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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #539CB0 it is the complementary color #AC634F. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #539CB0. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #539CB0 shade: #589CAB, #69AEBE, #7AC0D1, #8BD2E4 and #9CE4F7

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #539CB0. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #539CB0 shade: #539CB0, #428A9D, #31788A, #206677 and #0F5464

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #539CB0 shade: #539CB0, #5383B0, #536AB0, #5653B0 and #6E53B0

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #539CB0 shade: #539CB0, #5383B0, #536AB0 and #5353B0

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #539CB0 shade matches the following richer shades: #539CB0, #3FA7C4, #2BB3D8 and #17BEEC

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #539CB0 shade: #539CB0, #68909C, #7C8587, #907973 and #A46E5F

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #539CB0 shade: #53B091, #53B0AA, #539DB0, #5385B0 and #536CB0

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #539CB0 shade: #376B79, #448495, #539CB0, #70ACBD and #8CBCCA

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #539CB0 shade: #539CB0, #7853B0 and #B09D53

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #539CB0 shade: #539CB0, #B0539D and #9DB053

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #539CB0 shade: #539CB0, #7853B0, #B06653 and #8BB053

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #539CB0 shade: #539CB0, #9453B0, #B06653 and #6FB053

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 53 / 11 / 0 / 31

HEX #539CB0

RGB 83 156 176

HSL 192.9, 0.37%, 0.51%

LAB 60.56, -17.11, -17.41

 

Complementary color

CMYK 0 / 42 / 54 / 33

HEX #AC634F

RGB 172 99 79

HSL 12.9, 0.37%, 0.49%

LAB 49.81, 27.41, 24.09

 

CMYK 49 / 9 / 0 / 33

HEX #589CAB

RGB 88 156 171

HSL 190.84, 0.33%, 0.51%

LAB 60.6, -17.4, -14.51

 

CMYK 45 / 8 / 0 / 25

HEX #69AEBE

RGB 105 174 190

HSL 191.29, 0.4%, 0.58%

LAB 67.27, -17.53, -14.99

 

CMYK 42 / 8 / 0 / 18

HEX #7AC0D1

RGB 122 192 209

HSL 191.72, 0.49%, 0.65%

LAB 73.83, -17.62, -15.45

 

CMYK 39 / 8 / 0 / 11

HEX #8BD2E4

RGB 139 210 228

HSL 192.13, 0.62%, 0.72%

LAB 80.28, -17.68, -15.9

 

CMYK 37 / 8 / 0 / 3

HEX #9CE4F7

RGB 156 228 247

HSL 192.53, 0.85%, 0.79%

LAB 86.64, -17.72, -16.33

 

CMYK 53 / 11 / 0 / 31

HEX #539CB0

RGB 83 156 176

HSL 192.9, 0.37%, 0.51%

LAB 60.56, -17.11, -17.41

 

CMYK 58 / 12 / 0 / 38

HEX #428A9D

RGB 66 138 157

HSL 192.53, 0.41%, 0.44%

LAB 53.78, -16.76, -16.93

 

CMYK 64 / 13 / 0 / 46

HEX #31788A

RGB 49 120 138

HSL 192.13, 0.48%, 0.37%

LAB 46.87, -16.25, -16.4

 

CMYK 73 / 14 / 0 / 53

HEX #206677

RGB 32 102 119

HSL 191.72, 0.58%, 0.3%

LAB 39.82, -15.46, -15.81

 

CMYK 85 / 16 / 0 / 61

HEX #0F5464

RGB 15 84 100

HSL 191.29, 0.74%, 0.23%

LAB 32.62, -14.22, -15.11

 

CMYK 53 / 11 / 0 / 31

HEX #539CB0

RGB 83 156 176

HSL 192.9, 0.37%, 0.51%

LAB 60.56, -17.11, -17.41

 

CMYK 53 / 26 / 0 / 31

HEX #5383B0

RGB 83 131 176

HSL 209.03, 0.37%, 0.51%

LAB 53.17, -3.17, -28.75

 

CMYK 53 / 40 / 0 / 31

HEX #536AB0

RGB 83 106 176

HSL 225.16, 0.37%, 0.51%

LAB 46.02, 11.93, -39.98

 

CMYK 51 / 53 / 0 / 31

HEX #5653B0

RGB 86 83 176

HSL 241.94, 0.37%, 0.51%

LAB 40.08, 27.07, -49.45

 

CMYK 38 / 53 / 0 / 31

HEX #6E53B0

RGB 110 83 176

HSL 257.42, 0.37%, 0.51%

LAB 42.21, 32.78, -45.91

 

CMYK 53 / 11 / 0 / 31

HEX #539CB0

RGB 83 156 176

HSL 192.9, 0.37%, 0.51%

LAB 60.56, -17.11, -17.41

 

CMYK 53 / 26 / 0 / 31

HEX #5383B0

RGB 83 131 176

HSL 209.03, 0.37%, 0.51%

LAB 53.17, -3.17, -28.75

 

CMYK 53 / 40 / 0 / 31

HEX #536AB0

RGB 83 106 176

HSL 225.16, 0.37%, 0.51%

LAB 46.02, 11.93, -39.98

 

CMYK 53 / 53 / 0 / 31

HEX #5353B0

RGB 83 83 176

HSL 240, 0.37%, 0.51%

LAB 39.85, 26.42, -49.83

 

CMYK 53 / 11 / 0 / 31

HEX #539CB0

RGB 83 156 176

HSL 192.9, 0.37%, 0.51%

LAB 60.56, -17.11, -17.41

 

CMYK 68 / 15 / 0 / 23

HEX #3FA7C4

RGB 63 167 196

HSL 193.08, 0.53%, 0.51%

LAB 63.9, -20.52, -23.59

 

CMYK 80 / 17 / 0 / 15

HEX #2BB3D8

RGB 43 179 216

HSL 192.83, 0.69%, 0.51%

LAB 67.81, -22.67, -28.68

 

CMYK 90 / 19 / 0 / 7

HEX #17BEEC

RGB 23 190 236

HSL 192.96, 0.85%, 0.51%

LAB 71.6, -22.97, -33.76

 

CMYK 53 / 11 / 0 / 31

HEX #539CB0

RGB 83 156 176

HSL 192.9, 0.37%, 0.51%

LAB 60.56, -17.11, -17.41

 

CMYK 33 / 8 / 0 / 39

HEX #68909C

RGB 104 144 156

HSL 193.85, 0.21%, 0.51%

LAB 57.36, -10.68, -10.78

 

CMYK 8 / 1 / 0 / 47

HEX #7C8587

RGB 124 133 135

HSL 190.91, 0.04%, 0.51%

LAB 54.88, -2.88, -2.22

 

CMYK 0 / 16 / 20 / 44

HEX #907973

RGB 144 121 115

HSL 12.41, 0.12%, 0.51%

LAB 52.78, 7.89, 6.6

 

CMYK 0 / 33 / 42 / 36

HEX #A46E5F

RGB 164 110 95

HSL 13.04, 0.27%, 0.51%

LAB 51.69, 19.59, 17.1

 

CMYK 53 / 0 / 18 / 31

HEX #53B091

RGB 83 176 145

HSL 160, 0.37%, 0.51%

LAB 65.7, -35.22, 7.53

 

CMYK 53 / 0 / 3 / 31

HEX #53B0AA

RGB 83 176 170

HSL 176.13, 0.37%, 0.51%

LAB 66.36, -28.98, -5.36

 

CMYK 53 / 11 / 0 / 31

HEX #539DB0

RGB 83 157 176

HSL 192.26, 0.37%, 0.51%

LAB 60.86, -17.64, -16.96

 

CMYK 53 / 24 / 0 / 31

HEX #5385B0

RGB 83 133 176

HSL 207.74, 0.37%, 0.51%

LAB 53.76, -4.33, -27.84

 

CMYK 53 / 39 / 0 / 31

HEX #536CB0

RGB 83 108 176

HSL 223.87, 0.37%, 0.51%

LAB 46.58, 10.69, -39.09

 

CMYK 55 / 12 / 0 / 53

HEX #376B79

RGB 55 107 121

HSL 192.73, 0.38%, 0.35%

LAB 42.32, -13.12, -13.14

 

CMYK 54 / 11 / 0 / 42

HEX #448495

RGB 68 132 149

HSL 192.59, 0.37%, 0.43%

LAB 51.73, -15.5, -15.41

 

CMYK 53 / 11 / 0 / 31

HEX #539CB0

RGB 83 156 176

HSL 192.9, 0.37%, 0.51%

LAB 60.56, -17.11, -17.41

 

CMYK 41 / 9 / 0 / 26

HEX #70ACBD

RGB 112 172 189

HSL 193.25, 0.37%, 0.59%

LAB 66.99, -14.97, -14.82

 

CMYK 31 / 7 / 0 / 21

HEX #8CBCCA

RGB 140 188 202

HSL 193.55, 0.37%, 0.67%

LAB 73.42, -12.43, -12.17

 

CMYK 53 / 11 / 0 / 31

HEX #539CB0

RGB 83 156 176

HSL 192.9, 0.37%, 0.51%

LAB 60.56, -17.11, -17.41

 

CMYK 32 / 53 / 0 / 31

HEX #7853B0

RGB 120 83 176

HSL 263.87, 0.37%, 0.51%

LAB 43.23, 35.37, -44.22

 

CMYK 0 / 11 / 53 / 31

HEX #B09D53

RGB 176 157 83

HSL 47.74, 0.37%, 0.51%

LAB 64.94, -2.77, 40.87

 

CMYK 53 / 11 / 0 / 31

HEX #539CB0

RGB 83 156 176

HSL 192.9, 0.37%, 0.51%

LAB 60.56, -17.11, -17.41

 

CMYK 0 / 53 / 11 / 31

HEX #B0539D

RGB 176 83 157

HSL 312.26, 0.37%, 0.51%

LAB 49.31, 47.49, -22.96

 

CMYK 11 / 0 / 53 / 31

HEX #9DB053

RGB 157 176 83

HSL 72.26, 0.37%, 0.51%

LAB 68.64, -20.68, 44.87

 

CMYK 53 / 11 / 0 / 31

HEX #539CB0

RGB 83 156 176

HSL 192.9, 0.37%, 0.51%

LAB 60.56, -17.11, -17.41

 

CMYK 32 / 53 / 0 / 31

HEX #7853B0

RGB 120 83 176

HSL 263.87, 0.37%, 0.51%

LAB 43.23, 35.37, -44.22

 

CMYK 0 / 42 / 53 / 31

HEX #B06653

RGB 176 102 83

HSL 12.26, 0.37%, 0.51%

LAB 51.1, 27.74, 23.56

 

CMYK 21 / 0 / 53 / 31

HEX #8BB053

RGB 139 176 83

HSL 83.87, 0.37%, 0.51%

LAB 67.4, -27.85, 43.1

 

CMYK 53 / 11 / 0 / 31

HEX #539CB0

RGB 83 156 176

HSL 192.9, 0.37%, 0.51%

LAB 60.56, -17.11, -17.41

 

CMYK 16 / 53 / 0 / 31

HEX #9453B0

RGB 148 83 176

HSL 281.94, 0.37%, 0.51%

LAB 46.47, 42.96, -38.88

 

CMYK 0 / 42 / 53 / 31

HEX #B06653

RGB 176 102 83

HSL 12.26, 0.37%, 0.51%

LAB 51.1, 27.74, 23.56

 

CMYK 37 / 0 / 53 / 31

HEX #6FB053

RGB 111 176 83

HSL 101.94, 0.37%, 0.51%

LAB 65.79, -38.1, 40.79

 

Description

Color code: HEX #539CB0 | qconv.com Color code: HEX #539CB0 | qconv.com - big

Since the color values are relatively high compared to others, this hue appears lighter to us.

The breakdown of the color into the RGB color system: of 255 maximum color components, 83 red, 156 green and 176 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
83 156 176 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, 53 cyan, 11 magenta, none yellow and 31 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
53% 11% 0% 31% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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