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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #532844 it is the complementary color #ACD7BB. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #532844. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #532844 shade: #58283F, #693A52, #7A4C65, #8B5E78 and #9C708B

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #532844. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #532844 shade: #532844, #421631, #31041E, #20000B and #0F0000

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #532844 shade: #522743, #522738, #52272C and #522727

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #532844 shade: #522743, #52274F, #4A2752, #3E2752 and #332752

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #532844 shade matches the following richer shades: #522743, #5C1D46, #661349, #700A4C and #7A004F

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #532844 shade: #522743, #483140, #3E3B3D, #34453A and #2B4F37

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #532844 shade: #4A2752, #52274F, #522744, #522738 and #52272D

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #532844 shade: #1A0C16, #361A2C, #522743, #6E355A and #8A4271

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #532844 shade: #532844, #523E27 and #27524F

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #532844 shade: #532844, #445227 and #274452

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #532844 shade: #532844, #523E27, #275236 and #273B52

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #532844 shade: #532844, #524B27, #275236 and #272E52

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 0 / 52 / 18 / 67

HEX #532844

RGB 83 40 68

HSL 320.93, 0.35%, 0.24%

LAB 22.91, 24.14, -8.66

 

Complementary color

CMYK 20 / 0 / 13 / 16

HEX #ACD7BB

RGB 172 215 187

HSL 140.93, 0.35%, 0.76%

LAB 82.36, -19.56, 9.22

 

CMYK 0 / 55 / 28 / 65

HEX #58283F

RGB 88 40 63

HSL 331.25, 0.38%, 0.25%

LAB 23.51, 25.19, -4.28

 

CMYK 0 / 45 / 22 / 59

HEX #693A52

RGB 105 58 82

HSL 329.36, 0.29%, 0.32%

LAB 30.97, 24.27, -5.48

 

CMYK 0 / 38 / 17 / 52

HEX #7A4C65

RGB 122 76 101

HSL 327.39, 0.23%, 0.39%

LAB 38.28, 23.38, -6.4

 

CMYK 0 / 32 / 14 / 45

HEX #8B5E78

RGB 139 94 120

HSL 325.33, 0.19%, 0.46%

LAB 45.43, 22.57, -7.18

 

CMYK 0 / 28 / 11 / 39

HEX #9C708B

RGB 156 112 139

HSL 323.18, 0.18%, 0.53%

LAB 52.42, 21.83, -7.86

 

CMYK 0 / 52 / 18 / 67

HEX #532844

RGB 83 40 68

HSL 320.93, 0.35%, 0.24%

LAB 22.91, 24.14, -8.66

 

CMYK 0 / 67 / 26 / 74

HEX #421631

RGB 66 22 49

HSL 323.18, 0.5%, 0.17%

LAB 15.24, 24.88, -7.33

 

CMYK 0 / 92 / 39 / 81

HEX #31041E

RGB 49 4 30

HSL 325.33, 0.85%, 0.1%

LAB 7.53, 25.22, -5.23

 

CMYK 0 / 100 / 66 / 87

HEX #20000B

RGB 32 0 11

HSL 339.38, 1%, 0.06%

LAB 2.99, 13.98, 0.21

 

CMYK 0 / 100 / 100 / 94

HEX #0F0000

RGB 15 0 0

HSL 0, 1%, 0.03%

LAB 0.92, 4.12, 1.45

 

CMYK 0 / 52 / 18 / 68

HEX #522743

RGB 82 39 67

HSL 320.93, 0.36%, 0.24%

LAB 22.48, 24.18, -8.65

 

CMYK 0 / 52 / 32 / 68

HEX #522738

RGB 82 39 56

HSL 336.28, 0.36%, 0.24%

LAB 22.05, 22.3, -1.77

 

CMYK 0 / 52 / 46 / 68

HEX #52272C

RGB 82 39 44

HSL 353.02, 0.36%, 0.24%

LAB 21.68, 20.59, 5.94

 

CMYK 0 / 52 / 52 / 68

HEX #522727

RGB 82 39 39

HSL 0, 0.36%, 0.24%

LAB 21.55, 19.99, 9.19

 

CMYK 0 / 52 / 18 / 68

HEX #522743

RGB 82 39 67

HSL 320.93, 0.36%, 0.24%

LAB 22.48, 24.18, -8.65

 

CMYK 0 / 52 / 4 / 68

HEX #52274F

RGB 82 39 79

HSL 304.19, 0.36%, 0.24%

LAB 23.03, 26.51, -15.9

 

CMYK 10 / 52 / 0 / 68

HEX #4A2752

RGB 74 39 82

HSL 288.84, 0.36%, 0.24%

LAB 22, 24.45, -19.6

 

CMYK 24 / 52 / 0 / 68

HEX #3E2752

RGB 62 39 82

HSL 272.09, 0.36%, 0.24%

LAB 20.38, 20.46, -22.27

 

CMYK 38 / 52 / 0 / 68

HEX #332752

RGB 51 39 82

HSL 256.74, 0.36%, 0.24%

LAB 19.07, 16.95, -24.42

 

CMYK 0 / 52 / 18 / 68

HEX #522743

RGB 82 39 67

HSL 320.93, 0.36%, 0.24%

LAB 22.48, 24.18, -8.65

 

CMYK 0 / 68 / 24 / 64

HEX #5C1D46

RGB 92 29 70

HSL 320.95, 0.52%, 0.24%

LAB 22.29, 33.59, -10.82

 

CMYK 0 / 81 / 28 / 60

HEX #661349

RGB 102 19 73

HSL 320.96, 0.69%, 0.24%

LAB 22.9, 41.05, -11.76

 

CMYK 0 / 91 / 32 / 56

HEX #700A4C

RGB 112 10 76

HSL 321.18, 0.84%, 0.24%

LAB 24.27, 46.41, -11.51

 

CMYK 0 / 100 / 35 / 52

HEX #7A004F

RGB 122 0 79

HSL 321.15, 1%, 0.24%

LAB 25.87, 51.06, -10.9

 

CMYK 0 / 52 / 18 / 68

HEX #522743

RGB 82 39 67

HSL 320.93, 0.36%, 0.24%

LAB 22.48, 24.18, -8.65

 

CMYK 0 / 32 / 11 / 72

HEX #483140

RGB 72 49 64

HSL 320.87, 0.19%, 0.24%

LAB 23.49, 13.27, -5.24

 

CMYK 0 / 5 / 2 / 76

HEX #3E3B3D

RGB 62 59 61

HSL 320, 0.02%, 0.24%

LAB 25.23, 1.74, -0.78

 

CMYK 25 / 0 / 16 / 73

HEX #34453A

RGB 52 69 58

HSL 141.18, 0.14%, 0.24%

LAB 27.55, -9.45, 4.45

 

CMYK 46 / 0 / 30 / 69

HEX #2B4F37

RGB 43 79 55

HSL 140, 0.3%, 0.24%

LAB 30.35, -19.17, 10.22

 

CMYK 10 / 52 / 0 / 68

HEX #4A2752

RGB 74 39 82

HSL 288.84, 0.36%, 0.24%

LAB 22, 24.45, -19.6

 

CMYK 0 / 52 / 4 / 68

HEX #52274F

RGB 82 39 79

HSL 304.19, 0.36%, 0.24%

LAB 23.03, 26.51, -15.9

 

CMYK 0 / 52 / 17 / 68

HEX #522744

RGB 82 39 68

HSL 319.53, 0.36%, 0.24%

LAB 22.52, 24.36, -9.26

 

CMYK 0 / 52 / 32 / 68

HEX #522738

RGB 82 39 56

HSL 336.28, 0.36%, 0.24%

LAB 22.05, 22.3, -1.77

 

CMYK 0 / 52 / 45 / 68

HEX #52272D

RGB 82 39 45

HSL 351.63, 0.36%, 0.24%

LAB 21.71, 20.72, 5.29

 

CMYK 0 / 54 / 15 / 90

HEX #1A0C16

RGB 26 12 22

HSL 317.14, 0.37%, 0.07%

LAB 4.88, 7.72, -3.4

 

CMYK 0 / 52 / 19 / 79

HEX #361A2C

RGB 54 26 44

HSL 321.43, 0.35%, 0.16%

LAB 13.86, 16.88, -6.03

 

CMYK 0 / 52 / 18 / 68

HEX #522743

RGB 82 39 67

HSL 320.93, 0.36%, 0.24%

LAB 22.48, 24.18, -8.65

 

CMYK 0 / 52 / 18 / 57

HEX #6E355A

RGB 110 53 90

HSL 321.05, 0.35%, 0.32%

LAB 30.88, 30.38, -10.73

 

CMYK 0 / 52 / 18 / 46

HEX #8A4271

RGB 138 66 113

HSL 320.83, 0.35%, 0.4%

LAB 38.71, 36.82, -13.02

 

CMYK 0 / 52 / 18 / 67

HEX #532844

RGB 83 40 68

HSL 320.93, 0.35%, 0.24%

LAB 22.91, 24.14, -8.66

 

CMYK 0 / 24 / 52 / 68

HEX #523E27

RGB 82 62 39

HSL 32.09, 0.36%, 0.24%

LAB 27.81, 5.37, 17.46

 

CMYK 52 / 0 / 4 / 68

HEX #27524F

RGB 39 82 79

HSL 175.81, 0.36%, 0.24%

LAB 31.88, -15.76, -2.85

 

CMYK 0 / 52 / 18 / 67

HEX #532844

RGB 83 40 68

HSL 320.93, 0.35%, 0.24%

LAB 22.91, 24.14, -8.66

 

CMYK 17 / 0 / 52 / 68

HEX #445227

RGB 68 82 39

HSL 79.53, 0.36%, 0.24%

LAB 32.72, -13.53, 23.29

 

CMYK 52 / 17 / 0 / 68

HEX #274452

RGB 39 68 82

HSL 199.53, 0.36%, 0.24%

LAB 27.23, -6.43, -11.77

 

CMYK 0 / 52 / 18 / 67

HEX #532844

RGB 83 40 68

HSL 320.93, 0.35%, 0.24%

LAB 22.91, 24.14, -8.66

 

CMYK 0 / 24 / 52 / 68

HEX #523E27

RGB 82 62 39

HSL 32.09, 0.36%, 0.24%

LAB 27.81, 5.37, 17.46

 

CMYK 52 / 0 / 34 / 68

HEX #275236

RGB 39 82 54

HSL 140.93, 0.36%, 0.24%

LAB 31.19, -22.26, 11.95

 

CMYK 52 / 28 / 0 / 68

HEX #273B52

RGB 39 59 82

HSL 212.09, 0.36%, 0.24%

LAB 24.22, -0.56, -16.4

 

CMYK 0 / 52 / 18 / 67

HEX #532844

RGB 83 40 68

HSL 320.93, 0.35%, 0.24%

LAB 22.91, 24.14, -8.66

 

CMYK 0 / 9 / 52 / 68

HEX #524B27

RGB 82 75 39

HSL 50.23, 0.36%, 0.24%

LAB 31.74, -2.78, 22.38

 

CMYK 52 / 0 / 34 / 68

HEX #275236

RGB 39 82 54

HSL 140.93, 0.36%, 0.24%

LAB 31.19, -22.26, 11.95

 

CMYK 52 / 44 / 0 / 68

HEX #272E52

RGB 39 46 82

HSL 230.23, 0.36%, 0.24%

LAB 20.02, 8.45, -22.98

 

Description

Color code: HEX #532844 | qconv.com Color code: HEX #532844 | qconv.com - big

Since the color values are relatively low compared to others, this hue appears darker to us.

The breakdown of the color into the RGB color system: of 255 maximum color components, 83 red, 40 green and 68 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
83 40 68 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, none cyan, 52 magenta, 18 yellow and 67 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
0% 52% 18% 67% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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