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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #53821A it is the complementary color #AC7DE5. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #53821A. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #53821A shade: #588215, #699428, #7AA63B, #8BB84E and #9CCA61

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #53821A. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #53821A shade: #53821A, #427007, #315E00, #204C00 and #0F3A00

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #53821A shade: #54841A, #70841A, #847A1A, #845E1A and #84411A

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #53821A shade: #54841A, #37841A, #1B841A, #1A8435 and #1A8452

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #53821A shade matches the following richer shades: #54841A, #55900D and #569D00

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #53821A shade: #54841A, #527726, #516A33, #505D40 and #4F504D

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #53821A shade: #847B1A, #70841A, #54841A, #38841A and #1B841A

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #53821A shade: #283F0C, #3E6113, #54841A, #6AA620 and #80C827

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #53821A shade: #53821A, #1A845E and #841A7E

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #53821A shade: #53821A, #1A5484 and #841A54

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #53821A shade: #53821A, #1A845E, #491A84 and #841A3F

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #53821A shade: #53821A, #1A847E, #491A84 and #841A1F

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 36 / 0 / 80 / 49

HEX #53821A

RGB 83 130 26

HSL 87.12, 0.67%, 0.31%

LAB 49.35, -32.69, 47.26

 

Complementary color

CMYK 25 / 45 / 0 / 10

HEX #AC7DE5

RGB 172 125 229

HSL 267.12, 0.67%, 0.69%

LAB 60.87, 38.6, -46.21

 

CMYK 32 / 0 / 84 / 49

HEX #588215

RGB 88 130 21

HSL 83.12, 0.72%, 0.3%

LAB 49.61, -30.98, 49.16

 

CMYK 29 / 0 / 73 / 42

HEX #699428

RGB 105 148 40

HSL 83.89, 0.57%, 0.37%

LAB 56.42, -31.57, 49.53

 

CMYK 27 / 0 / 64 / 35

HEX #7AA63B

RGB 122 166 59

HSL 84.67, 0.48%, 0.44%

LAB 63.12, -31.93, 49.03

 

CMYK 24 / 0 / 58 / 28

HEX #8BB84E

RGB 139 184 78

HSL 85.47, 0.43%, 0.51%

LAB 69.7, -32.15, 48.14

 

CMYK 23 / 0 / 52 / 21

HEX #9CCA61

RGB 156 202 97

HSL 86.29, 0.5%, 0.59%

LAB 76.17, -32.26, 47.07

 

CMYK 36 / 0 / 80 / 49

HEX #53821A

RGB 83 130 26

HSL 87.12, 0.67%, 0.31%

LAB 49.35, -32.69, 47.26

 

CMYK 41 / 0 / 94 / 56

HEX #427007

RGB 66 112 7

HSL 86.29, 0.88%, 0.23%

LAB 42.4, -31.89, 45.9

 

CMYK 48 / 0 / 100 / 63

HEX #315E00

RGB 49 94 0

HSL 88.72, 1%, 0.18%

LAB 35.32, -30.55, 41.7

 

CMYK 58 / 0 / 100 / 70

HEX #204C00

RGB 32 76 0

HSL 94.74, 1%, 0.15%

LAB 28.05, -28.75, 35.64

 

CMYK 74 / 0 / 100 / 77

HEX #0F3A00

RGB 15 58 0

HSL 104.48, 1%, 0.11%

LAB 20.55, -26.52, 28.08

 

CMYK 36 / 0 / 80 / 48

HEX #54841A

RGB 84 132 26

HSL 87.17, 0.67%, 0.31%

LAB 50.05, -33.22, 47.94

 

CMYK 15 / 0 / 80 / 48

HEX #70841A

RGB 112 132 26

HSL 71.32, 0.67%, 0.31%

LAB 51.86, -21.59, 50.27

 

CMYK 0 / 8 / 80 / 48

HEX #847A1A

RGB 132 122 26

HSL 54.34, 0.67%, 0.31%

LAB 50.57, -7.1, 49.72

 

CMYK 0 / 29 / 80 / 48

HEX #845E1A

RGB 132 94 26

HSL 38.49, 0.67%, 0.31%

LAB 42.74, 8.99, 42.52

 

CMYK 0 / 51 / 80 / 48

HEX #84411A

RGB 132 65 26

HSL 22.08, 0.67%, 0.31%

LAB 35.52, 25.89, 35.56

 

CMYK 36 / 0 / 80 / 48

HEX #54841A

RGB 84 132 26

HSL 87.17, 0.67%, 0.31%

LAB 50.05, -33.22, 47.94

 

CMYK 58 / 0 / 80 / 48

HEX #37841A

RGB 55 132 26

HSL 103.58, 0.67%, 0.31%

LAB 48.75, -42.93, 46.24

 

CMYK 80 / 0 / 80 / 48

HEX #1B841A

RGB 27 132 26

HSL 119.43, 0.67%, 0.31%

LAB 48.02, -48.99, 45.29

 

CMYK 80 / 0 / 60 / 48

HEX #1A8435

RGB 26 132 53

HSL 135.28, 0.67%, 0.31%

LAB 48.23, -46.3, 33.99

 

CMYK 80 / 0 / 38 / 48

HEX #1A8452

RGB 26 132 82

HSL 151.7, 0.67%, 0.31%

LAB 48.67, -41.16, 18.96

 

CMYK 36 / 0 / 80 / 48

HEX #54841A

RGB 84 132 26

HSL 87.17, 0.67%, 0.31%

LAB 50.05, -33.22, 47.94

 

CMYK 41 / 0 / 91 / 44

HEX #55900D

RGB 85 144 13

HSL 87.02, 0.83%, 0.31%

LAB 53.93, -38.67, 54.74

 

CMYK 45 / 0 / 100 / 38

HEX #569D00

RGB 86 157 0

HSL 87.13, 1%, 0.31%

LAB 58.12, -44.03, 60.23

 

CMYK 36 / 0 / 80 / 48

HEX #54841A

RGB 84 132 26

HSL 87.17, 0.67%, 0.31%

LAB 50.05, -33.22, 47.94

 

CMYK 31 / 0 / 68 / 53

HEX #527726

RGB 82 119 38

HSL 87.41, 0.52%, 0.31%

LAB 45.81, -27.06, 38.97

 

CMYK 24 / 0 / 52 / 58

HEX #516A33

RGB 81 106 51

HSL 87.27, 0.35%, 0.31%

LAB 41.68, -19.52, 27.72

 

CMYK 14 / 0 / 31 / 64

HEX #505D40

RGB 80 93 64

HSL 86.9, 0.18%, 0.31%

LAB 37.67, -10.87, 15.05

 

CMYK 1 / 0 / 4 / 69

HEX #4F504D

RGB 79 80 77

HSL 80, 0.02%, 0.31%

LAB 33.85, -1.05, 1.62

 

CMYK 0 / 7 / 80 / 48

HEX #847B1A

RGB 132 123 26

HSL 54.91, 0.67%, 0.31%

LAB 50.86, -7.66, 49.98

 

CMYK 15 / 0 / 80 / 48

HEX #70841A

RGB 112 132 26

HSL 71.32, 0.67%, 0.31%

LAB 51.86, -21.59, 50.27

 

CMYK 36 / 0 / 80 / 48

HEX #54841A

RGB 84 132 26

HSL 87.17, 0.67%, 0.31%

LAB 50.05, -33.22, 47.94

 

CMYK 58 / 0 / 80 / 48

HEX #38841A

RGB 56 132 26

HSL 103.02, 0.67%, 0.31%

LAB 48.78, -42.65, 46.29

 

CMYK 80 / 0 / 80 / 48

HEX #1B841A

RGB 27 132 26

HSL 119.43, 0.67%, 0.31%

LAB 48.02, -48.99, 45.29

 

CMYK 37 / 0 / 81 / 75

HEX #283F0C

RGB 40 63 12

HSL 87.06, 0.68%, 0.15%

LAB 23.78, -18.54, 26.94

 

CMYK 36 / 0 / 80 / 62

HEX #3E6113

RGB 62 97 19

HSL 86.92, 0.67%, 0.23%

LAB 37.15, -25.91, 37.7

 

CMYK 36 / 0 / 80 / 48

HEX #54841A

RGB 84 132 26

HSL 87.17, 0.67%, 0.31%

LAB 50.05, -33.22, 47.94

 

CMYK 36 / 0 / 81 / 35

HEX #6AA620

RGB 106 166 32

HSL 86.87, 0.68%, 0.39%

LAB 62.03, -39.74, 57.61

 

CMYK 36 / 0 / 81 / 22

HEX #80C827

RGB 128 200 39

HSL 86.83, 0.67%, 0.47%

LAB 73.57, -45.96, 66.58

 

CMYK 36 / 0 / 80 / 49

HEX #53821A

RGB 83 130 26

HSL 87.12, 0.67%, 0.31%

LAB 49.35, -32.69, 47.26

 

CMYK 80 / 0 / 29 / 48

HEX #1A845E

RGB 26 132 94

HSL 158.49, 0.67%, 0.31%

LAB 48.92, -38.42, 12.43

 

CMYK 0 / 80 / 5 / 48

HEX #841A7E

RGB 132 26 126

HSL 303.4, 0.67%, 0.31%

LAB 32.15, 54.31, -31.43

 

CMYK 36 / 0 / 80 / 49

HEX #53821A

RGB 83 130 26

HSL 87.12, 0.67%, 0.31%

LAB 49.35, -32.69, 47.26

 

CMYK 80 / 36 / 0 / 48

HEX #1A5484

RGB 26 84 132

HSL 207.17, 0.67%, 0.31%

LAB 34.45, -0.54, -32.14

 

CMYK 0 / 80 / 36 / 48

HEX #841A54

RGB 132 26 84

HSL 327.17, 0.67%, 0.31%

LAB 30.12, 48.41, -7.59

 

CMYK 36 / 0 / 80 / 49

HEX #53821A

RGB 83 130 26

HSL 87.12, 0.67%, 0.31%

LAB 49.35, -32.69, 47.26

 

CMYK 80 / 0 / 29 / 48

HEX #1A845E

RGB 26 132 94

HSL 158.49, 0.67%, 0.31%

LAB 48.92, -38.42, 12.43

 

CMYK 45 / 80 / 0 / 48

HEX #491A84

RGB 73 26 132

HSL 266.6, 0.67%, 0.31%

LAB 23.07, 43.95, -50.32

 

CMYK 0 / 80 / 52 / 48

HEX #841A3F

RGB 132 26 63

HSL 339.06, 0.67%, 0.31%

LAB 29.42, 46.27, 5.32

 

CMYK 36 / 0 / 80 / 49

HEX #53821A

RGB 83 130 26

HSL 87.12, 0.67%, 0.31%

LAB 49.35, -32.69, 47.26

 

CMYK 80 / 0 / 5 / 48

HEX #1A847E

RGB 26 132 126

HSL 176.6, 0.67%, 0.31%

LAB 49.77, -29.62, -5.02

 

CMYK 45 / 80 / 0 / 48

HEX #491A84

RGB 73 26 132

HSL 266.6, 0.67%, 0.31%

LAB 23.07, 43.95, -50.32

 

CMYK 0 / 80 / 77 / 48

HEX #841A1F

RGB 132 26 31

HSL 357.17, 0.67%, 0.31%

LAB 28.76, 44.17, 25.56

 

Description

Color code: HEX #53821A | qconv.com Color code: HEX #53821A | qconv.com - big

Since the color values are relatively low compared to others, this hue appears darker to us.

The breakdown of the color into the RGB color system: of 255 maximum color components, 83 red, 130 green and 26 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
83 130 26 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, 36 cyan, none magenta, 80 yellow and 49 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
36% 0% 80% 49% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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