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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #531875 it is the complementary color #ACE78A. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #531875. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #531875 shade: #581870, #692A83, #7A3C96, #8B4EA9 and #9C60BC

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #531875. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #531875 shade: #531875, #420662, #31004F, #20003C and #0F0029

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #531875 shade: #541876, #6D1876, #761866, #76184C and #761833

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #531875 shade: #541876, #3A1876, #211876 and #181876

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #531875 shade matches the following richer shades: #541876, #570C82 and #5A018D

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #531875 shade: #541876, #50236A, #4D2F5F, #4A3A53 and #474648

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #531875 shade: #211876, #3A1876, #531876, #6D1876 and #761866

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #531875 shade: #230A32, #3B1154, #541876, #6C1F98 and #8426BB

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #531875 shade: #531875, #761827 and #18762E

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #531875 shade: #531875, #765318 and #187653

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #531875 shade: #531875, #761827, #3A7618 and #187666

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #531875 shade: #531875, #762418, #3A7618 and #186976

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 29 / 79 / 0 / 54

HEX #531875

RGB 83 24 117

HSL 278.06, 0.66%, 0.28%

LAB 22.92, 42.87, -40.98

 

Complementary color

CMYK 26 / 0 / 40 / 9

HEX #ACE78A

RGB 172 231 138

HSL 98.06, 0.66%, 0.72%

LAB 85.89, -35.06, 39.34

 

CMYK 21 / 79 / 0 / 56

HEX #581870

RGB 88 24 112

HSL 283.64, 0.65%, 0.27%

LAB 23.33, 42.77, -37.06

 

CMYK 20 / 68 / 0 / 49

HEX #692A83

RGB 105 42 131

HSL 282.47, 0.51%, 0.34%

LAB 30.15, 42.87, -38

 

CMYK 19 / 60 / 0 / 41

HEX #7A3C96

RGB 122 60 150

HSL 281.33, 0.43%, 0.41%

LAB 37.06, 42.37, -38.52

 

CMYK 18 / 54 / 0 / 34

HEX #8B4EA9

RGB 139 78 169

HSL 280.22, 0.37%, 0.48%

LAB 43.95, 41.62, -38.82

 

CMYK 17 / 49 / 0 / 26

HEX #9C60BC

RGB 156 96 188

HSL 279.13, 0.41%, 0.56%

LAB 50.76, 40.79, -39.02

 

CMYK 29 / 79 / 0 / 54

HEX #531875

RGB 83 24 117

HSL 278.06, 0.66%, 0.28%

LAB 22.92, 42.87, -40.98

 

CMYK 33 / 94 / 0 / 62

HEX #420662

RGB 66 6 98

HSL 279.13, 0.88%, 0.2%

LAB 16.36, 41.63, -39.39

 

CMYK 38 / 100 / 0 / 69

HEX #31004F

RGB 49 0 79

HSL 277.22, 1%, 0.15%

LAB 10.69, 37.12, -35.94

 

CMYK 47 / 100 / 0 / 76

HEX #20003C

RGB 32 0 60

HSL 272, 1%, 0.12%

LAB 5.72, 29.27, -30.78

 

CMYK 63 / 100 / 0 / 84

HEX #0F0029

RGB 15 0 41

HSL 261.95, 1%, 0.08%

LAB 2.36, 14.28, -22.12

 

CMYK 29 / 80 / 0 / 54

HEX #541876

RGB 84 24 118

HSL 278.3, 0.66%, 0.28%

LAB 23.16, 43.3, -41.23

 

CMYK 8 / 80 / 0 / 54

HEX #6D1876

RGB 109 24 118

HSL 294.26, 0.66%, 0.28%

LAB 27.33, 48.5, -34.29

 

CMYK 0 / 80 / 14 / 54

HEX #761866

RGB 118 24 102

HSL 310.21, 0.66%, 0.28%

LAB 28.02, 47.84, -22.81

 

CMYK 0 / 80 / 36 / 54

HEX #76184C

RGB 118 24 76

HSL 326.81, 0.66%, 0.28%

LAB 26.81, 44.23, -7.54

 

CMYK 0 / 80 / 57 / 54

HEX #761833

RGB 118 24 51

HSL 342.77, 0.66%, 0.28%

LAB 25.99, 41.67, 8.18

 

CMYK 29 / 80 / 0 / 54

HEX #541876

RGB 84 24 118

HSL 278.3, 0.66%, 0.28%

LAB 23.16, 43.3, -41.23

 

CMYK 51 / 80 / 0 / 54

HEX #3A1876

RGB 58 24 118

HSL 261.7, 0.66%, 0.28%

LAB 19.48, 38.6, -47.39

 

CMYK 72 / 80 / 0 / 54

HEX #211876

RGB 33 24 118

HSL 245.74, 0.66%, 0.28%

LAB 16.92, 35.23, -51.69

 

CMYK 80 / 80 / 0 / 54

HEX #181876

RGB 24 24 118

HSL 240, 0.66%, 0.28%

LAB 16.28, 34.38, -52.76

 

CMYK 29 / 80 / 0 / 54

HEX #541876

RGB 84 24 118

HSL 278.3, 0.66%, 0.28%

LAB 23.16, 43.3, -41.23

 

CMYK 33 / 91 / 0 / 49

HEX #570C82

RGB 87 12 130

HSL 278.14, 0.83%, 0.28%

LAB 23.34, 50.38, -48.54

 

CMYK 36 / 99 / 0 / 45

HEX #5A018D

RGB 90 1 141

HSL 278.14, 0.99%, 0.28%

LAB 24.06, 55.52, -54.24

 

CMYK 29 / 80 / 0 / 54

HEX #541876

RGB 84 24 118

HSL 278.3, 0.66%, 0.28%

LAB 23.16, 43.3, -41.23

 

CMYK 25 / 67 / 0 / 58

HEX #50236A

RGB 80 35 106

HSL 278.03, 0.5%, 0.28%

LAB 23.5, 34.33, -32.97

 

CMYK 19 / 51 / 0 / 63

HEX #4D2F5F

RGB 77 47 95

HSL 277.5, 0.34%, 0.28%

LAB 25.07, 23.64, -23.35

 

CMYK 11 / 30 / 0 / 67

HEX #4A3A53

RGB 74 58 83

HSL 278.4, 0.18%, 0.28%

LAB 27.04, 12.46, -12.46

 

CMYK 1 / 3 / 0 / 72

HEX #474648

RGB 71 70 72

HSL 270, 0.01%, 0.28%

LAB 29.88, 0.86, -1.06

 

CMYK 72 / 80 / 0 / 54

HEX #211876

RGB 33 24 118

HSL 245.74, 0.66%, 0.28%

LAB 16.92, 35.23, -51.69

 

CMYK 51 / 80 / 0 / 54

HEX #3A1876

RGB 58 24 118

HSL 261.7, 0.66%, 0.28%

LAB 19.48, 38.6, -47.39

 

CMYK 30 / 80 / 0 / 54

HEX #531876

RGB 83 24 118

HSL 277.66, 0.66%, 0.28%

LAB 23, 43.1, -41.49

 

CMYK 8 / 80 / 0 / 54

HEX #6D1876

RGB 109 24 118

HSL 294.26, 0.66%, 0.28%

LAB 27.33, 48.5, -34.29

 

CMYK 0 / 80 / 14 / 54

HEX #761866

RGB 118 24 102

HSL 310.21, 0.66%, 0.28%

LAB 28.02, 47.84, -22.81

 

CMYK 30 / 80 / 0 / 80

HEX #230A32

RGB 35 10 50

HSL 277.5, 0.67%, 0.12%

LAB 7.27, 21.61, -20.95

 

CMYK 30 / 80 / 0 / 67

HEX #3B1154

RGB 59 17 84

HSL 277.61, 0.66%, 0.2%

LAB 15.33, 32.93, -31.71

 

CMYK 29 / 80 / 0 / 54

HEX #541876

RGB 84 24 118

HSL 278.3, 0.66%, 0.28%

LAB 23.16, 43.3, -41.23

 

CMYK 29 / 80 / 0 / 40

HEX #6C1F98

RGB 108 31 152

HSL 278.18, 0.66%, 0.36%

LAB 30.48, 52.83, -50.42

 

CMYK 29 / 80 / 0 / 27

HEX #8426BB

RGB 132 38 187

HSL 277.85, 0.66%, 0.44%

LAB 37.63, 62.12, -59.66

 

CMYK 29 / 79 / 0 / 54

HEX #531875

RGB 83 24 117

HSL 278.06, 0.66%, 0.28%

LAB 22.92, 42.87, -40.98

 

CMYK 0 / 80 / 67 / 54

HEX #761827

RGB 118 24 39

HSL 350.43, 0.66%, 0.28%

LAB 25.72, 40.79, 15.95

 

CMYK 80 / 0 / 61 / 54

HEX #18762E

RGB 24 118 46

HSL 134.04, 0.66%, 0.28%

LAB 43.28, -42.53, 31.69

 

CMYK 29 / 79 / 0 / 54

HEX #531875

RGB 83 24 117

HSL 278.06, 0.66%, 0.28%

LAB 22.92, 42.87, -40.98

 

CMYK 0 / 30 / 80 / 54

HEX #765318

RGB 118 83 24

HSL 37.66, 0.66%, 0.28%

LAB 38.03, 8.77, 38.28

 

CMYK 80 / 0 / 30 / 54

HEX #187653

RGB 24 118 83

HSL 157.66, 0.66%, 0.28%

LAB 43.91, -35.37, 11.87

 

CMYK 29 / 79 / 0 / 54

HEX #531875

RGB 83 24 117

HSL 278.06, 0.66%, 0.28%

LAB 22.92, 42.87, -40.98

 

CMYK 0 / 80 / 67 / 54

HEX #761827

RGB 118 24 39

HSL 350.43, 0.66%, 0.28%

LAB 25.72, 40.79, 15.95

 

CMYK 51 / 0 / 80 / 54

HEX #3A7618

RGB 58 118 24

HSL 98.3, 0.66%, 0.28%

LAB 44.12, -36.53, 42.53

 

CMYK 80 / 0 / 14 / 54

HEX #187666

RGB 24 118 102

HSL 169.79, 0.66%, 0.28%

LAB 44.39, -30.29, 1.28

 

CMYK 29 / 79 / 0 / 54

HEX #531875

RGB 83 24 117

HSL 278.06, 0.66%, 0.28%

LAB 22.92, 42.87, -40.98

 

CMYK 0 / 69 / 80 / 54

HEX #762418

RGB 118 36 24

HSL 7.66, 0.66%, 0.28%

LAB 27.24, 35.16, 27.38

 

CMYK 51 / 0 / 80 / 54

HEX #3A7618

RGB 58 118 24

HSL 98.3, 0.66%, 0.28%

LAB 44.12, -36.53, 42.53

 

CMYK 80 / 11 / 0 / 54

HEX #186976

RGB 24 105 118

HSL 188.3, 0.66%, 0.28%

LAB 40.58, -18.57, -14.05

 

Description

Color code: HEX #531875 | qconv.com Color code: HEX #531875 | qconv.com - big

Since the color values are relatively low compared to others, this hue appears darker to us.

The breakdown of the color into the RGB color system: of 255 maximum color components, 83 red, 24 green and 117 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
83 24 117 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, 29 cyan, 79 magenta, none yellow and 54 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
29% 79% 0% 54% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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