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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #538414 it is the complementary color #AC7BEB. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #538414. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #538414 shade: #58840F, #699622, #7AA835, #8BBA48 and #9CCC5B

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #538414. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #538414 shade: #538414, #427201, #316000, #204E00 and #0F3C00

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #538414 shade: #538513, #728513, #857913, #855B13 and #853C13

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #538414 shade: #538513, #358513, #168513, #13852F and #13854E

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #538414 shade matches the following richer shades: #538513 and #559107

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #538414 shade: #538513, #527820, #506C2C, #4E5F39 and #4D5345

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #538414 shade: #857913, #728513, #548513, #358513 and #178513

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #538414 shade: #263D09, #3D610E, #538513, #6AA919 and #80CC1E

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #538414 shade: #538414, #13855B and #851381

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #538414 shade: #538414, #135485 and #851354

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #538414 shade: #538414, #13855B, #441385 and #85133D

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #538414 shade: #538414, #13857D, #441385 and #85131B

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 37 / 0 / 85 / 48

HEX #538414

RGB 83 132 20

HSL 86.25, 0.74%, 0.3%

LAB 49.97, -33.9, 49.65

 

Complementary color

CMYK 27 / 48 / 0 / 8

HEX #AC7BEB

RGB 172 123 235

HSL 266.25, 0.74%, 0.7%

LAB 60.72, 41.13, -49.77

 

CMYK 33 / 0 / 89 / 48

HEX #58840F

RGB 88 132 15

HSL 82.56, 0.8%, 0.29%

LAB 50.23, -32.14, 51.25

 

CMYK 30 / 0 / 77 / 41

HEX #699622

RGB 105 150 34

HSL 83.28, 0.63%, 0.36%

LAB 57.01, -32.86, 52.27

 

CMYK 27 / 0 / 68 / 34

HEX #7AA835

RGB 122 168 53

HSL 84, 0.52%, 0.43%

LAB 63.67, -33.33, 52.13

 

CMYK 25 / 0 / 61 / 27

HEX #8BBA48

RGB 139 186 72

HSL 84.74, 0.45%, 0.51%

LAB 70.23, -33.62, 51.44

 

CMYK 24 / 0 / 55 / 20

HEX #9CCC5B

RGB 156 204 91

HSL 85.49, 0.53%, 0.58%

LAB 76.68, -33.79, 50.48

 

CMYK 37 / 0 / 85 / 48

HEX #538414

RGB 83 132 20

HSL 86.25, 0.74%, 0.3%

LAB 49.97, -33.9, 49.65

 

CMYK 42 / 0 / 99 / 55

HEX #427201

RGB 66 114 1

HSL 85.49, 0.98%, 0.23%

LAB 43.06, -32.99, 47.85

 

CMYK 49 / 0 / 100 / 62

HEX #316000

RGB 49 96 0

HSL 89.38, 1%, 0.19%

LAB 36.02, -31.42, 42.25

 

CMYK 59 / 0 / 100 / 69

HEX #204E00

RGB 32 78 0

HSL 95.38, 1%, 0.15%

LAB 28.79, -29.61, 36.25

 

CMYK 75 / 0 / 100 / 76

HEX #0F3C00

RGB 15 60 0

HSL 105, 1%, 0.12%

LAB 21.33, -27.32, 28.94

 

CMYK 38 / 0 / 86 / 48

HEX #538513

RGB 83 133 19

HSL 86.32, 0.75%, 0.3%

LAB 50.29, -34.39, 50.21

 

CMYK 14 / 0 / 86 / 48

HEX #728513

RGB 114 133 19

HSL 70, 0.75%, 0.3%

LAB 52.29, -21.49, 52.72

 

CMYK 0 / 9 / 86 / 48

HEX #857913

RGB 133 121 19

HSL 53.68, 0.75%, 0.3%

LAB 50.34, -6.32, 51.71

 

CMYK 0 / 32 / 86 / 48

HEX #855B13

RGB 133 91 19

HSL 37.89, 0.75%, 0.3%

LAB 42.02, 10.97, 44.61

 

CMYK 0 / 55 / 86 / 48

HEX #853C13

RGB 133 60 19

HSL 21.58, 0.75%, 0.3%

LAB 34.53, 28.83, 38.03

 

CMYK 38 / 0 / 86 / 48

HEX #538513

RGB 83 133 19

HSL 86.32, 0.75%, 0.3%

LAB 50.29, -34.39, 50.21

 

CMYK 60 / 0 / 86 / 48

HEX #358513

RGB 53 133 19

HSL 102.11, 0.75%, 0.3%

LAB 48.98, -44.26, 48.55

 

CMYK 83 / 0 / 86 / 48

HEX #168513

RGB 22 133 19

HSL 118.42, 0.75%, 0.3%

LAB 48.25, -50.44, 47.61

 

CMYK 86 / 0 / 65 / 48

HEX #13852F

RGB 19 133 47

HSL 134.74, 0.75%, 0.3%

LAB 48.41, -48.31, 37.07

 

CMYK 86 / 0 / 41 / 48

HEX #13854E

RGB 19 133 78

HSL 151.05, 0.75%, 0.3%

LAB 48.84, -43.19, 21.41

 

CMYK 38 / 0 / 86 / 48

HEX #538513

RGB 83 133 19

HSL 86.32, 0.75%, 0.3%

LAB 50.29, -34.39, 50.21

 

CMYK 41 / 0 / 95 / 43

HEX #559107

RGB 85 145 7

HSL 86.09, 0.91%, 0.3%

LAB 54.24, -39.25, 56.01

 

CMYK 38 / 0 / 86 / 48

HEX #538513

RGB 83 133 19

HSL 86.32, 0.75%, 0.3%

LAB 50.29, -34.39, 50.21

 

CMYK 32 / 0 / 73 / 53

HEX #527820

RGB 82 120 32

HSL 85.91, 0.58%, 0.3%

LAB 46.08, -28.02, 41.83

 

CMYK 26 / 0 / 59 / 58

HEX #506C2C

RGB 80 108 44

HSL 86.25, 0.42%, 0.3%

LAB 42.17, -21.8, 32

 

CMYK 18 / 0 / 40 / 63

HEX #4E5F39

RGB 78 95 57

HSL 86.84, 0.25%, 0.3%

LAB 38.02, -13.97, 19.66

 

CMYK 7 / 0 / 17 / 67

HEX #4D5345

RGB 77 83 69

HSL 85.71, 0.09%, 0.3%

LAB 34.38, -5.34, 7.4

 

CMYK 0 / 9 / 86 / 48

HEX #857913

RGB 133 121 19

HSL 53.68, 0.75%, 0.3%

LAB 50.34, -6.32, 51.71

 

CMYK 14 / 0 / 86 / 48

HEX #728513

RGB 114 133 19

HSL 70, 0.75%, 0.3%

LAB 52.29, -21.49, 52.72

 

CMYK 37 / 0 / 86 / 48

HEX #548513

RGB 84 133 19

HSL 85.79, 0.75%, 0.3%

LAB 50.34, -34.01, 50.28

 

CMYK 60 / 0 / 86 / 48

HEX #358513

RGB 53 133 19

HSL 102.11, 0.75%, 0.3%

LAB 48.98, -44.26, 48.55

 

CMYK 83 / 0 / 86 / 48

HEX #178513

RGB 23 133 19

HSL 117.89, 0.75%, 0.3%

LAB 48.27, -50.31, 47.63

 

CMYK 38 / 0 / 85 / 76

HEX #263D09

RGB 38 61 9

HSL 86.54, 0.74%, 0.14%

LAB 22.89, -18.6, 27.27

 

CMYK 37 / 0 / 86 / 62

HEX #3D610E

RGB 61 97 14

HSL 86.02, 0.75%, 0.22%

LAB 37.07, -26.61, 39.32

 

CMYK 38 / 0 / 86 / 48

HEX #538513

RGB 83 133 19

HSL 86.32, 0.75%, 0.3%

LAB 50.29, -34.39, 50.21

 

CMYK 37 / 0 / 85 / 34

HEX #6AA919

RGB 106 169 25

HSL 86.25, 0.74%, 0.38%

LAB 62.94, -41.33, 60.28

 

CMYK 37 / 0 / 85 / 20

HEX #80CC1E

RGB 128 204 30

HSL 86.21, 0.74%, 0.46%

LAB 74.74, -47.96, 69.82

 

CMYK 37 / 0 / 85 / 48

HEX #538414

RGB 83 132 20

HSL 86.25, 0.74%, 0.3%

LAB 49.97, -33.9, 49.65

 

CMYK 86 / 0 / 32 / 48

HEX #13855B

RGB 19 133 91

HSL 157.89, 0.75%, 0.3%

LAB 49.09, -40.32, 14.38

 

CMYK 0 / 86 / 3 / 48

HEX #851381

RGB 133 19 129

HSL 302.11, 0.75%, 0.3%

LAB 31.89, 56.8, -33.7

 

CMYK 37 / 0 / 85 / 48

HEX #538414

RGB 83 132 20

HSL 86.25, 0.74%, 0.3%

LAB 49.97, -33.9, 49.65

 

CMYK 86 / 37 / 0 / 48

HEX #135485

RGB 19 84 133

HSL 205.79, 0.75%, 0.3%

LAB 34.34, -0.89, -32.94

 

CMYK 0 / 86 / 37 / 48

HEX #851354

RGB 133 19 84

HSL 325.79, 0.75%, 0.3%

LAB 29.64, 50.6, -8.29

 

CMYK 37 / 0 / 85 / 48

HEX #538414

RGB 83 132 20

HSL 86.25, 0.74%, 0.3%

LAB 49.97, -33.9, 49.65

 

CMYK 86 / 0 / 32 / 48

HEX #13855B

RGB 19 133 91

HSL 157.89, 0.75%, 0.3%

LAB 49.09, -40.32, 14.38

 

CMYK 49 / 86 / 0 / 48

HEX #441385

RGB 68 19 133

HSL 265.79, 0.75%, 0.3%

LAB 21.54, 46.29, -53.5

 

CMYK 0 / 86 / 54 / 48

HEX #85133D

RGB 133 19 61

HSL 337.89, 0.75%, 0.3%

LAB 28.87, 48.36, 5.91

 

CMYK 37 / 0 / 85 / 48

HEX #538414

RGB 83 132 20

HSL 86.25, 0.74%, 0.3%

LAB 49.97, -33.9, 49.65

 

CMYK 86 / 0 / 6 / 48

HEX #13857D

RGB 19 133 125

HSL 175.79, 0.75%, 0.3%

LAB 49.97, -31.06, -4.15

 

CMYK 49 / 86 / 0 / 48

HEX #441385

RGB 68 19 133

HSL 265.79, 0.75%, 0.3%

LAB 21.54, 46.29, -53.5

 

CMYK 0 / 86 / 80 / 48

HEX #85131B

RGB 133 19 27

HSL 355.79, 0.75%, 0.3%

LAB 28.2, 46.35, 27.5

 

Description

Color code: HEX #538414 | qconv.com Color code: HEX #538414 | qconv.com - big

Since the color values are relatively low compared to others, this hue appears darker to us.

The breakdown of the color into the RGB color system: of 255 maximum color components, 83 red, 132 green and 20 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
83 132 20 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, 37 cyan, none magenta, 85 yellow and 48 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
37% 0% 85% 48% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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