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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #532F8B it is the complementary color #ACD074. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #532F8B. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #532F8B shade: #582F86, #694199, #7A53AC, #8B65BF and #9C77D2

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #532F8B. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #532F8B shade: #532F8B, #421D78, #310B65, #200052 and #0F003F

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #532F8B shade: #522E88, #6A2E88, #822E88, #882E76 and #882E5E

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #532F8B shade: #522E88, #392E88 and #2E2E88

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #532F8B shade matches the following richer shades: #522E88, #4E1F97, #4B11A6 and #4802B5

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #532F8B shade: #522E88, #553D79, #584C6B, #5B5B5C and #5E6A4D

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #532F8B shade: #2E3C88, #392E88, #512E88, #692E88 and #812E88

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #532F8B shade: #2D194B, #3F246A, #522E88, #6439A7 and #7849C0

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #532F8B shade: #532F8B, #882E54 and #30882E

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #532F8B shade: #532F8B, #88512E and #2E8851

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #532F8B shade: #532F8B, #882E54, #66882E and #2E8863

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #532F8B shade: #532F8B, #882E39, #66882E and #2E887E

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 40 / 66 / 0 / 45

HEX #532F8B

RGB 83 47 139

HSL 263.48, 0.49%, 0.36%

LAB 28.74, 37.11, -45.41

 

Complementary color

CMYK 17 / 0 / 44 / 18

HEX #ACD074

RGB 172 208 116

HSL 83.48, 0.49%, 0.64%

LAB 79.12, -27.01, 41.68

 

CMYK 34 / 65 / 0 / 47

HEX #582F86

RGB 88 47 134

HSL 268.28, 0.48%, 0.35%

LAB 28.98, 36.9, -41.89

 

CMYK 31 / 58 / 0 / 40

HEX #694199

RGB 105 65 153

HSL 267.27, 0.4%, 0.43%

LAB 36.15, 35.89, -41.92

 

CMYK 29 / 52 / 0 / 33

HEX #7A53AC

RGB 122 83 172

HSL 266.29, 0.35%, 0.5%

LAB 43.22, 34.87, -41.88

 

CMYK 27 / 47 / 0 / 25

HEX #8B65BF

RGB 139 101 191

HSL 265.33, 0.41%, 0.57%

LAB 50.17, 33.9, -41.82

 

CMYK 26 / 43 / 0 / 18

HEX #9C77D2

RGB 156 119 210

HSL 264.4, 0.5%, 0.65%

LAB 56.99, 33, -41.77

 

CMYK 40 / 66 / 0 / 45

HEX #532F8B

RGB 83 47 139

HSL 263.48, 0.49%, 0.36%

LAB 28.74, 37.11, -45.41

 

CMYK 45 / 76 / 0 / 53

HEX #421D78

RGB 66 29 120

HSL 264.4, 0.61%, 0.29%

LAB 21.55, 38.06, -45.23

 

CMYK 51 / 89 / 0 / 60

HEX #310B65

RGB 49 11 101

HSL 265.33, 0.8%, 0.22%

LAB 14.58, 38.19, -44.4

 

CMYK 61 / 100 / 0 / 68

HEX #200052

RGB 32 0 82

HSL 263.41, 1%, 0.16%

LAB 8.27, 36.09, -42.08

 

CMYK 76 / 100 / 0 / 75

HEX #0F003F

RGB 15 0 63

HSL 254.29, 1%, 0.12%

LAB 4.16, 26.01, -35.57

 

CMYK 40 / 66 / 0 / 47

HEX #522E88

RGB 82 46 136

HSL 264, 0.49%, 0.36%

LAB 28.18, 36.61, -44.45

 

CMYK 22 / 66 / 0 / 47

HEX #6A2E88

RGB 106 46 136

HSL 280, 0.49%, 0.36%

LAB 31.34, 42.29, -39.21

 

CMYK 4 / 66 / 0 / 47

HEX #822E88

RGB 130 46 136

HSL 296, 0.49%, 0.36%

LAB 34.96, 48.3, -33.22

 

CMYK 0 / 66 / 13 / 47

HEX #882E76

RGB 136 46 118

HSL 312, 0.49%, 0.36%

LAB 35, 46.74, -21.88

 

CMYK 0 / 66 / 31 / 47

HEX #882E5E

RGB 136 46 94

HSL 328, 0.49%, 0.36%

LAB 33.98, 43.2, -8.21

 

CMYK 40 / 66 / 0 / 47

HEX #522E88

RGB 82 46 136

HSL 264, 0.49%, 0.36%

LAB 28.18, 36.61, -44.45

 

CMYK 58 / 66 / 0 / 47

HEX #392E88

RGB 57 46 136

HSL 247.33, 0.49%, 0.36%

LAB 25.57, 31.49, -48.82

 

CMYK 66 / 66 / 0 / 47

HEX #2E2E88

RGB 46 46 136

HSL 240, 0.49%, 0.36%

LAB 24.68, 29.63, -50.31

 

CMYK 40 / 66 / 0 / 47

HEX #522E88

RGB 82 46 136

HSL 264, 0.49%, 0.36%

LAB 28.18, 36.61, -44.45

 

CMYK 48 / 79 / 0 / 41

HEX #4E1F97

RGB 78 31 151

HSL 263.5, 0.66%, 0.36%

LAB 26.26, 47.58, -56.89

 

CMYK 55 / 90 / 0 / 35

HEX #4B11A6

RGB 75 17 166

HSL 263.36, 0.81%, 0.36%

LAB 25.71, 56.13, -66.95

 

CMYK 60 / 99 / 0 / 29

HEX #4802B5

RGB 72 2 181

HSL 263.46, 0.98%, 0.36%

LAB 26.03, 62.75, -75.45

 

CMYK 40 / 66 / 0 / 47

HEX #522E88

RGB 82 46 136

HSL 264, 0.49%, 0.36%

LAB 28.18, 36.61, -44.45

 

CMYK 30 / 50 / 0 / 53

HEX #553D79

RGB 85 61 121

HSL 264, 0.33%, 0.36%

LAB 30.99, 24.2, -30.55

 

CMYK 18 / 29 / 0 / 58

HEX #584C6B

RGB 88 76 107

HSL 263.23, 0.17%, 0.36%

LAB 34.61, 11.95, -16.09

 

CMYK 1 / 1 / 0 / 64

HEX #5B5B5C

RGB 91 91 92

HSL 240, 0.01%, 0.36%

LAB 38.69, 0.21, -0.58

 

CMYK 11 / 0 / 27 / 58

HEX #5E6A4D

RGB 94 106 77

HSL 84.83, 0.16%, 0.36%

LAB 43.1, -10.26, 14.81

 

CMYK 66 / 56 / 0 / 47

HEX #2E3C88

RGB 46 60 136

HSL 230.67, 0.49%, 0.36%

LAB 28.35, 20.25, -44.33

 

CMYK 58 / 66 / 0 / 47

HEX #392E88

RGB 57 46 136

HSL 247.33, 0.49%, 0.36%

LAB 25.57, 31.49, -48.82

 

CMYK 40 / 66 / 0 / 47

HEX #512E88

RGB 81 46 136

HSL 263.33, 0.49%, 0.36%

LAB 28.06, 36.39, -44.65

 

CMYK 23 / 66 / 0 / 47

HEX #692E88

RGB 105 46 136

HSL 279.33, 0.49%, 0.36%

LAB 31.2, 42.04, -39.44

 

CMYK 5 / 66 / 0 / 47

HEX #812E88

RGB 129 46 136

HSL 295.33, 0.49%, 0.36%

LAB 34.8, 48.04, -33.48

 

CMYK 40 / 67 / 0 / 71

HEX #2D194B

RGB 45 25 75

HSL 264, 0.5%, 0.2%

LAB 14.18, 22.47, -27.53

 

CMYK 41 / 66 / 0 / 58

HEX #3F246A

RGB 63 36 106

HSL 263.14, 0.49%, 0.28%

LAB 21.43, 29.48, -36.43

 

CMYK 40 / 66 / 0 / 47

HEX #522E88

RGB 82 46 136

HSL 264, 0.49%, 0.36%

LAB 28.18, 36.61, -44.45

 

CMYK 40 / 66 / 0 / 35

HEX #6439A7

RGB 100 57 167

HSL 263.45, 0.49%, 0.44%

LAB 34.85, 42.92, -52.47

 

CMYK 38 / 62 / 0 / 25

HEX #7849C0

RGB 120 73 192

HSL 263.7, 0.49%, 0.52%

LAB 42.1, 45.19, -55.41

 

CMYK 40 / 66 / 0 / 45

HEX #532F8B

RGB 83 47 139

HSL 263.48, 0.49%, 0.36%

LAB 28.74, 37.11, -45.41

 

CMYK 0 / 66 / 38 / 47

HEX #882E54

RGB 136 46 84

HSL 334.67, 0.49%, 0.36%

LAB 33.62, 41.93, -2.29

 

CMYK 65 / 0 / 66 / 47

HEX #30882E

RGB 48 136 46

HSL 118.67, 0.49%, 0.36%

LAB 50.02, -44.53, 39.5

 

CMYK 40 / 66 / 0 / 45

HEX #532F8B

RGB 83 47 139

HSL 263.48, 0.49%, 0.36%

LAB 28.74, 37.11, -45.41

 

CMYK 0 / 40 / 66 / 47

HEX #88512E

RGB 136 81 46

HSL 23.33, 0.49%, 0.36%

LAB 40.11, 19.6, 29.96

 

CMYK 66 / 0 / 40 / 47

HEX #2E8851

RGB 46 136 81

HSL 143.33, 0.49%, 0.36%

LAB 50.43, -39.65, 21.93

 

CMYK 40 / 66 / 0 / 45

HEX #532F8B

RGB 83 47 139

HSL 263.48, 0.49%, 0.36%

LAB 28.74, 37.11, -45.41

 

CMYK 0 / 66 / 38 / 47

HEX #882E54

RGB 136 46 84

HSL 334.67, 0.49%, 0.36%

LAB 33.62, 41.93, -2.29

 

CMYK 25 / 0 / 66 / 47

HEX #66882E

RGB 102 136 46

HSL 82.67, 0.49%, 0.36%

LAB 52.54, -26.59, 42.98

 

CMYK 66 / 0 / 27 / 47

HEX #2E8863

RGB 46 136 99

HSL 155.33, 0.49%, 0.36%

LAB 50.79, -35.8, 12.22

 

CMYK 40 / 66 / 0 / 45

HEX #532F8B

RGB 83 47 139

HSL 263.48, 0.49%, 0.36%

LAB 28.74, 37.11, -45.41

 

CMYK 0 / 66 / 58 / 47

HEX #882E39

RGB 136 46 57

HSL 352.67, 0.49%, 0.36%

LAB 32.88, 39.21, 14.17

 

CMYK 25 / 0 / 66 / 47

HEX #66882E

RGB 102 136 46

HSL 82.67, 0.49%, 0.36%

LAB 52.54, -26.59, 42.98

 

CMYK 66 / 0 / 7 / 47

HEX #2E887E

RGB 46 136 126

HSL 173.33, 0.49%, 0.36%

LAB 51.49, -28.77, -2.43

 

Description

Color code: HEX #532F8B | qconv.com Color code: HEX #532F8B | qconv.com - big

Since the color values are relatively low compared to others, this hue appears darker to us.

The breakdown of the color into the RGB color system: of 255 maximum color components, 83 red, 47 green and 139 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
83 47 139 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, 40 cyan, 66 magenta, none yellow and 45 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
40% 66% 0% 45% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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