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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #533860 it is the complementary color #ACC79F. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #533860. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #533860 shade: #58385B, #694A6E, #7A5C81, #8B6E94 and #9C80A7

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #533860. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #533860 shade: #533860, #42264D, #31143A, #200227 and #0F0014

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #533860 shade: #533860, #5E3860, #603857, #60384D and #603842

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #533860 shade: #533860, #483860, #3E3860 and #383860

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #533860 shade matches the following richer shades: #533860, #572C6C, #5C1F79, #601385 and #640791

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #533860 shade: #533860, #4F4454, #4A5147, #465D3B and #426A2E

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #533860 shade: #3D3860, #483860, #533860, #5D3860 and #603858

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #533860 shade: #261A2C, #3C2946, #533860, #69477A and #805794

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #533860 shade: #533860, #60383D and #386043

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #533860 shade: #533860, #605338 and #386053

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #533860 shade: #533860, #60383D, #456038 and #38605B

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #533860 shade: #533860, #603F38, #456038 and #385960

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 14 / 42 / 0 / 62

HEX #533860

RGB 83 56 96

HSL 280.5, 0.26%, 0.3%

LAB 28.15, 20.22, -19.12

 

Complementary color

CMYK 14 / 0 / 20 / 22

HEX #ACC79F

RGB 172 199 159

HSL 100.5, 0.26%, 0.7%

LAB 77.35, -16.49, 17.05

 

CMYK 3 / 38 / 0 / 64

HEX #58385B

RGB 88 56 91

HSL 294.86, 0.24%, 0.29%

LAB 28.53, 20.84, -15.23

 

CMYK 5 / 33 / 0 / 57

HEX #694A6E

RGB 105 74 110

HSL 291.67, 0.2%, 0.36%

LAB 36.04, 20.03, -15.62

 

CMYK 5 / 29 / 0 / 49

HEX #7A5C81

RGB 122 92 129

HSL 288.65, 0.17%, 0.43%

LAB 43.33, 19.3, -15.99

 

CMYK 6 / 26 / 0 / 42

HEX #8B6E94

RGB 139 110 148

HSL 285.79, 0.15%, 0.51%

LAB 50.43, 18.65, -16.34

 

CMYK 7 / 23 / 0 / 35

HEX #9C80A7

RGB 156 128 167

HSL 283.08, 0.18%, 0.58%

LAB 57.36, 18.07, -16.69

 

CMYK 14 / 42 / 0 / 62

HEX #533860

RGB 83 56 96

HSL 280.5, 0.26%, 0.3%

LAB 28.15, 20.22, -19.12

 

CMYK 14 / 51 / 0 / 70

HEX #42264D

RGB 66 38 77

HSL 283.08, 0.34%, 0.23%

LAB 20.36, 21.14, -18.89

 

CMYK 16 / 66 / 0 / 77

HEX #31143A

RGB 49 20 58

HSL 285.79, 0.49%, 0.15%

LAB 12.34, 22.04, -18.52

 

CMYK 18 / 95 / 0 / 85

HEX #200227

RGB 32 2 39

HSL 288.65, 0.9%, 0.08%

LAB 4.49, 20.64, -17.12

 

CMYK 25 / 100 / 0 / 92

HEX #0F0014

RGB 15 0 20

HSL 285, 1%, 0.04%

LAB 1.37, 7.32, -7.27

 

CMYK 14 / 42 / 0 / 62

HEX #533860

RGB 83 56 96

HSL 280.5, 0.26%, 0.3%

LAB 28.15, 20.22, -19.12

 

CMYK 2 / 42 / 0 / 62

HEX #5E3860

RGB 94 56 96

HSL 297, 0.26%, 0.3%

LAB 29.54, 24.09, -16.84

 

CMYK 0 / 42 / 9 / 62

HEX #603857

RGB 96 56 87

HSL 313.5, 0.26%, 0.3%

LAB 29.42, 22.96, -11.18

 

CMYK 0 / 42 / 20 / 62

HEX #60384D

RGB 96 56 77

HSL 328.5, 0.26%, 0.3%

LAB 29.03, 21.09, -5.25

 

CMYK 0 / 42 / 31 / 62

HEX #603842

RGB 96 56 66

HSL 345, 0.26%, 0.3%

LAB 28.66, 19.25, 1.43

 

CMYK 14 / 42 / 0 / 62

HEX #533860

RGB 83 56 96

HSL 280.5, 0.26%, 0.3%

LAB 28.15, 20.22, -19.12

 

CMYK 25 / 42 / 0 / 62

HEX #483860

RGB 72 56 96

HSL 264, 0.26%, 0.3%

LAB 26.88, 16.43, -21.19

 

CMYK 35 / 42 / 0 / 62

HEX #3E3860

RGB 62 56 96

HSL 249, 0.26%, 0.3%

LAB 25.85, 13.13, -22.87

 

CMYK 42 / 42 / 0 / 62

HEX #383860

RGB 56 56 96

HSL 240, 0.26%, 0.3%

LAB 25.3, 11.26, -23.78

 

CMYK 14 / 42 / 0 / 62

HEX #533860

RGB 83 56 96

HSL 280.5, 0.26%, 0.3%

LAB 28.15, 20.22, -19.12

 

CMYK 19 / 59 / 0 / 58

HEX #572C6C

RGB 87 44 108

HSL 280.31, 0.42%, 0.3%

LAB 26.48, 31.73, -29.45

 

CMYK 24 / 74 / 0 / 53

HEX #5C1F79

RGB 92 31 121

HSL 280.67, 0.59%, 0.3%

LAB 25.67, 42.7, -39.01

 

CMYK 28 / 86 / 0 / 48

HEX #601385

RGB 96 19 133

HSL 280.53, 0.75%, 0.3%

LAB 25.7, 50.57, -46.51

 

CMYK 31 / 95 / 0 / 43

HEX #640791

RGB 100 7 145

HSL 280.43, 0.91%, 0.3%

LAB 26.46, 56.44, -52.72

 

CMYK 14 / 42 / 0 / 62

HEX #533860

RGB 83 56 96

HSL 280.5, 0.26%, 0.3%

LAB 28.15, 20.22, -19.12

 

CMYK 6 / 19 / 0 / 67

HEX #4F4454

RGB 79 68 84

HSL 281.25, 0.11%, 0.3%

LAB 30.49, 8.12, -7.82

 

CMYK 9 / 0 / 12 / 68

HEX #4A5147

RGB 74 81 71

HSL 102, 0.07%, 0.3%

LAB 33.55, -4.97, 4.93

 

CMYK 25 / 0 / 37 / 64

HEX #465D3B

RGB 70 93 59

HSL 100.59, 0.22%, 0.3%

LAB 36.83, -15.87, 16.8

 

CMYK 38 / 0 / 57 / 58

HEX #426A2E

RGB 66 106 46

HSL 100, 0.39%, 0.3%

LAB 40.68, -26.14, 28.98

 

CMYK 36 / 42 / 0 / 62

HEX #3D3860

RGB 61 56 96

HSL 247.5, 0.26%, 0.3%

LAB 25.76, 12.81, -23.03

 

CMYK 25 / 42 / 0 / 62

HEX #483860

RGB 72 56 96

HSL 264, 0.26%, 0.3%

LAB 26.88, 16.43, -21.19

 

CMYK 14 / 42 / 0 / 62

HEX #533860

RGB 83 56 96

HSL 280.5, 0.26%, 0.3%

LAB 28.15, 20.22, -19.12

 

CMYK 3 / 42 / 0 / 62

HEX #5D3860

RGB 93 56 96

HSL 295.5, 0.26%, 0.3%

LAB 29.41, 23.74, -17.06

 

CMYK 0 / 42 / 8 / 62

HEX #603858

RGB 96 56 88

HSL 312, 0.26%, 0.3%

LAB 29.46, 23.16, -11.77

 

CMYK 14 / 41 / 0 / 83

HEX #261A2C

RGB 38 26 44

HSL 280, 0.26%, 0.14%

LAB 11.5, 10.22, -9.84

 

CMYK 14 / 41 / 0 / 73

HEX #3C2946

RGB 60 41 70

HSL 279.31, 0.26%, 0.22%

LAB 20, 15.23, -14.77

 

CMYK 14 / 42 / 0 / 62

HEX #533860

RGB 83 56 96

HSL 280.5, 0.26%, 0.3%

LAB 28.15, 20.22, -19.12

 

CMYK 14 / 42 / 0 / 52

HEX #69477A

RGB 105 71 122

HSL 280, 0.26%, 0.38%

LAB 35.82, 24.59, -23.43

 

CMYK 14 / 41 / 0 / 42

HEX #805794

RGB 128 87 148

HSL 280.33, 0.26%, 0.46%

LAB 43.57, 28.52, -27

 

CMYK 14 / 42 / 0 / 62

HEX #533860

RGB 83 56 96

HSL 280.5, 0.26%, 0.3%

LAB 28.15, 20.22, -19.12

 

CMYK 0 / 42 / 36 / 62

HEX #60383D

RGB 96 56 61

HSL 352.5, 0.26%, 0.3%

LAB 28.52, 18.5, 4.51

 

CMYK 42 / 0 / 30 / 62

HEX #386043

RGB 56 96 67

HSL 136.5, 0.26%, 0.3%

LAB 37.14, -21.2, 12.24

 

CMYK 14 / 42 / 0 / 62

HEX #533860

RGB 83 56 96

HSL 280.5, 0.26%, 0.3%

LAB 28.15, 20.22, -19.12

 

CMYK 0 / 14 / 42 / 62

HEX #605338

RGB 96 83 56

HSL 40.5, 0.26%, 0.3%

LAB 35.9, 1.01, 17.8

 

CMYK 42 / 0 / 14 / 62

HEX #386053

RGB 56 96 83

HSL 160.5, 0.26%, 0.3%

LAB 37.54, -17.5, 3.01

 

CMYK 14 / 42 / 0 / 62

HEX #533860

RGB 83 56 96

HSL 280.5, 0.26%, 0.3%

LAB 28.15, 20.22, -19.12

 

CMYK 0 / 42 / 36 / 62

HEX #60383D

RGB 96 56 61

HSL 352.5, 0.26%, 0.3%

LAB 28.52, 18.5, 4.51

 

CMYK 28 / 0 / 42 / 62

HEX #456038

RGB 69 96 56

HSL 100.5, 0.26%, 0.3%

LAB 37.69, -18.4, 19.7

 

CMYK 42 / 0 / 5 / 62

HEX #38605B

RGB 56 96 91

HSL 172.5, 0.26%, 0.3%

LAB 37.77, -15.42, -1.59

 

CMYK 14 / 42 / 0 / 62

HEX #533860

RGB 83 56 96

HSL 280.5, 0.26%, 0.3%

LAB 28.15, 20.22, -19.12

 

CMYK 0 / 34 / 42 / 62

HEX #603F38

RGB 96 63 56

HSL 10.5, 0.26%, 0.3%

LAB 30.22, 13.44, 10.16

 

CMYK 28 / 0 / 42 / 62

HEX #456038

RGB 69 96 56

HSL 100.5, 0.26%, 0.3%

LAB 37.69, -18.4, 19.7

 

CMYK 42 / 7 / 0 / 62

HEX #385960

RGB 56 89 96

HSL 190.5, 0.26%, 0.3%

LAB 35.65, -9.97, -7.84

 

Description

Color code: HEX #533860 | qconv.com Color code: HEX #533860 | qconv.com - big

Since the color values are relatively low compared to others, this hue appears darker to us.

The breakdown of the color into the RGB color system: of 255 maximum color components, 83 red, 56 green and 96 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
83 56 96 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, 14 cyan, 42 magenta, none yellow and 62 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
14% 42% 0% 62% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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