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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #5355CA it is the complementary color #ACAA35. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #5355CA. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #5355CA shade: #5855C5, #6967D8, #7A79EB, #8B8BFE and #9C9DFF

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #5355CA. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #5355CA shade: #5355CA, #4243B7, #3131A4, #201F91 and #0F0D7E

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #5355CA shade: #5355CA, #7153CA, #9153CA, #B153CA and #CA53C2

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #5355CA shade: #5355CA and #5353CA

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #5355CA shade matches the following richer shades: #5355CA, #4143DC and #2F32EE

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #5355CA shade: #5355CA, #6566B8, #7778A5, #898993 and #9B9B81

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #5355CA shade: #5396CA, #5377CA, #5357CA, #6F53CA and #8E53CA

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #5355CA shade: #2F319B, #393BBA, #5355CA, #7274D3 and #9293DD

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #5355CA shade: #5355CA, #CA53B6 and #86CA53

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #5355CA shade: #5355CA, #CA5357 and #57CA53

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #5355CA shade: #5355CA, #CA53B6, #CAC653 and #53CA67

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #5355CA shade: #5355CA, #CA5392, #CAC653 and #53CA8A

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 59 / 58 / 0 / 21

HEX #5355CA

RGB 83 85 202

HSL 238.99, 0.53%, 0.56%

LAB 42.15, 33.65, -61.29

 

Complementary color

CMYK 0 / 1 / 69 / 33

HEX #ACAA35

RGB 172 170 53

HSL 58.99, 0.53%, 0.44%

LAB 67.86, -13.5, 57.55

 

CMYK 55 / 57 / 0 / 23

HEX #5855C5

RGB 88 85 197

HSL 241.61, 0.49%, 0.55%

LAB 42.16, 32.95, -58.37

 

CMYK 51 / 52 / 0 / 15

HEX #6967D8

RGB 105 103 216

HSL 241.06, 0.59%, 0.63%

LAB 49.08, 31.37, -58.03

 

CMYK 48 / 49 / 0 / 8

HEX #7A79EB

RGB 122 121 235

HSL 240.53, 0.74%, 0.7%

LAB 55.9, 29.99, -57.72

 

CMYK 45 / 45 / 0 / 0

HEX #8B8BFE

RGB 139 139 254

HSL 240, 0.98%, 0.77%

LAB 62.6, 28.8, -57.44

 

CMYK 39 / 38 / 0 / 0

HEX #9C9DFF

RGB 156 157 255

HSL 239.39, 1%, 0.81%

LAB 68.32, 22.82, -48.85

 

CMYK 59 / 58 / 0 / 21

HEX #5355CA

RGB 83 85 202

HSL 238.99, 0.53%, 0.56%

LAB 42.15, 33.65, -61.29

 

CMYK 64 / 63 / 0 / 28

HEX #4243B7

RGB 66 67 183

HSL 239.49, 0.47%, 0.49%

LAB 35.19, 35.67, -61.58

 

CMYK 70 / 70 / 0 / 36

HEX #3131A4

RGB 49 49 164

HSL 240, 0.54%, 0.42%

LAB 28.19, 37.96, -61.73

 

CMYK 78 / 79 / 0 / 43

HEX #201F91

RGB 32 31 145

HSL 240.53, 0.65%, 0.35%

LAB 21.32, 40.35, -61.46

 

CMYK 88 / 90 / 0 / 51

HEX #0F0D7E

RGB 15 13 126

HSL 241.06, 0.81%, 0.27%

LAB 14.93, 42.13, -60.15

 

CMYK 59 / 58 / 0 / 21

HEX #5355CA

RGB 83 85 202

HSL 238.99, 0.53%, 0.56%

LAB 42.15, 33.65, -61.29

 

CMYK 44 / 59 / 0 / 21

HEX #7153CA

RGB 113 83 202

HSL 255.13, 0.53%, 0.56%

LAB 44.18, 40.78, -57.89

 

CMYK 28 / 59 / 0 / 21

HEX #9153CA

RGB 145 83 202

HSL 271.26, 0.53%, 0.56%

LAB 47.59, 48.11, -52.23

 

CMYK 12 / 59 / 0 / 21

HEX #B153CA

RGB 177 83 202

HSL 287.39, 0.53%, 0.56%

LAB 51.61, 56.01, -45.58

 

CMYK 0 / 59 / 4 / 21

HEX #CA53C2

RGB 202 83 194

HSL 304.03, 0.53%, 0.56%

LAB 54.7, 60.97, -35.88

 

CMYK 59 / 58 / 0 / 21

HEX #5355CA

RGB 83 85 202

HSL 238.99, 0.53%, 0.56%

LAB 42.15, 33.65, -61.29

 

CMYK 59 / 59 / 0 / 21

HEX #5353CA

RGB 83 83 202

HSL 240, 0.53%, 0.56%

LAB 41.67, 34.89, -62.07

 

CMYK 59 / 58 / 0 / 21

HEX #5355CA

RGB 83 85 202

HSL 238.99, 0.53%, 0.56%

LAB 42.15, 33.65, -61.29

 

CMYK 70 / 70 / 0 / 14

HEX #4143DC

RGB 65 67 220

HSL 239.23, 0.69%, 0.56%

LAB 38.39, 47.88, -77.85

 

CMYK 80 / 79 / 0 / 7

HEX #2F32EE

RGB 47 50 238

HSL 239.06, 0.85%, 0.56%

LAB 36.1, 61.22, -91.92

 

CMYK 59 / 58 / 0 / 21

HEX #5355CA

RGB 83 85 202

HSL 238.99, 0.53%, 0.56%

LAB 42.15, 33.65, -61.29

 

CMYK 45 / 45 / 0 / 28

HEX #6566B8

RGB 101 102 184

HSL 239.28, 0.37%, 0.56%

LAB 46.62, 21.26, -43.61

 

CMYK 28 / 27 / 0 / 35

HEX #7778A5

RGB 119 120 165

HSL 238.7, 0.2%, 0.56%

LAB 51.92, 10.08, -24.15

 

CMYK 7 / 7 / 0 / 42

HEX #898993

RGB 137 137 147

HSL 240, 0.04%, 0.56%

LAB 57.38, 2.03, -5.33

 

CMYK 0 / 0 / 17 / 39

HEX #9B9B81

RGB 155 155 129

HSL 60, 0.12%, 0.56%

LAB 63.34, -4.6, 13.67

 

CMYK 59 / 26 / 0 / 21

HEX #5396CA

RGB 83 150 202

HSL 206.22, 0.53%, 0.56%

LAB 59.81, -5.85, -33.2

 

CMYK 59 / 41 / 0 / 21

HEX #5377CA

RGB 83 119 202

HSL 221.85, 0.53%, 0.56%

LAB 51.03, 12.49, -47.02

 

CMYK 59 / 57 / 0 / 21

HEX #5357CA

RGB 83 87 202

HSL 237.98, 0.53%, 0.56%

LAB 42.64, 32.42, -60.5

 

CMYK 45 / 59 / 0 / 21

HEX #6F53CA

RGB 111 83 202

HSL 254.12, 0.53%, 0.56%

LAB 43.99, 40.35, -58.21

 

CMYK 30 / 59 / 0 / 21

HEX #8E53CA

RGB 142 83 202

HSL 269.75, 0.53%, 0.56%

LAB 47.24, 47.39, -52.81

 

CMYK 70 / 68 / 0 / 39

HEX #2F319B

RGB 47 49 155

HSL 238.89, 0.53%, 0.4%

LAB 27.21, 34.58, -57.89

 

CMYK 69 / 68 / 0 / 27

HEX #393BBA

RGB 57 59 186

HSL 239.07, 0.53%, 0.48%

LAB 33.01, 40.37, -66.94

 

CMYK 59 / 58 / 0 / 21

HEX #5355CA

RGB 83 85 202

HSL 238.99, 0.53%, 0.56%

LAB 42.15, 33.65, -61.29

 

CMYK 46 / 45 / 0 / 17

HEX #7274D3

RGB 114 116 211

HSL 238.76, 0.52%, 0.64%

LAB 52.7, 24, -49.37

 

CMYK 34 / 33 / 0 / 13

HEX #9293DD

RGB 146 147 221

HSL 239.2, 0.52%, 0.72%

LAB 63.51, 16.83, -37.77

 

CMYK 59 / 58 / 0 / 21

HEX #5355CA

RGB 83 85 202

HSL 238.99, 0.53%, 0.56%

LAB 42.15, 33.65, -61.29

 

CMYK 0 / 59 / 10 / 21

HEX #CA53B6

RGB 202 83 182

HSL 310.08, 0.53%, 0.56%

LAB 54.15, 59.02, -29.8

 

CMYK 34 / 0 / 59 / 21

HEX #86CA53

RGB 134 202 83

HSL 94.29, 0.53%, 0.56%

LAB 74.78, -41.62, 51.6

 

CMYK 59 / 58 / 0 / 21

HEX #5355CA

RGB 83 85 202

HSL 238.99, 0.53%, 0.56%

LAB 42.15, 33.65, -61.29

 

CMYK 0 / 59 / 57 / 21

HEX #CA5357

RGB 202 83 87

HSL 357.98, 0.53%, 0.56%

LAB 51.19, 47.66, 22.05

 

CMYK 57 / 0 / 59 / 21

HEX #57CA53

RGB 87 202 83

HSL 117.98, 0.53%, 0.56%

LAB 72.82, -55.74, 48.83

 

CMYK 59 / 58 / 0 / 21

HEX #5355CA

RGB 83 85 202

HSL 238.99, 0.53%, 0.56%

LAB 42.15, 33.65, -61.29

 

CMYK 0 / 59 / 10 / 21

HEX #CA53B6

RGB 202 83 182

HSL 310.08, 0.53%, 0.56%

LAB 54.15, 59.02, -29.8

 

CMYK 0 / 2 / 59 / 21

HEX #CAC653

RGB 202 198 83

HSL 57.98, 0.53%, 0.56%

LAB 78.21, -13.19, 56.69

 

CMYK 59 / 0 / 49 / 21

HEX #53CA67

RGB 83 202 103

HSL 130.08, 0.53%, 0.56%

LAB 72.93, -54.09, 39.45

 

CMYK 59 / 58 / 0 / 21

HEX #5355CA

RGB 83 85 202

HSL 238.99, 0.53%, 0.56%

LAB 42.15, 33.65, -61.29

 

CMYK 0 / 59 / 28 / 21

HEX #CA5392

RGB 202 83 146

HSL 328.24, 0.53%, 0.56%

LAB 52.75, 53.8, -10.87

 

CMYK 0 / 2 / 59 / 21

HEX #CAC653

RGB 202 198 83

HSL 57.98, 0.53%, 0.56%

LAB 78.21, -13.19, 56.69

 

CMYK 59 / 0 / 32 / 21

HEX #53CA8A

RGB 83 202 138

HSL 147.73, 0.53%, 0.56%

LAB 73.49, -48.07, 22.21

 

Description

Color code: HEX #5355CA | qconv.com Color code: HEX #5355CA | qconv.com - big

Since the color values are relatively high compared to others, this hue appears lighter to us.

The breakdown of the color into the RGB color system: of 255 maximum color components, 83 red, 85 green and 202 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
83 85 202 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, 59 cyan, 58 magenta, none yellow and 21 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
59% 58% 0% 21% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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