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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #53463B it is the complementary color #ACB9C4. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #53463B. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #53463B shade: #584636, #695849, #7A6A5C, #8B7C6F and #9C8E82

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #53463B. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #53463B shade: #53463B, #423428, #312215, #201002 and #0F0000

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #53463B shade: #53463B, #533F3B and #533B3B

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #53463B shade: #53463B, #534C3B, #53533B, #4D533B and #46533B

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #53463B shade matches the following richer shades: #53463B, #5F452F, #6A4424, #764318 and #81420D

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #53463B shade: #53463B, #474746, #3C4852, #30495D and #254A69

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #53463B shade: #533B3D, #533F3B, #53463B, #534C3B and #53533B

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #53463B shade: #231D19, #3B322A, #53463B, #6B5A4C and #836F5D

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #53463B shade: #53463B, #43533B and #3C3B53

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #53463B shade: #53463B, #3B5346 and #463B53

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #53463B shade: #53463B, #43533B, #3B4853 and #4B3B53

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #53463B shade: #53463B, #3C533B, #3B4853 and #523B53

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 0 / 16 / 29 / 67

HEX #53463B

RGB 83 70 59

HSL 27.5, 0.17%, 0.28%

LAB 30.72, 3.56, 8.68

 

Complementary color

CMYK 12 / 6 / 0 / 23

HEX #ACB9C4

RGB 172 185 196

HSL 207.5, 0.17%, 0.72%

LAB 74.48, -2.25, -7.1

 

CMYK 0 / 20 / 39 / 65

HEX #584636

RGB 88 70 54

HSL 28.24, 0.24%, 0.28%

LAB 31.16, 5.09, 12.56

 

CMYK 0 / 16 / 30 / 59

HEX #695849

RGB 105 88 73

HSL 28.13, 0.18%, 0.35%

LAB 38.66, 4.44, 11.29

 

CMYK 0 / 13 / 25 / 52

HEX #7A6A5C

RGB 122 106 92

HSL 28, 0.14%, 0.42%

LAB 45.93, 3.92, 10.19

 

CMYK 0 / 11 / 20 / 45

HEX #8B7C6F

RGB 139 124 111

HSL 27.86, 0.11%, 0.49%

LAB 53.01, 3.5, 9.19

 

CMYK 0 / 9 / 17 / 39

HEX #9C8E82

RGB 156 142 130

HSL 27.69, 0.12%, 0.56%

LAB 59.91, 3.14, 8.28

 

CMYK 0 / 16 / 29 / 67

HEX #53463B

RGB 83 70 59

HSL 27.5, 0.17%, 0.28%

LAB 30.72, 3.56, 8.68

 

CMYK 0 / 21 / 39 / 74

HEX #423428

RGB 66 52 40

HSL 27.69, 0.25%, 0.21%

LAB 22.89, 4.21, 9.97

 

CMYK 0 / 31 / 57 / 81

HEX #312215

RGB 49 34 21

HSL 27.86, 0.4%, 0.14%

LAB 14.69, 5.17, 11.55

 

CMYK 0 / 50 / 94 / 87

HEX #201002

RGB 32 16 2

HSL 28, 0.88%, 0.07%

LAB 6.16, 5.88, 8.51

 

CMYK 0 / 100 / 100 / 94

HEX #0F0000

RGB 15 0 0

HSL 0, 1%, 0.03%

LAB 0.92, 4.12, 1.45

 

CMYK 0 / 16 / 29 / 67

HEX #53463B

RGB 83 70 59

HSL 27.5, 0.17%, 0.28%

LAB 30.72, 3.56, 8.68

 

CMYK 0 / 24 / 29 / 67

HEX #533F3B

RGB 83 63 59

HSL 10, 0.17%, 0.28%

LAB 28.67, 8.02, 5.8

 

CMYK 0 / 29 / 29 / 67

HEX #533B3B

RGB 83 59 59

HSL 0, 0.17%, 0.28%

LAB 27.53, 10.6, 4.17

 

CMYK 0 / 16 / 29 / 67

HEX #53463B

RGB 83 70 59

HSL 27.5, 0.17%, 0.28%

LAB 30.72, 3.56, 8.68

 

CMYK 0 / 8 / 29 / 67

HEX #534C3B

RGB 83 76 59

HSL 42.5, 0.17%, 0.28%

LAB 32.53, -0.2, 11.18

 

CMYK 0 / 0 / 29 / 67

HEX #53533B

RGB 83 83 59

HSL 60, 0.17%, 0.28%

LAB 34.68, -4.48, 14.11

 

CMYK 7 / 0 / 29 / 67

HEX #4D533B

RGB 77 83 59

HSL 75, 0.17%, 0.28%

LAB 34.15, -7.14, 13.3

 

CMYK 16 / 0 / 29 / 67

HEX #46533B

RGB 70 83 59

HSL 92.5, 0.17%, 0.28%

LAB 33.57, -10.17, 12.42

 

CMYK 0 / 16 / 29 / 67

HEX #53463B

RGB 83 70 59

HSL 27.5, 0.17%, 0.28%

LAB 30.72, 3.56, 8.68

 

CMYK 0 / 27 / 51 / 63

HEX #5F452F

RGB 95 69 47

HSL 27.5, 0.34%, 0.28%

LAB 31.57, 8.1, 17.63

 

CMYK 0 / 36 / 66 / 58

HEX #6A4424

RGB 106 68 36

HSL 27.43, 0.49%, 0.28%

LAB 32.54, 12.88, 25.77

 

CMYK 0 / 43 / 80 / 54

HEX #764318

RGB 118 67 24

HSL 27.45, 0.66%, 0.28%

LAB 33.84, 18.37, 34.18

 

CMYK 0 / 49 / 90 / 49

HEX #81420D

RGB 129 66 13

HSL 27.41, 0.82%, 0.28%

LAB 35.19, 23.57, 40.79

 

CMYK 0 / 16 / 29 / 67

HEX #53463B

RGB 83 70 59

HSL 27.5, 0.17%, 0.28%

LAB 30.72, 3.56, 8.68

 

CMYK 0 / 0 / 1 / 72

HEX #474746

RGB 71 71 70

HSL 60, 0.01%, 0.28%

LAB 30.13, -0.22, 0.6

 

CMYK 27 / 12 / 0 / 68

HEX #3C4852

RGB 60 72 82

HSL 207.27, 0.15%, 0.28%

LAB 29.92, -2.19, -7.55

 

CMYK 48 / 22 / 0 / 64

HEX #30495D

RGB 48 73 93

HSL 206.67, 0.32%, 0.28%

LAB 29.87, -3.43, -14.78

 

CMYK 65 / 30 / 0 / 59

HEX #254A69

RGB 37 74 105

HSL 207.35, 0.48%, 0.28%

LAB 30.18, -2.65, -21.98

 

CMYK 0 / 29 / 27 / 67

HEX #533B3D

RGB 83 59 61

HSL 355, 0.17%, 0.28%

LAB 27.58, 10.93, 2.94

 

CMYK 0 / 24 / 29 / 67

HEX #533F3B

RGB 83 63 59

HSL 10, 0.17%, 0.28%

LAB 28.67, 8.02, 5.8

 

CMYK 0 / 16 / 29 / 67

HEX #53463B

RGB 83 70 59

HSL 27.5, 0.17%, 0.28%

LAB 30.72, 3.56, 8.68

 

CMYK 0 / 8 / 29 / 67

HEX #534C3B

RGB 83 76 59

HSL 42.5, 0.17%, 0.28%

LAB 32.53, -0.2, 11.18

 

CMYK 0 / 0 / 29 / 67

HEX #53533B

RGB 83 83 59

HSL 60, 0.17%, 0.28%

LAB 34.68, -4.48, 14.11

 

CMYK 0 / 17 / 29 / 86

HEX #231D19

RGB 35 29 25

HSL 24, 0.17%, 0.12%

LAB 11.32, 2.06, 3.83

 

CMYK 0 / 15 / 29 / 77

HEX #3B322A

RGB 59 50 42

HSL 28.24, 0.17%, 0.2%

LAB 21.5, 2.5, 6.58

 

CMYK 0 / 16 / 29 / 67

HEX #53463B

RGB 83 70 59

HSL 27.5, 0.17%, 0.28%

LAB 30.72, 3.56, 8.68

 

CMYK 0 / 16 / 29 / 58

HEX #6B5A4C

RGB 107 90 76

HSL 27.1, 0.17%, 0.36%

LAB 39.51, 4.56, 10.67

 

CMYK 0 / 15 / 29 / 49

HEX #836F5D

RGB 131 111 93

HSL 28.42, 0.17%, 0.44%

LAB 48.24, 4.93, 12.95

 

CMYK 0 / 16 / 29 / 67

HEX #53463B

RGB 83 70 59

HSL 27.5, 0.17%, 0.28%

LAB 30.72, 3.56, 8.68

 

CMYK 19 / 0 / 29 / 67

HEX #43533B

RGB 67 83 59

HSL 100, 0.17%, 0.28%

LAB 33.34, -11.43, 12.06

 

CMYK 28 / 29 / 0 / 67

HEX #3C3B53

RGB 60 59 83

HSL 242.5, 0.17%, 0.28%

LAB 25.9, 6.6, -14.33

 

CMYK 0 / 16 / 29 / 67

HEX #53463B

RGB 83 70 59

HSL 27.5, 0.17%, 0.28%

LAB 30.72, 3.56, 8.68

 

CMYK 29 / 0 / 16 / 67

HEX #3B5346

RGB 59 83 70

HSL 147.5, 0.17%, 0.28%

LAB 33.05, -12.29, 4.68

 

CMYK 16 / 29 / 0 / 67

HEX #463B53

RGB 70 59 83

HSL 267.5, 0.17%, 0.28%

LAB 26.89, 10.28, -12.72

 

CMYK 0 / 16 / 29 / 67

HEX #53463B

RGB 83 70 59

HSL 27.5, 0.17%, 0.28%

LAB 30.72, 3.56, 8.68

 

CMYK 19 / 0 / 29 / 67

HEX #43533B

RGB 67 83 59

HSL 100, 0.17%, 0.28%

LAB 33.34, -11.43, 12.06

 

CMYK 29 / 13 / 0 / 67

HEX #3B4853

RGB 59 72 83

HSL 207.5, 0.17%, 0.28%

LAB 29.88, -2.27, -8.26

 

CMYK 10 / 29 / 0 / 67

HEX #4B3B53

RGB 75 59 83

HSL 280, 0.17%, 0.28%

LAB 27.43, 12.18, -11.85

 

CMYK 0 / 16 / 29 / 67

HEX #53463B

RGB 83 70 59

HSL 27.5, 0.17%, 0.28%

LAB 30.72, 3.56, 8.68

 

CMYK 28 / 0 / 29 / 67

HEX #3C533B

RGB 60 83 59

HSL 117.5, 0.17%, 0.28%

LAB 32.84, -14.27, 11.29

 

CMYK 29 / 13 / 0 / 67

HEX #3B4853

RGB 59 72 83

HSL 207.5, 0.17%, 0.28%

LAB 29.88, -2.27, -8.26

 

CMYK 1 / 29 / 0 / 67

HEX #523B53

RGB 82 59 83

HSL 297.5, 0.17%, 0.28%

LAB 28.24, 14.88, -10.55

 

Description

Color code: HEX #53463B | qconv.com Color code: HEX #53463B | qconv.com - big

Since the color values are relatively low compared to others, this hue appears darker to us.

The breakdown of the color into the RGB color system: of 255 maximum color components, 83 red, 70 green and 59 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
83 70 59 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, none cyan, 16 magenta, 29 yellow and 67 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
0% 16% 29% 67% C M Y K



Brands

This color is used by at least one manufactures. Here you can see which:

57% - 猪猪团,猪猪团团购网,团购,珠海团购,家...
Link: http://www.zhuzhutuan.net

16% - 風俗じゃぱん!
Link: http://fuzoku.jp

16% - リノベる。の施工事例一覧|リノベーション...
Link: http://www.renoveru.jp

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Provide designers and agencies with accurate color values.

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