 / 27

HEX #52BB7B

RGB 82 187 123

HSL 143.43, 0.44%, 0.53%

LAB 68.58, -44.96, 23.5

 

CMYK 56 / 0 / 19 / 27

HEX #52BB98

RGB 82 187 152

HSL 160, 0.44%, 0.53%

LAB 69.18, -38.83, 8.66

 

CMYK 56 / 0 / 4 / 27

HEX #52BBB4

RGB 82 187 180

HSL 176, 0.44%, 0.53%

LAB 69.92, -31.84, -5.62

 

CMYK 56 / 11 / 0 / 27

HEX #52A6BB

RGB 82 166 187

HSL 192, 0.44%, 0.53%

LAB 63.88, -19.38, -18.55

 

CMYK 56 / 0 / 49 / 27

HEX #52BB5F

RGB 82 187 95

HSL 127.43, 0.44%, 0.53%

LAB 68.14, -49.67, 37.45

 

CMYK 70 / 0 / 61 / 19

HEX #3FCF50

RGB 63 207 80

HSL 127.08, 0.6%, 0.53%

LAB 73.71, -62.92, 51.02

 

CMYK 81 / 0 / 71 / 11

HEX #2BE242

RGB 43 226 66

HSL 127.54, 0.76%, 0.53%

LAB 79.21, -73.12, 62.52

 

CMYK 90 / 0 / 79 / 4

HEX #18F633

RGB 24 246 51

HSL 127.3, 0.93%, 0.53%

LAB 85.17, -81.39, 73.13

 

CMYK 56 / 0 / 49 / 27

HEX #52BB5F

RGB 82 187 95

HSL 127.43, 0.44%, 0.53%

LAB 68.14, -49.67, 37.45

 

CMYK 40 / 0 / 35 / 34

HEX #65A86E

RGB 101 168 110

HSL 128.06, 0.28%, 0.53%

LAB 63.26, -33.78, 23.46

 

CMYK 19 / 0 / 17 / 42

HEX #79957C

RGB 121 149 124

HSL 126.43, 0.12%, 0.53%

LAB 58.99, -14.98, 9.99

 

CMYK 0 / 8 / 1 / 45

HEX #8C818B

RGB 140 129 139

HSL 305.45, 0.05%, 0.53%

LAB 55.22, 6.07, -3.88

 

CMYK 0 / 31 / 4 / 38

HEX #9F6E99

RGB 159 110 153

HSL 307.35, 0.2%, 0.53%

LAB 52.75, 26.64, -15.54

 

CMYK 33 / 0 / 56 / 27

HEX #7EBB52

RGB 126 187 82

HSL 94.86, 0.44%, 0.53%

LAB 69.88, -37.91, 46.31

 

CMYK 48 / 0 / 56 / 27

HEX #62BB52

RGB 98 187 82

HSL 110.86, 0.44%, 0.53%

LAB 68.57, -47.04, 44.43

 

CMYK 56 / 0 / 50 / 27

HEX #52BB5E

RGB 82 187 94

HSL 126.86, 0.44%, 0.53%

LAB 68.13, -49.82, 37.93

 

CMYK 56 / 0 / 35 / 27

HEX #52BB7A

RGB 82 187 122

HSL 142.86, 0.44%, 0.53%

LAB 68.56, -45.15, 24.01

 

CMYK 56 / 0 / 20 / 27

HEX #52BB96

RGB 82 187 150

HSL 158.86, 0.44%, 0.53%

LAB 69.14, -39.29, 9.69

 

CMYK 61 / 0 / 54 / 47

HEX #34873E

RGB 52 135 62

HSL 127.23, 0.44%, 0.37%

LAB 49.98, -41.13, 31.66

 

CMYK 61 / 0 / 54 / 36

HEX #40A44C

RGB 64 164 76

HSL 127.2, 0.44%, 0.45%

LAB 60.04, -47.72, 36.85

 

CMYK 56 / 0 / 49 / 27

HEX #52BB5F

RGB 82 187 95

HSL 127.43, 0.44%, 0.53%

LAB 68.14, -49.67, 37.45

 

CMYK 44 / 0 / 39 / 22

HEX #70C77A

RGB 112 199 122

HSL 126.9, 0.44%, 0.61%

LAB 73.35, -42.37, 30.58

 

CMYK 33 / 0 / 29 / 18

HEX #8DD296

RGB 141 210 150

HSL 127.83, 0.43%, 0.69%

LAB 78.44, -33.82, 23.02

 

CMYK 56 / 0 / 49 / 27

HEX #52BB5F

RGB 82 187 95

HSL 127.43, 0.44%, 0.53%

LAB 68.14, -49.67, 37.45

 

CMYK 56 / 18 / 0 / 27

HEX #529ABB

RGB 82 154 187

HSL 198.86, 0.44%, 0.53%

LAB 60.33, -12.96, -23.97

 

CMYK 0 / 56 / 40 / 27

HEX #BB5270

RGB 187 82 112

HSL 342.86, 0.44%, 0.53%

LAB 49.22, 45.28, 3.98

 

CMYK 56 / 0 / 49 / 27

HEX #52BB5F

RGB 82 187 95

HSL 127.43, 0.44%, 0.53%

LAB 68.14, -49.67, 37.45

 

CMYK 50 / 56 / 0 / 27

HEX #5E52BB

RGB 94 82 187

HSL 246.86, 0.44%, 0.53%

LAB 41.22, 32.87, -54.04

 

CMYK 0 / 50 / 56 / 27

HEX #BB5E52

RGB 187 94 82

HSL 6.86, 0.44%, 0.53%

LAB 50.9, 36.31, 24.17

 

CMYK 56 / 0 / 49 / 27

HEX #52BB5F

RGB 82 187 95

HSL 127.43, 0.44%, 0.53%

LAB 68.14, -49.67, 37.45

 

CMYK 56 / 18 / 0 / 27

HEX #529ABB

RGB 82 154 187

HSL 198.86, 0.44%, 0.53%

LAB 60.33, -12.96, -23.97

 

CMYK 0 / 56 / 6 / 27

HEX #BB52AF

RGB 187 82 175

HSL 306.86, 0.44%, 0.53%

LAB 51.49, 54.19, -30.04

 

CMYK 0 / 39 / 56 / 27

HEX #BB7352

RGB 187 115 82

HSL 18.86, 0.44%, 0.53%

LAB 55.52, 25.01, 30.1

 

CMYK 56 / 0 / 49 / 27

HEX #52BB5F

RGB 82 187 95

HSL 127.43, 0.44%, 0.53%

LAB 68.14, -49.67, 37.45

 

CMYK 56 / 35 / 0 / 27

HEX #527ABB

RGB 82 122 187

HSL 217.14, 0.44%, 0.53%

LAB 51.04, 5.48, -38.43

 

CMYK 0 / 56 / 6 / 27

HEX #BB52AF

RGB 187 82 175

HSL 306.86, 0.44%, 0.53%

LAB 51.49, 54.19, -30.04

 

CMYK 0 / 21 / 56 / 27

HEX #BB9352

RGB 187 147 82

HSL 37.14, 0.44%, 0.53%

LAB 63.38, 7.32, 39.77

 

Description

Color code: HEX #52BB5F | qconv.com Color code: HEX #52BB5F | qconv.com - big

Since the color values are relatively high compared to others, this hue appears lighter to us.

The breakdown of the color into the RGB color system: of 255 maximum color components, 82 red, 187 green and 95 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
82 187 95 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, 56 cyan, none magenta, 49 yellow and 27 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
56% 0% 49% 27% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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