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Color name
HEX #52C975

Information

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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #52C975 it is the complementary color #AD368A. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #52C975. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #52C975 shade: #57C970, #68DB83, #79ED96, #8AFFA9 and #9BFFBC

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #52C975. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #52C975 shade: #52C975, #41B762, #30A54F, #1F933C and #0E8129

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #52C975 shade: #50C773, #50C753, #6DC750, #8EC750 and #AEC750

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #52C975 shade: #50C773, #50C793, #50C7B4, #50BBC7 and #509BC7

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #52C975 shade matches the following richer shades: #50C773, #3EDA6C and #2BED64

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #52C975 shade: #50C773, #63B57B, #75A282, #88908A and #9A7D92

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #52C975 shade: #6EC750, #50C752, #50C772, #50C792 and #50C7B2

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #52C975 shade: #2F964D, #39B55E, #50C773, #6FD18C and #8FDBA5

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #52C975 shade: #52C975, #508EC7 and #C7505E

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #52C975 shade: #52C975, #7250C7 and #C77250

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

Rectangular (tetradic) colors

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #52C975 shade: #52C975, #508EC7, #C750A6 and #C78A50

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #52C975 shade: #52C975, #506AC7, #C750A6 and #C7AE50

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 59 / 0 / 42 / 21

HEX #52C975

RGB 82 201 117

HSL 137.65, 0.52%, 0.55%

LAB 72.79, -51.72, 32.22

 

Complementary color

CMYK 0 / 69 / 20 / 32

HEX #AD368A

RGB 173 54 138

HSL 317.65, 0.52%, 0.45%

LAB 43.3, 56.62, -20.89

 

CMYK 57 / 0 / 44 / 21

HEX #57C970

RGB 87 201 112

HSL 133.16, 0.51%, 0.56%

LAB 72.87, -51.4, 34.9

 

CMYK 53 / 0 / 40 / 14

HEX #68DB83

RGB 104 219 131

HSL 134.09, 0.61%, 0.63%

LAB 79.18, -51.42, 33.56

 

CMYK 49 / 0 / 37 / 7

HEX #79ED96

RGB 121 237 150

HSL 135, 0.76%, 0.7%

LAB 85.42, -51.33, 32.28

 

CMYK 46 / 0 / 34 / 0

HEX #8AFFA9

RGB 138 255 169

HSL 135.9, 1%, 0.77%

LAB 91.59, -51.17, 31.07

 

CMYK 39 / 0 / 26 / 0

HEX #9BFFBC

RGB 155 255 188

HSL 139.8, 1%, 0.8%

LAB 92.63, -43.26, 23

 

CMYK 59 / 0 / 42 / 21

HEX #52C975

RGB 82 201 117

HSL 137.65, 0.52%, 0.55%

LAB 72.79, -51.72, 32.22

 

CMYK 64 / 0 / 46 / 28

HEX #41B762

RGB 65 183 98

HSL 136.78, 0.48%, 0.49%

LAB 66.42, -51.48, 33.67

 

CMYK 71 / 0 / 52 / 35

HEX #30A54F

RGB 48 165 79

HSL 135.9, 0.55%, 0.42%

LAB 59.98, -50.94, 35.18

 

CMYK 79 / 0 / 59 / 42

HEX #1F933C

RGB 31 147 60

HSL 135, 0.65%, 0.35%

LAB 53.48, -49.93, 36.73

 

CMYK 89 / 0 / 68 / 49

HEX #0E8129

RGB 14 129 41

HSL 134.09, 0.8%, 0.28%

LAB 46.91, -48.19, 38.15

 

CMYK 60 / 0 / 42 / 22

HEX #50C773

RGB 80 199 115

HSL 137.65, 0.52%, 0.55%

LAB 72.09, -51.71, 32.32

 

CMYK 60 / 0 / 58 / 22

HEX #50C753

RGB 80 199 83

HSL 121.51, 0.52%, 0.55%

LAB 71.67, -56.3, 47.45

 

CMYK 45 / 0 / 60 / 22

HEX #6DC750

RGB 109 199 80

HSL 105.38, 0.52%, 0.55%

LAB 72.68, -48.84, 50.23

 

CMYK 29 / 0 / 60 / 22

HEX #8EC750

RGB 142 199 80

HSL 88.74, 0.52%, 0.55%

LAB 74.3, -37.72, 52.5

 

CMYK 13 / 0 / 60 / 22

HEX #AEC750

RGB 174 199 80

HSL 72.61, 0.52%, 0.55%

LAB 76.33, -25.39, 55.32

 

CMYK 60 / 0 / 42 / 22

HEX #50C773

RGB 80 199 115

HSL 137.65, 0.52%, 0.55%

LAB 72.09, -51.71, 32.32

 

CMYK 60 / 0 / 26 / 22

HEX #50C793

RGB 80 199 147

HSL 153.78, 0.52%, 0.55%

LAB 72.67, -45.58, 16.27

 

CMYK 60 / 0 / 10 / 22

HEX #50C7B4

RGB 80 199 180

HSL 170.42, 0.52%, 0.55%

LAB 73.45, -37.82, -0.44

 

CMYK 60 / 6 / 0 / 22

HEX #50BBC7

RGB 80 187 199

HSL 186.05, 0.52%, 0.55%

LAB 70.43, -26.96, -15.27

 

CMYK 60 / 22 / 0 / 22

HEX #509BC7

RGB 80 155 199

HSL 202.18, 0.52%, 0.55%

LAB 61.02, -10.19, -29.65

 

CMYK 60 / 0 / 42 / 22

HEX #50C773

RGB 80 199 115

HSL 137.65, 0.52%, 0.55%

LAB 72.09, -51.71, 32.32

 

CMYK 72 / 0 / 50 / 15

HEX #3EDA6C

RGB 62 218 108

HSL 137.69, 0.68%, 0.55%

LAB 77.43, -63.17, 42.49

 

CMYK 82 / 0 / 58 / 7

HEX #2BED64

RGB 43 237 100

HSL 137.63, 0.84%, 0.55%

LAB 82.91, -72.88, 52.73

 

CMYK 60 / 0 / 42 / 22

HEX #50C773

RGB 80 199 115

HSL 137.65, 0.52%, 0.55%

LAB 72.09, -51.71, 32.32

 

CMYK 45 / 0 / 32 / 29

HEX #63B57B

RGB 99 181 123

HSL 137.56, 0.36%, 0.55%

LAB 67.37, -37.97, 21.98

 

CMYK 28 / 0 / 20 / 36

HEX #75A282

RGB 117 162 130

HSL 137.33, 0.19%, 0.55%

LAB 62.7, -21.97, 11.83

 

CMYK 6 / 0 / 4 / 44

HEX #88908A

RGB 136 144 138

HSL 135, 0.03%, 0.55%

LAB 58.99, -4.09, 2.17

 

CMYK 0 / 19 / 5 / 40

HEX #9A7D92

RGB 154 125 146

HSL 316.55, 0.13%, 0.55%

LAB 55.7, 14.9, -7.09

 

CMYK 45 / 0 / 60 / 22

HEX #6EC750

RGB 110 199 80

HSL 104.87, 0.52%, 0.55%

LAB 72.72, -48.53, 50.29

 

CMYK 60 / 0 / 59 / 22

HEX #50C752

RGB 80 199 82

HSL 121.01, 0.52%, 0.55%

LAB 71.66, -56.42, 47.89

 

CMYK 60 / 0 / 43 / 22

HEX #50C772

RGB 80 199 114

HSL 137.14, 0.52%, 0.55%

LAB 72.07, -51.88, 32.81

 

CMYK 60 / 0 / 27 / 22

HEX #50C792

RGB 80 199 146

HSL 153.28, 0.52%, 0.55%

LAB 72.65, -45.8, 16.78

 

CMYK 60 / 0 / 11 / 22

HEX #50C7B2

RGB 80 199 178

HSL 169.41, 0.52%, 0.55%

LAB 73.39, -38.33, 0.57

 

CMYK 69 / 0 / 49 / 41

HEX #2F964D

RGB 47 150 77

HSL 137.48, 0.52%, 0.39%

LAB 55.02, -45.79, 30.03

 

CMYK 69 / 0 / 48 / 29

HEX #39B55E

RGB 57 181 94

HSL 137.9, 0.52%, 0.47%

LAB 65.53, -52.9, 34.54

 

CMYK 60 / 0 / 42 / 22

HEX #50C773

RGB 80 199 115

HSL 137.65, 0.52%, 0.55%

LAB 72.09, -51.71, 32.32

 

CMYK 47 / 0 / 33 / 18

HEX #6FD18C

RGB 111 209 140

HSL 137.76, 0.52%, 0.63%

LAB 76.6, -43.9, 25.54

 

CMYK 35 / 0 / 25 / 14

HEX #8FDBA5

RGB 143 219 165

HSL 137.37, 0.51%, 0.71%

LAB 81.41, -34.71, 19.27

 

CMYK 59 / 0 / 42 / 21

HEX #52C975

RGB 82 201 117

HSL 137.65, 0.52%, 0.55%

LAB 72.79, -51.72, 32.22

 

CMYK 60 / 29 / 0 / 22

HEX #508EC7

RGB 80 142 199

HSL 208.74, 0.52%, 0.55%

LAB 57.25, -2.83, -35.53

 

CMYK 0 / 60 / 53 / 22

HEX #C7505E

RGB 199 80 94

HSL 352.94, 0.52%, 0.55%

LAB 50.32, 48.57, 16.63

 

CMYK 59 / 0 / 42 / 21

HEX #52C975

RGB 82 201 117

HSL 137.65, 0.52%, 0.55%

LAB 72.79, -51.72, 32.22

 

CMYK 43 / 60 / 0 / 22

HEX #7250C7

RGB 114 80 199

HSL 257.14, 0.52%, 0.55%

LAB 43.42, 41.87, -57.38

 

CMYK 0 / 43 / 60 / 22

HEX #C77250

RGB 199 114 80

HSL 17.14, 0.52%, 0.55%

LAB 56.84, 30.29, 33.19

 

CMYK 59 / 0 / 42 / 21

HEX #52C975

RGB 82 201 117

HSL 137.65, 0.52%, 0.55%

LAB 72.79, -51.72, 32.22

 

CMYK 60 / 29 / 0 / 22

HEX #508EC7

RGB 80 142 199

HSL 208.74, 0.52%, 0.55%

LAB 57.25, -2.83, -35.53

 

CMYK 0 / 60 / 17 / 22

HEX #C750A6

RGB 199 80 166

HSL 316.64, 0.52%, 0.55%

LAB 52.55, 57.05, -23

 

CMYK 0 / 31 / 60 / 22

HEX #C78A50

RGB 199 138 80

HSL 29.24, 0.52%, 0.55%

LAB 62.42, 17.22, 39.97

 

CMYK 59 / 0 / 42 / 21

HEX #52C975

RGB 82 201 117

HSL 137.65, 0.52%, 0.55%

LAB 72.79, -51.72, 32.22

 

CMYK 60 / 47 / 0 / 22

HEX #506AC7

RGB 80 106 199

HSL 226.89, 0.52%, 0.55%

LAB 47.15, 18.96, -51.51

 

CMYK 0 / 60 / 17 / 22

HEX #C750A6

RGB 199 80 166

HSL 316.64, 0.52%, 0.55%

LAB 52.55, 57.05, -23

 

CMYK 0 / 13 / 60 / 22

HEX #C7AE50

RGB 199 174 80

HSL 47.39, 0.52%, 0.55%

LAB 71.55, -2.25, 50.55

 

Description

Color code: HEX #52C975 | qconv.com Color code: HEX #52C975 | qconv.com - big

Since the color values are relatively high compared to others, this hue appears lighter to us.

The breakdown of the color into the RGB color system: of 255 maximum color components, 82 red, 201 green and 117 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
82 201 117 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, 59 cyan, none magenta, 42 yellow and 21 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
59% 0% 42% 21% C M Y K

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Provide designers and agencies with accurate color values.

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