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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #52CB48 it is the complementary color #AD34B7. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #52CB48. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #52CB48 shade: #57CB43, #68DD56, #79EF69, #8AFF7C and #9BFF8F

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #52CB48. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #52CB48 shade: #52CB48, #41B935, #30A722, #1F950F and #0E8300

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #52CB48 shade: #52CB48, #75CB48, #98CB48, #BCCB48 and #CBB748

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #52CB48 shade: #52CB48, #48CB61, #48CB84, #48CBA8 and #48CBCB

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #52CB48 shade matches the following richer shades: #52CB48, #41DE35 and #31F122

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #52CB48 shade: #52CB48, #62B85A, #72A56D, #829280 and #927F93

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #52CB48 shade: #99CB48, #75CB48, #52CB48, #48CB60 and #48CB83

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #52CB48 shade: #32962A, #3DB633, #52CB48, #70D468 and #8EDD88

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #52CB48 shade: #52CB48, #48BCCB and #CB4887

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #52CB48 shade: #52CB48, #4852CB and #CB4852

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #52CB48 shade: #52CB48, #48BCCB, #C048CB and #CB5748

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #52CB48 shade: #52CB48, #4894CB, #C048CB and #CB7E48

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 60 / 0 / 65 / 20

HEX #52CB48

RGB 82 203 72

HSL 115.42, 0.56%, 0.54%

LAB 72.87, -58.48, 53.65

 

Complementary color

CMYK 5 / 72 / 0 / 28

HEX #AD34B7

RGB 173 52 183

HSL 295.42, 0.56%, 0.46%

LAB 45.3, 64.48, -44.62

 

CMYK 57 / 0 / 67 / 20

HEX #57CB43

RGB 87 203 67

HSL 111.18, 0.57%, 0.53%

LAB 72.99, -57.74, 55.87

 

CMYK 53 / 0 / 61 / 13

HEX #68DD56

RGB 104 221 86

HSL 112, 0.67%, 0.6%

LAB 79.23, -58.18, 54.97

 

CMYK 49 / 0 / 56 / 6

HEX #79EF69

RGB 121 239 105

HSL 112.84, 0.81%, 0.67%

LAB 85.41, -58.41, 53.89

 

CMYK 46 / 0 / 51 / 0

HEX #8AFF7C

RGB 138 255 124

HSL 113.59, 1%, 0.74%

LAB 90.95, -57.7, 52.03

 

CMYK 39 / 0 / 44 / 0

HEX #9BFF8F

RGB 155 255 143

HSL 113.57, 1%, 0.78%

LAB 91.9, -50.35, 44.4

 

CMYK 60 / 0 / 65 / 20

HEX #52CB48

RGB 82 203 72

HSL 115.42, 0.56%, 0.54%

LAB 72.87, -58.48, 53.65

 

CMYK 65 / 0 / 71 / 27

HEX #41B935

RGB 65 185 53

HSL 114.55, 0.55%, 0.47%

LAB 66.58, -57.71, 54.4

 

CMYK 71 / 0 / 80 / 35

HEX #30A722

RGB 48 167 34

HSL 113.68, 0.66%, 0.39%

LAB 60.23, -56.44, 54.56

 

CMYK 79 / 0 / 90 / 42

HEX #1F950F

RGB 31 149 15

HSL 112.84, 0.82%, 0.32%

LAB 53.84, -54.45, 53.57

 

CMYK 89 / 0 / 100 / 49

HEX #0E8300

RGB 14 131 0

HSL 113.59, 1%, 0.26%

LAB 47.4, -51.47, 50.89

 

CMYK 60 / 0 / 65 / 20

HEX #52CB48

RGB 82 203 72

HSL 115.42, 0.56%, 0.54%

LAB 72.87, -58.48, 53.65

 

CMYK 42 / 0 / 65 / 20

HEX #75CB48

RGB 117 203 72

HSL 99.39, 0.56%, 0.54%

LAB 74.17, -48.73, 55.43

 

CMYK 25 / 0 / 65 / 20

HEX #98CB48

RGB 152 203 72

HSL 83.36, 0.56%, 0.54%

LAB 75.98, -36.47, 57.92

 

CMYK 7 / 0 / 65 / 20

HEX #BCCB48

RGB 188 203 72

HSL 66.87, 0.56%, 0.54%

LAB 78.39, -22.22, 61.2

 

CMYK 0 / 10 / 65 / 20

HEX #CBB748

RGB 203 183 72

HSL 50.84, 0.56%, 0.54%

LAB 74.21, -5.8, 57.16

 

CMYK 60 / 0 / 65 / 20

HEX #52CB48

RGB 82 203 72

HSL 115.42, 0.56%, 0.54%

LAB 72.87, -58.48, 53.65

 

CMYK 65 / 0 / 52 / 20

HEX #48CB61

RGB 72 203 97

HSL 131.45, 0.56%, 0.54%

LAB 72.86, -57.67, 42.22

 

CMYK 65 / 0 / 35 / 20

HEX #48CB84

RGB 72 203 132

HSL 147.48, 0.56%, 0.54%

LAB 73.39, -51.83, 25.18

 

CMYK 65 / 0 / 17 / 20

HEX #48CBA8

RGB 72 203 168

HSL 163.97, 0.56%, 0.54%

LAB 74.14, -43.99, 7.03

 

CMYK 65 / 0 / 0 / 20

HEX #48CBCB

RGB 72 203 203

HSL 180, 0.56%, 0.54%

LAB 75.08, -34.85, -10.51

 

CMYK 60 / 0 / 65 / 20

HEX #52CB48

RGB 82 203 72

HSL 115.42, 0.56%, 0.54%

LAB 72.87, -58.48, 53.65

 

CMYK 71 / 0 / 76 / 13

HEX #41DE35

RGB 65 222 53

HSL 115.74, 0.72%, 0.54%

LAB 78.24, -69.82, 66.08

 

CMYK 80 / 0 / 86 / 5

HEX #31F122

RGB 49 241 34

HSL 115.65, 0.88%, 0.54%

LAB 83.8, -78.71, 76

 

CMYK 60 / 0 / 65 / 20

HEX #52CB48

RGB 82 203 72

HSL 115.42, 0.56%, 0.54%

LAB 72.87, -58.48, 53.65

 

CMYK 47 / 0 / 51 / 28

HEX #62B85A

RGB 98 184 90

HSL 114.89, 0.4%, 0.54%

LAB 67.74, -44.8, 39.57

 

CMYK 31 / 0 / 34 / 35

HEX #72A56D

RGB 114 165 109

HSL 114.64, 0.24%, 0.54%

LAB 63, -28.26, 23.78

 

CMYK 11 / 0 / 12 / 43

HEX #829280

RGB 130 146 128

HSL 113.33, 0.08%, 0.54%

LAB 58.85, -9.32, 7.61

 

CMYK 1 / 14 / 0 / 42

HEX #927F93

RGB 146 127 147

HSL 297, 0.08%, 0.54%

LAB 55.48, 11.02, -8.07

 

CMYK 25 / 0 / 65 / 20

HEX #99CB48

RGB 153 203 72

HSL 82.9, 0.56%, 0.54%

LAB 76.04, -36.09, 58

 

CMYK 42 / 0 / 65 / 20

HEX #75CB48

RGB 117 203 72

HSL 99.39, 0.56%, 0.54%

LAB 74.17, -48.73, 55.43

 

CMYK 60 / 0 / 65 / 20

HEX #52CB48

RGB 82 203 72

HSL 115.42, 0.56%, 0.54%

LAB 72.87, -58.48, 53.65

 

CMYK 65 / 0 / 53 / 20

HEX #48CB60

RGB 72 203 96

HSL 130.99, 0.56%, 0.54%

LAB 72.85, -57.81, 42.69

 

CMYK 65 / 0 / 35 / 20

HEX #48CB83

RGB 72 203 131

HSL 147.02, 0.56%, 0.54%

LAB 73.37, -52.02, 25.68

 

CMYK 67 / 0 / 72 / 41

HEX #32962A

RGB 50 150 42

HSL 115.56, 0.56%, 0.38%

LAB 54.72, -49.61, 46.26

 

CMYK 66 / 0 / 72 / 29

HEX #3DB633

RGB 61 182 51

HSL 115.42, 0.56%, 0.46%

LAB 65.5, -57.68, 54.01

 

CMYK 60 / 0 / 65 / 20

HEX #52CB48

RGB 82 203 72

HSL 115.42, 0.56%, 0.54%

LAB 72.87, -58.48, 53.65

 

CMYK 47 / 0 / 51 / 17

HEX #70D468

RGB 112 212 104

HSL 115.56, 0.56%, 0.62%

LAB 77, -50.42, 44.21

 

CMYK 36 / 0 / 38 / 13

HEX #8EDD88

RGB 142 221 136

HSL 115.76, 0.56%, 0.7%

LAB 81.42, -40.75, 34.25

 

CMYK 60 / 0 / 65 / 20

HEX #52CB48

RGB 82 203 72

HSL 115.42, 0.56%, 0.54%

LAB 72.87, -58.48, 53.65

 

CMYK 65 / 7 / 0 / 20

HEX #48BCCB

RGB 72 188 203

HSL 186.87, 0.56%, 0.54%

LAB 70.63, -27.64, -17.19

 

CMYK 0 / 65 / 33 / 20

HEX #CB4887

RGB 203 72 135

HSL 331.15, 0.56%, 0.54%

LAB 50.78, 57.5, -7.25

 

CMYK 60 / 0 / 65 / 20

HEX #52CB48

RGB 82 203 72

HSL 115.42, 0.56%, 0.54%

LAB 72.87, -58.48, 53.65

 

CMYK 65 / 60 / 0 / 20

HEX #4852CB

RGB 72 82 203

HSL 235.42, 0.56%, 0.54%

LAB 40.77, 34.03, -64.14

 

CMYK 0 / 65 / 60 / 20

HEX #CB4852

RGB 203 72 82

HSL 355.42, 0.56%, 0.54%

LAB 49.42, 52.54, 22.73

 

CMYK 60 / 0 / 65 / 20

HEX #52CB48

RGB 82 203 72

HSL 115.42, 0.56%, 0.54%

LAB 72.87, -58.48, 53.65

 

CMYK 65 / 7 / 0 / 20

HEX #48BCCB

RGB 72 188 203

HSL 186.87, 0.56%, 0.54%

LAB 70.63, -27.64, -17.19

 

CMYK 5 / 65 / 0 / 20

HEX #C048CB

RGB 192 72 203

HSL 294.96, 0.56%, 0.54%

LAB 52.01, 64.67, -45.38

 

CMYK 0 / 57 / 65 / 20

HEX #CB5748

RGB 203 87 72

HSL 6.87, 0.56%, 0.54%

LAB 51.82, 45.1, 31.62

 

CMYK 60 / 0 / 65 / 20

HEX #52CB48

RGB 82 203 72

HSL 115.42, 0.56%, 0.54%

LAB 72.87, -58.48, 53.65

 

CMYK 65 / 27 / 0 / 20

HEX #4894CB

RGB 72 148 203

HSL 205.19, 0.56%, 0.54%

LAB 58.85, -6.43, -35.29

 

CMYK 5 / 65 / 0 / 20

HEX #C048CB

RGB 192 72 203

HSL 294.96, 0.56%, 0.54%

LAB 52.01, 64.67, -45.38

 

CMYK 0 / 38 / 65 / 20

HEX #CB7E48

RGB 203 126 72

HSL 24.73, 0.56%, 0.54%

LAB 59.97, 24.9, 41.35

 

Description

Color code: HEX #52CB48 | qconv.com Color code: HEX #52CB48 | qconv.com - big

Since the color values are relatively high compared to others, this hue appears lighter to us.

The breakdown of the color into the RGB color system: of 255 maximum color components, 82 red, 203 green and 72 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
82 203 72 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, 60 cyan, none magenta, 65 yellow and 20 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
60% 0% 65% 20% C M Y K



Brands

This color is used by at least one manufactures. Here you can see which:

18% - Sootfreecities.eu
Link: http://sootfreecities.eu

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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