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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #52CAAA it is the complementary color #AD3555. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #52CAAA. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #52CAAA shade: #57CAA5, #68DCB8, #79EECB, #8AFFDE and #9BFFF1

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #52CAAA. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #52CAAA shade: #52CAAA, #41B897, #30A684, #1F9471 and #0E825E

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #52CAAA shade: #53CAAA, #53CA8A, #53CA6A, #5CCA53 and #7CCA53

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #52CAAA shade: #53CAAA, #53C9CA, #53A9CA, #5389CA and #5369CA

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #52CAAA shade matches the following richer shades: #53CAAA, #41DCB3 and #2FEEBB

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #52CAAA shade: #53CAAA, #65B8A2, #77A599, #899391 and #9B8188

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #52CAAA shade: #53CA6B, #53CA8A, #53CAAA, #53CACA and #53AACA

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #52CAAA shade: #2F9B7E, #39BA98, #53CAAA, #72D3BA and #92DDC9

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #52CAAA shade: #52CAAA, #535BCA and #CA7A53

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #52CAAA shade: #52CAAA, #AA53CA and #CAAA53

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #52CAAA shade: #52CAAA, #535BCA, #CA5373 and #CAC253

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #52CAAA shade: #52CAAA, #6F53CA, #CA5373 and #AECA53

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 59 / 0 / 16 / 21

HEX #52CAAA

RGB 82 202 170

HSL 164, 0.53%, 0.56%

LAB 74.15, -41.26, 6

 

Complementary color

CMYK 0 / 69 / 51 / 32

HEX #AD3555

RGB 173 53 85

HSL 344, 0.53%, 0.44%

LAB 41.35, 50.91, 9.06

 

CMYK 57 / 0 / 18 / 21

HEX #57CAA5

RGB 87 202 165

HSL 160.7, 0.52%, 0.57%

LAB 74.18, -41.44, 8.76

 

CMYK 53 / 0 / 16 / 14

HEX #68DCB8

RGB 104 220 184

HSL 161.38, 0.62%, 0.64%

LAB 80.51, -41.44, 7.74

 

CMYK 49 / 0 / 15 / 7

HEX #79EECB

RGB 121 238 203

HSL 162.05, 0.77%, 0.7%

LAB 86.76, -41.38, 6.79

 

CMYK 46 / 0 / 13 / 0

HEX #8AFFDE

RGB 138 255 222

HSL 163.08, 1%, 0.77%

LAB 92.66, -40.82, 5.5

 

CMYK 39 / 0 / 5 / 0

HEX #9BFFF1

RGB 155 255 241

HSL 171.6, 1%, 0.8%

LAB 93.81, -32.47, -2.55

 

CMYK 59 / 0 / 16 / 21

HEX #52CAAA

RGB 82 202 170

HSL 164, 0.53%, 0.56%

LAB 74.15, -41.26, 6

 

CMYK 65 / 0 / 18 / 28

HEX #41B897

RGB 65 184 151

HSL 163.36, 0.48%, 0.49%

LAB 67.75, -41.05, 7.1

 

CMYK 71 / 0 / 20 / 35

HEX #30A684

RGB 48 166 132

HSL 162.71, 0.55%, 0.42%

LAB 61.28, -40.64, 8.31

 

CMYK 79 / 0 / 24 / 42

HEX #1F9471

RGB 31 148 113

HSL 162.05, 0.65%, 0.35%

LAB 54.72, -39.94, 9.68

 

CMYK 89 / 0 / 28 / 49

HEX #0E825E

RGB 14 130 94

HSL 161.38, 0.81%, 0.28%

LAB 48.09, -38.77, 11.25

 

CMYK 59 / 0 / 16 / 21

HEX #53CAAA

RGB 83 202 170

HSL 163.87, 0.53%, 0.56%

LAB 74.18, -41.07, 6.05

 

CMYK 59 / 0 / 32 / 21

HEX #53CA8A

RGB 83 202 138

HSL 147.73, 0.53%, 0.56%

LAB 73.49, -48.07, 22.21

 

CMYK 59 / 0 / 48 / 21

HEX #53CA6A

RGB 83 202 106

HSL 131.6, 0.53%, 0.56%

LAB 72.97, -53.64, 38.02

 

CMYK 54 / 0 / 59 / 21

HEX #5CCA53

RGB 92 202 83

HSL 115.46, 0.53%, 0.56%

LAB 72.98, -54.48, 49.06

 

CMYK 39 / 0 / 59 / 21

HEX #7CCA53

RGB 124 202 83

HSL 99.33, 0.53%, 0.56%

LAB 74.29, -45.01, 50.9

 

CMYK 59 / 0 / 16 / 21

HEX #53CAAA

RGB 83 202 170

HSL 163.87, 0.53%, 0.56%

LAB 74.18, -41.07, 6.05

 

CMYK 59 / 0 / 0 / 21

HEX #53C9CA

RGB 83 201 202

HSL 180.5, 0.53%, 0.56%

LAB 74.75, -32.38, -10.43

 

CMYK 59 / 16 / 0 / 21

HEX #53A9CA

RGB 83 169 202

HSL 196.64, 0.53%, 0.56%

LAB 65.34, -16.28, -24.66

 

CMYK 59 / 32 / 0 / 21

HEX #5389CA

RGB 83 137 202

HSL 212.77, 0.53%, 0.56%

LAB 56.08, 1.66, -39.04

 

CMYK 59 / 48 / 0 / 21

HEX #5369CA

RGB 83 105 202

HSL 228.91, 0.53%, 0.56%

LAB 47.24, 21.18, -53.07

 

CMYK 59 / 0 / 16 / 21

HEX #53CAAA

RGB 83 202 170

HSL 163.87, 0.53%, 0.56%

LAB 74.18, -41.07, 6.05

 

CMYK 70 / 0 / 19 / 14

HEX #41DCB3

RGB 65 220 179

HSL 164.13, 0.69%, 0.56%

LAB 79.37, -49.6, 8.62

 

CMYK 80 / 0 / 21 / 7

HEX #2FEEBB

RGB 47 238 187

HSL 163.98, 0.85%, 0.56%

LAB 84.66, -56.96, 11.91

 

CMYK 59 / 0 / 16 / 21

HEX #53CAAA

RGB 83 202 170

HSL 163.87, 0.53%, 0.56%

LAB 74.18, -41.07, 6.05

 

CMYK 45 / 0 / 12 / 28

HEX #65B8A2

RGB 101 184 162

HSL 164.1, 0.37%, 0.56%

LAB 69.22, -30.63, 3.33

 

CMYK 28 / 0 / 7 / 35

HEX #77A599

RGB 119 165 153

HSL 164.35, 0.2%, 0.56%

LAB 64.27, -18.06, 1.23

 

CMYK 7 / 0 / 1 / 42

HEX #899391

RGB 137 147 145

HSL 168, 0.04%, 0.56%

LAB 60.1, -4, -0.19

 

CMYK 0 / 17 / 12 / 39

HEX #9B8188

RGB 155 129 136

HSL 343.85, 0.12%, 0.56%

LAB 56.53, 11.15, -0.05

 

CMYK 59 / 0 / 47 / 21

HEX #53CA6B

RGB 83 202 107

HSL 132.1, 0.53%, 0.56%

LAB 72.99, -53.49, 37.54

 

CMYK 59 / 0 / 32 / 21

HEX #53CA8A

RGB 83 202 138

HSL 147.73, 0.53%, 0.56%

LAB 73.49, -48.07, 22.21

 

CMYK 59 / 0 / 16 / 21

HEX #53CAAA

RGB 83 202 170

HSL 163.87, 0.53%, 0.56%

LAB 74.18, -41.07, 6.05

 

CMYK 59 / 0 / 0 / 21

HEX #53CACA

RGB 83 202 202

HSL 180, 0.53%, 0.56%

LAB 75.04, -32.85, -9.99

 

CMYK 59 / 16 / 0 / 21

HEX #53AACA

RGB 83 170 202

HSL 196.13, 0.53%, 0.56%

LAB 65.63, -16.81, -24.21

 

CMYK 70 / 0 / 19 / 39

HEX #2F9B7E

RGB 47 155 126

HSL 163.89, 0.53%, 0.4%

LAB 57.61, -37.47, 6.45

 

CMYK 69 / 0 / 18 / 27

HEX #39BA98

RGB 57 186 152

HSL 164.19, 0.53%, 0.48%

LAB 68.21, -42.97, 7.18

 

CMYK 59 / 0 / 16 / 21

HEX #53CAAA

RGB 83 202 170

HSL 163.87, 0.53%, 0.56%

LAB 74.18, -41.07, 6.05

 

CMYK 46 / 0 / 12 / 17

HEX #72D3BA

RGB 114 211 186

HSL 164.54, 0.52%, 0.64%

LAB 78.29, -34.58, 3.52

 

CMYK 34 / 0 / 9 / 13

HEX #92DDC9

RGB 146 221 201

HSL 164, 0.52%, 0.72%

LAB 82.94, -27.57, 2.44

 

CMYK 59 / 0 / 16 / 21

HEX #52CAAA

RGB 82 202 170

HSL 164, 0.53%, 0.56%

LAB 74.15, -41.26, 6

 

CMYK 59 / 55 / 0 / 21

HEX #535BCA

RGB 83 91 202

HSL 235.97, 0.53%, 0.56%

LAB 43.63, 29.93, -58.89

 

CMYK 0 / 40 / 59 / 21

HEX #CA7A53

RGB 202 122 83

HSL 19.66, 0.53%, 0.56%

LAB 59.07, 27.42, 34.39

 

CMYK 59 / 0 / 16 / 21

HEX #52CAAA

RGB 82 202 170

HSL 164, 0.53%, 0.56%

LAB 74.15, -41.26, 6

 

CMYK 16 / 59 / 0 / 21

HEX #AA53CA

RGB 170 83 202

HSL 283.87, 0.53%, 0.56%

LAB 50.68, 54.25, -47.1

 

CMYK 0 / 16 / 59 / 21

HEX #CAAA53

RGB 202 170 83

HSL 43.87, 0.53%, 0.56%

LAB 70.82, 1.37, 48.38

 

CMYK 59 / 0 / 16 / 21

HEX #52CAAA

RGB 82 202 170

HSL 164, 0.53%, 0.56%

LAB 74.15, -41.26, 6

 

CMYK 59 / 55 / 0 / 21

HEX #535BCA

RGB 83 91 202

HSL 235.97, 0.53%, 0.56%

LAB 43.63, 29.93, -58.89

 

CMYK 0 / 59 / 43 / 21

HEX #CA5373

RGB 202 83 115

HSL 343.87, 0.53%, 0.56%

LAB 51.82, 50.17, 6.22

 

CMYK 0 / 4 / 59 / 21

HEX #CAC253

RGB 202 194 83

HSL 55.97, 0.53%, 0.56%

LAB 77.14, -11.16, 55.5

 

CMYK 59 / 0 / 16 / 21

HEX #52CAAA

RGB 82 202 170

HSL 164, 0.53%, 0.56%

LAB 74.15, -41.26, 6

 

CMYK 45 / 59 / 0 / 21

HEX #6F53CA

RGB 111 83 202

HSL 254.12, 0.53%, 0.56%

LAB 43.99, 40.35, -58.21

 

CMYK 0 / 59 / 43 / 21

HEX #CA5373

RGB 202 83 115

HSL 343.87, 0.53%, 0.56%

LAB 51.82, 50.17, 6.22

 

CMYK 14 / 0 / 59 / 21

HEX #AECA53

RGB 174 202 83

HSL 74.12, 0.53%, 0.56%

LAB 77.2, -26.6, 54.98

 

Description

Color code: HEX #52CAAA | qconv.com Color code: HEX #52CAAA | qconv.com - big

Since the color values are relatively high compared to others, this hue appears lighter to us.

The breakdown of the color into the RGB color system: of 255 maximum color components, 82 red, 202 green and 170 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
82 202 170 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, 59 cyan, none magenta, 16 yellow and 21 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
59% 0% 16% 21% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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