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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #531C5E it is the complementary color #ACE3A1. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #531C5E. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #531C5E shade: #581C59, #692E6C, #7A407F, #8B5292 and #9C64A5

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #531C5E. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #531C5E shade: #531C5E, #420A4B, #310038, #200025 and #0F0012

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #531C5E shade: #531C5E, #5E1C57, #5E1C45, #5E1C33 and #5E1C21

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #531C5E shade: #531C5E, #411C5E, #2F1C5E, #1D1C5E and #1C1C5E

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #531C5E shade matches the following richer shades: #531C5E, #591268 and #600872

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #531C5E shade: #531C5E, #4C2654, #462F4A, #3F3940 and #384336

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #531C5E shade: #2F1C5E, #411C5E, #531C5E, #5E1C57 and #5E1C46

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #531C5E shade: #1B091E, #37123E, #531C5E, #6F257E and #8B2F9D

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #531C5E shade: #531C5E, #5E1E1C and #1C5E38

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #531C5E shade: #531C5E, #5E531C and #1C5E53

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #531C5E shade: #531C5E, #5E1E1C, #275E1C and #1C5C5E

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #531C5E shade: #531C5E, #5E321C, #275E1C and #1C485E

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 12 / 70 / 0 / 63

HEX #531C5E

RGB 83 28 94

HSL 290, 0.54%, 0.24%

LAB 21.86, 35.91, -27.71

 

Complementary color

CMYK 24 / 0 / 29 / 11

HEX #ACE3A1

RGB 172 227 161

HSL 110, 0.54%, 0.76%

LAB 85.14, -29.87, 26.71

 

CMYK 1 / 69 / 0 / 65

HEX #581C59

RGB 88 28 89

HSL 299.02, 0.52%, 0.23%

LAB 22.4, 36.24, -23.5

 

CMYK 3 / 57 / 0 / 58

HEX #692E6C

RGB 105 46 108

HSL 297.1, 0.4%, 0.3%

LAB 29.51, 35.94, -24.48

 

CMYK 4 / 50 / 0 / 50

HEX #7A407F

RGB 122 64 127

HSL 295.24, 0.33%, 0.37%

LAB 36.62, 35.27, -25.11

 

CMYK 5 / 44 / 0 / 43

HEX #8B5292

RGB 139 82 146

HSL 293.44, 0.28%, 0.45%

LAB 43.65, 34.48, -25.57

 

CMYK 5 / 39 / 0 / 35

HEX #9C64A5

RGB 156 100 165

HSL 291.69, 0.27%, 0.52%

LAB 50.57, 33.68, -25.94

 

CMYK 12 / 70 / 0 / 63

HEX #531C5E

RGB 83 28 94

HSL 290, 0.54%, 0.24%

LAB 21.86, 35.91, -27.71

 

CMYK 12 / 87 / 0 / 71

HEX #420A4B

RGB 66 10 75

HSL 291.69, 0.76%, 0.17%

LAB 14.86, 35.28, -26.25

 

CMYK 13 / 100 / 0 / 78

HEX #310038

RGB 49 0 56

HSL 292.5, 1%, 0.11%

LAB 8.47, 32.12, -23.28

 

CMYK 14 / 100 / 0 / 85

HEX #200025

RGB 32 0 37

HSL 291.89, 1%, 0.07%

LAB 3.98, 20.81, -16.37

 

CMYK 17 / 100 / 0 / 93

HEX #0F0012

RGB 15 0 18

HSL 290, 1%, 0.04%

LAB 1.31, 6.89, -6.09

 

CMYK 12 / 70 / 0 / 63

HEX #531C5E

RGB 83 28 94

HSL 290, 0.54%, 0.24%

LAB 21.86, 35.91, -27.71

 

CMYK 0 / 70 / 7 / 63

HEX #5E1C57

RGB 94 28 87

HSL 306.36, 0.54%, 0.24%

LAB 23.33, 37.54, -20.62

 

CMYK 0 / 70 / 27 / 63

HEX #5E1C45

RGB 94 28 69

HSL 322.73, 0.54%, 0.24%

LAB 22.44, 34.54, -9.87

 

CMYK 0 / 70 / 46 / 63

HEX #5E1C33

RGB 94 28 51

HSL 339.09, 0.54%, 0.24%

LAB 21.76, 32.14, 1.51

 

CMYK 0 / 70 / 65 / 63

HEX #5E1C21

RGB 94 28 33

HSL 355.45, 0.54%, 0.24%

LAB 21.28, 30.39, 13.33

 

CMYK 12 / 70 / 0 / 63

HEX #531C5E

RGB 83 28 94

HSL 290, 0.54%, 0.24%

LAB 21.86, 35.91, -27.71

 

CMYK 31 / 70 / 0 / 63

HEX #411C5E

RGB 65 28 94

HSL 273.64, 0.54%, 0.24%

LAB 19.07, 31.27, -32.35

 

CMYK 50 / 70 / 0 / 63

HEX #2F1C5E

RGB 47 28 94

HSL 257.27, 0.54%, 0.24%

LAB 16.71, 27.03, -36.27

 

CMYK 69 / 70 / 0 / 63

HEX #1D1C5E

RGB 29 28 94

HSL 240.91, 0.54%, 0.24%

LAB 14.95, 23.58, -39.22

 

CMYK 70 / 70 / 0 / 63

HEX #1C1C5E

RGB 28 28 94

HSL 240, 0.54%, 0.24%

LAB 14.87, 23.42, -39.35

 

CMYK 12 / 70 / 0 / 63

HEX #531C5E

RGB 83 28 94

HSL 290, 0.54%, 0.24%

LAB 21.86, 35.91, -27.71

 

CMYK 14 / 83 / 0 / 59

HEX #591268

RGB 89 18 104

HSL 289.53, 0.7%, 0.24%

LAB 22.15, 43.5, -33.77

 

CMYK 16 / 93 / 0 / 55

HEX #600872

RGB 96 8 114

HSL 289.81, 0.87%, 0.24%

LAB 23.26, 49.44, -38.4

 

CMYK 12 / 70 / 0 / 63

HEX #531C5E

RGB 83 28 94

HSL 290, 0.54%, 0.24%

LAB 21.86, 35.91, -27.71

 

CMYK 10 / 55 / 0 / 67

HEX #4C2654

RGB 76 38 84

HSL 289.57, 0.38%, 0.24%

LAB 22.17, 26.18, -20.65

 

CMYK 5 / 36 / 0 / 71

HEX #462F4A

RGB 70 47 74

HSL 291.11, 0.22%, 0.24%

LAB 23.1, 16, -12.58

 

CMYK 2 / 11 / 0 / 75

HEX #3F3940

RGB 63 57 64

HSL 291.43, 0.06%, 0.24%

LAB 24.81, 4.16, -3.38

 

CMYK 16 / 0 / 19 / 74

HEX #384336

RGB 56 67 54

HSL 110.77, 0.11%, 0.24%

LAB 27.08, -7.47, 6.42

 

CMYK 50 / 70 / 0 / 63

HEX #2F1C5E

RGB 47 28 94

HSL 257.27, 0.54%, 0.24%

LAB 16.71, 27.03, -36.27

 

CMYK 31 / 70 / 0 / 63

HEX #411C5E

RGB 65 28 94

HSL 273.64, 0.54%, 0.24%

LAB 19.07, 31.27, -32.35

 

CMYK 12 / 70 / 0 / 63

HEX #531C5E

RGB 83 28 94

HSL 290, 0.54%, 0.24%

LAB 21.86, 35.91, -27.71

 

CMYK 0 / 70 / 7 / 63

HEX #5E1C57

RGB 94 28 87

HSL 306.36, 0.54%, 0.24%

LAB 23.33, 37.54, -20.62

 

CMYK 0 / 70 / 26 / 63

HEX #5E1C46

RGB 94 28 70

HSL 321.82, 0.54%, 0.24%

LAB 22.49, 34.69, -10.49

 

CMYK 10 / 70 / 0 / 88

HEX #1B091E

RGB 27 9 30

HSL 291.43, 0.54%, 0.08%

LAB 4.72, 11.79, -9.85

 

CMYK 11 / 71 / 0 / 76

HEX #37123E

RGB 55 18 62

HSL 290.45, 0.55%, 0.16%

LAB 13.19, 26.03, -19.96

 

CMYK 12 / 70 / 0 / 63

HEX #531C5E

RGB 83 28 94

HSL 290, 0.54%, 0.24%

LAB 21.86, 35.91, -27.71

 

CMYK 12 / 71 / 0 / 51

HEX #6F257E

RGB 111 37 126

HSL 289.89, 0.55%, 0.32%

LAB 29.93, 45.55, -35.17

 

CMYK 11 / 70 / 0 / 38

HEX #8B2F9D

RGB 139 47 157

HSL 290.18, 0.54%, 0.4%

LAB 37.76, 54.05, -41.49

 

CMYK 12 / 70 / 0 / 63

HEX #531C5E

RGB 83 28 94

HSL 290, 0.54%, 0.24%

LAB 21.86, 35.91, -27.71

 

CMYK 0 / 68 / 70 / 63

HEX #5E1E1C

RGB 94 30 28

HSL 1.82, 0.54%, 0.24%

LAB 21.55, 29.05, 17.07

 

CMYK 70 / 0 / 40 / 63

HEX #1C5E38

RGB 28 94 56

HSL 145.45, 0.54%, 0.24%

LAB 35.08, -30.41, 15.9

 

CMYK 12 / 70 / 0 / 63

HEX #531C5E

RGB 83 28 94

HSL 290, 0.54%, 0.24%

LAB 21.86, 35.91, -27.71

 

CMYK 0 / 12 / 70 / 63

HEX #5E531C

RGB 94 83 28

HSL 50, 0.54%, 0.24%

LAB 35.3, -2.75, 32.76

 

CMYK 70 / 0 / 12 / 63

HEX #1C5E53

RGB 28 94 83

HSL 170, 0.54%, 0.24%

LAB 35.75, -23.48, 0.27

 

CMYK 12 / 70 / 0 / 63

HEX #531C5E

RGB 83 28 94

HSL 290, 0.54%, 0.24%

LAB 21.86, 35.91, -27.71

 

CMYK 0 / 68 / 70 / 63

HEX #5E1E1C

RGB 94 30 28

HSL 1.82, 0.54%, 0.24%

LAB 21.55, 29.05, 17.07

 

CMYK 59 / 0 / 70 / 63

HEX #275E1C

RGB 39 94 28

HSL 110, 0.54%, 0.24%

LAB 35.04, -32.06, 31.34

 

CMYK 70 / 2 / 0 / 63

HEX #1C5C5E

RGB 28 92 94

HSL 181.82, 0.54%, 0.24%

LAB 35.42, -19, -7.07

 

CMYK 12 / 70 / 0 / 63

HEX #531C5E

RGB 83 28 94

HSL 290, 0.54%, 0.24%

LAB 21.86, 35.91, -27.71

 

CMYK 0 / 47 / 70 / 63

HEX #5E321C

RGB 94 50 28

HSL 20, 0.54%, 0.24%

LAB 25.99, 17.7, 22.42

 

CMYK 59 / 0 / 70 / 63

HEX #275E1C

RGB 39 94 28

HSL 110, 0.54%, 0.24%

LAB 35.04, -32.06, 31.34

 

CMYK 70 / 23 / 0 / 63

HEX #1C485E

RGB 28 72 94

HSL 200, 0.54%, 0.24%

LAB 28.62, -7.28, -17.43

 

Description

Color code: HEX #531C5E | qconv.com Color code: HEX #531C5E | qconv.com - big

Since the color values are relatively low compared to others, this hue appears darker to us.

The breakdown of the color into the RGB color system: of 255 maximum color components, 83 red, 28 green and 94 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
83 28 94 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, 12 cyan, 70 magenta, none yellow and 63 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
12% 70% 0% 63% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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