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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #534DAB it is the complementary color #ACB254. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #534DAB. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #534DAB shade: #584DA6, #695FB9, #7A71CC, #8B83DF and #9C95F2

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #534DAB. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #534DAB shade: #534DAB, #423B98, #312985, #201772 and #0F055F

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #534DAB shade: #534DAC, #6D4DAC, #864DAC, #A04DAC and #AC4D9E

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #534DAB shade: #534DAC and #4D4DAC

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #534DAB shade matches the following richer shades: #534DAC, #4139C0, #3025D4 and #1E10E9

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #534DAB shade: #534DAC, #656198, #767583, #888A6F and #9A9E5B

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #534DAB shade: #4D7BAC, #4D62AC, #524DAC, #6B4DAC and #844DAC

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #534DAB shade: #373373, #45408F, #534DAC, #6D67BB and #8884C7

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #534DAB shade: #534DAB, #AC4D94 and #6EAC4D

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #534DAB shade: #534DAB, #AC524D and #4DAC52

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #534DAB shade: #534DAB, #AC4D94, #A7AC4D and #4DAC65

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #534DAB shade: #534DAB, #AC4D78, #A7AC4D and #4DAC81

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 51 / 55 / 0 / 33

HEX #534DAB

RGB 83 77 171

HSL 243.83, 0.38%, 0.49%

LAB 38, 28.59, -49.85

 

Complementary color

CMYK 3 / 0 / 53 / 30

HEX #ACB254

RGB 172 178 84

HSL 63.83, 0.38%, 0.51%

LAB 70.35, -15.42, 46.68

 

CMYK 47 / 54 / 0 / 35

HEX #584DA6

RGB 88 77 166

HSL 247.42, 0.37%, 0.48%

LAB 38.08, 28.15, -46.71

 

CMYK 43 / 49 / 0 / 27

HEX #695FB9

RGB 105 95 185

HSL 246.67, 0.39%, 0.55%

LAB 45.21, 26.85, -46.42

 

CMYK 40 / 45 / 0 / 20

HEX #7A71CC

RGB 122 113 204

HSL 245.93, 0.47%, 0.62%

LAB 52.18, 25.74, -46.17

 

CMYK 38 / 41 / 0 / 13

HEX #8B83DF

RGB 139 131 223

HSL 245.22, 0.59%, 0.69%

LAB 59.02, 24.77, -45.97

 

CMYK 36 / 38 / 0 / 5

HEX #9C95F2

RGB 156 149 242

HSL 244.52, 0.78%, 0.77%

LAB 65.73, 23.93, -45.82

 

CMYK 51 / 55 / 0 / 33

HEX #534DAB

RGB 83 77 171

HSL 243.83, 0.38%, 0.49%

LAB 38, 28.59, -49.85

 

CMYK 57 / 61 / 0 / 40

HEX #423B98

RGB 66 59 152

HSL 244.52, 0.44%, 0.41%

LAB 30.77, 30.28, -50.19

 

CMYK 63 / 69 / 0 / 48

HEX #312985

RGB 49 41 133

HSL 245.22, 0.53%, 0.34%

LAB 23.45, 32.25, -50.44

 

CMYK 72 / 80 / 0 / 55

HEX #201772

RGB 32 23 114

HSL 245.93, 0.66%, 0.27%

LAB 16.18, 34.33, -50.33

 

CMYK 84 / 95 / 0 / 63

HEX #0F055F

RGB 15 5 95

HSL 246.67, 0.9%, 0.2%

LAB 9.29, 35.96, -49.27

 

CMYK 52 / 55 / 0 / 33

HEX #534DAC

RGB 83 77 172

HSL 243.79, 0.38%, 0.49%

LAB 38.07, 28.91, -50.34

 

CMYK 37 / 55 / 0 / 33

HEX #6D4DAC

RGB 109 77 172

HSL 260.21, 0.38%, 0.49%

LAB 40.47, 34.99, -46.34

 

CMYK 22 / 55 / 0 / 33

HEX #864DAC

RGB 134 77 172

HSL 276, 0.38%, 0.49%

LAB 43.29, 41.48, -41.67

 

CMYK 7 / 55 / 0 / 33

HEX #A04DAC

RGB 160 77 172

HSL 292.42, 0.38%, 0.49%

LAB 46.66, 48.55, -36.13

 

CMYK 0 / 55 / 8 / 33

HEX #AC4D9E

RGB 172 77 158

HSL 308.84, 0.38%, 0.49%

LAB 47.68, 49.4, -26.12

 

CMYK 52 / 55 / 0 / 33

HEX #534DAC

RGB 83 77 172

HSL 243.79, 0.38%, 0.49%

LAB 38.07, 28.91, -50.34

 

CMYK 55 / 55 / 0 / 33

HEX #4D4DAC

RGB 77 77 172

HSL 240, 0.38%, 0.49%

LAB 37.6, 27.65, -51.12

 

CMYK 52 / 55 / 0 / 33

HEX #534DAC

RGB 83 77 172

HSL 243.79, 0.38%, 0.49%

LAB 38.07, 28.91, -50.34

 

CMYK 66 / 70 / 0 / 25

HEX #4139C0

RGB 65 57 192

HSL 243.56, 0.54%, 0.49%

LAB 33.68, 44.51, -69.35

 

CMYK 77 / 83 / 0 / 17

HEX #3025D4

RGB 48 37 212

HSL 243.77, 0.7%, 0.49%

LAB 31.13, 59.44, -85.28

 

CMYK 87 / 93 / 0 / 9

HEX #1E10E9

RGB 30 16 233

HSL 243.87, 0.87%, 0.49%

LAB 30.71, 71.41, -98.06

 

CMYK 52 / 55 / 0 / 33

HEX #534DAC

RGB 83 77 172

HSL 243.79, 0.38%, 0.49%

LAB 38.07, 28.91, -50.34

 

CMYK 34 / 36 / 0 / 40

HEX #656198

RGB 101 97 152

HSL 244.36, 0.22%, 0.49%

LAB 43.63, 15.02, -29.5

 

CMYK 10 / 11 / 0 / 49

HEX #767583

RGB 118 117 131

HSL 244.29, 0.06%, 0.49%

LAB 49.75, 3.34, -7.52

 

CMYK 1 / 0 / 20 / 46

HEX #888A6F

RGB 136 138 111

HSL 64.44, 0.11%, 0.49%

LAB 56.64, -5.61, 14.25

 

CMYK 3 / 0 / 42 / 38

HEX #9A9E5B

RGB 154 158 91

HSL 63.58, 0.27%, 0.49%

LAB 63.41, -11.81, 34.44

 

CMYK 55 / 28 / 0 / 33

HEX #4D7BAC

RGB 77 123 172

HSL 210.95, 0.38%, 0.49%

LAB 50.36, -1.1, -30.84

 

CMYK 55 / 43 / 0 / 33

HEX #4D62AC

RGB 77 98 172

HSL 226.74, 0.38%, 0.49%

LAB 43.2, 14.28, -42.13

 

CMYK 52 / 55 / 0 / 33

HEX #524DAC

RGB 82 77 172

HSL 243.16, 0.38%, 0.49%

LAB 37.99, 28.69, -50.47

 

CMYK 38 / 55 / 0 / 33

HEX #6B4DAC

RGB 107 77 172

HSL 258.95, 0.38%, 0.49%

LAB 40.27, 34.49, -46.68

 

CMYK 23 / 55 / 0 / 33

HEX #844DAC

RGB 132 77 172

HSL 274.74, 0.38%, 0.49%

LAB 43.05, 40.95, -42.07

 

CMYK 52 / 56 / 0 / 55

HEX #373373

RGB 55 51 115

HSL 243.75, 0.39%, 0.33%

LAB 25.01, 20.7, -36.49

 

CMYK 52 / 55 / 0 / 44

HEX #45408F

RGB 69 64 143

HSL 243.8, 0.38%, 0.41%

LAB 31.61, 24.72, -43.3

 

CMYK 52 / 55 / 0 / 33

HEX #534DAC

RGB 83 77 172

HSL 243.79, 0.38%, 0.49%

LAB 38.07, 28.91, -50.34

 

CMYK 42 / 45 / 0 / 27

HEX #6D67BB

RGB 109 103 187

HSL 244.29, 0.38%, 0.57%

LAB 47.67, 23.56, -43.63

 

CMYK 32 / 34 / 0 / 22

HEX #8884C7

RGB 136 132 199

HSL 243.58, 0.37%, 0.65%

LAB 57.9, 16.94, -34.25

 

CMYK 51 / 55 / 0 / 33

HEX #534DAB

RGB 83 77 171

HSL 243.83, 0.38%, 0.49%

LAB 38, 28.59, -49.85

 

CMYK 0 / 55 / 14 / 33

HEX #AC4D94

RGB 172 77 148

HSL 315.16, 0.38%, 0.49%

LAB 47.26, 47.75, -20.83

 

CMYK 36 / 0 / 55 / 33

HEX #6EAC4D

RGB 110 172 77

HSL 99.16, 0.38%, 0.49%

LAB 64.45, -37.35, 42.09

 

CMYK 51 / 55 / 0 / 33

HEX #534DAB

RGB 83 77 171

HSL 243.83, 0.38%, 0.49%

LAB 38, 28.59, -49.85

 

CMYK 0 / 52 / 55 / 33

HEX #AC524D

RGB 172 82 77

HSL 3.16, 0.38%, 0.49%

LAB 46.1, 36.37, 20.41

 

CMYK 55 / 0 / 52 / 33

HEX #4DAC52

RGB 77 172 82

HSL 123.16, 0.38%, 0.49%

LAB 63.09, -46.83, 37.67

 

CMYK 51 / 55 / 0 / 33

HEX #534DAB

RGB 83 77 171

HSL 243.83, 0.38%, 0.49%

LAB 38, 28.59, -49.85

 

CMYK 0 / 55 / 14 / 33

HEX #AC4D94

RGB 172 77 148

HSL 315.16, 0.38%, 0.49%

LAB 47.26, 47.75, -20.83

 

CMYK 3 / 0 / 55 / 33

HEX #A7AC4D

RGB 167 172 77

HSL 63.16, 0.38%, 0.49%

LAB 68.21, -15.03, 47.43

 

CMYK 55 / 0 / 41 / 33

HEX #4DAC65

RGB 77 172 101

HSL 135.16, 0.38%, 0.49%

LAB 63.36, -43.88, 28.23

 

CMYK 51 / 55 / 0 / 33

HEX #534DAB

RGB 83 77 171

HSL 243.83, 0.38%, 0.49%

LAB 38, 28.59, -49.85

 

CMYK 0 / 55 / 30 / 33

HEX #AC4D78

RGB 172 77 120

HSL 332.84, 0.38%, 0.49%

LAB 46.22, 43.63, -5.52

 

CMYK 3 / 0 / 55 / 33

HEX #A7AC4D

RGB 167 172 77

HSL 63.16, 0.38%, 0.49%

LAB 68.21, -15.03, 47.43

 

CMYK 55 / 0 / 25 / 33

HEX #4DAC81

RGB 77 172 129

HSL 152.84, 0.38%, 0.49%

LAB 63.89, -38.41, 13.78

 

Description

Color code: HEX #534DAB | qconv.com Color code: HEX #534DAB | qconv.com - big

Since the color values are relatively low compared to others, this hue appears darker to us.

The breakdown of the color into the RGB color system: of 255 maximum color components, 83 red, 77 green and 171 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
83 77 171 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, 51 cyan, 55 magenta, none yellow and 33 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
51% 55% 0% 33% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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