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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #57A568 it is the complementary color #A85A97. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #57A568. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #57A568 shade: #5CA563, #6DB776, #7EC989, #8FDB9C and #A0EDAF

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #57A568. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #57A568 shade: #57A568, #469355, #358142, #246F2F and #135D1C

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #57A568 shade: #56A367, #5AA356, #6FA356, #83A356 and #98A356

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #57A568 shade: #56A367, #56A37B, #56A390, #56A1A3 and #568CA3

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #57A568 shade matches the following richer shades: #56A367, #41B75B, #2DCC50, #19E044 and #05F439

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #57A568 shade: #56A367, #6A8F72, #7E7B7D, #926789 and #A75294

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #57A568 shade: #6EA356, #5AA356, #56A367, #56A37B and #56A390

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #57A568 shade: #396D45, #478856, #56A367, #6FB37E and #8AC196

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #57A568 shade: #57A568, #5683A3 and #A35664

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #57A568 shade: #57A568, #6756A3 and #A36756

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #57A568 shade: #57A568, #5683A3, #A35692 and #A37656

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #57A568 shade: #57A568, #566CA3, #A35692 and #A38D56

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 47 / 0 / 37 / 35

HEX #57A568

RGB 87 165 104

HSL 133.08, 0.31%, 0.49%

LAB 61.6, -37.66, 24.38

 

Complementary color

CMYK 0 / 46 / 10 / 34

HEX #A85A97

RGB 168 90 151

HSL 313.08, 0.31%, 0.51%

LAB 49.34, 40.38, -19.47

 

CMYK 44 / 0 / 40 / 35

HEX #5CA563

RGB 92 165 99

HSL 125.75, 0.29%, 0.5%

LAB 61.73, -37.04, 27.28

 

CMYK 40 / 0 / 36 / 28

HEX #6DB776

RGB 109 183 118

HSL 127.3, 0.34%, 0.57%

LAB 68.33, -36.82, 26.02

 

CMYK 37 / 0 / 32 / 21

HEX #7EC989

RGB 126 201 137

HSL 128.8, 0.41%, 0.64%

LAB 74.83, -36.57, 24.84

 

CMYK 35 / 0 / 29 / 14

HEX #8FDB9C

RGB 143 219 156

HSL 130.26, 0.51%, 0.71%

LAB 81.24, -36.31, 23.73

 

CMYK 32 / 0 / 26 / 7

HEX #A0EDAF

RGB 160 237 175

HSL 131.69, 0.68%, 0.78%

LAB 87.55, -36.05, 22.69

 

CMYK 47 / 0 / 37 / 35

HEX #57A568

RGB 87 165 104

HSL 133.08, 0.31%, 0.49%

LAB 61.6, -37.66, 24.38

 

CMYK 52 / 0 / 42 / 42

HEX #469355

RGB 70 147 85

HSL 131.69, 0.35%, 0.43%

LAB 54.89, -37.8, 25.73

 

CMYK 59 / 0 / 49 / 49

HEX #358142

RGB 53 129 66

HSL 130.26, 0.42%, 0.36%

LAB 48.07, -37.78, 27.18

 

CMYK 68 / 0 / 58 / 56

HEX #246F2F

RGB 36 111 47

HSL 128.8, 0.51%, 0.29%

LAB 41.14, -37.44, 28.7

 

CMYK 80 / 0 / 70 / 64

HEX #135D1C

RGB 19 93 28

HSL 127.3, 0.66%, 0.22%

LAB 34.09, -36.47, 30.12

 

CMYK 47 / 0 / 37 / 36

HEX #56A367

RGB 86 163 103

HSL 133.25, 0.31%, 0.49%

LAB 60.92, -37.23, 24

 

CMYK 45 / 0 / 47 / 36

HEX #5AA356

RGB 90 163 86

HSL 116.88, 0.31%, 0.49%

LAB 60.82, -38.79, 32.94

 

CMYK 32 / 0 / 47 / 36

HEX #6FA356

RGB 111 163 86

HSL 100.52, 0.31%, 0.49%

LAB 61.87, -31.77, 34.48

 

CMYK 20 / 0 / 47 / 36

HEX #83A356

RGB 131 163 86

HSL 84.94, 0.31%, 0.49%

LAB 63.09, -24.26, 36.26

 

CMYK 7 / 0 / 47 / 36

HEX #98A356

RGB 152 163 86

HSL 68.57, 0.31%, 0.49%

LAB 64.6, -15.8, 38.46

 

CMYK 47 / 0 / 37 / 36

HEX #56A367

RGB 86 163 103

HSL 133.25, 0.31%, 0.49%

LAB 60.92, -37.23, 24

 

CMYK 47 / 0 / 25 / 36

HEX #56A37B

RGB 86 163 123

HSL 148.83, 0.31%, 0.49%

LAB 61.31, -33.33, 13.54

 

CMYK 47 / 0 / 12 / 36

HEX #56A390

RGB 86 163 144

HSL 165.19, 0.31%, 0.49%

LAB 61.81, -28.56, 2.51

 

CMYK 47 / 1 / 0 / 36

HEX #56A1A3

RGB 86 161 163

HSL 181.56, 0.31%, 0.49%

LAB 61.75, -22.69, -8.27

 

CMYK 47 / 14 / 0 / 36

HEX #568CA3

RGB 86 140 163

HSL 197.92, 0.31%, 0.49%

LAB 55.46, -11.49, -17.75

 

CMYK 47 / 0 / 37 / 36

HEX #56A367

RGB 86 163 103

HSL 133.25, 0.31%, 0.49%

LAB 60.92, -37.23, 24

 

CMYK 64 / 0 / 50 / 28

HEX #41B75B

RGB 65 183 91

HSL 133.22, 0.48%, 0.49%

LAB 66.33, -52.57, 37.09

 

CMYK 78 / 0 / 61 / 20

HEX #2DCC50

RGB 45 204 80

HSL 133.21, 0.64%, 0.49%

LAB 72.44, -64.65, 49.49

 

CMYK 89 / 0 / 70 / 12

HEX #19E044

RGB 25 224 68

HSL 132.96, 0.8%, 0.49%

LAB 78.42, -73.91, 60.91

 

CMYK 98 / 0 / 77 / 4

HEX #05F439

RGB 5 244 57

HSL 133.05, 0.96%, 0.49%

LAB 84.5, -81.22, 70.73

 

CMYK 47 / 0 / 37 / 36

HEX #56A367

RGB 86 163 103

HSL 133.25, 0.31%, 0.49%

LAB 60.92, -37.23, 24

 

CMYK 26 / 0 / 20 / 44

HEX #6A8F72

RGB 106 143 114

HSL 132.97, 0.15%, 0.49%

LAB 56.01, -19.05, 11.33

 

CMYK 0 / 2 / 1 / 51

HEX #7E7B7D

RGB 126 123 125

HSL 320, 0.01%, 0.49%

LAB 51.93, 1.53, -0.69

 

CMYK 0 / 29 / 6 / 43

HEX #926789

RGB 146 103 137

HSL 312.56, 0.17%, 0.49%

LAB 49.03, 23.02, -11.88

 

CMYK 0 / 51 / 11 / 35

HEX #A75294

RGB 167 82 148

HSL 313.41, 0.34%, 0.49%

LAB 47.48, 43.72, -20.55

 

CMYK 33 / 0 / 47 / 36

HEX #6EA356

RGB 110 163 86

HSL 101.3, 0.31%, 0.49%

LAB 61.81, -32.13, 34.4

 

CMYK 45 / 0 / 47 / 36

HEX #5AA356

RGB 90 163 86

HSL 116.88, 0.31%, 0.49%

LAB 60.82, -38.79, 32.94

 

CMYK 47 / 0 / 37 / 36

HEX #56A367

RGB 86 163 103

HSL 133.25, 0.31%, 0.49%

LAB 60.92, -37.23, 24

 

CMYK 47 / 0 / 25 / 36

HEX #56A37B

RGB 86 163 123

HSL 148.83, 0.31%, 0.49%

LAB 61.31, -33.33, 13.54

 

CMYK 47 / 0 / 12 / 36

HEX #56A390

RGB 86 163 144

HSL 165.19, 0.31%, 0.49%

LAB 61.81, -28.56, 2.51

 

CMYK 48 / 0 / 37 / 57

HEX #396D45

RGB 57 109 69

HSL 133.85, 0.31%, 0.33%

LAB 41.59, -27.03, 17.1

 

CMYK 48 / 0 / 37 / 47

HEX #478856

RGB 71 136 86

HSL 133.85, 0.31%, 0.41%

LAB 51.4, -32.38, 20.59

 

CMYK 47 / 0 / 37 / 36

HEX #56A367

RGB 86 163 103

HSL 133.25, 0.31%, 0.49%

LAB 60.92, -37.23, 24

 

CMYK 38 / 0 / 30 / 30

HEX #6FB37E

RGB 111 179 126

HSL 133.24, 0.31%, 0.57%

LAB 67.37, -32.96, 20.45

 

CMYK 28 / 0 / 22 / 24

HEX #8AC196

RGB 138 193 150

HSL 133.09, 0.31%, 0.65%

LAB 73.38, -26.68, 16.02

 

CMYK 47 / 0 / 37 / 35

HEX #57A568

RGB 87 165 104

HSL 133.08, 0.31%, 0.49%

LAB 61.6, -37.66, 24.38

 

CMYK 47 / 20 / 0 / 36

HEX #5683A3

RGB 86 131 163

HSL 204.94, 0.31%, 0.49%

LAB 52.79, -6.41, -21.83

 

CMYK 0 / 47 / 39 / 36

HEX #A35664

RGB 163 86 100

HSL 349.09, 0.31%, 0.49%

LAB 46.13, 33.2, 6.34

 

CMYK 47 / 0 / 37 / 35

HEX #57A568

RGB 87 165 104

HSL 133.08, 0.31%, 0.49%

LAB 61.6, -37.66, 24.38

 

CMYK 37 / 47 / 0 / 36

HEX #6756A3

RGB 103 86 163

HSL 253.25, 0.31%, 0.49%

LAB 41.51, 25.49, -39.38

 

CMYK 0 / 37 / 47 / 36

HEX #A36756

RGB 163 103 86

HSL 13.25, 0.31%, 0.49%

LAB 49.69, 22.15, 19.63

 

CMYK 47 / 0 / 37 / 35

HEX #57A568

RGB 87 165 104

HSL 133.08, 0.31%, 0.49%

LAB 61.6, -37.66, 24.38

 

CMYK 47 / 20 / 0 / 36

HEX #5683A3

RGB 86 131 163

HSL 204.94, 0.31%, 0.49%

LAB 52.79, -6.41, -21.83

 

CMYK 0 / 47 / 10 / 36

HEX #A35692

RGB 163 86 146

HSL 313.25, 0.31%, 0.49%

LAB 47.65, 40.02, -19.15

 

CMYK 0 / 28 / 47 / 36

HEX #A37656

RGB 163 118 86

HSL 24.94, 0.31%, 0.49%

LAB 53.4, 13.62, 24.54

 

CMYK 47 / 0 / 37 / 35

HEX #57A568

RGB 87 165 104

HSL 133.08, 0.31%, 0.49%

LAB 61.6, -37.66, 24.38

 

CMYK 47 / 34 / 0 / 36

HEX #566CA3

RGB 86 108 163

HSL 222.86, 0.31%, 0.49%

LAB 46.11, 7.28, -32.21

 

CMYK 0 / 47 / 10 / 36

HEX #A35692

RGB 163 86 146

HSL 313.25, 0.31%, 0.49%

LAB 47.65, 40.02, -19.15

 

CMYK 0 / 13 / 47 / 36

HEX #A38D56

RGB 163 141 86

HSL 42.86, 0.31%, 0.49%

LAB 59.44, 0.68, 32.28

 

Description

Color code: HEX #57A568 | qconv.com Color code: HEX #57A568 | qconv.com - big

Since the color values are relatively high compared to others, this hue appears lighter to us.

The breakdown of the color into the RGB color system: of 255 maximum color components, 87 red, 165 green and 104 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
87 165 104 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, 47 cyan, none magenta, 37 yellow and 35 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
47% 0% 37% 35% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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