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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #5393D4 it is the complementary color #AC6C2B. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #5393D4. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #5393D4 shade: #5893CF, #69A5E2, #7AB7F5, #8BC9FF and #9CDBFF

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #5393D4. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #5393D4 shade: #5393D4, #4281C1, #316FAE, #205D9B and #0F4B88

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #5393D4 shade: #5393D4, #5370D4, #5953D4, #7B53D4 and #9E53D4

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #5393D4 shade: #5393D4, #5370D4 and #5353D4

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #5393D4 shade matches the following richer shades: #5393D4, #4293E5 and #3093F6

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #5393D4 shade: #5393D4, #6493C2, #7693B1, #8793A0 and #98938E

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #5393D4 shade: #53D4CF, #53B6D4, #5393D4, #5371D4 and #5753D4

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #5393D4 shade: #2A6AAA, #327ECB, #5393D4, #74A8DC and #95BCE4

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #5393D4 shade: #5393D4, #AD53D4 and #C7D453

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #5393D4 shade: #5393D4, #D45393 and #93D453

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #5393D4 shade: #5393D4, #AD53D4, #D49353 and #7AD453

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #5393D4 shade: #5393D4, #D453D4, #D49353 and #53D453

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 61 / 31 / 0 / 17

HEX #5393D4

RGB 83 147 212

HSL 210.23, 0.6%, 0.58%

LAB 59.4, -0.9, -39.46

 

Complementary color

CMYK 0 / 37 / 75 / 33

HEX #AC6C2B

RGB 172 108 43

HSL 30.23, 0.6%, 0.42%

LAB 51.46, 19.94, 45.27

 

CMYK 57 / 29 / 0 / 19

HEX #5893CF

RGB 88 147 207

HSL 210.25, 0.55%, 0.58%

LAB 59.39, -1.53, -36.66

 

CMYK 54 / 27 / 0 / 11

HEX #69A5E2

RGB 105 165 226

HSL 210.25, 0.68%, 0.65%

LAB 66.06, -2.27, -36.73

 

CMYK 50 / 25 / 0 / 4

HEX #7AB7F5

RGB 122 183 245

HSL 210.24, 0.86%, 0.72%

LAB 72.63, -2.87, -36.83

 

CMYK 45 / 21 / 0 / 0

HEX #8BC9FF

RGB 139 201 255

HSL 207.93, 1%, 0.77%

LAB 78.74, -5.87, -32.67

 

CMYK 39 / 14 / 0 / 0

HEX #9CDBFF

RGB 156 219 255

HSL 201.82, 1%, 0.81%

LAB 84.46, -11.14, -23.85

 

CMYK 61 / 31 / 0 / 17

HEX #5393D4

RGB 83 147 212

HSL 210.23, 0.6%, 0.58%

LAB 59.4, -0.9, -39.46

 

CMYK 66 / 33 / 0 / 24

HEX #4281C1

RGB 66 129 193

HSL 210.24, 0.51%, 0.51%

LAB 52.63, 0.2, -39.4

 

CMYK 72 / 36 / 0 / 32

HEX #316FAE

RGB 49 111 174

HSL 210.24, 0.56%, 0.44%

LAB 45.74, 1.6, -39.35

 

CMYK 79 / 40 / 0 / 39

HEX #205D9B

RGB 32 93 155

HSL 210.24, 0.66%, 0.37%

LAB 38.73, 3.45, -39.28

 

CMYK 89 / 45 / 0 / 47

HEX #0F4B88

RGB 15 75 136

HSL 210.25, 0.8%, 0.3%

LAB 31.6, 5.95, -39.15

 

CMYK 61 / 31 / 0 / 17

HEX #5393D4

RGB 83 147 212

HSL 210.23, 0.6%, 0.58%

LAB 59.4, -0.9, -39.46

 

CMYK 61 / 47 / 0 / 17

HEX #5370D4

RGB 83 112 212

HSL 226.51, 0.6%, 0.58%

LAB 49.71, 20.19, -54.82

 

CMYK 58 / 61 / 0 / 17

HEX #5953D4

RGB 89 83 212

HSL 242.79, 0.6%, 0.58%

LAB 42.86, 39.15, -65.88

 

CMYK 42 / 61 / 0 / 17

HEX #7B53D4

RGB 123 83 212

HSL 258.6, 0.6%, 0.58%

LAB 45.84, 45.68, -60.91

 

CMYK 25 / 61 / 0 / 17

HEX #9E53D4

RGB 158 83 212

HSL 274.88, 0.6%, 0.58%

LAB 49.75, 53.51, -54.41

 

CMYK 61 / 31 / 0 / 17

HEX #5393D4

RGB 83 147 212

HSL 210.23, 0.6%, 0.58%

LAB 59.4, -0.9, -39.46

 

CMYK 61 / 47 / 0 / 17

HEX #5370D4

RGB 83 112 212

HSL 226.51, 0.6%, 0.58%

LAB 49.71, 20.19, -54.82

 

CMYK 61 / 61 / 0 / 17

HEX #5353D4

RGB 83 83 212

HSL 240, 0.6%, 0.58%

LAB 42.43, 38.15, -66.6

 

CMYK 61 / 31 / 0 / 17

HEX #5393D4

RGB 83 147 212

HSL 210.23, 0.6%, 0.58%

LAB 59.4, -0.9, -39.46

 

CMYK 71 / 36 / 0 / 10

HEX #4293E5

RGB 66 147 229

HSL 210.18, 0.76%, 0.58%

LAB 59.6, 2.1, -48.65

 

CMYK 80 / 40 / 0 / 4

HEX #3093F6

RGB 48 147 246

HSL 210, 0.92%, 0.58%

LAB 60.02, 6.14, -57.4

 

CMYK 61 / 31 / 0 / 17

HEX #5393D4

RGB 83 147 212

HSL 210.23, 0.6%, 0.58%

LAB 59.4, -0.9, -39.46

 

CMYK 48 / 24 / 0 / 24

HEX #6493C2

RGB 100 147 194

HSL 210, 0.44%, 0.58%

LAB 59.41, -2.86, -29.27

 

CMYK 33 / 17 / 0 / 31

HEX #7693B1

RGB 118 147 177

HSL 210.51, 0.27%, 0.58%

LAB 59.79, -2.78, -18.98

 

CMYK 16 / 8 / 0 / 37

HEX #8793A0

RGB 135 147 160

HSL 211.2, 0.12%, 0.58%

LAB 60.39, -1.51, -8.31

 

CMYK 0 / 3 / 7 / 40

HEX #98938E

RGB 152 147 142

HSL 30, 0.05%, 0.58%

LAB 61.22, 0.91, 3.29

 

CMYK 61 / 0 / 2 / 17

HEX #53D4CF

RGB 83 212 207

HSL 177.67, 0.6%, 0.58%

LAB 78.13, -36.18, -8.09

 

CMYK 61 / 14 / 0 / 17

HEX #53B6D4

RGB 83 182 212

HSL 193.95, 0.6%, 0.58%

LAB 69.5, -20.07, -23.8

 

CMYK 61 / 31 / 0 / 17

HEX #5393D4

RGB 83 147 212

HSL 210.23, 0.6%, 0.58%

LAB 59.4, -0.9, -39.46

 

CMYK 61 / 47 / 0 / 17

HEX #5371D4

RGB 83 113 212

HSL 226.05, 0.6%, 0.58%

LAB 49.98, 19.57, -54.39

 

CMYK 59 / 61 / 0 / 17

HEX #5753D4

RGB 87 83 212

HSL 241.86, 0.6%, 0.58%

LAB 42.71, 38.81, -66.13

 

CMYK 75 / 38 / 0 / 33

HEX #2A6AAA

RGB 42 106 170

HSL 210, 0.6%, 0.42%

LAB 43.8, 2.23, -40.1

 

CMYK 75 / 38 / 0 / 20

HEX #327ECB

RGB 50 126 203

HSL 210.2, 0.6%, 0.5%

LAB 51.74, 3.21, -46.55

 

CMYK 61 / 31 / 0 / 17

HEX #5393D4

RGB 83 147 212

HSL 210.23, 0.6%, 0.58%

LAB 59.4, -0.9, -39.46

 

CMYK 47 / 24 / 0 / 14

HEX #74A8DC

RGB 116 168 220

HSL 210, 0.6%, 0.66%

LAB 67.19, -3.22, -31.64

 

CMYK 35 / 18 / 0 / 11

HEX #95BCE4

RGB 149 188 228

HSL 210.38, 0.59%, 0.74%

LAB 74.8, -3.47, -24.16

 

CMYK 61 / 31 / 0 / 17

HEX #5393D4

RGB 83 147 212

HSL 210.23, 0.6%, 0.58%

LAB 59.4, -0.9, -39.46

 

CMYK 18 / 61 / 0 / 17

HEX #AD53D4

RGB 173 83 212

HSL 281.86, 0.6%, 0.58%

LAB 51.64, 57.05, -51.28

 

CMYK 6 / 0 / 61 / 17

HEX #C7D453

RGB 199 212 83

HSL 66.05, 0.6%, 0.58%

LAB 81.76, -21.39, 60.49

 

CMYK 61 / 31 / 0 / 17

HEX #5393D4

RGB 83 147 212

HSL 210.23, 0.6%, 0.58%

LAB 59.4, -0.9, -39.46

 

CMYK 0 / 61 / 31 / 17

HEX #D45393

RGB 212 83 147

HSL 330.23, 0.6%, 0.58%

LAB 54.33, 56.96, -8.93

 

CMYK 31 / 0 / 61 / 17

HEX #93D453

RGB 147 212 83

HSL 90.23, 0.6%, 0.58%

LAB 78.41, -41.41, 55.87

 

CMYK 61 / 31 / 0 / 17

HEX #5393D4

RGB 83 147 212

HSL 210.23, 0.6%, 0.58%

LAB 59.4, -0.9, -39.46

 

CMYK 18 / 61 / 0 / 17

HEX #AD53D4

RGB 173 83 212

HSL 281.86, 0.6%, 0.58%

LAB 51.64, 57.05, -51.28

 

CMYK 0 / 31 / 61 / 17

HEX #D49353

RGB 212 147 83

HSL 29.77, 0.6%, 0.58%

LAB 66.13, 18.01, 43.19

 

CMYK 42 / 0 / 61 / 17

HEX #7AD453

RGB 122 212 83

HSL 101.86, 0.6%, 0.58%

LAB 77.19, -49.8, 54.16

 

CMYK 61 / 31 / 0 / 17

HEX #5393D4

RGB 83 147 212

HSL 210.23, 0.6%, 0.58%

LAB 59.4, -0.9, -39.46

 

CMYK 0 / 61 / 0 / 17

HEX #D453D4

RGB 212 83 212

HSL 300, 0.6%, 0.58%

LAB 57.01, 66.51, -42.41

 

CMYK 0 / 31 / 61 / 17

HEX #D49353

RGB 212 147 83

HSL 29.77, 0.6%, 0.58%

LAB 66.13, 18.01, 43.19

 

CMYK 61 / 0 / 61 / 17

HEX #53D453

RGB 83 212 83

HSL 120, 0.6%, 0.58%

LAB 75.79, -60.32, 52.21

 

Description

Color code: HEX #5393D4 | qconv.com Color code: HEX #5393D4 | qconv.com - big

Since the color values are relatively high compared to others, this hue appears lighter to us.

The breakdown of the color into the RGB color system: of 255 maximum color components, 83 red, 147 green and 212 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
83 147 212 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, 61 cyan, 31 magenta, none yellow and 17 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
61% 31% 0% 17% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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