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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #535DB5 it is the complementary color #ACA24A. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #535DB5. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #535DB5 shade: #585DB0, #696FC3, #7A81D6, #8B93E9 and #9CA5FC

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #535DB5. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #535DB5 shade: #535DB5, #424BA2, #31398F, #20277C and #0F1569

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #535DB5 shade: #535DB5, #6453B5, #7E53B5, #9853B5 and #B353B5

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #535DB5 shade: #535DB5 and #5353B5

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #535DB5 shade matches the following richer shades: #535DB5, #3F4DC9, #2C3EDD and #182EF0

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #535DB5 shade: #535DB5, #676DA1, #7B7D8D, #8F8C7A and #A29C66

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #535DB5 shade: #5393B5, #5379B5, #535FB5, #6253B5 and #7C53B5

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #535DB5 shade: #363E7F, #434C9C, #535DB5, #7078C1 and #8D94CE

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #535DB5 shade: #535DB5, #B553AD and #86B553

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #535DB5 shade: #535DB5, #B5535F and #5FB553

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #535DB5 shade: #535DB5, #B553AD, #B5AA53 and #53B55B

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #535DB5 shade: #535DB5, #B55390, #B5AA53 and #53B579

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 54 / 49 / 0 / 29

HEX #535DB5

RGB 83 93 181

HSL 233.88, 0.4%, 0.52%

LAB 42.77, 21.74, -48.08

 

Complementary color

CMYK 0 / 6 / 57 / 33

HEX #ACA24A

RGB 172 162 74

HSL 53.88, 0.4%, 0.48%

LAB 65.83, -7.92, 46.24

 

CMYK 50 / 47 / 0 / 31

HEX #585DB0

RGB 88 93 176

HSL 236.59, 0.36%, 0.52%

LAB 42.82, 21.24, -45.05

 

CMYK 46 / 43 / 0 / 24

HEX #696FC3

RGB 105 111 195

HSL 236, 0.43%, 0.59%

LAB 49.87, 20.06, -44.77

 

CMYK 43 / 40 / 0 / 16

HEX #7A81D6

RGB 122 129 214

HSL 235.43, 0.53%, 0.66%

LAB 56.78, 19.06, -44.56

 

CMYK 40 / 37 / 0 / 9

HEX #8B93E9

RGB 139 147 233

HSL 234.89, 0.68%, 0.73%

LAB 63.54, 18.21, -44.4

 

CMYK 38 / 35 / 0 / 1

HEX #9CA5FC

RGB 156 165 252

HSL 234.38, 0.94%, 0.8%

LAB 70.18, 17.47, -44.29

 

CMYK 54 / 49 / 0 / 29

HEX #535DB5

RGB 83 93 181

HSL 233.88, 0.4%, 0.52%

LAB 42.77, 21.74, -48.08

 

CMYK 59 / 54 / 0 / 36

HEX #424BA2

RGB 66 75 162

HSL 234.38, 0.42%, 0.45%

LAB 35.59, 23.35, -48.42

 

CMYK 66 / 60 / 0 / 44

HEX #31398F

RGB 49 57 143

HSL 234.89, 0.49%, 0.38%

LAB 28.28, 25.37, -48.77

 

CMYK 74 / 69 / 0 / 51

HEX #20277C

RGB 32 39 124

HSL 235.43, 0.59%, 0.31%

LAB 20.88, 27.88, -49.01

 

CMYK 86 / 80 / 0 / 59

HEX #0F1569

RGB 15 21 105

HSL 236, 0.75%, 0.24%

LAB 13.58, 30.79, -48.8

 

CMYK 54 / 49 / 0 / 29

HEX #535DB5

RGB 83 93 181

HSL 233.88, 0.4%, 0.52%

LAB 42.77, 21.74, -48.08

 

CMYK 45 / 54 / 0 / 29

HEX #6453B5

RGB 100 83 181

HSL 250.41, 0.4%, 0.52%

LAB 41.58, 31.79, -49.91

 

CMYK 30 / 54 / 0 / 29

HEX #7E53B5

RGB 126 83 181

HSL 266.33, 0.4%, 0.52%

LAB 44.17, 38.22, -45.62

 

CMYK 16 / 54 / 0 / 29

HEX #9853B5

RGB 152 83 181

HSL 282.24, 0.4%, 0.52%

LAB 47.23, 45.14, -40.56

 

CMYK 1 / 54 / 0 / 29

HEX #B353B5

RGB 179 83 181

HSL 298.78, 0.4%, 0.52%

LAB 50.81, 52.54, -34.68

 

CMYK 54 / 49 / 0 / 29

HEX #535DB5

RGB 83 93 181

HSL 233.88, 0.4%, 0.52%

LAB 42.77, 21.74, -48.08

 

CMYK 54 / 54 / 0 / 29

HEX #5353B5

RGB 83 83 181

HSL 240, 0.4%, 0.52%

LAB 40.18, 28.04, -52.24

 

CMYK 54 / 49 / 0 / 29

HEX #535DB5

RGB 83 93 181

HSL 233.88, 0.4%, 0.52%

LAB 42.77, 21.74, -48.08

 

CMYK 69 / 62 / 0 / 21

HEX #3F4DC9

RGB 63 77 201

HSL 233.91, 0.56%, 0.52%

LAB 38.87, 35.18, -66.12

 

CMYK 80 / 72 / 0 / 13

HEX #2C3EDD

RGB 44 62 221

HSL 233.9, 0.72%, 0.52%

LAB 36.37, 49.27, -81.79

 

CMYK 90 / 81 / 0 / 6

HEX #182EF0

RGB 24 46 240

HSL 233.89, 0.88%, 0.52%

LAB 34.88, 62.85, -95.09

 

CMYK 54 / 49 / 0 / 29

HEX #535DB5

RGB 83 93 181

HSL 233.88, 0.4%, 0.52%

LAB 42.77, 21.74, -48.08

 

CMYK 36 / 32 / 0 / 37

HEX #676DA1

RGB 103 109 161

HSL 233.79, 0.24%, 0.52%

LAB 47.49, 10.77, -28.78

 

CMYK 13 / 11 / 0 / 45

HEX #7B7D8D

RGB 123 125 141

HSL 233.33, 0.07%, 0.52%

LAB 52.73, 2.67, -8.9

 

CMYK 0 / 2 / 15 / 44

HEX #8F8C7A

RGB 143 140 122

HSL 51.43, 0.09%, 0.52%

LAB 58.04, -2.14, 10.02

 

CMYK 0 / 4 / 37 / 36

HEX #A29C66

RGB 162 156 102

HSL 54, 0.24%, 0.52%

LAB 63.69, -6.15, 29.09

 

CMYK 54 / 19 / 0 / 29

HEX #5393B5

RGB 83 147 181

HSL 200.82, 0.4%, 0.52%

LAB 58.08, -10.72, -24.03

 

CMYK 54 / 33 / 0 / 29

HEX #5379B5

RGB 83 121 181

HSL 216.73, 0.4%, 0.52%

LAB 50.51, 4.35, -35.79

 

CMYK 54 / 48 / 0 / 29

HEX #535FB5

RGB 83 95 181

HSL 232.65, 0.4%, 0.52%

LAB 43.3, 20.47, -47.23

 

CMYK 46 / 54 / 0 / 29

HEX #6253B5

RGB 98 83 181

HSL 249.18, 0.4%, 0.52%

LAB 41.41, 31.32, -50.21

 

CMYK 31 / 54 / 0 / 29

HEX #7C53B5

RGB 124 83 181

HSL 265.1, 0.4%, 0.52%

LAB 43.96, 37.7, -45.98

 

CMYK 57 / 51 / 0 / 50

HEX #363E7F

RGB 54 62 127

HSL 233.42, 0.4%, 0.35%

LAB 28.8, 17.21, -37.97

 

CMYK 57 / 51 / 0 / 39

HEX #434C9C

RGB 67 76 156

HSL 233.93, 0.4%, 0.44%

LAB 35.52, 20.84, -44.92

 

CMYK 54 / 49 / 0 / 29

HEX #535DB5

RGB 83 93 181

HSL 233.88, 0.4%, 0.52%

LAB 42.77, 21.74, -48.08

 

CMYK 42 / 38 / 0 / 24

HEX #7078C1

RGB 112 120 193

HSL 234.07, 0.4%, 0.6%

LAB 52.65, 15.78, -39.2

 

CMYK 32 / 28 / 0 / 19

HEX #8D94CE

RGB 141 148 206

HSL 233.54, 0.4%, 0.68%

LAB 62.76, 10.93, -30.61

 

CMYK 54 / 49 / 0 / 29

HEX #535DB5

RGB 83 93 181

HSL 233.88, 0.4%, 0.52%

LAB 42.77, 21.74, -48.08

 

CMYK 0 / 54 / 4 / 29

HEX #B553AD

RGB 181 83 173

HSL 304.9, 0.4%, 0.52%

LAB 50.72, 51.68, -30.14

 

CMYK 26 / 0 / 54 / 29

HEX #86B553

RGB 134 181 83

HSL 88.78, 0.4%, 0.52%

LAB 68.56, -32.13, 44.4

 

CMYK 54 / 49 / 0 / 29

HEX #535DB5

RGB 83 93 181

HSL 233.88, 0.4%, 0.52%

LAB 42.77, 21.74, -48.08

 

CMYK 0 / 54 / 48 / 29

HEX #B5535F

RGB 181 83 95

HSL 352.65, 0.4%, 0.52%

LAB 48.05, 40.88, 12.46

 

CMYK 48 / 0 / 54 / 29

HEX #5FB553

RGB 95 181 83

HSL 112.65, 0.4%, 0.52%

LAB 66.6, -45.34, 41.59

 

CMYK 54 / 49 / 0 / 29

HEX #535DB5

RGB 83 93 181

HSL 233.88, 0.4%, 0.52%

LAB 42.77, 21.74, -48.08

 

CMYK 0 / 54 / 4 / 29

HEX #B553AD

RGB 181 83 173

HSL 304.9, 0.4%, 0.52%

LAB 50.72, 51.68, -30.14

 

CMYK 0 / 6 / 54 / 29

HEX #B5AA53

RGB 181 170 83

HSL 53.27, 0.4%, 0.52%

LAB 68.89, -7.57, 45.65

 

CMYK 54 / 0 / 50 / 29

HEX #53B55B

RGB 83 181 91

HSL 124.9, 0.4%, 0.52%

LAB 66.25, -47.61, 37.11

 

CMYK 54 / 49 / 0 / 29

HEX #535DB5

RGB 83 93 181

HSL 233.88, 0.4%, 0.52%

LAB 42.77, 21.74, -48.08

 

CMYK 0 / 54 / 20 / 29

HEX #B55390

RGB 181 83 144

HSL 322.65, 0.4%, 0.52%

LAB 49.53, 46.99, -14.86

 

CMYK 0 / 6 / 54 / 29

HEX #B5AA53

RGB 181 170 83

HSL 53.27, 0.4%, 0.52%

LAB 68.89, -7.57, 45.65

 

CMYK 54 / 0 / 33 / 29

HEX #53B579

RGB 83 181 121

HSL 143.27, 0.4%, 0.52%

LAB 66.72, -42.56, 22.07

 

Description

Color code: HEX #535DB5 | qconv.com Color code: HEX #535DB5 | qconv.com - big

Since the color values are relatively high compared to others, this hue appears lighter to us.

The breakdown of the color into the RGB color system: of 255 maximum color components, 83 red, 93 green and 181 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
83 93 181 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, 54 cyan, 49 magenta, none yellow and 29 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
54% 49% 0% 29% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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