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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #532C34 it is the complementary color #ACD3CB. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #532C34. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #532C34 shade: #582C2F, #693E42, #7A5055, #8B6268 and #9C747B

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #532C34. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #532C34 shade: #532C34, #421A21, #31080E, #200000 and #0F0000

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #532C34 shade: #532B34 and #532B2B

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #532C34 shade: #532B34, #532B3E, #532B49, #522B53 and #482B53

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #532C34 shade matches the following richer shades: #532B34, #5D212E, #681727, #720D21 and #7C021B

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #532C34 shade: #532B34, #49363A, #3E4040, #344A46 and #2A554C

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #532C34 shade: #532B49, #532B3F, #532B34, #532D2B and #53382B

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #532C34 shade: #1D0F12, #381D23, #532B34, #6E3A44 and #894855

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #532C34 shade: #532C34, #53522B and #2B4453

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #532C34 shade: #532C34, #34532B and #2B3453

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #532C34 shade: #532C34, #53522B, #2B534A and #2B2C53

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #532C34 shade: #532C34, #48532B, #2B534A and #372B53

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 0 / 47 / 37 / 67

HEX #532C34

RGB 83 44 52

HSL 347.69, 0.31%, 0.25%

LAB 23.3, 19.05, 2.79

 

Complementary color

CMYK 18 / 0 / 4 / 17

HEX #ACD3CB

RGB 172 211 203

HSL 167.69, 0.31%, 0.75%

LAB 81.66, -14.41, -0.3

 

CMYK 0 / 50 / 47 / 65

HEX #582C2F

RGB 88 44 47

HSL 355.91, 0.33%, 0.26%

LAB 23.94, 20.52, 7.2

 

CMYK 0 / 41 / 37 / 59

HEX #693E42

RGB 105 62 66

HSL 354.42, 0.26%, 0.33%

LAB 31.44, 19.37, 5.59

 

CMYK 0 / 34 / 30 / 52

HEX #7A5055

RGB 122 80 85

HSL 352.86, 0.21%, 0.4%

LAB 38.78, 18.39, 4.31

 

CMYK 0 / 29 / 25 / 45

HEX #8B6268

RGB 139 98 104

HSL 351.22, 0.17%, 0.46%

LAB 45.94, 17.54, 3.24

 

CMYK 0 / 26 / 21 / 39

HEX #9C747B

RGB 156 116 123

HSL 349.5, 0.17%, 0.53%

LAB 52.94, 16.81, 2.3

 

CMYK 0 / 47 / 37 / 67

HEX #532C34

RGB 83 44 52

HSL 347.69, 0.31%, 0.25%

LAB 23.3, 19.05, 2.79

 

CMYK 0 / 61 / 50 / 74

HEX #421A21

RGB 66 26 33

HSL 349.5, 0.43%, 0.18%

LAB 15.52, 20.2, 4.62

 

CMYK 0 / 84 / 71 / 81

HEX #31080E

RGB 49 8 14

HSL 351.22, 0.72%, 0.11%

LAB 7.75, 21.13, 6.14

 

CMYK 0 / 100 / 100 / 87

HEX #200000

RGB 32 0 0

HSL 0, 1%, 0.06%

LAB 2.77, 12.44, 4.38

 

CMYK 0 / 100 / 100 / 94

HEX #0F0000

RGB 15 0 0

HSL 0, 1%, 0.03%

LAB 0.92, 4.12, 1.45

 

CMYK 0 / 48 / 37 / 67

HEX #532B34

RGB 83 43 52

HSL 346.5, 0.32%, 0.25%

LAB 23.05, 19.67, 2.44

 

CMYK 0 / 48 / 48 / 67

HEX #532B2B

RGB 83 43 43

HSL 0, 0.32%, 0.25%

LAB 22.8, 18.45, 8.2

 

CMYK 0 / 48 / 37 / 67

HEX #532B34

RGB 83 43 52

HSL 346.5, 0.32%, 0.25%

LAB 23.05, 19.67, 2.44

 

CMYK 0 / 48 / 25 / 67

HEX #532B3E

RGB 83 43 62

HSL 331.5, 0.32%, 0.25%

LAB 23.39, 21.26, -3.87

 

CMYK 0 / 48 / 12 / 67

HEX #532B49

RGB 83 43 73

HSL 315, 0.32%, 0.25%

LAB 23.83, 23.27, -10.63

 

CMYK 1 / 48 / 0 / 67

HEX #522B53

RGB 82 43 83

HSL 298.5, 0.32%, 0.25%

LAB 24.15, 24.97, -16.83

 

CMYK 13 / 48 / 0 / 67

HEX #482B53

RGB 72 43 83

HSL 283.5, 0.32%, 0.25%

LAB 22.76, 21.5, -19.1

 

CMYK 0 / 48 / 37 / 67

HEX #532B34

RGB 83 43 52

HSL 346.5, 0.32%, 0.25%

LAB 23.05, 19.67, 2.44

 

CMYK 0 / 65 / 51 / 64

HEX #5D212E

RGB 93 33 46

HSL 347, 0.48%, 0.25%

LAB 22.35, 28.71, 5.78

 

CMYK 0 / 78 / 63 / 59

HEX #681727

RGB 104 23 39

HSL 348.15, 0.64%, 0.25%

LAB 22.66, 36.57, 11.39

 

CMYK 0 / 89 / 71 / 55

HEX #720D21

RGB 114 13 33

HSL 348.12, 0.8%, 0.25%

LAB 23.59, 42.45, 17.14

 

CMYK 0 / 98 / 78 / 51

HEX #7C021B

RGB 124 2 27

HSL 347.7, 0.97%, 0.25%

LAB 24.98, 47.25, 23.37

 

CMYK 0 / 48 / 37 / 67

HEX #532B34

RGB 83 43 52

HSL 346.5, 0.32%, 0.25%

LAB 23.05, 19.67, 2.44

 

CMYK 0 / 26 / 21 / 71

HEX #49363A

RGB 73 54 58

HSL 347.37, 0.15%, 0.25%

LAB 24.83, 9.22, 0.79

 

CMYK 3 / 0 / 0 / 75

HEX #3E4040

RGB 62 64 64

HSL 180, 0.02%, 0.25%

LAB 26.91, -0.84, -0.3

 

CMYK 30 / 0 / 5 / 71

HEX #344A46

RGB 52 74 70

HSL 169.09, 0.17%, 0.25%

LAB 29.59, -9.52, -0.37

 

CMYK 51 / 0 / 11 / 67

HEX #2A554C

RGB 42 85 76

HSL 167.44, 0.34%, 0.25%

LAB 32.94, -17.47, 0.63

 

CMYK 0 / 48 / 12 / 67

HEX #532B49

RGB 83 43 73

HSL 315, 0.32%, 0.25%

LAB 23.83, 23.27, -10.63

 

CMYK 0 / 48 / 24 / 67

HEX #532B3F

RGB 83 43 63

HSL 330, 0.32%, 0.25%

LAB 23.42, 21.43, -4.49

 

CMYK 0 / 48 / 37 / 67

HEX #532B34

RGB 83 43 52

HSL 346.5, 0.32%, 0.25%

LAB 23.05, 19.67, 2.44

 

CMYK 0 / 46 / 48 / 67

HEX #532D2B

RGB 83 45 43

HSL 3, 0.32%, 0.25%

LAB 23.31, 17.2, 8.9

 

CMYK 0 / 33 / 48 / 67

HEX #53382B

RGB 83 56 43

HSL 19.5, 0.32%, 0.25%

LAB 26.28, 10.19, 12.93

 

CMYK 0 / 48 / 38 / 89

HEX #1D0F12

RGB 29 15 18

HSL 347.14, 0.32%, 0.09%

LAB 5.84, 7.05, 0.69

 

CMYK 0 / 48 / 38 / 78

HEX #381D23

RGB 56 29 35

HSL 346.67, 0.32%, 0.17%

LAB 14.63, 14.13, 1.67

 

CMYK 0 / 48 / 37 / 67

HEX #532B34

RGB 83 43 52

HSL 346.5, 0.32%, 0.25%

LAB 23.05, 19.67, 2.44

 

CMYK 0 / 47 / 38 / 57

HEX #6E3A44

RGB 110 58 68

HSL 348.46, 0.31%, 0.33%

LAB 31.25, 24.12, 4.11

 

CMYK 0 / 47 / 38 / 46

HEX #894855

RGB 137 72 85

HSL 348, 0.31%, 0.41%

LAB 38.91, 29.07, 4.78

 

CMYK 0 / 47 / 37 / 67

HEX #532C34

RGB 83 44 52

HSL 347.69, 0.31%, 0.25%

LAB 23.3, 19.05, 2.79

 

CMYK 0 / 1 / 48 / 67

HEX #53522B

RGB 83 82 43

HSL 58.5, 0.32%, 0.25%

LAB 34.08, -6.08, 22.95

 

CMYK 48 / 18 / 0 / 67

HEX #2B4453

RGB 43 68 83

HSL 202.5, 0.32%, 0.25%

LAB 27.5, -4.95, -11.99

 

CMYK 0 / 47 / 37 / 67

HEX #532C34

RGB 83 44 52

HSL 347.69, 0.31%, 0.25%

LAB 23.3, 19.05, 2.79

 

CMYK 37 / 0 / 48 / 67

HEX #34532B

RGB 52 83 43

HSL 106.5, 0.32%, 0.25%

LAB 32.01, -20.29, 19.84

 

CMYK 48 / 37 / 0 / 67

HEX #2B3453

RGB 43 52 83

HSL 226.5, 0.32%, 0.25%

LAB 22.28, 5.75, -20.07

 

CMYK 0 / 47 / 37 / 67

HEX #532C34

RGB 83 44 52

HSL 347.69, 0.31%, 0.25%

LAB 23.3, 19.05, 2.79

 

CMYK 0 / 1 / 48 / 67

HEX #53522B

RGB 83 82 43

HSL 58.5, 0.32%, 0.25%

LAB 34.08, -6.08, 22.95

 

CMYK 48 / 0 / 11 / 67

HEX #2B534A

RGB 43 83 74

HSL 166.5, 0.32%, 0.25%

LAB 32.25, -16.63, 0.88

 

CMYK 48 / 47 / 0 / 67

HEX #2B2C53

RGB 43 44 83

HSL 238.5, 0.32%, 0.25%

LAB 19.8, 11.37, -23.98

 

CMYK 0 / 47 / 37 / 67

HEX #532C34

RGB 83 44 52

HSL 347.69, 0.31%, 0.25%

LAB 23.3, 19.05, 2.79

 

CMYK 13 / 0 / 48 / 67

HEX #48532B

RGB 72 83 43

HSL 76.5, 0.32%, 0.25%

LAB 33.43, -11.78, 21.93

 

CMYK 48 / 0 / 11 / 67

HEX #2B534A

RGB 43 83 74

HSL 166.5, 0.32%, 0.25%

LAB 32.25, -16.63, 0.88

 

CMYK 34 / 48 / 0 / 67

HEX #372B53

RGB 55 43 83

HSL 258, 0.32%, 0.25%

LAB 20.69, 15.78, -22.5

 

Description

Color code: HEX #532C34 | qconv.com Color code: HEX #532C34 | qconv.com - big

Since the color values are relatively low compared to others, this hue appears darker to us.

The breakdown of the color into the RGB color system: of 255 maximum color components, 83 red, 44 green and 52 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
83 44 52 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, none cyan, 47 magenta, 37 yellow and 67 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
0% 47% 37% 67% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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