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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #534198 it is the complementary color #ACBE67. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #534198. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #534198 shade: #584193, #6953A6, #7A65B9, #8B77CC and #9C89DF

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #534198. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #534198 shade: #534198, #422F85, #311D72, #200B5F and #0F004C

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #534198 shade: #534199, #6B4199, #834199, #994198 and #994180

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #534198 shade: #534199 and #414199

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #534198 shade matches the following richer shades: #534199, #4930AB, #3F1EBC and #340CCE

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #534198 shade: #534199, #5E5387, #686576, #737764 and #7D8852

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #534198 shade: #415F99, #414799, #534199, #6A4199 and #824199

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #534198 shade: #34295F, #44357C, #534199, #6550B4 and #7E6DC0

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #534198 shade: #534198, #994176 and #539941

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #534198 shade: #534198, #995341 and #419953

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #534198 shade: #534198, #994176, #879941 and #419964

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #534198 shade: #534198, #99415C, #879941 and #41997F

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 45 / 57 / 0 / 40

HEX #534198

RGB 83 65 152

HSL 252.41, 0.4%, 0.43%

LAB 33.75, 30.16, -45.29

 

Complementary color

CMYK 9 / 0 / 46 / 25

HEX #ACBE67

RGB 172 190 103

HSL 72.41, 0.4%, 0.57%

LAB 73.92, -19.64, 41.67

 

CMYK 40 / 56 / 0 / 42

HEX #584193

RGB 88 65 147

HSL 256.83, 0.39%, 0.42%

LAB 33.9, 29.89, -41.97

 

CMYK 37 / 50 / 0 / 35

HEX #6953A6

RGB 105 83 166

HSL 255.9, 0.33%, 0.49%

LAB 41.13, 28.7, -41.76

 

CMYK 34 / 45 / 0 / 27

HEX #7A65B9

RGB 122 101 185

HSL 255, 0.38%, 0.56%

LAB 48.19, 27.65, -41.58

 

CMYK 32 / 42 / 0 / 20

HEX #8B77CC

RGB 139 119 204

HSL 254.12, 0.45%, 0.63%

LAB 55.12, 26.73, -41.44

 

CMYK 30 / 39 / 0 / 13

HEX #9C89DF

RGB 156 137 223

HSL 253.26, 0.57%, 0.71%

LAB 61.9, 25.9, -41.34

 

CMYK 45 / 57 / 0 / 40

HEX #534198

RGB 83 65 152

HSL 252.41, 0.4%, 0.43%

LAB 33.75, 30.16, -45.29

 

CMYK 50 / 65 / 0 / 48

HEX #422F85

RGB 66 47 133

HSL 253.26, 0.48%, 0.35%

LAB 26.4, 31.65, -45.55

 

CMYK 57 / 75 / 0 / 55

HEX #311D72

RGB 49 29 114

HSL 254.12, 0.59%, 0.28%

LAB 19, 33.23, -45.63

 

CMYK 66 / 88 / 0 / 63

HEX #200B5F

RGB 32 11 95

HSL 255, 0.79%, 0.21%

LAB 11.77, 34.35, -45.11

 

CMYK 80 / 100 / 0 / 70

HEX #0F004C

RGB 15 0 76

HSL 251.84, 1%, 0.15%

LAB 5.63, 32.22, -42.36

 

CMYK 46 / 58 / 0 / 40

HEX #534199

RGB 83 65 153

HSL 252.27, 0.4%, 0.43%

LAB 33.81, 30.47, -45.79

 

CMYK 30 / 58 / 0 / 40

HEX #6B4199

RGB 107 65 153

HSL 268.64, 0.4%, 0.43%

LAB 36.38, 36.41, -41.54

 

CMYK 14 / 58 / 0 / 40

HEX #834199

RGB 131 65 153

HSL 285, 0.4%, 0.43%

LAB 39.42, 42.83, -36.51

 

CMYK 0 / 58 / 1 / 40

HEX #994198

RGB 153 65 152

HSL 300.68, 0.4%, 0.43%

LAB 42.49, 48.68, -30.85

 

CMYK 0 / 58 / 16 / 40

HEX #994180

RGB 153 65 128

HSL 317.05, 0.4%, 0.43%

LAB 41.39, 44.58, -17.98

 

CMYK 46 / 58 / 0 / 40

HEX #534199

RGB 83 65 153

HSL 252.27, 0.4%, 0.43%

LAB 33.81, 30.47, -45.79

 

CMYK 58 / 58 / 0 / 40

HEX #414199

RGB 65 65 153

HSL 240, 0.4%, 0.43%

LAB 32.27, 26.57, -48.37

 

CMYK 46 / 58 / 0 / 40

HEX #534199

RGB 83 65 153

HSL 252.27, 0.4%, 0.43%

LAB 33.81, 30.47, -45.79

 

CMYK 57 / 72 / 0 / 33

HEX #4930AB

RGB 73 48 171

HSL 252.2, 0.56%, 0.43%

LAB 30.57, 44.07, -61.97

 

CMYK 66 / 84 / 0 / 26

HEX #3F1EBC

RGB 63 30 188

HSL 252.53, 0.72%, 0.43%

LAB 28.42, 56.48, -75.68

 

CMYK 75 / 94 / 0 / 19

HEX #340CCE

RGB 52 12 206

HSL 252.37, 0.89%, 0.43%

LAB 27.98, 65.98, -87.02

 

CMYK 46 / 58 / 0 / 40

HEX #534199

RGB 83 65 153

HSL 252.27, 0.4%, 0.43%

LAB 33.81, 30.47, -45.79

 

CMYK 30 / 39 / 0 / 47

HEX #5E5387

RGB 94 83 135

HSL 252.69, 0.24%, 0.43%

LAB 38.4, 16.91, -27.48

 

CMYK 12 / 14 / 0 / 54

HEX #686576

RGB 104 101 118

HSL 250.59, 0.08%, 0.43%

LAB 43.59, 4.86, -9.09

 

CMYK 3 / 0 / 16 / 53

HEX #737764

RGB 115 119 100

HSL 72.63, 0.09%, 0.43%

LAB 49.2, -5.15, 9.95

 

CMYK 8 / 0 / 40 / 47

HEX #7D8852

RGB 125 136 82

HSL 72.22, 0.25%, 0.43%

LAB 54.63, -13.21, 27.66

 

CMYK 58 / 38 / 0 / 40

HEX #415F99

RGB 65 95 153

HSL 219.55, 0.4%, 0.43%

LAB 40.59, 7.08, -35.05

 

CMYK 58 / 54 / 0 / 40

HEX #414799

RGB 65 71 153

HSL 235.91, 0.4%, 0.43%

LAB 33.84, 22.66, -45.83

 

CMYK 46 / 58 / 0 / 40

HEX #534199

RGB 83 65 153

HSL 252.27, 0.4%, 0.43%

LAB 33.81, 30.47, -45.79

 

CMYK 31 / 58 / 0 / 40

HEX #6A4199

RGB 106 65 153

HSL 267.95, 0.4%, 0.43%

LAB 36.26, 36.15, -41.73

 

CMYK 15 / 58 / 0 / 40

HEX #824199

RGB 130 65 153

HSL 284.32, 0.4%, 0.43%

LAB 39.29, 42.56, -36.73

 

CMYK 45 / 57 / 0 / 63

HEX #34295F

RGB 52 41 95

HSL 252.22, 0.4%, 0.27%

LAB 20.6, 20.03, -30.62

 

CMYK 45 / 57 / 0 / 51

HEX #44357C

RGB 68 53 124

HSL 252.68, 0.4%, 0.35%

LAB 27.38, 25.5, -38.31

 

CMYK 46 / 58 / 0 / 40

HEX #534199

RGB 83 65 153

HSL 252.27, 0.4%, 0.43%

LAB 33.81, 30.47, -45.79

 

CMYK 44 / 56 / 0 / 29

HEX #6550B4

RGB 101 80 180

HSL 252.6, 0.4%, 0.51%

LAB 40.9, 33.54, -50.43

 

CMYK 34 / 43 / 0 / 25

HEX #7E6DC0

RGB 126 109 192

HSL 252.29, 0.4%, 0.59%

LAB 50.9, 25.86, -41.32

 

CMYK 45 / 57 / 0 / 40

HEX #534198

RGB 83 65 152

HSL 252.41, 0.4%, 0.43%

LAB 33.75, 30.16, -45.29

 

CMYK 0 / 58 / 23 / 40

HEX #994176

RGB 153 65 118

HSL 323.86, 0.4%, 0.43%

LAB 40.99, 43.04, -12.44

 

CMYK 46 / 0 / 58 / 40

HEX #539941

RGB 83 153 65

HSL 107.73, 0.4%, 0.43%

LAB 57.08, -39.42, 38.91

 

CMYK 45 / 57 / 0 / 40

HEX #534198

RGB 83 65 152

HSL 252.41, 0.4%, 0.43%

LAB 33.75, 30.16, -45.29

 

CMYK 0 / 46 / 58 / 40

HEX #995341

RGB 153 83 65

HSL 12.27, 0.4%, 0.43%

LAB 43.27, 27.25, 23.35

 

CMYK 58 / 0 / 46 / 40

HEX #419953

RGB 65 153 83

HSL 132.27, 0.4%, 0.43%

LAB 56.62, -42, 28.99

 

CMYK 45 / 57 / 0 / 40

HEX #534198

RGB 83 65 152

HSL 252.41, 0.4%, 0.43%

LAB 33.75, 30.16, -45.29

 

CMYK 0 / 58 / 23 / 40

HEX #994176

RGB 153 65 118

HSL 323.86, 0.4%, 0.43%

LAB 40.99, 43.04, -12.44

 

CMYK 12 / 0 / 58 / 40

HEX #879941

RGB 135 153 65

HSL 72.27, 0.4%, 0.43%

LAB 60.17, -19.77, 43.29

 

CMYK 58 / 0 / 35 / 40

HEX #419964

RGB 65 153 100

HSL 143.86, 0.4%, 0.43%

LAB 56.91, -38.91, 20.13

 

CMYK 45 / 57 / 0 / 40

HEX #534198

RGB 83 65 152

HSL 252.41, 0.4%, 0.43%

LAB 33.75, 30.16, -45.29

 

CMYK 0 / 58 / 40 / 40

HEX #99415C

RGB 153 65 92

HSL 341.59, 0.4%, 0.43%

LAB 40.12, 39.57, 2.45

 

CMYK 12 / 0 / 58 / 40

HEX #879941

RGB 135 153 65

HSL 72.27, 0.4%, 0.43%

LAB 60.17, -19.77, 43.29

 

CMYK 58 / 0 / 17 / 40

HEX #41997F

RGB 65 153 127

HSL 162.27, 0.4%, 0.43%

LAB 57.5, -32.9, 5.79

 

Description

Color code: HEX #534198 | qconv.com Color code: HEX #534198 | qconv.com - big

Since the color values are relatively low compared to others, this hue appears darker to us.

The breakdown of the color into the RGB color system: of 255 maximum color components, 83 red, 65 green and 152 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
83 65 152 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, 45 cyan, 57 magenta, none yellow and 40 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
45% 57% 0% 40% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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