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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #535011 it is the complementary color #ACAFEE. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #535011. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #535011 shade: #58500C, #69621F, #7A7432, #8B8645 and #9C9858

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #535011. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #535011 shade: #535011, #423E00, #312C00, #201A00 and #0F0800

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #535011 shade: #545111, #543F11, #542D11, #541B11 and #541111

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #535011 shade: #545111, #455411, #335411, #215411 and #115413

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #535011 shade matches the following richer shades: #545111, #5C5909 and #656000

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #535011 shade: #545111, #4C4A19, #444221, #3B3B2A and #333332

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #535011 shade: #542D11, #543F11, #545111, #465411 and #345411

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #535011 shade: #100F03, #32300A, #545111, #767218 and #99931F

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #535011 shade: #535011, #11541B and #361154

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #535011 shade: #535011, #115451 and #511154

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #535011 shade: #535011, #11541B, #111454 and #54114A

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #535011 shade: #535011, #11542F, #111454 and #541136

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 0 / 4 / 80 / 67

HEX #535011

RGB 83 80 17

HSL 57.27, 0.66%, 0.2%

LAB 33.17, -7.09, 35.23

 

Complementary color

CMYK 28 / 26 / 0 / 7

HEX #ACAFEE

RGB 172 175 238

HSL 237.27, 0.66%, 0.8%

LAB 73.29, 12.69, -31.77

 

CMYK 0 / 9 / 86 / 65

HEX #58500C

RGB 88 80 12

HSL 53.68, 0.76%, 0.2%

LAB 33.64, -4.81, 37.71

 

CMYK 0 / 7 / 70 / 59

HEX #69621F

RGB 105 98 31

HSL 54.32, 0.54%, 0.27%

LAB 40.96, -6.04, 37.59

 

CMYK 0 / 5 / 59 / 52

HEX #7A7432

RGB 122 116 50

HSL 55, 0.42%, 0.34%

LAB 48.08, -6.93, 36.6

 

CMYK 0 / 4 / 50 / 45

HEX #8B8645

RGB 139 134 69

HSL 55.71, 0.34%, 0.41%

LAB 55.04, -7.59, 35.37

 

CMYK 0 / 3 / 44 / 39

HEX #9C9858

RGB 156 152 88

HSL 56.47, 0.28%, 0.48%

LAB 61.85, -8.1, 34.1

 

CMYK 0 / 4 / 80 / 67

HEX #535011

RGB 83 80 17

HSL 57.27, 0.66%, 0.2%

LAB 33.17, -7.09, 35.23

 

CMYK 0 / 6 / 100 / 74

HEX #423E00

RGB 66 62 0

HSL 56.36, 1%, 0.13%

LAB 25.57, -5.72, 34.38

 

CMYK 0 / 10 / 100 / 81

HEX #312C00

RGB 49 44 0

HSL 53.88, 1%, 0.1%

LAB 17.71, -3.52, 25.39

 

CMYK 0 / 19 / 100 / 87

HEX #201A00

RGB 32 26 0

HSL 48.75, 1%, 0.06%

LAB 9.37, -1.07, 13.99

 

CMYK 0 / 47 / 100 / 94

HEX #0F0800

RGB 15 8 0

HSL 32, 1%, 0.03%

LAB 2.49, 0.91, 3.74

 

CMYK 0 / 4 / 80 / 67

HEX #545111

RGB 84 81 17

HSL 57.31, 0.66%, 0.2%

LAB 33.58, -7.18, 35.65

 

CMYK 0 / 25 / 80 / 67

HEX #543F11

RGB 84 63 17

HSL 41.19, 0.66%, 0.2%

LAB 28.06, 3.88, 30.3

 

CMYK 0 / 46 / 80 / 67

HEX #542D11

RGB 84 45 17

HSL 25.07, 0.66%, 0.2%

LAB 23.01, 15.34, 25.14

 

CMYK 0 / 68 / 80 / 67

HEX #541B11

RGB 84 27 17

HSL 8.96, 0.66%, 0.2%

LAB 18.84, 25.89, 20.54

 

CMYK 0 / 80 / 80 / 67

HEX #541111

RGB 84 17 17

HSL 0, 0.66%, 0.2%

LAB 17.11, 30.57, 18.48

 

CMYK 0 / 4 / 80 / 67

HEX #545111

RGB 84 81 17

HSL 57.31, 0.66%, 0.2%

LAB 33.58, -7.18, 35.65

 

CMYK 18 / 0 / 80 / 67

HEX #455411

RGB 69 84 17

HSL 73.43, 0.66%, 0.2%

LAB 33.24, -16.22, 34.86

 

CMYK 39 / 0 / 80 / 67

HEX #335411

RGB 51 84 17

HSL 89.55, 0.66%, 0.2%

LAB 32, -24.2, 33.23

 

CMYK 61 / 0 / 80 / 67

HEX #215411

RGB 33 84 17

HSL 105.67, 0.66%, 0.2%

LAB 31.12, -30.69, 32.07

 

CMYK 80 / 0 / 77 / 67

HEX #115413

RGB 17 84 19

HSL 121.79, 0.66%, 0.2%

LAB 30.66, -34.46, 30.59

 

CMYK 0 / 4 / 80 / 67

HEX #545111

RGB 84 81 17

HSL 57.31, 0.66%, 0.2%

LAB 33.58, -7.18, 35.65

 

CMYK 0 / 3 / 90 / 64

HEX #5C5909

RGB 92 89 9

HSL 57.83, 0.82%, 0.2%

LAB 36.82, -8.22, 41.5

 

CMYK 0 / 5 / 100 / 60

HEX #656000

RGB 101 96 0

HSL 57.03, 1%, 0.2%

LAB 39.8, -8.08, 46.76

 

CMYK 0 / 4 / 80 / 67

HEX #545111

RGB 84 81 17

HSL 57.31, 0.66%, 0.2%

LAB 33.58, -7.18, 35.65

 

CMYK 0 / 3 / 67 / 70

HEX #4C4A19

RGB 76 74 25

HSL 57.65, 0.5%, 0.2%

LAB 30.65, -6.47, 28.74

 

CMYK 0 / 3 / 51 / 73

HEX #444221

RGB 68 66 33

HSL 56.57, 0.35%, 0.2%

LAB 27.39, -4.75, 20.29

 

CMYK 0 / 0 / 29 / 77

HEX #3B3B2A

RGB 59 59 42

HSL 60, 0.17%, 0.2%

LAB 24.4, -3.39, 10.58

 

CMYK 0 / 0 / 2 / 80

HEX #333332

RGB 51 51 50

HSL 60, 0.01%, 0.2%

LAB 21.21, -0.23, 0.63

 

CMYK 0 / 46 / 80 / 67

HEX #542D11

RGB 84 45 17

HSL 25.07, 0.66%, 0.2%

LAB 23.01, 15.34, 25.14

 

CMYK 0 / 25 / 80 / 67

HEX #543F11

RGB 84 63 17

HSL 41.19, 0.66%, 0.2%

LAB 28.06, 3.88, 30.3

 

CMYK 0 / 4 / 80 / 67

HEX #545111

RGB 84 81 17

HSL 57.31, 0.66%, 0.2%

LAB 33.58, -7.18, 35.65

 

CMYK 17 / 0 / 80 / 67

HEX #465411

RGB 70 84 17

HSL 72.54, 0.66%, 0.2%

LAB 33.31, -15.74, 34.96

 

CMYK 38 / 0 / 80 / 67

HEX #345411

RGB 52 84 17

HSL 88.66, 0.66%, 0.2%

LAB 32.06, -23.79, 33.31

 

CMYK 0 / 6 / 81 / 94

HEX #100F03

RGB 16 15 3

HSL 55.38, 0.68%, 0.04%

LAB 4.14, -1.42, 4.94

 

CMYK 0 / 4 / 80 / 80

HEX #32300A

RGB 50 48 10

HSL 57, 0.67%, 0.12%

LAB 19.28, -4.84, 23.2

 

CMYK 0 / 4 / 80 / 67

HEX #545111

RGB 84 81 17

HSL 57.31, 0.66%, 0.2%

LAB 33.58, -7.18, 35.65

 

CMYK 0 / 3 / 80 / 54

HEX #767218

RGB 118 114 24

HSL 57.45, 0.66%, 0.28%

LAB 46.91, -9.31, 46.6

 

CMYK 0 / 4 / 80 / 40

HEX #99931F

RGB 153 147 31

HSL 57.05, 0.66%, 0.36%

LAB 59.65, -10.86, 56.98

 

CMYK 0 / 4 / 80 / 67

HEX #535011

RGB 83 80 17

HSL 57.27, 0.66%, 0.2%

LAB 33.17, -7.09, 35.23

 

CMYK 80 / 0 / 68 / 67

HEX #11541B

RGB 17 84 27

HSL 128.96, 0.66%, 0.2%

LAB 30.73, -33.53, 26.86

 

CMYK 36 / 80 / 0 / 67

HEX #361154

RGB 54 17 84

HSL 273.13, 0.66%, 0.2%

LAB 14.54, 31.83, -33.03

 

CMYK 0 / 4 / 80 / 67

HEX #535011

RGB 83 80 17

HSL 57.27, 0.66%, 0.2%

LAB 33.17, -7.09, 35.23

 

CMYK 80 / 0 / 4 / 67

HEX #115451

RGB 17 84 81

HSL 177.31, 0.66%, 0.2%

LAB 31.93, -20.67, -4.12

 

CMYK 4 / 80 / 0 / 67

HEX #511154

RGB 81 17 84

HSL 297.31, 0.66%, 0.2%

LAB 19.18, 38.09, -25.32

 

CMYK 0 / 4 / 80 / 67

HEX #535011

RGB 83 80 17

HSL 57.27, 0.66%, 0.2%

LAB 33.17, -7.09, 35.23

 

CMYK 80 / 0 / 68 / 67

HEX #11541B

RGB 17 84 27

HSL 128.96, 0.66%, 0.2%

LAB 30.73, -33.53, 26.86

 

CMYK 80 / 76 / 0 / 67

HEX #111454

RGB 17 20 84

HSL 237.31, 0.66%, 0.2%

LAB 10.99, 23.55, -39.01

 

CMYK 0 / 80 / 12 / 67

HEX #54114A

RGB 84 17 74

HSL 308.96, 0.66%, 0.2%

LAB 19.14, 37.03, -18.55

 

CMYK 0 / 4 / 80 / 67

HEX #535011

RGB 83 80 17

HSL 57.27, 0.66%, 0.2%

LAB 33.17, -7.09, 35.23

 

CMYK 80 / 0 / 44 / 67

HEX #11542F

RGB 17 84 47

HSL 146.87, 0.66%, 0.2%

LAB 31.03, -30.05, 15.91

 

CMYK 80 / 76 / 0 / 67

HEX #111454

RGB 17 20 84

HSL 237.31, 0.66%, 0.2%

LAB 10.99, 23.55, -39.01

 

CMYK 0 / 80 / 36 / 67

HEX #541136

RGB 84 17 54

HSL 326.87, 0.66%, 0.2%

LAB 18.15, 33.97, -6.15

 

Description

Color code: HEX #535011 | qconv.com Color code: HEX #535011 | qconv.com - big

Since the color values are relatively low compared to others, this hue appears darker to us.

The breakdown of the color into the RGB color system: of 255 maximum color components, 83 red, 80 green and 17 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
83 80 17 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, none cyan, 4 magenta, 80 yellow and 67 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
0% 4% 80% 67% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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