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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #57A757 it is the complementary color #A858A8. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #57A757. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #57A757 shade: #5CA752, #6DB965, #7ECB78, #8FDD8B and #A0EF9E

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #57A757. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #57A757 shade: #57A757, #469544, #358331, #24711E and #135F0B

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #57A757 shade: #57A757, #6DA757, #82A757, #97A757 and #A7A057

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #57A757 shade: #57A757, #57A76D, #57A782, #57A797 and #57A0A7

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #57A757 shade matches the following richer shades: #57A757, #43BB43, #2ED02E, #1AE41A and #05F905

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #57A757 shade: #57A757, #6C926C, #817D81, #956995 and #AA54AA

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #57A757 shade: #82A757, #6DA757, #57A757, #57A76D and #57A782

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #57A757 shade: #3B703B, #498C49, #57A757, #72B572 and #8EC38E

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #57A757 shade: #57A757, #5797A7 and #A75777

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #57A757 shade: #57A757, #5757A7 and #A75757

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #57A757 shade: #57A757, #5797A7, #A757A7 and #A76757

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #57A757 shade: #57A757, #577FA7, #A757A7 and #A77F57

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 48 / 0 / 48 / 35

HEX #57A757

RGB 87 167 87

HSL 120, 0.31%, 0.5%

LAB 61.96, -41.28, 33.83

 

Complementary color

CMYK 0 / 48 / 0 / 34

HEX #A858A8

RGB 168 88 168

HSL 300, 0.31%, 0.5%

LAB 49.66, 44.49, -29

 

CMYK 45 / 0 / 51 / 35

HEX #5CA752

RGB 92 167 82

HSL 112.94, 0.34%, 0.49%

LAB 62.1, -40.47, 36.6

 

CMYK 41 / 0 / 45 / 27

HEX #6DB965

RGB 109 185 101

HSL 114.29, 0.38%, 0.56%

LAB 68.67, -40.37, 35.32

 

CMYK 38 / 0 / 41 / 20

HEX #7ECB78

RGB 126 203 120

HSL 115.66, 0.44%, 0.63%

LAB 75.14, -40.19, 34.07

 

CMYK 35 / 0 / 37 / 13

HEX #8FDD8B

RGB 143 221 139

HSL 117.07, 0.55%, 0.71%

LAB 81.52, -39.98, 32.87

 

CMYK 33 / 0 / 34 / 6

HEX #A0EF9E

RGB 160 239 158

HSL 118.52, 0.72%, 0.78%

LAB 87.81, -39.75, 31.72

 

CMYK 48 / 0 / 48 / 35

HEX #57A757

RGB 87 167 87

HSL 120, 0.31%, 0.5%

LAB 61.96, -41.28, 33.83

 

CMYK 53 / 0 / 54 / 42

HEX #469544

RGB 70 149 68

HSL 118.52, 0.37%, 0.43%

LAB 55.29, -41.26, 35.17

 

CMYK 60 / 0 / 63 / 49

HEX #358331

RGB 53 131 49

HSL 117.07, 0.46%, 0.35%

LAB 48.53, -41, 36.46

 

CMYK 68 / 0 / 73 / 56

HEX #24711E

RGB 36 113 30

HSL 115.66, 0.58%, 0.28%

LAB 41.66, -40.27, 37.45

 

CMYK 80 / 0 / 88 / 63

HEX #135F0B

RGB 19 95 11

HSL 114.29, 0.79%, 0.21%

LAB 34.7, -38.7, 37.47

 

CMYK 48 / 0 / 48 / 35

HEX #57A757

RGB 87 167 87

HSL 120, 0.31%, 0.5%

LAB 61.96, -41.28, 33.83

 

CMYK 35 / 0 / 48 / 35

HEX #6DA757

RGB 109 167 87

HSL 103.5, 0.31%, 0.5%

LAB 62.99, -34.21, 35.34

 

CMYK 22 / 0 / 48 / 35

HEX #82A757

RGB 130 167 87

HSL 87.75, 0.31%, 0.5%

LAB 64.22, -26.5, 37.13

 

CMYK 10 / 0 / 48 / 35

HEX #97A757

RGB 151 167 87

HSL 72, 0.31%, 0.5%

LAB 65.67, -18.16, 39.25

 

CMYK 0 / 4 / 48 / 35

HEX #A7A057

RGB 167 160 87

HSL 54.75, 0.31%, 0.5%

LAB 65, -7.84, 38.72

 

CMYK 48 / 0 / 48 / 35

HEX #57A757

RGB 87 167 87

HSL 120, 0.31%, 0.5%

LAB 61.96, -41.28, 33.83

 

CMYK 48 / 0 / 35 / 35

HEX #57A76D

RGB 87 167 109

HSL 136.5, 0.31%, 0.5%

LAB 62.31, -37.65, 22.62

 

CMYK 48 / 0 / 22 / 35

HEX #57A782

RGB 87 167 130

HSL 152.25, 0.31%, 0.5%

LAB 62.74, -33.43, 11.67

 

CMYK 48 / 0 / 10 / 35

HEX #57A797

RGB 87 167 151

HSL 168, 0.31%, 0.5%

LAB 63.26, -28.55, 0.69

 

CMYK 48 / 4 / 0 / 35

HEX #57A0A7

RGB 87 160 167

HSL 185.25, 0.31%, 0.5%

LAB 61.62, -20.85, -10.72

 

CMYK 48 / 0 / 48 / 35

HEX #57A757

RGB 87 167 87

HSL 120, 0.31%, 0.5%

LAB 61.96, -41.28, 33.83

 

CMYK 64 / 0 / 64 / 27

HEX #43BB43

RGB 67 187 67

HSL 120, 0.47%, 0.5%

LAB 67.38, -56.66, 49.59

 

CMYK 78 / 0 / 78 / 18

HEX #2ED02E

RGB 46 208 46

HSL 120, 0.64%, 0.5%

LAB 73.47, -68.86, 63.53

 

CMYK 89 / 0 / 89 / 11

HEX #1AE41A

RGB 26 228 26

HSL 120, 0.8%, 0.5%

LAB 79.49, -77.49, 73.66

 

CMYK 98 / 0 / 98 / 2

HEX #05F905

RGB 5 249 5

HSL 120, 0.96%, 0.5%

LAB 85.9, -84.42, 81.32

 

CMYK 48 / 0 / 48 / 35

HEX #57A757

RGB 87 167 87

HSL 120, 0.31%, 0.5%

LAB 61.96, -41.28, 33.83

 

CMYK 26 / 0 / 26 / 43

HEX #6C926C

RGB 108 146 108

HSL 120, 0.15%, 0.5%

LAB 56.91, -21.04, 16

 

CMYK 0 / 3 / 0 / 49

HEX #817D81

RGB 129 125 129

HSL 300, 0.02%, 0.5%

LAB 52.86, 2.3, -1.64

 

CMYK 0 / 30 / 0 / 42

HEX #956995

RGB 149 105 149

HSL 300, 0.17%, 0.5%

LAB 50.29, 25.26, -17.04

 

CMYK 0 / 51 / 0 / 33

HEX #AA54AA

RGB 170 84 170

HSL 300, 0.34%, 0.5%

LAB 49.24, 47.5, -30.81

 

CMYK 22 / 0 / 48 / 35

HEX #82A757

RGB 130 167 87

HSL 87.75, 0.31%, 0.5%

LAB 64.22, -26.5, 37.13

 

CMYK 35 / 0 / 48 / 35

HEX #6DA757

RGB 109 167 87

HSL 103.5, 0.31%, 0.5%

LAB 62.99, -34.21, 35.34

 

CMYK 48 / 0 / 48 / 35

HEX #57A757

RGB 87 167 87

HSL 120, 0.31%, 0.5%

LAB 61.96, -41.28, 33.83

 

CMYK 48 / 0 / 35 / 35

HEX #57A76D

RGB 87 167 109

HSL 136.5, 0.31%, 0.5%

LAB 62.31, -37.65, 22.62

 

CMYK 48 / 0 / 22 / 35

HEX #57A782

RGB 87 167 130

HSL 152.25, 0.31%, 0.5%

LAB 62.74, -33.43, 11.67

 

CMYK 47 / 0 / 47 / 56

HEX #3B703B

RGB 59 112 59

HSL 120, 0.31%, 0.34%

LAB 42.51, -29.6, 24.05

 

CMYK 48 / 0 / 48 / 45

HEX #498C49

RGB 73 140 73

HSL 120, 0.31%, 0.42%

LAB 52.57, -35.79, 29.24

 

CMYK 48 / 0 / 48 / 35

HEX #57A757

RGB 87 167 87

HSL 120, 0.31%, 0.5%

LAB 61.96, -41.28, 33.83

 

CMYK 37 / 0 / 37 / 29

HEX #72B572

RGB 114 181 114

HSL 120, 0.31%, 0.58%

LAB 67.9, -35, 27.61

 

CMYK 27 / 0 / 27 / 24

HEX #8EC38E

RGB 142 195 142

HSL 120, 0.31%, 0.66%

LAB 74.02, -27.75, 21.22

 

CMYK 48 / 0 / 48 / 35

HEX #57A757

RGB 87 167 87

HSL 120, 0.31%, 0.5%

LAB 61.96, -41.28, 33.83

 

CMYK 48 / 10 / 0 / 35

HEX #5797A7

RGB 87 151 167

HSL 192, 0.31%, 0.5%

LAB 58.93, -16.1, -14.77

 

CMYK 0 / 48 / 29 / 35

HEX #A75777

RGB 167 87 119

HSL 336, 0.31%, 0.5%

LAB 47.45, 36.62, -3.18

 

CMYK 48 / 0 / 48 / 35

HEX #57A757

RGB 87 167 87

HSL 120, 0.31%, 0.5%

LAB 61.96, -41.28, 33.83

 

CMYK 48 / 48 / 0 / 35

HEX #5757A7

RGB 87 87 167

HSL 240, 0.31%, 0.5%

LAB 40.63, 21.94, -43.24

 

CMYK 0 / 48 / 48 / 35

HEX #A75757

RGB 167 87 87

HSL 0, 0.31%, 0.5%

LAB 46.6, 32.73, 14.96

 

CMYK 48 / 0 / 48 / 35

HEX #57A757

RGB 87 167 87

HSL 120, 0.31%, 0.5%

LAB 61.96, -41.28, 33.83

 

CMYK 48 / 10 / 0 / 35

HEX #5797A7

RGB 87 151 167

HSL 192, 0.31%, 0.5%

LAB 58.93, -16.1, -14.77

 

CMYK 0 / 48 / 0 / 35

HEX #A757A7

RGB 167 87 167

HSL 300, 0.31%, 0.5%

LAB 49.28, 44.52, -29.01

 

CMYK 0 / 38 / 48 / 35

HEX #A76757

RGB 167 103 87

HSL 12, 0.31%, 0.5%

LAB 50.22, 23.9, 19.85

 

CMYK 48 / 0 / 48 / 35

HEX #57A757

RGB 87 167 87

HSL 120, 0.31%, 0.5%

LAB 61.96, -41.28, 33.83

 

CMYK 48 / 24 / 0 / 35

HEX #577FA7

RGB 87 127 167

HSL 210, 0.31%, 0.5%

LAB 51.83, -2.64, -25.62

 

CMYK 0 / 48 / 0 / 35

HEX #A757A7

RGB 167 87 167

HSL 300, 0.31%, 0.5%

LAB 49.28, 44.52, -29.01

 

CMYK 0 / 24 / 48 / 35

HEX #A77F57

RGB 167 127 87

HSL 30, 0.31%, 0.5%

LAB 56.17, 10.33, 27.66

 

Description

Color code: HEX #57A757 | qconv.com Color code: HEX #57A757 | qconv.com - big

Since the color values are relatively low compared to others, this hue appears darker to us.

The breakdown of the color into the RGB color system: of 255 maximum color components, 87 red, 167 green and 87 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
87 167 87 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, 48 cyan, none magenta, 48 yellow and 35 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
48% 0% 48% 35% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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