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Color name
HEX #52C827

Information

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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #52C827 it is the complementary color #AD37D8. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #52C827. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #52C827 shade: #57C822, #68DA35, #79EC48, #8AFE5B and #9BFF6E

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #52C827. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #52C827 shade: #52C827, #41B614, #30A401, #1F9200 and #0E8000

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #52C827 shade: #52C827, #7DC827, #A9C827, #C8BB27 and #C89027

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #52C827 shade: #52C827, #27C827, #27C853, #27C87E and #27C8A9

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #52C827 shade matches the following richer shades: #52C827, #49DB14 and #40EE00

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #52C827 shade: #52C827, #5BB43A, #64A14E, #6D8D61 and #767A75

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #52C827 shade: #AAC827, #7FC827, #55C827, #2AC827 and #27C84F

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #52C827 shade: #368319, #44A520, #52C827, #68D93F and #83E062

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #52C827 shade: #52C827, #27C8BA and #C82795

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #52C827 shade: #52C827, #2755C8 and #C82755

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

Rectangular (tetradic) colors

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #52C827 shade: #52C827, #27C8BA, #9A27C8 and #C82734

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #52C827 shade: #52C827, #27A5C8, #9A27C8 and #C84A27

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 59 / 0 / 81 / 22

HEX #52C827

RGB 82 200 39

HSL 103.98, 0.67%, 0.47%

LAB 71.72, -59.91, 64.2

 

Complementary color

CMYK 20 / 75 / 0 / 15

HEX #AD37D8

RGB 173 55 216

HSL 283.98, 0.67%, 0.53%

LAB 47.72, 69.5, -59.85

 

CMYK 57 / 0 / 83 / 22

HEX #57C822

RGB 87 200 34

HSL 100.84, 0.71%, 0.46%

LAB 71.86, -58.89, 65.71

 

CMYK 52 / 0 / 76 / 15

HEX #68DA35

RGB 104 218 53

HSL 101.45, 0.69%, 0.53%

LAB 78.08, -59.77, 66.29

 

CMYK 49 / 0 / 69 / 7

HEX #79EC48

RGB 121 236 72

HSL 102.07, 0.81%, 0.6%

LAB 84.24, -60.35, 66.14

 

CMYK 46 / 0 / 64 / 0

HEX #8AFE5B

RGB 138 254 91

HSL 102.7, 0.99%, 0.68%

LAB 90.34, -60.72, 65.55

 

CMYK 39 / 0 / 57 / 0

HEX #9BFF6E

RGB 155 255 110

HSL 101.38, 1%, 0.72%

LAB 91.51, -54.23, 59.14

 

CMYK 59 / 0 / 81 / 22

HEX #52C827

RGB 82 200 39

HSL 103.98, 0.67%, 0.47%

LAB 71.72, -59.91, 64.2

 

CMYK 64 / 0 / 89 / 29

HEX #41B614

RGB 65 182 20

HSL 103.33, 0.8%, 0.4%

LAB 65.46, -58.59, 62.92

 

CMYK 71 / 0 / 99 / 36

HEX #30A401

RGB 48 164 1

HSL 102.7, 0.99%, 0.32%

LAB 59.14, -56.72, 60.35

 

CMYK 79 / 0 / 100 / 43

HEX #1F9200

RGB 31 146 0

HSL 107.26, 1%, 0.29%

LAB 52.78, -53.98, 55.29

 

CMYK 89 / 0 / 100 / 50

HEX #0E8000

RGB 14 128 0

HSL 113.44, 1%, 0.25%

LAB 46.35, -50.56, 50.05

 

CMYK 59 / 0 / 81 / 22

HEX #52C827

RGB 82 200 39

HSL 103.98, 0.67%, 0.47%

LAB 71.72, -59.91, 64.2

 

CMYK 38 / 0 / 81 / 22

HEX #7DC827

RGB 125 200 39

HSL 87.95, 0.67%, 0.47%

LAB 73.43, -47.01, 66.39

 

CMYK 16 / 0 / 81 / 22

HEX #A9C827

RGB 169 200 39

HSL 71.55, 0.67%, 0.47%

LAB 76, -30.22, 69.67

 

CMYK 0 / 7 / 81 / 22

HEX #C8BB27

RGB 200 187 39

HSL 55.16, 0.67%, 0.47%

LAB 74.8, -10.69, 69.54

 

CMYK 0 / 28 / 81 / 22

HEX #C89027

RGB 200 144 39

HSL 39.13, 0.67%, 0.47%

LAB 63.65, 12.17, 59.7

 

CMYK 59 / 0 / 81 / 22

HEX #52C827

RGB 82 200 39

HSL 103.98, 0.67%, 0.47%

LAB 71.72, -59.91, 64.2

 

CMYK 81 / 0 / 81 / 22

HEX #27C827

RGB 39 200 39

HSL 120, 0.67%, 0.47%

LAB 70.79, -67.78, 63

 

CMYK 81 / 0 / 59 / 22

HEX #27C853

RGB 39 200 83

HSL 136.4, 0.67%, 0.47%

LAB 71.12, -63.71, 46.58

 

CMYK 81 / 0 / 37 / 22

HEX #27C87E

RGB 39 200 126

HSL 152.42, 0.67%, 0.47%

LAB 71.72, -56.66, 25.98

 

CMYK 81 / 0 / 16 / 22

HEX #27C8A9

RGB 39 200 169

HSL 168.45, 0.67%, 0.47%

LAB 72.63, -46.77, 4.24

 

CMYK 59 / 0 / 81 / 22

HEX #52C827

RGB 82 200 39

HSL 103.98, 0.67%, 0.47%

LAB 71.72, -59.91, 64.2

 

CMYK 67 / 0 / 91 / 14

HEX #49DB14

RGB 73 219 20

HSL 104.02, 0.83%, 0.47%

LAB 77.36, -68.9, 73.08

 

CMYK 73 / 0 / 100 / 7

HEX #40EE00

RGB 64 238 0

HSL 103.87, 1%, 0.47%

LAB 83.04, -76.58, 79.66

 

CMYK 59 / 0 / 81 / 22

HEX #52C827

RGB 82 200 39

HSL 103.98, 0.67%, 0.47%

LAB 71.72, -59.91, 64.2

 

CMYK 49 / 0 / 68 / 29

HEX #5BB43A

RGB 91 180 58

HSL 103.77, 0.51%, 0.47%

LAB 65.88, -48.77, 51.96

 

CMYK 38 / 0 / 52 / 37

HEX #64A14E

RGB 100 161 78

HSL 104.1, 0.35%, 0.47%

LAB 60.56, -35.73, 36.82

 

CMYK 23 / 0 / 31 / 45

HEX #6D8D61

RGB 109 141 97

HSL 103.64, 0.18%, 0.47%

LAB 55.24, -20, 19.92

 

CMYK 3 / 0 / 4 / 52

HEX #767A75

RGB 118 122 117

HSL 108, 0.02%, 0.47%

LAB 50.75, -2.51, 2.21

 

CMYK 15 / 0 / 81 / 22

HEX #AAC827

RGB 170 200 39

HSL 71.18, 0.67%, 0.47%

LAB 76.07, -29.81, 69.76

 

CMYK 37 / 0 / 81 / 22

HEX #7FC827

RGB 127 200 39

HSL 87.2, 0.67%, 0.47%

LAB 73.52, -46.31, 66.52

 

CMYK 58 / 0 / 81 / 22

HEX #55C827

RGB 85 200 39

HSL 102.86, 0.67%, 0.47%

LAB 71.82, -59.16, 64.32

 

CMYK 79 / 0 / 81 / 22

HEX #2AC827

RGB 42 200 39

HSL 118.88, 0.67%, 0.47%

LAB 70.83, -67.41, 63.05

 

CMYK 81 / 0 / 61 / 22

HEX #27C84F

RGB 39 200 79

HSL 134.91, 0.67%, 0.47%

LAB 71.08, -64.21, 48.35

 

CMYK 59 / 0 / 81 / 49

HEX #368319

RGB 54 131 25

HSL 103.58, 0.68%, 0.31%

LAB 48.37, -42.89, 46.2

 

CMYK 59 / 0 / 81 / 35

HEX #44A520

RGB 68 165 32

HSL 103.76, 0.68%, 0.39%

LAB 60.11, -51.4, 55.24

 

CMYK 59 / 0 / 81 / 22

HEX #52C827

RGB 82 200 39

HSL 103.98, 0.67%, 0.47%

LAB 71.72, -59.91, 64.2

 

CMYK 52 / 0 / 71 / 15

HEX #68D93F

RGB 104 217 63

HSL 104.03, 0.67%, 0.55%

LAB 77.83, -58.73, 62.64

 

CMYK 42 / 0 / 56 / 12

HEX #83E062

RGB 131 224 98

HSL 104.29, 0.67%, 0.63%

LAB 81.3, -50.35, 52.33

 

CMYK 59 / 0 / 81 / 22

HEX #52C827

RGB 82 200 39

HSL 103.98, 0.67%, 0.47%

LAB 71.72, -59.91, 64.2

 

CMYK 81 / 0 / 7 / 22

HEX #27C8BA

RGB 39 200 186

HSL 174.78, 0.67%, 0.47%

LAB 73.08, -42.2, -4.33

 

CMYK 0 / 81 / 26 / 22

HEX #C82795

RGB 200 39 149

HSL 319.01, 0.67%, 0.47%

LAB 46.84, 69.44, -21.68

 

CMYK 59 / 0 / 81 / 22

HEX #52C827

RGB 82 200 39

HSL 103.98, 0.67%, 0.47%

LAB 71.72, -59.91, 64.2

 

CMYK 81 / 58 / 0 / 22

HEX #2755C8

RGB 39 85 200

HSL 222.86, 0.67%, 0.47%

LAB 39.75, 26.95, -64.15

 

CMYK 0 / 81 / 58 / 22

HEX #C82755

RGB 200 39 85

HSL 342.86, 0.67%, 0.47%

LAB 44.78, 63.35, 14.59

 

CMYK 59 / 0 / 81 / 22

HEX #52C827

RGB 82 200 39

HSL 103.98, 0.67%, 0.47%

LAB 71.72, -59.91, 64.2

 

CMYK 81 / 0 / 7 / 22

HEX #27C8BA

RGB 39 200 186

HSL 174.78, 0.67%, 0.47%

LAB 73.08, -42.2, -4.33

 

CMYK 23 / 81 / 0 / 22

HEX #9A27C8

RGB 154 39 200

HSL 282.86, 0.67%, 0.47%

LAB 41.99, 68.17, -60.04

 

CMYK 0 / 81 / 74 / 22

HEX #C82734

RGB 200 39 52

HSL 355.16, 0.67%, 0.47%

LAB 44.2, 61.57, 34.04

 

CMYK 59 / 0 / 81 / 22

HEX #52C827

RGB 82 200 39

HSL 103.98, 0.67%, 0.47%

LAB 71.72, -59.91, 64.2

 

CMYK 81 / 18 / 0 / 22

HEX #27A5C8

RGB 39 165 200

HSL 193.04, 0.67%, 0.47%

LAB 62.94, -21.1, -27.34

 

CMYK 23 / 81 / 0 / 22

HEX #9A27C8

RGB 154 39 200

HSL 282.86, 0.67%, 0.47%

LAB 41.99, 68.17, -60.04

 

CMYK 0 / 63 / 81 / 22

HEX #C84A27

RGB 200 74 39

HSL 13.04, 0.67%, 0.47%

LAB 48.66, 48.47, 45.79

 

Description

Color code: HEX #52C827 | qconv.com Color code: HEX #52C827 | qconv.com - big

Since the color values are relatively low compared to others, this hue appears darker to us.

The breakdown of the color into the RGB color system: of 255 maximum color components, 82 red, 200 green and 39 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
82 200 39 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, 59 cyan, none magenta, 81 yellow and 22 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
59% 0% 81% 22% C M Y K

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Provide designers and agencies with accurate color values.

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