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Color name
HEX #536C22

Information

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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #536C22 it is the complementary color #AC93DD. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #536C22. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #536C22 shade: #586C1D, #697E30, #7A9043, #8BA256 and #9CB469

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #536C22. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #536C22 shade: #536C22, #425A0F, #314800, #203600 and #0F2400

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #536C22 shade: #536C22, #676C22, #6C5D22, #6C4922 and #6C3522

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #536C22 shade: #536C22, #3F6C22, #2B6C22, #226C2D and #226C41

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #536C22 shade matches the following richer shades: #536C22, #577816 and #5A830B

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #536C22 shade: #536C22, #4F602D, #4B5539, #484944 and #443E50

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #536C22 shade: #6C5D22, #676C22, #536C22, #3F6C22 and #2C6C22

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #536C22 shade: #232D0E, #3B4D18, #536C22, #6B8B2C and #83AB36

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #536C22 shade: #536C22, #226C49 and #67226C

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #536C22 shade: #536C22, #22536C and #6C2253

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

Rectangular (tetradic) colors

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #536C22 shade: #536C22, #226C49, #3B226C and #6C2244

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #536C22 shade: #536C22, #226C60, #3B226C and #6C222E

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 23 / 0 / 69 / 58

HEX #536C22

RGB 83 108 34

HSL 80.27, 0.52%, 0.28%

LAB 42.28, -21.46, 37.04

 

Complementary color

CMYK 22 / 33 / 0 / 13

HEX #AC93DD

RGB 172 147 221

HSL 260.27, 0.52%, 0.72%

LAB 65.64, 24.35, -34.29

 

CMYK 19 / 0 / 73 / 58

HEX #586C1D

RGB 88 108 29

HSL 75.19, 0.58%, 0.27%

LAB 42.59, -19.64, 39.67

 

CMYK 17 / 0 / 62 / 51

HEX #697E30

RGB 105 126 48

HSL 76.15, 0.45%, 0.34%

LAB 49.66, -20.11, 38.97

 

CMYK 15 / 0 / 53 / 44

HEX #7A9043

RGB 122 144 67

HSL 77.14, 0.36%, 0.41%

LAB 56.57, -20.4, 37.89

 

CMYK 14 / 0 / 47 / 36

HEX #8BA256

RGB 139 162 86

HSL 78.16, 0.31%, 0.49%

LAB 63.34, -20.59, 36.7

 

CMYK 13 / 0 / 42 / 29

HEX #9CB469

RGB 156 180 105

HSL 79.2, 0.33%, 0.56%

LAB 69.99, -20.7, 35.5

 

CMYK 23 / 0 / 69 / 58

HEX #536C22

RGB 83 108 34

HSL 80.27, 0.52%, 0.28%

LAB 42.28, -21.46, 37.04

 

CMYK 27 / 0 / 83 / 65

HEX #425A0F

RGB 66 90 15

HSL 79.2, 0.71%, 0.21%

LAB 35.01, -20.92, 37.21

 

CMYK 32 / 0 / 100 / 72

HEX #314800

RGB 49 72 0

HSL 79.17, 1%, 0.14%

LAB 27.54, -20, 35.58

 

CMYK 41 / 0 / 100 / 79

HEX #203600

RGB 32 54 0

HSL 84.44, 1%, 0.11%

LAB 19.82, -18.36, 27.49

 

CMYK 58 / 0 / 100 / 86

HEX #0F2400

RGB 15 36 0

HSL 95, 1%, 0.07%

LAB 11.71, -16.57, 17.05

 

CMYK 23 / 0 / 69 / 58

HEX #536C22

RGB 83 108 34

HSL 80.27, 0.52%, 0.28%

LAB 42.28, -21.46, 37.04

 

CMYK 5 / 0 / 69 / 58

HEX #676C22

RGB 103 108 34

HSL 64.05, 0.52%, 0.28%

LAB 43.83, -12.45, 39.15

 

CMYK 0 / 14 / 69 / 58

HEX #6C5D22

RGB 108 93 34

HSL 47.84, 0.52%, 0.28%

LAB 39.8, -1.48, 35.04

 

CMYK 0 / 32 / 69 / 58

HEX #6C4922

RGB 108 73 34

HSL 31.62, 0.52%, 0.28%

LAB 34.13, 10.61, 28.8

 

CMYK 0 / 51 / 69 / 58

HEX #6C3522

RGB 108 53 34

HSL 15.41, 0.52%, 0.28%

LAB 29.03, 22.68, 22.88

 

CMYK 23 / 0 / 69 / 58

HEX #536C22

RGB 83 108 34

HSL 80.27, 0.52%, 0.28%

LAB 42.28, -21.46, 37.04

 

CMYK 42 / 0 / 69 / 58

HEX #3F6C22

RGB 63 108 34

HSL 96.49, 0.52%, 0.28%

LAB 41.05, -29.56, 35.36

 

CMYK 60 / 0 / 69 / 58

HEX #2B6C22

RGB 43 108 34

HSL 112.7, 0.52%, 0.28%

LAB 40.17, -36.11, 34.15

 

CMYK 69 / 0 / 58 / 58

HEX #226C2D

RGB 34 108 45

HSL 128.92, 0.52%, 0.28%

LAB 40.01, -36.98, 28.39

 

CMYK 69 / 0 / 40 / 58

HEX #226C41

RGB 34 108 65

HSL 145.14, 0.52%, 0.28%

LAB 40.32, -33.42, 17.59

 

CMYK 23 / 0 / 69 / 58

HEX #536C22

RGB 83 108 34

HSL 80.27, 0.52%, 0.28%

LAB 42.28, -21.46, 37.04

 

CMYK 28 / 0 / 82 / 53

HEX #577816

RGB 87 120 22

HSL 80.2, 0.69%, 0.28%

LAB 46.33, -26.57, 45.85

 

CMYK 31 / 0 / 92 / 49

HEX #5A830B

RGB 90 131 11

HSL 80.5, 0.85%, 0.28%

LAB 50.01, -31, 51.96

 

CMYK 23 / 0 / 69 / 58

HEX #536C22

RGB 83 108 34

HSL 80.27, 0.52%, 0.28%

LAB 42.28, -21.46, 37.04

 

CMYK 18 / 0 / 53 / 62

HEX #4F602D

RGB 79 96 45

HSL 80, 0.36%, 0.28%

LAB 38.23, -15.72, 26.8

 

CMYK 12 / 0 / 33 / 67

HEX #4B5539

RGB 75 85 57

HSL 81.43, 0.2%, 0.28%

LAB 34.58, -9.53, 15.07

 

CMYK 1 / 0 / 7 / 71

HEX #484944

RGB 72 73 68

HSL 72, 0.04%, 0.28%

LAB 30.78, -1.49, 2.84

 

CMYK 15 / 23 / 0 / 69

HEX #443E50

RGB 68 62 80

HSL 260, 0.13%, 0.28%

LAB 27.44, 6.77, -9.93

 

CMYK 0 / 14 / 69 / 58

HEX #6C5D22

RGB 108 93 34

HSL 47.84, 0.52%, 0.28%

LAB 39.8, -1.48, 35.04

 

CMYK 5 / 0 / 69 / 58

HEX #676C22

RGB 103 108 34

HSL 64.05, 0.52%, 0.28%

LAB 43.83, -12.45, 39.15

 

CMYK 23 / 0 / 69 / 58

HEX #536C22

RGB 83 108 34

HSL 80.27, 0.52%, 0.28%

LAB 42.28, -21.46, 37.04

 

CMYK 42 / 0 / 69 / 58

HEX #3F6C22

RGB 63 108 34

HSL 96.49, 0.52%, 0.28%

LAB 41.05, -29.56, 35.36

 

CMYK 59 / 0 / 69 / 58

HEX #2C6C22

RGB 44 108 34

HSL 111.89, 0.52%, 0.28%

LAB 40.21, -35.83, 34.2

 

CMYK 22 / 0 / 69 / 82

HEX #232D0E

RGB 35 45 14

HSL 79.35, 0.53%, 0.12%

LAB 16.82, -10.45, 18.1

 

CMYK 23 / 0 / 69 / 70

HEX #3B4D18

RGB 59 77 24

HSL 80.38, 0.52%, 0.2%

LAB 30.17, -16.48, 28.3

 

CMYK 23 / 0 / 69 / 58

HEX #536C22

RGB 83 108 34

HSL 80.27, 0.52%, 0.28%

LAB 42.28, -21.46, 37.04

 

CMYK 23 / 0 / 68 / 45

HEX #6B8B2C

RGB 107 139 44

HSL 80.21, 0.52%, 0.36%

LAB 53.79, -26.16, 45.26

 

CMYK 23 / 0 / 68 / 33

HEX #83AB36

RGB 131 171 54

HSL 80.51, 0.52%, 0.44%

LAB 65.13, -31.13, 53.42

 

CMYK 23 / 0 / 69 / 58

HEX #536C22

RGB 83 108 34

HSL 80.27, 0.52%, 0.28%

LAB 42.28, -21.46, 37.04

 

CMYK 69 / 0 / 32 / 58

HEX #226C49

RGB 34 108 73

HSL 151.62, 0.52%, 0.28%

LAB 40.49, -31.67, 13.1

 

CMYK 5 / 69 / 0 / 58

HEX #67226C

RGB 103 34 108

HSL 295.95, 0.52%, 0.28%

LAB 27.05, 41.27, -28.4

 

CMYK 23 / 0 / 69 / 58

HEX #536C22

RGB 83 108 34

HSL 80.27, 0.52%, 0.28%

LAB 42.28, -21.46, 37.04

 

CMYK 69 / 23 / 0 / 58

HEX #22536C

RGB 34 83 108

HSL 200.27, 0.52%, 0.28%

LAB 33.16, -7.83, -19.26

 

CMYK 0 / 69 / 23 / 58

HEX #6C2253

RGB 108 34 83

HSL 320.27, 0.52%, 0.28%

LAB 26.61, 38.32, -12.68

 

CMYK 23 / 0 / 69 / 58

HEX #536C22

RGB 83 108 34

HSL 80.27, 0.52%, 0.28%

LAB 42.28, -21.46, 37.04

 

CMYK 69 / 0 / 32 / 58

HEX #226C49

RGB 34 108 73

HSL 151.62, 0.52%, 0.28%

LAB 40.49, -31.67, 13.1

 

CMYK 45 / 69 / 0 / 58

HEX #3B226C

RGB 59 34 108

HSL 260.27, 0.52%, 0.28%

LAB 20.66, 30.35, -38.99

 

CMYK 0 / 69 / 37 / 58

HEX #6C2244

RGB 108 34 68

HSL 332.43, 0.52%, 0.28%

LAB 26.01, 36.21, -3.57

 

CMYK 23 / 0 / 69 / 58

HEX #536C22

RGB 83 108 34

HSL 80.27, 0.52%, 0.28%

LAB 42.28, -21.46, 37.04

 

CMYK 69 / 0 / 11 / 58

HEX #226C60

RGB 34 108 96

HSL 170.27, 0.52%, 0.28%

LAB 41.07, -25.67, 0.08

 

CMYK 45 / 69 / 0 / 58

HEX #3B226C

RGB 59 34 108

HSL 260.27, 0.52%, 0.28%

LAB 20.66, 30.35, -38.99

 

CMYK 0 / 69 / 57 / 58

HEX #6C222E

RGB 108 34 46

HSL 350.27, 0.52%, 0.28%

LAB 25.35, 33.81, 10.37

 

Description

Color code: HEX #536C22 | qconv.com Color code: HEX #536C22 | qconv.com - big

Since the color values are relatively low compared to others, this hue appears darker to us.

The breakdown of the color into the RGB color system: of 255 maximum color components, 83 red, 108 green and 34 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
83 108 34 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, 23 cyan, none magenta, 69 yellow and 58 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
23% 0% 69% 58% C M Y K

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Provide designers and agencies with accurate color values.

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