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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #539551 it is the complementary color #AC6AAE. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #539551. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #539551 shade: #58954C, #69A75F, #7AB972, #8BCB85 and #9CDD98

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #539551. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #539551 shade: #539551, #42833E, #31712B, #205F18 and #0F4D05

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #539551 shade: #529550, #649550, #779550, #8A9550 and #958D50

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #539551 shade: #529550, #509560, #509573, #509586 and #509195

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #539551 shade matches the following richer shades: #529550, #40A73D, #2FBA2B, #1DCC18 and #0CDF06

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #539551 shade: #529550, #638262, #757075, #865D88 and #984A9A

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #539551 shade: #779550, #649550, #529550, #509560 and #509572

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #539551 shade: #345F33, #437A41, #529550, #65AB63 and #80B97E

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #539551 shade: #539551, #508995 and #95506E

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #539551 shade: #539551, #505295 and #955052

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #539551 shade: #539551, #508995, #925095 and #955B50

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #539551 shade: #539551, #507595, #925095 and #957050

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 44 / 0 / 46 / 42

HEX #539551

RGB 83 149 81

HSL 118.24, 0.3%, 0.45%

LAB 56.02, -35.49, 29.43

 

Complementary color

CMYK 1 / 39 / 0 / 32

HEX #AC6AAE

RGB 172 106 174

HSL 298.24, 0.3%, 0.55%

LAB 54.17, 37.25, -25.46

 

CMYK 41 / 0 / 49 / 42

HEX #58954C

RGB 88 149 76

HSL 110.14, 0.32%, 0.44%

LAB 56.18, -34.6, 32.33

 

CMYK 37 / 0 / 43 / 35

HEX #69A75F

RGB 105 167 95

HSL 111.67, 0.29%, 0.51%

LAB 62.9, -34.45, 31.03

 

CMYK 34 / 0 / 38 / 27

HEX #7AB972

RGB 122 185 114

HSL 113.24, 0.34%, 0.59%

LAB 69.51, -34.24, 29.79

 

CMYK 32 / 0 / 34 / 20

HEX #8BCB85

RGB 139 203 133

HSL 114.86, 0.4%, 0.66%

LAB 76, -34.01, 28.62

 

CMYK 29 / 0 / 31 / 13

HEX #9CDD98

RGB 156 221 152

HSL 116.52, 0.5%, 0.73%

LAB 82.4, -33.78, 27.5

 

CMYK 44 / 0 / 46 / 42

HEX #539551

RGB 83 149 81

HSL 118.24, 0.3%, 0.45%

LAB 56.02, -35.49, 29.43

 

CMYK 50 / 0 / 53 / 49

HEX #42833E

RGB 66 131 62

HSL 116.52, 0.36%, 0.38%

LAB 49.18, -35.57, 30.8

 

CMYK 57 / 0 / 62 / 56

HEX #31712B

RGB 49 113 43

HSL 114.86, 0.45%, 0.31%

LAB 42.21, -35.43, 32.13

 

CMYK 66 / 0 / 75 / 63

HEX #205F18

RGB 32 95 24

HSL 113.24, 0.6%, 0.23%

LAB 35.12, -34.85, 33.17

 

CMYK 81 / 0 / 94 / 70

HEX #0F4D05

RGB 15 77 5

HSL 111.67, 0.88%, 0.16%

LAB 27.9, -33.38, 33.28

 

CMYK 45 / 0 / 46 / 42

HEX #529550

RGB 82 149 80

HSL 118.26, 0.3%, 0.45%

LAB 55.96, -35.96, 29.88

 

CMYK 33 / 0 / 46 / 42

HEX #649550

RGB 100 149 80

HSL 102.61, 0.3%, 0.45%

LAB 56.86, -29.89, 31.22

 

CMYK 20 / 0 / 46 / 42

HEX #779550

RGB 119 149 80

HSL 86.09, 0.3%, 0.45%

LAB 58.03, -22.69, 32.93

 

CMYK 7 / 0 / 46 / 42

HEX #8A9550

RGB 138 149 80

HSL 69.57, 0.3%, 0.45%

LAB 59.41, -14.95, 34.95

 

CMYK 0 / 5 / 46 / 42

HEX #958D50

RGB 149 141 80

HSL 53.04, 0.3%, 0.45%

LAB 58.05, -5.97, 33.47

 

CMYK 45 / 0 / 46 / 42

HEX #529550

RGB 82 149 80

HSL 118.26, 0.3%, 0.45%

LAB 55.96, -35.96, 29.88

 

CMYK 46 / 0 / 36 / 42

HEX #509560

RGB 80 149 96

HSL 133.91, 0.3%, 0.45%

LAB 56.13, -33.88, 21.41

 

CMYK 46 / 0 / 23 / 42

HEX #509573

RGB 80 149 115

HSL 150.43, 0.3%, 0.45%

LAB 56.52, -30.06, 11.29

 

CMYK 46 / 0 / 10 / 42

HEX #509586

RGB 80 149 134

HSL 166.96, 0.3%, 0.45%

LAB 57, -25.62, 1.15

 

CMYK 46 / 3 / 0 / 42

HEX #509195

RGB 80 145 149

HSL 183.48, 0.3%, 0.45%

LAB 56.21, -19.64, -8.6

 

CMYK 45 / 0 / 46 / 42

HEX #529550

RGB 82 149 80

HSL 118.26, 0.3%, 0.45%

LAB 55.96, -35.96, 29.88

 

CMYK 62 / 0 / 63 / 35

HEX #40A73D

RGB 64 167 61

HSL 118.3, 0.46%, 0.45%

LAB 60.84, -50.73, 44.91

 

CMYK 75 / 0 / 77 / 27

HEX #2FBA2B

RGB 47 186 43

HSL 118.32, 0.62%, 0.45%

LAB 66.44, -62.14, 57.67

 

CMYK 86 / 0 / 88 / 20

HEX #1DCC18

RGB 29 204 24

HSL 118.33, 0.79%, 0.45%

LAB 71.9, -70.67, 67.48

 

CMYK 95 / 0 / 97 / 13

HEX #0CDF06

RGB 12 223 6

HSL 118.34, 0.95%, 0.45%

LAB 77.8, -77.36, 74.67

 

CMYK 45 / 0 / 46 / 42

HEX #529550

RGB 82 149 80

HSL 118.26, 0.3%, 0.45%

LAB 55.96, -35.96, 29.88

 

CMYK 24 / 0 / 25 / 49

HEX #638262

RGB 99 130 98

HSL 118.13, 0.14%, 0.45%

LAB 51.27, -17.76, 13.82

 

CMYK 0 / 4 / 0 / 54

HEX #757075

RGB 117 112 117

HSL 300, 0.02%, 0.45%

LAB 47.82, 2.93, -2.08

 

CMYK 1 / 32 / 0 / 47

HEX #865D88

RGB 134 93 136

HSL 297.21, 0.19%, 0.45%

LAB 45.19, 24.41, -17.25

 

CMYK 1 / 52 / 0 / 40

HEX #984A9A

RGB 152 74 154

HSL 298.5, 0.35%, 0.45%

LAB 44.1, 44.33, -29.54

 

CMYK 20 / 0 / 46 / 42

HEX #779550

RGB 119 149 80

HSL 86.09, 0.3%, 0.45%

LAB 58.03, -22.69, 32.93

 

CMYK 33 / 0 / 46 / 42

HEX #649550

RGB 100 149 80

HSL 102.61, 0.3%, 0.45%

LAB 56.86, -29.89, 31.22

 

CMYK 45 / 0 / 46 / 42

HEX #529550

RGB 82 149 80

HSL 118.26, 0.3%, 0.45%

LAB 55.96, -35.96, 29.88

 

CMYK 46 / 0 / 36 / 42

HEX #509560

RGB 80 149 96

HSL 133.91, 0.3%, 0.45%

LAB 56.13, -33.88, 21.41

 

CMYK 46 / 0 / 23 / 42

HEX #509572

RGB 80 149 114

HSL 149.57, 0.3%, 0.45%

LAB 56.5, -30.28, 11.82

 

CMYK 45 / 0 / 46 / 63

HEX #345F33

RGB 52 95 51

HSL 118.64, 0.3%, 0.29%

LAB 36.28, -25.09, 20.59

 

CMYK 45 / 0 / 47 / 52

HEX #437A41

RGB 67 122 65

HSL 117.89, 0.3%, 0.37%

LAB 46.3, -30.72, 25.61

 

CMYK 45 / 0 / 46 / 42

HEX #529550

RGB 82 149 80

HSL 118.26, 0.3%, 0.45%

LAB 55.96, -35.96, 29.88

 

CMYK 41 / 0 / 42 / 33

HEX #65AB63

RGB 101 171 99

HSL 118.33, 0.3%, 0.53%

LAB 63.99, -36.96, 30.3

 

CMYK 31 / 0 / 32 / 27

HEX #80B97E

RGB 128 185 126

HSL 117.97, 0.3%, 0.61%

LAB 70.03, -30.33, 24.2

 

CMYK 44 / 0 / 46 / 42

HEX #539551

RGB 83 149 81

HSL 118.24, 0.3%, 0.45%

LAB 56.02, -35.49, 29.43

 

CMYK 46 / 8 / 0 / 42

HEX #508995

RGB 80 137 149

HSL 190.43, 0.3%, 0.45%

LAB 53.78, -15.36, -12.25

 

CMYK 0 / 46 / 26 / 42

HEX #95506E

RGB 149 80 110

HSL 333.91, 0.3%, 0.45%

LAB 43.14, 32.62, -4.35

 

CMYK 44 / 0 / 46 / 42

HEX #539551

RGB 83 149 81

HSL 118.24, 0.3%, 0.45%

LAB 56.02, -35.49, 29.43

 

CMYK 46 / 45 / 0 / 42

HEX #505295

RGB 80 82 149

HSL 238.26, 0.3%, 0.45%

LAB 37.68, 17.7, -37.19

 

CMYK 0 / 46 / 45 / 42

HEX #955052

RGB 149 80 82

HSL 358.26, 0.3%, 0.45%

LAB 42.36, 28.96, 11.75

 

CMYK 44 / 0 / 46 / 42

HEX #539551

RGB 83 149 81

HSL 118.24, 0.3%, 0.45%

LAB 56.02, -35.49, 29.43

 

CMYK 46 / 8 / 0 / 42

HEX #508995

RGB 80 137 149

HSL 190.43, 0.3%, 0.45%

LAB 53.78, -15.36, -12.25

 

CMYK 2 / 46 / 0 / 42

HEX #925095

RGB 146 80 149

HSL 297.39, 0.3%, 0.45%

LAB 44.26, 38.39, -26.36

 

CMYK 0 / 39 / 46 / 42

HEX #955B50

RGB 149 91 80

HSL 9.57, 0.3%, 0.45%

LAB 44.87, 22.52, 16.4

 

CMYK 44 / 0 / 46 / 42

HEX #539551

RGB 83 149 81

HSL 118.24, 0.3%, 0.45%

LAB 56.02, -35.49, 29.43

 

CMYK 46 / 21 / 0 / 42

HEX #507595

RGB 80 117 149

HSL 207.83, 0.3%, 0.45%

LAB 47.75, -4.02, -21.44

 

CMYK 2 / 46 / 0 / 42

HEX #925095

RGB 146 80 149

HSL 297.39, 0.3%, 0.45%

LAB 44.26, 38.39, -26.36

 

CMYK 0 / 25 / 46 / 42

HEX #957050

RGB 149 112 80

HSL 27.83, 0.3%, 0.45%

LAB 50.16, 10.39, 23.43

 

Description

Color code: HEX #539551 | qconv.com Color code: HEX #539551 | qconv.com - big

Since the color values are relatively low compared to others, this hue appears darker to us.

The breakdown of the color into the RGB color system: of 255 maximum color components, 83 red, 149 green and 81 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
83 149 81 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, 44 cyan, none magenta, 46 yellow and 42 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
44% 0% 46% 42% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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