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Color name
HEX #57A932

Information

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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #57A932 it is the complementary color #A856CD. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #57A932. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #57A932 shade: #5CA92D, #6DBB40, #7ECD53, #8FDF66 and #A0F179

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #57A932. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #57A932 shade: #57A932, #46971F, #35850C, #247300 and #136100

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #57A932 shade: #57A832, #77A832, #97A832, #A89A32 and #A87A32

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #57A932 shade: #57A832, #37A832, #32A84D, #32A86D and #32A88D

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #57A932 shade matches the following richer shades: #57A832, #50BA20 and #49CC0E

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #57A932 shade: #57A832, #5D9744, #648555, #6B7367 and #726179

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #57A932 shade: #97A832, #77A832, #57A832, #38A832 and #32A84C

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #57A932 shade: #36691F, #468928, #57A832, #68C53E and #81CF5E

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #57A932 shade: #57A932, #32A89B and #A83287

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #57A932 shade: #57A932, #3257A8 and #A83257

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

Rectangular (tetradic) colors

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #57A932 shade: #57A932, #32A89B, #8332A8 and #A83240

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #57A932 shade: #57A932, #3293A8, #8332A8 and #A84832

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 49 / 0 / 70 / 34

HEX #57A932

RGB 87 169 50

HSL 101.34, 0.54%, 0.43%

LAB 62.2, -46.28, 51.25

 

Complementary color

CMYK 18 / 58 / 0 / 20

HEX #A856CD

RGB 168 86 205

HSL 281.34, 0.54%, 0.57%

LAB 51.14, 52.91, -48.11

 

CMYK 46 / 0 / 73 / 34

HEX #5CA92D

RGB 92 169 45

HSL 97.26, 0.58%, 0.42%

LAB 62.37, -45.08, 53.4

 

CMYK 42 / 0 / 66 / 27

HEX #6DBB40

RGB 109 187 64

HSL 98.05, 0.49%, 0.49%

LAB 68.87, -45.44, 52.92

 

CMYK 39 / 0 / 60 / 20

HEX #7ECD53

RGB 126 205 83

HSL 98.85, 0.55%, 0.56%

LAB 75.28, -45.62, 52.05

 

CMYK 36 / 0 / 54 / 13

HEX #8FDF66

RGB 143 223 102

HSL 99.67, 0.65%, 0.64%

LAB 81.61, -45.67, 51.01

 

CMYK 34 / 0 / 50 / 5

HEX #A0F179

RGB 160 241 121

HSL 100.5, 0.81%, 0.71%

LAB 87.86, -45.64, 49.88

 

CMYK 49 / 0 / 70 / 34

HEX #57A932

RGB 87 169 50

HSL 101.34, 0.54%, 0.43%

LAB 62.2, -46.28, 51.25

 

CMYK 54 / 0 / 79 / 41

HEX #46971F

RGB 70 151 31

HSL 100.5, 0.66%, 0.36%

LAB 55.62, -45.65, 51.34

 

CMYK 60 / 0 / 91 / 48

HEX #35850C

RGB 53 133 12

HSL 99.67, 0.83%, 0.28%

LAB 48.96, -44.56, 50.18

 

CMYK 69 / 0 / 100 / 55

HEX #247300

RGB 36 115 0

HSL 101.22, 1%, 0.23%

LAB 42.21, -42.75, 46.92

 

CMYK 80 / 0 / 100 / 62

HEX #136100

RGB 19 97 0

HSL 108.25, 1%, 0.19%

LAB 35.38, -39.99, 41.31

 

CMYK 48 / 0 / 70 / 34

HEX #57A832

RGB 87 168 50

HSL 101.19, 0.54%, 0.43%

LAB 61.88, -45.87, 50.92

 

CMYK 29 / 0 / 70 / 34

HEX #77A832

RGB 119 168 50

HSL 84.92, 0.54%, 0.43%

LAB 63.47, -34.7, 53.06

 

CMYK 10 / 0 / 70 / 34

HEX #97A832

RGB 151 168 50

HSL 68.64, 0.54%, 0.43%

LAB 65.6, -21.68, 55.91

 

CMYK 0 / 8 / 70 / 34

HEX #A89A32

RGB 168 154 50

HSL 52.88, 0.54%, 0.43%

LAB 63.07, -7.01, 53.83

 

CMYK 0 / 27 / 70 / 34

HEX #A87A32

RGB 168 122 50

HSL 36.61, 0.54%, 0.43%

LAB 54.53, 10.64, 45.04

 

CMYK 48 / 0 / 70 / 34

HEX #57A832

RGB 87 168 50

HSL 101.19, 0.54%, 0.43%

LAB 61.88, -45.87, 50.92

 

CMYK 67 / 0 / 70 / 34

HEX #37A832

RGB 55 168 50

HSL 117.46, 0.54%, 0.43%

LAB 60.82, -54.18, 49.49

 

CMYK 70 / 0 / 54 / 34

HEX #32A84D

RGB 50 168 77

HSL 133.73, 0.54%, 0.43%

LAB 60.97, -51.98, 37.41

 

CMYK 70 / 0 / 35 / 34

HEX #32A86D

RGB 50 168 109

HSL 150, 0.54%, 0.43%

LAB 61.47, -46.38, 21.29

 

CMYK 70 / 0 / 16 / 34

HEX #32A88D

RGB 50 168 141

HSL 166.27, 0.54%, 0.43%

LAB 62.17, -38.94, 4.57

 

CMYK 48 / 0 / 70 / 34

HEX #57A832

RGB 87 168 50

HSL 101.19, 0.54%, 0.43%

LAB 61.88, -45.87, 50.92

 

CMYK 57 / 0 / 83 / 27

HEX #50BA20

RGB 80 186 32

HSL 101.3, 0.71%, 0.43%

LAB 67.22, -55.83, 61.94

 

CMYK 64 / 0 / 93 / 20

HEX #49CC0E

RGB 73 204 14

HSL 101.37, 0.87%, 0.43%

LAB 72.65, -64.25, 69.98

 

CMYK 48 / 0 / 70 / 34

HEX #57A832

RGB 87 168 50

HSL 101.19, 0.54%, 0.43%

LAB 61.88, -45.87, 50.92

 

CMYK 38 / 0 / 55 / 41

HEX #5D9744

RGB 93 151 68

HSL 101.93, 0.38%, 0.43%

LAB 56.96, -34.84, 37.41

 

CMYK 25 / 0 / 36 / 48

HEX #648555

RGB 100 133 85

HSL 101.25, 0.22%, 0.43%

LAB 52, -21.2, 22.21

 

CMYK 7 / 0 / 10 / 55

HEX #6B7367

RGB 107 115 103

HSL 100, 0.06%, 0.43%

LAB 47.45, -5.46, 5.6

 

CMYK 6 / 20 / 0 / 53

HEX #726179

RGB 114 97 121

HSL 282.5, 0.11%, 0.43%

LAB 43.52, 11.63, -10.93

 

CMYK 10 / 0 / 70 / 34

HEX #97A832

RGB 151 168 50

HSL 68.64, 0.54%, 0.43%

LAB 65.6, -21.68, 55.91

 

CMYK 29 / 0 / 70 / 34

HEX #77A832

RGB 119 168 50

HSL 84.92, 0.54%, 0.43%

LAB 63.47, -34.7, 53.06

 

CMYK 48 / 0 / 70 / 34

HEX #57A832

RGB 87 168 50

HSL 101.19, 0.54%, 0.43%

LAB 61.88, -45.87, 50.92

 

CMYK 67 / 0 / 70 / 34

HEX #38A832

RGB 56 168 50

HSL 116.95, 0.54%, 0.43%

LAB 60.85, -53.97, 49.52

 

CMYK 70 / 0 / 55 / 34

HEX #32A84C

RGB 50 168 76

HSL 133.22, 0.54%, 0.43%

LAB 60.96, -52.12, 37.89

 

CMYK 49 / 0 / 70 / 59

HEX #36691F

RGB 54 105 31

HSL 101.35, 0.54%, 0.27%

LAB 39.56, -31.7, 35

 

CMYK 49 / 0 / 71 / 46

HEX #468928

RGB 70 137 40

HSL 101.44, 0.55%, 0.35%

LAB 51.09, -39.37, 43.5

 

CMYK 48 / 0 / 70 / 34

HEX #57A832

RGB 87 168 50

HSL 101.19, 0.54%, 0.43%

LAB 61.88, -45.87, 50.92

 

CMYK 47 / 0 / 69 / 23

HEX #68C53E

RGB 104 197 62

HSL 101.33, 0.54%, 0.51%

LAB 71.71, -51.22, 56.68

 

CMYK 38 / 0 / 55 / 19

HEX #81CF5E

RGB 129 207 94

HSL 101.42, 0.54%, 0.59%

LAB 76.13, -44.33, 48.07

 

CMYK 49 / 0 / 70 / 34

HEX #57A932

RGB 87 169 50

HSL 101.34, 0.54%, 0.43%

LAB 62.2, -46.28, 51.25

 

CMYK 70 / 0 / 8 / 34

HEX #32A89B

RGB 50 168 155

HSL 173.39, 0.54%, 0.43%

LAB 62.55, -35.18, -2.72

 

CMYK 0 / 70 / 20 / 34

HEX #A83287

RGB 168 50 135

HSL 316.78, 0.54%, 0.43%

LAB 41.78, 56.38, -21.48

 

CMYK 49 / 0 / 70 / 34

HEX #57A932

RGB 87 169 50

HSL 101.34, 0.54%, 0.43%

LAB 62.2, -46.28, 51.25

 

CMYK 70 / 48 / 0 / 34

HEX #3257A8

RGB 50 87 168

HSL 221.19, 0.54%, 0.43%

LAB 38.41, 14.83, -47.51

 

CMYK 0 / 70 / 48 / 34

HEX #A83257

RGB 168 50 87

HSL 341.19, 0.54%, 0.43%

LAB 40.07, 50.71, 5.86

 

CMYK 49 / 0 / 70 / 34

HEX #57A932

RGB 87 169 50

HSL 101.34, 0.54%, 0.43%

LAB 62.2, -46.28, 51.25

 

CMYK 70 / 0 / 8 / 34

HEX #32A89B

RGB 50 168 155

HSL 173.39, 0.54%, 0.43%

LAB 62.55, -35.18, -2.72

 

CMYK 22 / 70 / 0 / 34

HEX #8332A8

RGB 131 50 168

HSL 281.19, 0.54%, 0.43%

LAB 37.72, 53.25, -48.23

 

CMYK 0 / 70 / 62 / 34

HEX #A83240

RGB 168 50 64

HSL 352.88, 0.54%, 0.43%

LAB 39.54, 48.87, 19.61

 

CMYK 49 / 0 / 70 / 34

HEX #57A932

RGB 87 169 50

HSL 101.34, 0.54%, 0.43%

LAB 62.2, -46.28, 51.25

 

CMYK 70 / 13 / 0 / 34

HEX #3293A8

RGB 50 147 168

HSL 190.68, 0.54%, 0.43%

LAB 56.46, -20.91, -19.21

 

CMYK 22 / 70 / 0 / 34

HEX #8332A8

RGB 131 50 168

HSL 281.19, 0.54%, 0.43%

LAB 37.72, 53.25, -48.23

 

CMYK 0 / 57 / 70 / 34

HEX #A84832

RGB 168 72 50

HSL 11.19, 0.54%, 0.43%

LAB 43.05, 38.05, 32.35

 

Description

Color code: HEX #57A932 | qconv.com Color code: HEX #57A932 | qconv.com - big

Since the color values are relatively low compared to others, this hue appears darker to us.

The breakdown of the color into the RGB color system: of 255 maximum color components, 87 red, 169 green and 50 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
87 169 50 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, 49 cyan, none magenta, 70 yellow and 34 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
49% 0% 70% 34% C M Y K

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Provide designers and agencies with accurate color values.

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