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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #53604D it is the complementary color #AC9FB2. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #53604D. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #53604D shade: #586048, #69725B, #7A846E, #8B9681 and #9CA894

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #53604D. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #53604D shade: #53604D, #424E3A, #313C27, #202A14 and #0F1801

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #53604D shade: #53604D, #58604D, #5D604D, #605D4D and #60584D

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #53604D shade: #53604D, #4E604D, #4D6051, #4D6056 and #4D605B

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #53604D shade matches the following richer shades: #53604D, #4E6E3F, #487C31, #438A23 and #3E9815

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #53604D shade: #53604D, #58525B, #5D4469, #623677 and #672885

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #53604D shade: #5D604D, #58604D, #53604D, #4E604D and #4D6051

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #53604D shade: #2B3228, #3F493A, #53604D, #66775F and #7A8D71

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #53604D shade: #53604D, #4D605E and #604D5A

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #53604D shade: #53604D, #4D5360 and #604D53

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #53604D shade: #53604D, #4D605E, #5A4D60 and #604D4F

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #53604D shade: #53604D, #4D5C60, #5A4D60 and #60504D

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 14 / 0 / 20 / 62

HEX #53604D

RGB 83 96 77

HSL 101.05, 0.11%, 0.34%

LAB 39.14, -9.02, 9.21

 

Complementary color

CMYK 3 / 11 / 0 / 30

HEX #AC9FB2

RGB 172 159 178

HSL 281.05, 0.11%, 0.66%

LAB 67.11, 8.3, -8.12

 

CMYK 8 / 0 / 25 / 62

HEX #586048

RGB 88 96 72

HSL 80, 0.14%, 0.33%

LAB 39.43, -7.87, 12.7

 

CMYK 8 / 0 / 20 / 55

HEX #69725B

RGB 105 114 91

HSL 83.48, 0.11%, 0.4%

LAB 46.7, -7.91, 11.63

 

CMYK 8 / 0 / 17 / 48

HEX #7A846E

RGB 122 132 110

HSL 87.27, 0.09%, 0.47%

LAB 53.78, -7.94, 10.65

 

CMYK 7 / 0 / 14 / 41

HEX #8B9681

RGB 139 150 129

HSL 91.43, 0.09%, 0.55%

LAB 60.68, -7.97, 9.74

 

CMYK 7 / 0 / 12 / 34

HEX #9CA894

RGB 156 168 148

HSL 96, 0.1%, 0.62%

LAB 67.44, -8.01, 8.89

 

CMYK 14 / 0 / 20 / 62

HEX #53604D

RGB 83 96 77

HSL 101.05, 0.11%, 0.34%

LAB 39.14, -9.02, 9.21

 

CMYK 15 / 0 / 26 / 69

HEX #424E3A

RGB 66 78 58

HSL 96, 0.15%, 0.27%

LAB 31.61, -9.09, 10.29

 

CMYK 18 / 0 / 35 / 76

HEX #313C27

RGB 49 60 39

HSL 91.43, 0.21%, 0.19%

LAB 23.77, -9.17, 11.53

 

CMYK 24 / 0 / 52 / 84

HEX #202A14

RGB 32 42 20

HSL 87.27, 0.35%, 0.12%

LAB 15.56, -9.23, 12.97

 

CMYK 38 / 0 / 96 / 91

HEX #0F1801

RGB 15 24 1

HSL 83.48, 0.92%, 0.05%

LAB 6.84, -7.8, 9.69

 

CMYK 14 / 0 / 20 / 62

HEX #53604D

RGB 83 96 77

HSL 101.05, 0.11%, 0.34%

LAB 39.14, -9.02, 9.21

 

CMYK 8 / 0 / 20 / 62

HEX #58604D

RGB 88 96 77

HSL 85.26, 0.11%, 0.34%

LAB 39.54, -6.98, 9.83

 

CMYK 3 / 0 / 20 / 62

HEX #5D604D

RGB 93 96 77

HSL 69.47, 0.11%, 0.34%

LAB 39.96, -4.89, 10.48

 

CMYK 0 / 3 / 20 / 62

HEX #605D4D

RGB 96 93 77

HSL 50.53, 0.11%, 0.34%

LAB 39.33, -1.83, 9.64

 

CMYK 0 / 8 / 20 / 62

HEX #60584D

RGB 96 88 77

HSL 34.74, 0.11%, 0.34%

LAB 37.85, 1.19, 7.55

 

CMYK 14 / 0 / 20 / 62

HEX #53604D

RGB 83 96 77

HSL 101.05, 0.11%, 0.34%

LAB 39.14, -9.02, 9.21

 

CMYK 19 / 0 / 20 / 62

HEX #4E604D

RGB 78 96 77

HSL 116.84, 0.11%, 0.34%

LAB 38.76, -11.02, 8.62

 

CMYK 20 / 0 / 16 / 62

HEX #4D6051

RGB 77 96 81

HSL 132.63, 0.11%, 0.34%

LAB 38.79, -10.58, 6.2

 

CMYK 20 / 0 / 10 / 62

HEX #4D6056

RGB 77 96 86

HSL 148.42, 0.11%, 0.34%

LAB 38.93, -9.5, 3.33

 

CMYK 20 / 0 / 5 / 62

HEX #4D605B

RGB 77 96 91

HSL 164.21, 0.11%, 0.34%

LAB 39.07, -8.36, 0.46

 

CMYK 14 / 0 / 20 / 62

HEX #53604D

RGB 83 96 77

HSL 101.05, 0.11%, 0.34%

LAB 39.14, -9.02, 9.21

 

CMYK 29 / 0 / 43 / 57

HEX #4E6E3F

RGB 78 110 63

HSL 100.85, 0.27%, 0.34%

LAB 42.96, -21.16, 22.58

 

CMYK 42 / 0 / 60 / 51

HEX #487C31

RGB 72 124 49

HSL 101.6, 0.43%, 0.34%

LAB 46.99, -32.11, 34.92

 

CMYK 51 / 0 / 75 / 46

HEX #438A23

RGB 67 138 35

HSL 101.36, 0.6%, 0.34%

LAB 51.26, -41.13, 45.63

 

CMYK 59 / 0 / 86 / 40

HEX #3E9815

RGB 62 152 21

HSL 101.22, 0.76%, 0.34%

LAB 55.62, -48.79, 54.09

 

CMYK 14 / 0 / 20 / 62

HEX #53604D

RGB 83 96 77

HSL 101.05, 0.11%, 0.34%

LAB 39.14, -9.02, 9.21

 

CMYK 3 / 10 / 0 / 64

HEX #58525B

RGB 88 82 91

HSL 280, 0.05%, 0.34%

LAB 35.72, 4.36, -4.36

 

CMYK 11 / 35 / 0 / 59

HEX #5D4469

RGB 93 68 105

HSL 280.54, 0.21%, 0.34%

LAB 32.88, 18.32, -17.45

 

CMYK 18 / 55 / 0 / 53

HEX #623677

RGB 98 54 119

HSL 280.62, 0.38%, 0.34%

LAB 30.8, 31.82, -29.5

 

CMYK 23 / 70 / 0 / 48

HEX #672885

RGB 103 40 133

HSL 280.65, 0.54%, 0.34%

LAB 29.65, 43.8, -40.07

 

CMYK 3 / 0 / 20 / 62

HEX #5D604D

RGB 93 96 77

HSL 69.47, 0.11%, 0.34%

LAB 39.96, -4.89, 10.48

 

CMYK 8 / 0 / 20 / 62

HEX #58604D

RGB 88 96 77

HSL 85.26, 0.11%, 0.34%

LAB 39.54, -6.98, 9.83

 

CMYK 14 / 0 / 20 / 62

HEX #53604D

RGB 83 96 77

HSL 101.05, 0.11%, 0.34%

LAB 39.14, -9.02, 9.21

 

CMYK 19 / 0 / 20 / 62

HEX #4E604D

RGB 78 96 77

HSL 116.84, 0.11%, 0.34%

LAB 38.76, -11.02, 8.62

 

CMYK 20 / 0 / 16 / 62

HEX #4D6051

RGB 77 96 81

HSL 132.63, 0.11%, 0.34%

LAB 38.79, -10.58, 6.2

 

CMYK 14 / 0 / 20 / 80

HEX #2B3228

RGB 43 50 40

HSL 102, 0.11%, 0.18%

LAB 19.83, -5.37, 5.37

 

CMYK 14 / 0 / 21 / 71

HEX #3F493A

RGB 63 73 58

HSL 100, 0.11%, 0.26%

LAB 29.73, -7.35, 7.65

 

CMYK 14 / 0 / 20 / 62

HEX #53604D

RGB 83 96 77

HSL 101.05, 0.11%, 0.34%

LAB 39.14, -9.02, 9.21

 

CMYK 14 / 0 / 20 / 53

HEX #66775F

RGB 102 119 95

HSL 102.5, 0.11%, 0.42%

LAB 48.06, -11.19, 11.14

 

CMYK 13 / 0 / 20 / 45

HEX #7A8D71

RGB 122 141 113

HSL 100.71, 0.11%, 0.5%

LAB 56.47, -12.35, 12.7

 

CMYK 14 / 0 / 20 / 62

HEX #53604D

RGB 83 96 77

HSL 101.05, 0.11%, 0.34%

LAB 39.14, -9.02, 9.21

 

CMYK 20 / 0 / 2 / 62

HEX #4D605E

RGB 77 96 94

HSL 173.68, 0.11%, 0.34%

LAB 39.16, -7.65, -1.26

 

CMYK 0 / 20 / 6 / 62

HEX #604D5A

RGB 96 77 90

HSL 318.95, 0.11%, 0.34%

LAB 35.07, 10.47, -4.61

 

CMYK 14 / 0 / 20 / 62

HEX #53604D

RGB 83 96 77

HSL 101.05, 0.11%, 0.34%

LAB 39.14, -9.02, 9.21

 

CMYK 20 / 14 / 0 / 62

HEX #4D5360

RGB 77 83 96

HSL 221.05, 0.11%, 0.34%

LAB 35.22, 0.74, -8.35

 

CMYK 0 / 20 / 14 / 62

HEX #604D53

RGB 96 77 83

HSL 341.05, 0.11%, 0.34%

LAB 34.84, 9.08, -0.52

 

CMYK 14 / 0 / 20 / 62

HEX #53604D

RGB 83 96 77

HSL 101.05, 0.11%, 0.34%

LAB 39.14, -9.02, 9.21

 

CMYK 20 / 0 / 2 / 62

HEX #4D605E

RGB 77 96 94

HSL 173.68, 0.11%, 0.34%

LAB 39.16, -7.65, -1.26

 

CMYK 6 / 20 / 0 / 62

HEX #5A4D60

RGB 90 77 96

HSL 281.05, 0.11%, 0.34%

LAB 34.65, 9.41, -9.09

 

CMYK 0 / 20 / 18 / 62

HEX #604D4F

RGB 96 77 79

HSL 353.68, 0.11%, 0.34%

LAB 34.72, 8.34, 1.83

 

CMYK 14 / 0 / 20 / 62

HEX #53604D

RGB 83 96 77

HSL 101.05, 0.11%, 0.34%

LAB 39.14, -9.02, 9.21

 

CMYK 20 / 4 / 0 / 62

HEX #4D5C60

RGB 77 92 96

HSL 192.63, 0.11%, 0.34%

LAB 37.98, -4.78, -4.23

 

CMYK 6 / 20 / 0 / 62

HEX #5A4D60

RGB 90 77 96

HSL 281.05, 0.11%, 0.34%

LAB 34.65, 9.41, -9.09

 

CMYK 0 / 17 / 20 / 62

HEX #60504D

RGB 96 80 77

HSL 9.47, 0.11%, 0.34%

LAB 35.52, 6.11, 4.24

 

Description

Color code: HEX #53604D | qconv.com Color code: HEX #53604D | qconv.com - big

Since the color values are relatively low compared to others, this hue appears darker to us.

The breakdown of the color into the RGB color system: of 255 maximum color components, 83 red, 96 green and 77 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
83 96 77 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, 14 cyan, none magenta, 20 yellow and 62 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
14% 0% 20% 62% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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