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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #5341A1 it is the complementary color #ACBE5E. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #5341A1. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #5341A1 shade: #58419C, #6953AF, #7A65C2, #8B77D5 and #9C89E8

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #5341A1. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #5341A1 shade: #5341A1, #422F8E, #311D7B, #200B68 and #0F0055

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #5341A1 shade: #52419F, #6C419F, #85419F, #9E419F and #9F4186

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #5341A1 shade: #52419F and #41419F

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #5341A1 shade matches the following richer shades: #52419F, #472EB1, #3C1CC3 and #300AD5

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #5341A1 shade: #52419F, #5E538D, #69657B, #747768 and #808956

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #5341A1 shade: #41629F, #41489F, #52419F, #6B419F and #84419F

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #5341A1 shade: #342964, #433582, #52419F, #6451B8 and #7E6EC4

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #5341A1 shade: #5341A1, #9F417B and #559F41

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #5341A1 shade: #5341A1, #9F5241 and #419F52

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #5341A1 shade: #5341A1, #9F417B, #8E9F41 and #419F65

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #5341A1 shade: #5341A1, #9F415E, #8E9F41 and #419F81

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 48 / 60 / 0 / 37

HEX #5341A1

RGB 83 65 161

HSL 251.25, 0.42%, 0.44%

LAB 34.38, 32.91, -49.71

 

Complementary color

CMYK 9 / 0 / 51 / 25

HEX #ACBE5E

RGB 172 190 94

HSL 71.25, 0.42%, 0.56%

LAB 73.81, -20.56, 45.95

 

CMYK 44 / 58 / 0 / 39

HEX #58419C

RGB 88 65 156

HSL 255.16, 0.41%, 0.43%

LAB 34.51, 32.53, -46.46

 

CMYK 40 / 53 / 0 / 31

HEX #6953AF

RGB 105 83 175

HSL 254.35, 0.37%, 0.51%

LAB 41.67, 31.25, -46.22

 

CMYK 37 / 48 / 0 / 24

HEX #7A65C2

RGB 122 101 194

HSL 253.55, 0.43%, 0.58%

LAB 48.69, 30.11, -46

 

CMYK 35 / 44 / 0 / 16

HEX #8B77D5

RGB 139 119 213

HSL 252.77, 0.53%, 0.65%

LAB 55.57, 29.1, -45.82

 

CMYK 33 / 41 / 0 / 9

HEX #9C89E8

RGB 156 137 232

HSL 252, 0.67%, 0.72%

LAB 62.33, 28.2, -45.67

 

CMYK 48 / 60 / 0 / 37

HEX #5341A1

RGB 83 65 161

HSL 251.25, 0.42%, 0.44%

LAB 34.38, 32.91, -49.71

 

CMYK 54 / 67 / 0 / 44

HEX #422F8E

RGB 66 47 142

HSL 252, 0.5%, 0.37%

LAB 27.14, 34.49, -49.94

 

CMYK 60 / 76 / 0 / 52

HEX #311D7B

RGB 49 29 123

HSL 252.77, 0.62%, 0.3%

LAB 19.89, 36.1, -49.95

 

CMYK 69 / 89 / 0 / 59

HEX #200B68

RGB 32 11 104

HSL 253.55, 0.81%, 0.23%

LAB 12.9, 37.13, -49.23

 

CMYK 82 / 100 / 0 / 67

HEX #0F0055

RGB 15 0 85

HSL 250.59, 1%, 0.17%

LAB 6.84, 35.72, -46.57

 

CMYK 48 / 59 / 0 / 38

HEX #52419F

RGB 82 65 159

HSL 250.85, 0.42%, 0.44%

LAB 34.14, 32.08, -48.89

 

CMYK 32 / 59 / 0 / 38

HEX #6C419F

RGB 108 65 159

HSL 267.45, 0.42%, 0.44%

LAB 36.88, 38.21, -44.35

 

CMYK 16 / 59 / 0 / 38

HEX #85419F

RGB 133 65 159

HSL 283.4, 0.42%, 0.44%

LAB 40.03, 44.66, -39.13

 

CMYK 1 / 59 / 0 / 38

HEX #9E419F

RGB 158 65 159

HSL 299.36, 0.42%, 0.44%

LAB 43.58, 51.32, -33.28

 

CMYK 0 / 59 / 16 / 38

HEX #9F4186

RGB 159 65 134

HSL 315.96, 0.42%, 0.44%

LAB 42.57, 47.35, -19.76

 

CMYK 48 / 59 / 0 / 38

HEX #52419F

RGB 82 65 159

HSL 250.85, 0.42%, 0.44%

LAB 34.14, 32.08, -48.89

 

CMYK 59 / 59 / 0 / 38

HEX #41419F

RGB 65 65 159

HSL 240, 0.42%, 0.44%

LAB 32.72, 28.61, -51.27

 

CMYK 48 / 59 / 0 / 38

HEX #52419F

RGB 82 65 159

HSL 250.85, 0.42%, 0.44%

LAB 34.14, 32.08, -48.89

 

CMYK 60 / 74 / 0 / 31

HEX #472EB1

RGB 71 46 177

HSL 251.45, 0.59%, 0.44%

LAB 30.56, 46.68, -65.58

 

CMYK 69 / 86 / 0 / 24

HEX #3C1CC3

RGB 60 28 195

HSL 251.5, 0.75%, 0.44%

LAB 28.72, 58.95, -79.32

 

CMYK 77 / 95 / 0 / 16

HEX #300AD5

RGB 48 10 213

HSL 251.23, 0.91%, 0.44%

LAB 28.51, 67.97, -90.21

 

CMYK 48 / 59 / 0 / 38

HEX #52419F

RGB 82 65 159

HSL 250.85, 0.42%, 0.44%

LAB 34.14, 32.08, -48.89

 

CMYK 33 / 41 / 0 / 45

HEX #5E538D

RGB 94 83 141

HSL 251.38, 0.26%, 0.44%

LAB 38.71, 18.58, -30.65

 

CMYK 15 / 18 / 0 / 52

HEX #69657B

RGB 105 101 123

HSL 250.91, 0.1%, 0.44%

LAB 43.86, 6.39, -11.7

 

CMYK 3 / 0 / 13 / 53

HEX #747768

RGB 116 119 104

HSL 72, 0.07%, 0.44%

LAB 49.38, -4.04, 7.87

 

CMYK 7 / 0 / 37 / 46

HEX #808956

RGB 128 137 86

HSL 70.59, 0.23%, 0.44%

LAB 55.23, -11.99, 26.27

 

CMYK 59 / 38 / 0 / 38

HEX #41629F

RGB 65 98 159

HSL 218.94, 0.42%, 0.44%

LAB 41.79, 7.25, -36.73

 

CMYK 59 / 55 / 0 / 38

HEX #41489F

RGB 65 72 159

HSL 235.53, 0.42%, 0.44%

LAB 34.52, 24.07, -48.35

 

CMYK 48 / 59 / 0 / 38

HEX #52419F

RGB 82 65 159

HSL 250.85, 0.42%, 0.44%

LAB 34.14, 32.08, -48.89

 

CMYK 33 / 59 / 0 / 38

HEX #6B419F

RGB 107 65 159

HSL 266.81, 0.42%, 0.44%

LAB 36.76, 37.96, -44.54

 

CMYK 17 / 59 / 0 / 38

HEX #84419F

RGB 132 65 159

HSL 282.77, 0.42%, 0.44%

LAB 39.9, 44.4, -39.35

 

CMYK 48 / 59 / 0 / 61

HEX #342964

RGB 52 41 100

HSL 251.19, 0.42%, 0.28%

LAB 20.97, 21.67, -33.32

 

CMYK 48 / 59 / 0 / 49

HEX #433582

RGB 67 53 130

HSL 250.91, 0.42%, 0.36%

LAB 27.71, 27.15, -41.55

 

CMYK 48 / 59 / 0 / 38

HEX #52419F

RGB 82 65 159

HSL 250.85, 0.42%, 0.44%

LAB 34.14, 32.08, -48.89

 

CMYK 46 / 56 / 0 / 28

HEX #6451B8

RGB 100 81 184

HSL 251.07, 0.42%, 0.52%

LAB 41.3, 33.88, -52.12

 

CMYK 36 / 44 / 0 / 23

HEX #7E6EC4

RGB 126 110 196

HSL 251.16, 0.42%, 0.6%

LAB 51.35, 26.35, -42.9

 

CMYK 48 / 60 / 0 / 37

HEX #5341A1

RGB 83 65 161

HSL 251.25, 0.42%, 0.44%

LAB 34.38, 32.91, -49.71

 

CMYK 0 / 59 / 23 / 38

HEX #9F417B

RGB 159 65 123

HSL 322.98, 0.42%, 0.44%

LAB 42.13, 45.68, -13.71

 

CMYK 47 / 0 / 59 / 38

HEX #559F41

RGB 85 159 65

HSL 107.23, 0.42%, 0.44%

LAB 59.08, -41.34, 41.26

 

CMYK 48 / 60 / 0 / 37

HEX #5341A1

RGB 83 65 161

HSL 251.25, 0.42%, 0.44%

LAB 34.38, 32.91, -49.71

 

CMYK 0 / 48 / 59 / 38

HEX #9F5241

RGB 159 82 65

HSL 10.85, 0.42%, 0.44%

LAB 43.93, 30.26, 24.36

 

CMYK 59 / 0 / 48 / 38

HEX #419F52

RGB 65 159 82

HSL 130.85, 0.42%, 0.44%

LAB 58.54, -44.62, 31.95

 

CMYK 48 / 60 / 0 / 37

HEX #5341A1

RGB 83 65 161

HSL 251.25, 0.42%, 0.44%

LAB 34.38, 32.91, -49.71

 

CMYK 0 / 59 / 23 / 38

HEX #9F417B

RGB 159 65 123

HSL 322.98, 0.42%, 0.44%

LAB 42.13, 45.68, -13.71

 

CMYK 11 / 0 / 59 / 38

HEX #8E9F41

RGB 142 159 65

HSL 70.85, 0.42%, 0.44%

LAB 62.45, -19.89, 45.99

 

CMYK 59 / 0 / 36 / 38

HEX #419F65

RGB 65 159 101

HSL 142.98, 0.42%, 0.44%

LAB 58.84, -41.29, 22.19

 

CMYK 48 / 60 / 0 / 37

HEX #5341A1

RGB 83 65 161

HSL 251.25, 0.42%, 0.44%

LAB 34.38, 32.91, -49.71

 

CMYK 0 / 59 / 41 / 38

HEX #9F415E

RGB 159 65 94

HSL 341.49, 0.42%, 0.44%

LAB 41.15, 41.89, 2.81

 

CMYK 11 / 0 / 59 / 38

HEX #8E9F41

RGB 142 159 65

HSL 70.85, 0.42%, 0.44%

LAB 62.45, -19.89, 45.99

 

CMYK 59 / 0 / 19 / 38

HEX #419F81

RGB 65 159 129

HSL 160.85, 0.42%, 0.44%

LAB 59.44, -35.19, 7.43

 

Description

Color code: HEX #5341A1 | qconv.com Color code: HEX #5341A1 | qconv.com - big

Since the color values are relatively low compared to others, this hue appears darker to us.

The breakdown of the color into the RGB color system: of 255 maximum color components, 83 red, 65 green and 161 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
83 65 161 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, 48 cyan, 60 magenta, none yellow and 37 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
48% 60% 0% 37% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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