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Color name
HEX #538D15

Information

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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #538D15 it is the complementary color #AC72EA. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #538D15. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #538D15 shade: #588D10, #699F23, #7AB136, #8BC349 and #9CD55C

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #538D15. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #538D15 shade: #538D15, #427B02, #316900, #205700 and #0F4500

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #538D15 shade: #538D15, #748D15, #8D8715, #8D6615 and #8D4615

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #538D15 shade: #538D15, #338D15, #158D17, #158D38 and #158D59

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #538D15 shade matches the following richer shades: #538D15 and #549B08

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #538D15 shade: #538D15, #538022, #52732F, #52663C and #51594A

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #538D15 shade: #8D8715, #738D15, #538D15, #338D15 and #158D17

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #538D15 shade: #29460A, #3E6A0F, #538D15, #68B11A and #7DD51F

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #538D15 shade: #538D15, #158D67 and #8D1583

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #538D15 shade: #538D15, #15538D and #8D1553

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

Rectangular (tetradic) colors

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #538D15 shade: #538D15, #158D67, #4F158D and #8D153B

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #538D15 shade: #538D15, #158D8B, #4F158D and #8D1517

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 41 / 0 / 85 / 45

HEX #538D15

RGB 83 141 21

HSL 89, 0.74%, 0.32%

LAB 52.89, -37.82, 51.98

 

Complementary color

CMYK 26 / 51 / 0 / 8

HEX #AC72EA

RGB 172 114 234

HSL 269, 0.74%, 0.68%

LAB 58.74, 45.81, -52.37

 

CMYK 38 / 0 / 89 / 45

HEX #588D10

RGB 88 141 16

HSL 85.44, 0.8%, 0.31%

LAB 53.13, -36.16, 53.51

 

CMYK 34 / 0 / 78 / 38

HEX #699F23

RGB 105 159 35

HSL 86.13, 0.64%, 0.38%

LAB 59.82, -36.89, 54.6

 

CMYK 31 / 0 / 69 / 31

HEX #7AB136

RGB 122 177 54

HSL 86.83, 0.53%, 0.45%

LAB 66.4, -37.35, 54.56

 

CMYK 29 / 0 / 63 / 24

HEX #8BC349

RGB 139 195 73

HSL 87.54, 0.5%, 0.53%

LAB 72.89, -37.64, 53.94

 

CMYK 27 / 0 / 57 / 16

HEX #9CD55C

RGB 156 213 92

HSL 88.26, 0.59%, 0.6%

LAB 79.29, -37.8, 53.03

 

CMYK 41 / 0 / 85 / 45

HEX #538D15

RGB 83 141 21

HSL 89, 0.74%, 0.32%

LAB 52.89, -37.82, 51.98

 

CMYK 46 / 0 / 98 / 52

HEX #427B02

RGB 66 123 2

HSL 88.26, 0.97%, 0.25%

LAB 46.08, -36.85, 50.01

 

CMYK 53 / 0 / 100 / 59

HEX #316900

RGB 49 105 0

HSL 92, 1%, 0.21%

LAB 39.17, -35.24, 44.71

 

CMYK 63 / 0 / 100 / 66

HEX #205700

RGB 32 87 0

HSL 97.93, 1%, 0.17%

LAB 32.09, -33.3, 38.85

 

CMYK 78 / 0 / 100 / 73

HEX #0F4500

RGB 15 69 0

HSL 106.96, 1%, 0.14%

LAB 24.82, -30.81, 32.52

 

CMYK 41 / 0 / 85 / 45

HEX #538D15

RGB 83 141 21

HSL 89, 0.74%, 0.32%

LAB 52.89, -37.82, 51.98

 

CMYK 18 / 0 / 85 / 45

HEX #748D15

RGB 116 141 21

HSL 72.5, 0.74%, 0.32%

LAB 54.88, -24.58, 54.5

 

CMYK 0 / 4 / 85 / 45

HEX #8D8715

RGB 141 135 21

HSL 57, 0.74%, 0.32%

LAB 55.12, -10.23, 55.5

 

CMYK 0 / 28 / 85 / 45

HEX #8D6615

RGB 141 102 21

HSL 40.5, 0.74%, 0.32%

LAB 45.93, 8.38, 47.67

 

CMYK 0 / 50 / 85 / 45

HEX #8D4615

RGB 141 70 21

HSL 24.5, 0.74%, 0.32%

LAB 38.02, 26.82, 40.74

 

CMYK 41 / 0 / 85 / 45

HEX #538D15

RGB 83 141 21

HSL 89, 0.74%, 0.32%

LAB 52.89, -37.82, 51.98

 

CMYK 64 / 0 / 85 / 45

HEX #338D15

RGB 51 141 21

HSL 105, 0.74%, 0.32%

LAB 51.62, -47.61, 50.37

 

CMYK 85 / 0 / 84 / 45

HEX #158D17

RGB 21 141 23

HSL 121, 0.74%, 0.32%

LAB 51, -52.85, 49.01

 

CMYK 85 / 0 / 60 / 45

HEX #158D38

RGB 21 141 56

HSL 137.5, 0.74%, 0.32%

LAB 51.26, -49.64, 36.04

 

CMYK 85 / 0 / 37 / 45

HEX #158D59

RGB 21 141 89

HSL 154, 0.74%, 0.32%

LAB 51.76, -43.78, 19.15

 

CMYK 41 / 0 / 85 / 45

HEX #538D15

RGB 83 141 21

HSL 89, 0.74%, 0.32%

LAB 52.89, -37.82, 51.98

 

CMYK 46 / 0 / 95 / 39

HEX #549B08

RGB 84 155 8

HSL 88.98, 0.9%, 0.32%

LAB 57.41, -43.71, 58.41

 

CMYK 41 / 0 / 85 / 45

HEX #538D15

RGB 83 141 21

HSL 89, 0.74%, 0.32%

LAB 52.89, -37.82, 51.98

 

CMYK 35 / 0 / 73 / 50

HEX #538022

RGB 83 128 34

HSL 88.72, 0.58%, 0.32%

LAB 48.75, -31.26, 43.74

 

CMYK 29 / 0 / 59 / 55

HEX #52732F

RGB 82 115 47

HSL 89.12, 0.42%, 0.32%

LAB 44.6, -24.21, 33.31

 

CMYK 20 / 0 / 41 / 60

HEX #52663C

RGB 82 102 60

HSL 88.57, 0.26%, 0.32%

LAB 40.61, -15.72, 21.32

 

CMYK 9 / 0 / 17 / 65

HEX #51594A

RGB 81 89 74

HSL 92, 0.09%, 0.32%

LAB 36.72, -6.3, 7.63

 

CMYK 0 / 4 / 85 / 45

HEX #8D8715

RGB 141 135 21

HSL 57, 0.74%, 0.32%

LAB 55.12, -10.23, 55.5

 

CMYK 18 / 0 / 85 / 45

HEX #738D15

RGB 115 141 21

HSL 73, 0.74%, 0.32%

LAB 54.81, -25.01, 54.41

 

CMYK 41 / 0 / 85 / 45

HEX #538D15

RGB 83 141 21

HSL 89, 0.74%, 0.32%

LAB 52.89, -37.82, 51.98

 

CMYK 64 / 0 / 85 / 45

HEX #338D15

RGB 51 141 21

HSL 105, 0.74%, 0.32%

LAB 51.62, -47.61, 50.37

 

CMYK 85 / 0 / 84 / 45

HEX #158D17

RGB 21 141 23

HSL 121, 0.74%, 0.32%

LAB 51, -52.85, 49.01

 

CMYK 41 / 0 / 86 / 73

HEX #29460A

RGB 41 70 10

HSL 89, 0.75%, 0.16%

LAB 26.37, -21.87, 30.33

 

CMYK 42 / 0 / 86 / 58

HEX #3E6A0F

RGB 62 106 15

HSL 89.01, 0.75%, 0.24%

LAB 40.19, -30.38, 41.88

 

CMYK 41 / 0 / 85 / 45

HEX #538D15

RGB 83 141 21

HSL 89, 0.74%, 0.32%

LAB 52.89, -37.82, 51.98

 

CMYK 41 / 0 / 85 / 31

HEX #68B11A

RGB 104 177 26

HSL 89.01, 0.74%, 0.4%

LAB 65.33, -45.34, 62.1

 

CMYK 41 / 0 / 85 / 16

HEX #7DD51F

RGB 125 213 31

HSL 89.01, 0.75%, 0.48%

LAB 77.31, -52.56, 71.77

 

CMYK 41 / 0 / 85 / 45

HEX #538D15

RGB 83 141 21

HSL 89, 0.74%, 0.32%

LAB 52.89, -37.82, 51.98

 

CMYK 85 / 0 / 27 / 45

HEX #158D67

RGB 21 141 103

HSL 161, 0.74%, 0.32%

LAB 52.05, -40.53, 11.61

 

CMYK 0 / 85 / 7 / 45

HEX #8D1583

RGB 141 21 131

HSL 305, 0.74%, 0.32%

LAB 33.64, 58.31, -32.08

 

CMYK 41 / 0 / 85 / 45

HEX #538D15

RGB 83 141 21

HSL 89, 0.74%, 0.32%

LAB 52.89, -37.82, 51.98

 

CMYK 85 / 41 / 0 / 45

HEX #15538D

RGB 21 83 141

HSL 209, 0.74%, 0.32%

LAB 34.54, 3.19, -37.52

 

CMYK 0 / 85 / 41 / 45

HEX #8D1553

RGB 141 21 83

HSL 329, 0.74%, 0.32%

LAB 31.4, 52.06, -4.83

 

CMYK 41 / 0 / 85 / 45

HEX #538D15

RGB 83 141 21

HSL 89, 0.74%, 0.32%

LAB 52.89, -37.82, 51.98

 

CMYK 85 / 0 / 27 / 45

HEX #158D67

RGB 21 141 103

HSL 161, 0.74%, 0.32%

LAB 52.05, -40.53, 11.61

 

CMYK 44 / 85 / 0 / 45

HEX #4F158D

RGB 79 21 141

HSL 269, 0.74%, 0.32%

LAB 24.07, 49.12, -54.29

 

CMYK 0 / 85 / 58 / 45

HEX #8D153B

RGB 141 21 59

HSL 341, 0.74%, 0.32%

LAB 30.68, 49.94, 10.02

 

CMYK 41 / 0 / 85 / 45

HEX #538D15

RGB 83 141 21

HSL 89, 0.74%, 0.32%

LAB 52.89, -37.82, 51.98

 

CMYK 85 / 0 / 1 / 45

HEX #158D8B

RGB 21 141 139

HSL 179, 0.74%, 0.32%

LAB 53.03, -30.41, -7.76

 

CMYK 44 / 85 / 0 / 45

HEX #4F158D

RGB 79 21 141

HSL 269, 0.74%, 0.32%

LAB 24.07, 49.12, -54.29

 

CMYK 0 / 85 / 84 / 45

HEX #8D1517

RGB 141 21 23

HSL 359, 0.74%, 0.32%

LAB 30.06, 48.09, 32.36

 

Description

Color code: HEX #538D15 | qconv.com Color code: HEX #538D15 | qconv.com - big

Since the color values are relatively low compared to others, this hue appears darker to us.

The breakdown of the color into the RGB color system: of 255 maximum color components, 83 red, 141 green and 21 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
83 141 21 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, 41 cyan, none magenta, 85 yellow and 45 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
41% 0% 85% 45% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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