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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #539E49 it is the complementary color #AC61B6. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #539E49. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #539E49 shade: #589E44, #69B057, #7AC26A, #8BD47D and #9CE690

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #539E49. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #539E49 shade: #539E49, #428C36, #317A23, #206810 and #0F5600

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #539E49 shade: #529D48, #699D48, #809D48, #969D48 and #9D8C48

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #539E49 shade: #529D48, #489D55, #489D6C, #489D82 and #489D99

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #539E49 shade matches the following richer shades: #529D48, #44AF35, #35C223 and #27D410

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #539E49 shade: #529D48, #608A5A, #6E786D, #7C657F and #8B5292

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #539E49 shade: #809D48, #6A9D48, #539D48, #489D53 and #489D6A

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #539E49 shade: #34642E, #43803B, #529D48, #65B35B and #80C077

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #539E49 shade: #539E49, #48979D and #9D4875

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #539E49 shade: #539E49, #48539D and #9D4853

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #539E49 shade: #539E49, #48979D, #91489D and #9D4D48

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #539E49 shade: #539E49, #487E9D, #91489D and #9D6748

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 47 / 0 / 54 / 38

HEX #539E49

RGB 83 158 73

HSL 112.94, 0.37%, 0.45%

LAB 58.76, -40.57, 36.97

 

Complementary color

CMYK 5 / 47 / 0 / 29

HEX #AC61B6

RGB 172 97 182

HSL 292.94, 0.37%, 0.55%

LAB 52.62, 43.65, -32.51

 

CMYK 44 / 0 / 57 / 38

HEX #589E44

RGB 88 158 68

HSL 106.67, 0.4%, 0.44%

LAB 58.92, -39.62, 39.68

 

CMYK 40 / 0 / 51 / 31

HEX #69B057

RGB 105 176 87

HSL 107.87, 0.36%, 0.52%

LAB 65.55, -39.6, 38.45

 

CMYK 37 / 0 / 45 / 24

HEX #7AC26A

RGB 122 194 106

HSL 109.09, 0.42%, 0.59%

LAB 72.07, -39.48, 37.2

 

CMYK 34 / 0 / 41 / 17

HEX #8BD47D

RGB 139 212 125

HSL 110.34, 0.5%, 0.66%

LAB 78.49, -39.31, 35.98

 

CMYK 32 / 0 / 37 / 10

HEX #9CE690

RGB 156 230 144

HSL 111.63, 0.63%, 0.73%

LAB 84.83, -39.11, 34.81

 

CMYK 47 / 0 / 54 / 38

HEX #539E49

RGB 83 158 73

HSL 112.94, 0.37%, 0.45%

LAB 58.76, -40.57, 36.97

 

CMYK 53 / 0 / 61 / 45

HEX #428C36

RGB 66 140 54

HSL 111.63, 0.44%, 0.38%

LAB 52.04, -40.44, 38.21

 

CMYK 60 / 0 / 71 / 52

HEX #317A23

RGB 49 122 35

HSL 110.34, 0.55%, 0.31%

LAB 45.21, -39.99, 39.18

 

CMYK 69 / 0 / 85 / 59

HEX #206810

RGB 32 104 16

HSL 109.09, 0.73%, 0.24%

LAB 38.28, -38.94, 39.36

 

CMYK 83 / 0 / 100 / 66

HEX #0F5600

RGB 15 86 0

HSL 109.53, 1%, 0.17%

LAB 31.25, -36.91, 37.98

 

CMYK 48 / 0 / 54 / 38

HEX #529D48

RGB 82 157 72

HSL 112.94, 0.37%, 0.45%

LAB 58.39, -40.57, 37.01

 

CMYK 33 / 0 / 54 / 38

HEX #699D48

RGB 105 157 72

HSL 96.71, 0.37%, 0.45%

LAB 59.51, -32.86, 38.62

 

CMYK 18 / 0 / 54 / 38

HEX #809D48

RGB 128 157 72

HSL 80.47, 0.37%, 0.45%

LAB 60.93, -24.01, 40.65

 

CMYK 4 / 0 / 54 / 38

HEX #969D48

RGB 150 157 72

HSL 64.94, 0.37%, 0.45%

LAB 62.56, -14.88, 42.97

 

CMYK 0 / 11 / 54 / 38

HEX #9D8C48

RGB 157 140 72

HSL 48, 0.37%, 0.45%

LAB 58.41, -2.72, 38.25

 

CMYK 48 / 0 / 54 / 38

HEX #529D48

RGB 82 157 72

HSL 112.94, 0.37%, 0.45%

LAB 58.39, -40.57, 37.01

 

CMYK 54 / 0 / 46 / 38

HEX #489D55

RGB 72 157 85

HSL 129.18, 0.37%, 0.45%

LAB 58.18, -41.54, 29.97

 

CMYK 54 / 0 / 31 / 38

HEX #489D6C

RGB 72 157 108

HSL 145.41, 0.37%, 0.45%

LAB 58.58, -37.36, 18.01

 

CMYK 54 / 0 / 17 / 38

HEX #489D82

RGB 72 157 130

HSL 160.94, 0.37%, 0.45%

LAB 59.07, -32.47, 6.37

 

CMYK 54 / 0 / 3 / 38

HEX #489D99

RGB 72 157 153

HSL 177.18, 0.37%, 0.45%

LAB 59.7, -26.54, -5.73

 

CMYK 48 / 0 / 54 / 38

HEX #529D48

RGB 82 157 72

HSL 112.94, 0.37%, 0.45%

LAB 58.39, -40.57, 37.01

 

CMYK 61 / 0 / 70 / 31

HEX #44AF35

RGB 68 175 53

HSL 112.62, 0.54%, 0.45%

LAB 63.46, -53.5, 51.18

 

CMYK 73 / 0 / 82 / 24

HEX #35C223

RGB 53 194 35

HSL 113.21, 0.69%, 0.45%

LAB 69.08, -64.17, 62.59

 

CMYK 82 / 0 / 92 / 17

HEX #27D410

RGB 39 212 16

HSL 112.96, 0.86%, 0.45%

LAB 74.54, -72.18, 71.04

 

CMYK 48 / 0 / 54 / 38

HEX #529D48

RGB 82 157 72

HSL 112.94, 0.37%, 0.45%

LAB 58.39, -40.57, 37.01

 

CMYK 30 / 0 / 35 / 46

HEX #608A5A

RGB 96 138 90

HSL 112.5, 0.21%, 0.45%

LAB 53.39, -24.4, 21.22

 

CMYK 8 / 0 / 9 / 53

HEX #6E786D

RGB 110 120 109

HSL 114.55, 0.05%, 0.45%

LAB 49.32, -5.99, 4.76

 

CMYK 2 / 20 / 0 / 50

HEX #7C657F

RGB 124 101 127

HSL 293.08, 0.11%, 0.45%

LAB 45.8, 14.19, -11

 

CMYK 5 / 44 / 0 / 43

HEX #8B5292

RGB 139 82 146

HSL 293.44, 0.28%, 0.45%

LAB 43.65, 34.48, -25.57

 

CMYK 18 / 0 / 54 / 38

HEX #809D48

RGB 128 157 72

HSL 80.47, 0.37%, 0.45%

LAB 60.93, -24.01, 40.65

 

CMYK 32 / 0 / 54 / 38

HEX #6A9D48

RGB 106 157 72

HSL 96, 0.37%, 0.45%

LAB 59.57, -32.5, 38.7

 

CMYK 47 / 0 / 54 / 38

HEX #539D48

RGB 83 157 72

HSL 112.24, 0.37%, 0.45%

LAB 58.43, -40.27, 37.07

 

CMYK 54 / 0 / 47 / 38

HEX #489D53

RGB 72 157 83

HSL 127.76, 0.37%, 0.45%

LAB 58.15, -41.86, 30.99

 

CMYK 54 / 0 / 32 / 38

HEX #489D6A

RGB 72 157 106

HSL 144, 0.37%, 0.45%

LAB 58.54, -37.76, 19.07

 

CMYK 48 / 0 / 54 / 61

HEX #34642E

RGB 52 100 46

HSL 113.33, 0.37%, 0.29%

LAB 37.92, -28.28, 25.48

 

CMYK 48 / 0 / 54 / 50

HEX #43803B

RGB 67 128 59

HSL 113.04, 0.37%, 0.37%

LAB 48.19, -34.35, 31.18

 

CMYK 48 / 0 / 54 / 38

HEX #529D48

RGB 82 157 72

HSL 112.94, 0.37%, 0.45%

LAB 58.39, -40.57, 37.01

 

CMYK 44 / 0 / 49 / 30

HEX #65B35B

RGB 101 179 91

HSL 113.18, 0.37%, 0.53%

LAB 66.34, -41.64, 37.38

 

CMYK 33 / 0 / 38 / 25

HEX #80C077

RGB 128 192 119

HSL 112.6, 0.37%, 0.61%

LAB 71.97, -34.72, 30.47

 

CMYK 47 / 0 / 54 / 38

HEX #539E49

RGB 83 158 73

HSL 112.94, 0.37%, 0.45%

LAB 58.76, -40.57, 36.97

 

CMYK 54 / 4 / 0 / 38

HEX #48979D

RGB 72 151 157

HSL 184.24, 0.37%, 0.45%

LAB 57.99, -22.38, -10.56

 

CMYK 0 / 54 / 25 / 38

HEX #9D4875

RGB 157 72 117

HSL 328.24, 0.37%, 0.45%

LAB 42.89, 40.7, -8.89

 

CMYK 47 / 0 / 54 / 38

HEX #539E49

RGB 83 158 73

HSL 112.94, 0.37%, 0.45%

LAB 58.76, -40.57, 36.97

 

CMYK 54 / 47 / 0 / 38

HEX #48539D

RGB 72 83 157

HSL 232.24, 0.37%, 0.45%

LAB 37.84, 17.73, -41.79

 

CMYK 0 / 54 / 47 / 38

HEX #9D4853

RGB 157 72 83

HSL 352.24, 0.37%, 0.45%

LAB 41.89, 36.46, 10.65

 

CMYK 47 / 0 / 54 / 38

HEX #539E49

RGB 83 158 73

HSL 112.94, 0.37%, 0.45%

LAB 58.76, -40.57, 36.97

 

CMYK 54 / 4 / 0 / 38

HEX #48979D

RGB 72 151 157

HSL 184.24, 0.37%, 0.45%

LAB 57.99, -22.38, -10.56

 

CMYK 8 / 54 / 0 / 38

HEX #91489D

RGB 145 72 157

HSL 291.53, 0.37%, 0.45%

LAB 42.9, 43.93, -33.29

 

CMYK 0 / 51 / 54 / 38

HEX #9D4D48

RGB 157 77 72

HSL 3.53, 0.37%, 0.45%

LAB 42.68, 32.76, 18.48

 

CMYK 47 / 0 / 54 / 38

HEX #539E49

RGB 83 158 73

HSL 112.94, 0.37%, 0.45%

LAB 58.76, -40.57, 36.97

 

CMYK 54 / 20 / 0 / 38

HEX #487E9D

RGB 72 126 157

HSL 201.88, 0.37%, 0.45%

LAB 50.37, -8.76, -22.12

 

CMYK 8 / 54 / 0 / 38

HEX #91489D

RGB 145 72 157

HSL 291.53, 0.37%, 0.45%

LAB 42.9, 43.93, -33.29

 

CMYK 0 / 34 / 54 / 38

HEX #9D6748

RGB 157 103 72

HSL 21.88, 0.37%, 0.45%

LAB 48.68, 18.22, 26.29

 

Description

Color code: HEX #539E49 | qconv.com Color code: HEX #539E49 | qconv.com - big

Since the color values are relatively low compared to others, this hue appears darker to us.

The breakdown of the color into the RGB color system: of 255 maximum color components, 83 red, 158 green and 73 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
83 158 73 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, 47 cyan, none magenta, 54 yellow and 38 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
47% 0% 54% 38% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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