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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #533729 it is the complementary color #ACC8D6. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #533729. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #533729 shade: #583724, #694937, #7A5B4A, #8B6D5D and #9C7F70

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #533729. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #533729 shade: #533729, #422516, #311303, #200100 and #0F0000

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #533729 shade: #523628, #522B28 and #522828

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #533729 shade: #523628, #524128, #524C28, #4C5228 and #405228

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #533729 shade matches the following richer shades: #523628, #5B321E, #652F14, #6F2C0A and #792900

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #533729 shade: #523628, #483932, #3E3C3C, #344046 and #2A4350

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #533729 shade: #522830, #522B28, #523628, #524128 and #524C28

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #533729 shade: #1A110D, #36231A, #523628, #6D4836 and #895A43

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #533729 shade: #533729, #3B5228 and #282B52

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #533729 shade: #533729, #285236 and #362852

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #533729 shade: #533729, #3B5228, #284452 and #3E2852

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #533729 shade: #533729, #2F5228, #284452 and #4B2852

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 0 / 34 / 51 / 67

HEX #533729

RGB 83 55 41

HSL 20, 0.34%, 0.24%

LAB 25.96, 10.58, 13.8

 

Complementary color

CMYK 20 / 7 / 0 / 16

HEX #ACC8D6

RGB 172 200 214

HSL 200, 0.34%, 0.76%

LAB 79, -6.4, -10.12

 

CMYK 0 / 38 / 59 / 65

HEX #583724

RGB 88 55 36

HSL 21.92, 0.42%, 0.24%

LAB 26.55, 12.42, 17.91

 

CMYK 0 / 30 / 48 / 59

HEX #694937

RGB 105 73 55

HSL 21.6, 0.31%, 0.31%

LAB 34.07, 11.19, 16.19

 

CMYK 0 / 25 / 39 / 52

HEX #7A5B4A

RGB 122 91 74

HSL 21.25, 0.24%, 0.38%

LAB 41.4, 10.24, 14.74

 

CMYK 0 / 22 / 33 / 45

HEX #8B6D5D

RGB 139 109 93

HSL 20.87, 0.2%, 0.45%

LAB 48.53, 9.47, 13.48

 

CMYK 0 / 19 / 28 / 39

HEX #9C7F70

RGB 156 127 112

HSL 20.45, 0.18%, 0.53%

LAB 55.5, 8.83, 12.36

 

CMYK 0 / 34 / 51 / 67

HEX #533729

RGB 83 55 41

HSL 20, 0.34%, 0.24%

LAB 25.96, 10.58, 13.8

 

CMYK 0 / 44 / 67 / 74

HEX #422516

RGB 66 37 22

HSL 20.45, 0.5%, 0.17%

LAB 18.1, 11.98, 15.7

 

CMYK 0 / 61 / 94 / 81

HEX #311303

RGB 49 19 3

HSL 20.87, 0.88%, 0.1%

LAB 9.99, 13.81, 14.04

 

CMYK 0 / 97 / 100 / 87

HEX #200100

RGB 32 1 0

HSL 1.88, 1%, 0.06%

LAB 2.97, 12.04, 4.67

 

CMYK 0 / 100 / 100 / 94

HEX #0F0000

RGB 15 0 0

HSL 0, 1%, 0.03%

LAB 0.92, 4.12, 1.45

 

CMYK 0 / 34 / 51 / 68

HEX #523628

RGB 82 54 40

HSL 20, 0.34%, 0.24%

LAB 25.52, 10.63, 13.85

 

CMYK 0 / 48 / 51 / 68

HEX #522B28

RGB 82 43 40

HSL 4.29, 0.34%, 0.24%

LAB 22.57, 17.64, 9.89

 

CMYK 0 / 51 / 51 / 68

HEX #522828

RGB 82 40 40

HSL 0, 0.34%, 0.24%

LAB 21.82, 19.49, 8.87

 

CMYK 0 / 34 / 51 / 68

HEX #523628

RGB 82 54 40

HSL 20, 0.34%, 0.24%

LAB 25.52, 10.63, 13.85

 

CMYK 0 / 21 / 51 / 68

HEX #524128

RGB 82 65 40

HSL 35.71, 0.34%, 0.24%

LAB 28.71, 3.58, 17.99

 

CMYK 0 / 7 / 51 / 68

HEX #524C28

RGB 82 76 40

HSL 51.43, 0.34%, 0.24%

LAB 32.07, -3.28, 22.2

 

CMYK 7 / 0 / 51 / 68

HEX #4C5228

RGB 76 82 40

HSL 68.57, 0.34%, 0.24%

LAB 33.4, -9.73, 23.7

 

CMYK 22 / 0 / 51 / 68

HEX #405228

RGB 64 82 40

HSL 85.71, 0.34%, 0.24%

LAB 32.43, -15.19, 22.29

 

CMYK 0 / 34 / 51 / 68

HEX #523628

RGB 82 54 40

HSL 20, 0.34%, 0.24%

LAB 25.52, 10.63, 13.85

 

CMYK 0 / 45 / 67 / 64

HEX #5B321E

RGB 91 50 30

HSL 19.67, 0.5%, 0.24%

LAB 25.56, 16.45, 20.56

 

CMYK 0 / 53 / 80 / 60

HEX #652F14

RGB 101 47 20

HSL 20, 0.67%, 0.24%

LAB 26.3, 22.23, 27.76

 

CMYK 0 / 60 / 91 / 56

HEX #6F2C0A

RGB 111 44 10

HSL 20.2, 0.83%, 0.24%

LAB 27.3, 27.91, 34.27

 

CMYK 0 / 66 / 100 / 53

HEX #792900

RGB 121 41 0

HSL 20.33, 1%, 0.24%

LAB 28.51, 33.28, 40.1

 

CMYK 0 / 34 / 51 / 68

HEX #523628

RGB 82 54 40

HSL 20, 0.34%, 0.24%

LAB 25.52, 10.63, 13.85

 

CMYK 0 / 21 / 31 / 72

HEX #483932

RGB 72 57 50

HSL 19.09, 0.18%, 0.24%

LAB 25.36, 5.38, 6.86

 

CMYK 0 / 3 / 3 / 76

HEX #3E3C3C

RGB 62 60 60

HSL 0, 0.02%, 0.24%

LAB 25.51, 0.86, 0.3

 

CMYK 26 / 9 / 0 / 73

HEX #344046

RGB 52 64 70

HSL 200, 0.15%, 0.24%

LAB 26.27, -3.29, -5.28

 

CMYK 48 / 16 / 0 / 69

HEX #2A4350

RGB 42 67 80

HSL 200.53, 0.31%, 0.24%

LAB 26.98, -5.58, -10.83

 

CMYK 0 / 51 / 41 / 68

HEX #522830

RGB 82 40 48

HSL 348.57, 0.34%, 0.24%

LAB 22.03, 20.52, 3.69

 

CMYK 0 / 48 / 51 / 68

HEX #522B28

RGB 82 43 40

HSL 4.29, 0.34%, 0.24%

LAB 22.57, 17.64, 9.89

 

CMYK 0 / 34 / 51 / 68

HEX #523628

RGB 82 54 40

HSL 20, 0.34%, 0.24%

LAB 25.52, 10.63, 13.85

 

CMYK 0 / 21 / 51 / 68

HEX #524128

RGB 82 65 40

HSL 35.71, 0.34%, 0.24%

LAB 28.71, 3.58, 17.99

 

CMYK 0 / 7 / 51 / 68

HEX #524C28

RGB 82 76 40

HSL 51.43, 0.34%, 0.24%

LAB 32.07, -3.28, 22.2

 

CMYK 0 / 35 / 50 / 90

HEX #1A110D

RGB 26 17 13

HSL 18.46, 0.33%, 0.08%

LAB 5.87, 3.35, 3.4

 

CMYK 0 / 35 / 52 / 79

HEX #36231A

RGB 54 35 26

HSL 19.29, 0.35%, 0.16%

LAB 15.8, 7.72, 9.68

 

CMYK 0 / 34 / 51 / 68

HEX #523628

RGB 82 54 40

HSL 20, 0.34%, 0.24%

LAB 25.52, 10.63, 13.85

 

CMYK 0 / 34 / 50 / 57

HEX #6D4836

RGB 109 72 54

HSL 19.64, 0.34%, 0.32%

LAB 34.3, 13.52, 17.2

 

CMYK 0 / 34 / 51 / 46

HEX #895A43

RGB 137 90 67

HSL 19.71, 0.34%, 0.4%

LAB 42.82, 16.59, 21.15

 

CMYK 0 / 34 / 51 / 67

HEX #533729

RGB 83 55 41

HSL 20, 0.34%, 0.24%

LAB 25.96, 10.58, 13.8

 

CMYK 28 / 0 / 51 / 68

HEX #3B5228

RGB 59 82 40

HSL 92.86, 0.34%, 0.24%

LAB 32.07, -17.35, 21.77

 

CMYK 51 / 48 / 0 / 68

HEX #282B52

RGB 40 43 82

HSL 235.71, 0.34%, 0.24%

LAB 19.17, 10.87, -24.32

 

CMYK 0 / 34 / 51 / 67

HEX #533729

RGB 83 55 41

HSL 20, 0.34%, 0.24%

LAB 25.96, 10.58, 13.8

 

CMYK 51 / 0 / 34 / 68

HEX #285236

RGB 40 82 54

HSL 140, 0.34%, 0.24%

LAB 31.24, -21.94, 12.02

 

CMYK 34 / 51 / 0 / 68

HEX #362852

RGB 54 40 82

HSL 260, 0.34%, 0.24%

LAB 19.68, 17.21, -23.43

 

CMYK 0 / 34 / 51 / 67

HEX #533729

RGB 83 55 41

HSL 20, 0.34%, 0.24%

LAB 25.96, 10.58, 13.8

 

CMYK 28 / 0 / 51 / 68

HEX #3B5228

RGB 59 82 40

HSL 92.86, 0.34%, 0.24%

LAB 32.07, -17.35, 21.77

 

CMYK 51 / 17 / 0 / 68

HEX #284452

RGB 40 68 82

HSL 200, 0.34%, 0.24%

LAB 27.28, -6.15, -11.68

 

CMYK 24 / 51 / 0 / 68

HEX #3E2852

RGB 62 40 82

HSL 271.43, 0.34%, 0.24%

LAB 20.64, 19.8, -21.86

 

CMYK 0 / 34 / 51 / 67

HEX #533729

RGB 83 55 41

HSL 20, 0.34%, 0.24%

LAB 25.96, 10.58, 13.8

 

CMYK 43 / 0 / 51 / 68

HEX #2F5228

RGB 47 82 40

HSL 110, 0.34%, 0.24%

LAB 31.33, -22.15, 20.68

 

CMYK 51 / 17 / 0 / 68

HEX #284452

RGB 40 68 82

HSL 200, 0.34%, 0.24%

LAB 27.28, -6.15, -11.68

 

CMYK 9 / 51 / 0 / 68

HEX #4B2852

RGB 75 40 82

HSL 290, 0.34%, 0.24%

LAB 22.38, 24.17, -18.99

 

Description

Color code: HEX #533729 | qconv.com Color code: HEX #533729 | qconv.com - big

Since the color values are relatively low compared to others, this hue appears darker to us.

The breakdown of the color into the RGB color system: of 255 maximum color components, 83 red, 55 green and 41 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
83 55 41 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, none cyan, 34 magenta, 51 yellow and 67 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
0% 34% 51% 67% C M Y K



Brands

This color is used by at least one manufactures. Here you can see which:

37% - Vungle - Team
Link: http://vungle.com

56% - Lucas Masciano
Link: http://dev.alibri.es

19% - Misanpedro.mx-lo hac...
Link: http://www.adwebcrm.com

70% - Dead-Hearted MC. Офи...
Link: http://dead-hearted.com

59% - ψ CLUB DEL PACKETAXO...
Link: http://packexnovias2.blogspot.mx

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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