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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #57B167 it is the complementary color #A84E98. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #57B167. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #57B167 shade: #5CB162, #6DC375, #7ED588, #8FE79B and #A0F9AE

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #57B167. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #57B167 shade: #57B167, #469F54, #358D41, #247B2E and #13691B

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #57B167 shade: #57B167, #5FB157, #78B157, #90B157 and #A8B157

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #57B167 shade: #57B167, #57B17F, #57B198, #57B1B0 and #579AB1

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #57B167 shade matches the following richer shades: #57B167, #43C55A, #2FD94D and #1BED41

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #57B167 shade: #57B167, #6B9E74, #7E8A80, #92768D and #A6629A

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #57B167 shade: #78B157, #60B157, #57B166, #57B17E and #57B196

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #57B167 shade: #397D45, #469955, #57B167, #73BE80 and #8FCB9A

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #57B167 shade: #57B167, #5790B1 and #B1576C

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #57B167 shade: #57B167, #6657B1 and #B16657

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #57B167 shade: #57B167, #5790B1, #B157A2 and #B17857

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #57B167 shade: #57B167, #5775B1, #B157A2 and #B19357

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 51 / 0 / 42 / 31

HEX #57B167

RGB 87 177 103

HSL 130.67, 0.37%, 0.52%

LAB 65.32, -43.05, 29.8

 

Complementary color

CMYK 0 / 54 / 10 / 34

HEX #A84E98

RGB 168 78 152

HSL 310.67, 0.37%, 0.48%

LAB 47.03, 46.71, -23.62

 

CMYK 48 / 0 / 45 / 31

HEX #5CB162

RGB 92 177 98

HSL 124.24, 0.35%, 0.53%

LAB 65.44, -42.45, 32.6

 

CMYK 44 / 0 / 40 / 24

HEX #6DC375

RGB 109 195 117

HSL 125.58, 0.42%, 0.6%

LAB 71.94, -42.31, 31.29

 

CMYK 41 / 0 / 36 / 16

HEX #7ED588

RGB 126 213 136

HSL 126.9, 0.51%, 0.66%

LAB 78.35, -42.1, 30.06

 

CMYK 38 / 0 / 33 / 9

HEX #8FE79B

RGB 143 231 155

HSL 128.18, 0.65%, 0.73%

LAB 84.67, -41.86, 28.89

 

CMYK 36 / 0 / 30 / 2

HEX #A0F9AE

RGB 160 249 174

HSL 129.44, 0.88%, 0.8%

LAB 90.91, -41.61, 27.79

 

CMYK 51 / 0 / 42 / 31

HEX #57B167

RGB 87 177 103

HSL 130.67, 0.37%, 0.52%

LAB 65.32, -43.05, 29.8

 

CMYK 56 / 0 / 47 / 38

HEX #469F54

RGB 70 159 84

HSL 129.44, 0.39%, 0.45%

LAB 58.73, -43.06, 31.19

 

CMYK 62 / 0 / 54 / 45

HEX #358D41

RGB 53 141 65

HSL 128.18, 0.45%, 0.38%

LAB 52.05, -42.85, 32.63

 

CMYK 71 / 0 / 63 / 52

HEX #247B2E

RGB 36 123 46

HSL 126.9, 0.55%, 0.31%

LAB 45.27, -42.25, 34.06

 

CMYK 82 / 0 / 74 / 59

HEX #13691B

RGB 19 105 27

HSL 125.58, 0.69%, 0.24%

LAB 38.41, -40.93, 35.22

 

CMYK 51 / 0 / 42 / 31

HEX #57B167

RGB 87 177 103

HSL 130.67, 0.37%, 0.52%

LAB 65.32, -43.05, 29.8

 

CMYK 46 / 0 / 51 / 31

HEX #5FB157

RGB 95 177 87

HSL 114.67, 0.37%, 0.52%

LAB 65.41, -43.15, 38.18

 

CMYK 32 / 0 / 51 / 31

HEX #78B157

RGB 120 177 87

HSL 98, 0.37%, 0.52%

LAB 66.62, -34.94, 39.93

 

CMYK 19 / 0 / 51 / 31

HEX #90B157

RGB 144 177 87

HSL 82, 0.37%, 0.52%

LAB 68.07, -25.96, 42.02

 

CMYK 5 / 0 / 51 / 31

HEX #A8B157

RGB 168 177 87

HSL 66, 0.37%, 0.52%

LAB 69.79, -16.29, 44.5

 

CMYK 51 / 0 / 42 / 31

HEX #57B167

RGB 87 177 103

HSL 130.67, 0.37%, 0.52%

LAB 65.32, -43.05, 29.8

 

CMYK 51 / 0 / 28 / 31

HEX #57B17F

RGB 87 177 127

HSL 146.67, 0.37%, 0.52%

LAB 65.75, -38.63, 17.51

 

CMYK 51 / 0 / 14 / 31

HEX #57B198

RGB 87 177 152

HSL 163.33, 0.37%, 0.52%

LAB 66.32, -33.1, 4.57

 

CMYK 51 / 0 / 1 / 31

HEX #57B1B0

RGB 87 177 176

HSL 179.33, 0.37%, 0.52%

LAB 66.98, -27.01, -7.75

 

CMYK 51 / 13 / 0 / 31

HEX #579AB1

RGB 87 154 177

HSL 195.33, 0.37%, 0.52%

LAB 60.17, -14.84, -18.55

 

CMYK 51 / 0 / 42 / 31

HEX #57B167

RGB 87 177 103

HSL 130.67, 0.37%, 0.52%

LAB 65.32, -43.05, 29.8

 

CMYK 66 / 0 / 54 / 23

HEX #43C55A

RGB 67 197 90

HSL 130.62, 0.53%, 0.52%

LAB 70.78, -57.46, 43.03

 

CMYK 78 / 0 / 65 / 15

HEX #2FD94D

RGB 47 217 77

HSL 130.59, 0.69%, 0.52%

LAB 76.54, -68.87, 55.39

 

CMYK 89 / 0 / 73 / 7

HEX #1BED41

RGB 27 237 65

HSL 130.86, 0.85%, 0.52%

LAB 82.48, -77.76, 66.17

 

CMYK 51 / 0 / 42 / 31

HEX #57B167

RGB 87 177 103

HSL 130.67, 0.37%, 0.52%

LAB 65.32, -43.05, 29.8

 

CMYK 32 / 0 / 27 / 38

HEX #6B9E74

RGB 107 158 116

HSL 130.59, 0.21%, 0.52%

LAB 60.64, -25.97, 16.66

 

CMYK 9 / 0 / 7 / 46

HEX #7E8A80

RGB 126 138 128

HSL 130, 0.05%, 0.52%

LAB 56.26, -6.39, 3.86

 

CMYK 0 / 19 / 3 / 43

HEX #92768D

RGB 146 118 141

HSL 310.71, 0.11%, 0.52%

LAB 52.94, 15.06, -8.37

 

CMYK 0 / 41 / 7 / 35

HEX #A6629A

RGB 166 98 154

HSL 310.59, 0.28%, 0.52%

LAB 50.89, 35.94, -18.89

 

CMYK 32 / 0 / 51 / 31

HEX #78B157

RGB 120 177 87

HSL 98, 0.37%, 0.52%

LAB 66.62, -34.94, 39.93

 

CMYK 46 / 0 / 51 / 31

HEX #60B157

RGB 96 177 87

HSL 114, 0.37%, 0.52%

LAB 65.45, -42.85, 38.24

 

CMYK 51 / 0 / 42 / 31

HEX #57B166

RGB 87 177 102

HSL 130, 0.37%, 0.52%

LAB 65.3, -43.21, 30.3

 

CMYK 51 / 0 / 29 / 31

HEX #57B17E

RGB 87 177 126

HSL 146, 0.37%, 0.52%

LAB 65.73, -38.83, 18.03

 

CMYK 51 / 0 / 15 / 31

HEX #57B196

RGB 87 177 150

HSL 162, 0.37%, 0.52%

LAB 66.27, -33.58, 5.61

 

CMYK 54 / 0 / 45 / 51

HEX #397D45

RGB 57 125 69

HSL 130.59, 0.37%, 0.36%

LAB 46.93, -34.46, 24.11

 

CMYK 54 / 0 / 44 / 40

HEX #469955

RGB 70 153 85

HSL 130.84, 0.37%, 0.44%

LAB 56.82, -40.38, 28.22

 

CMYK 51 / 0 / 42 / 31

HEX #57B167

RGB 87 177 103

HSL 130.67, 0.37%, 0.52%

LAB 65.32, -43.05, 29.8

 

CMYK 39 / 0 / 33 / 25

HEX #73BE80

RGB 115 190 128

HSL 130.4, 0.37%, 0.6%

LAB 70.89, -36.46, 24.18

 

CMYK 30 / 0 / 24 / 20

HEX #8FCB9A

RGB 143 203 154

HSL 131, 0.37%, 0.68%

LAB 76.61, -29.17, 18.41

 

CMYK 51 / 0 / 42 / 31

HEX #57B167

RGB 87 177 103

HSL 130.67, 0.37%, 0.52%

LAB 65.32, -43.05, 29.8

 

CMYK 51 / 19 / 0 / 31

HEX #5790B1

RGB 87 144 177

HSL 202, 0.37%, 0.52%

LAB 57.22, -9.35, -23.06

 

CMYK 0 / 51 / 39 / 31

HEX #B1576C

RGB 177 87 108

HSL 346, 0.37%, 0.52%

LAB 48.57, 38.79, 5.26

 

CMYK 51 / 0 / 42 / 31

HEX #57B167

RGB 87 177 103

HSL 130.67, 0.37%, 0.52%

LAB 65.32, -43.05, 29.8

 

CMYK 42 / 51 / 0 / 31

HEX #6657B1

RGB 102 87 177

HSL 250, 0.37%, 0.52%

LAB 42.48, 28.65, -46.11

 

CMYK 0 / 42 / 51 / 31

HEX #B16657

RGB 177 102 87

HSL 10, 0.37%, 0.52%

LAB 51.31, 28.52, 21.54

 

CMYK 51 / 0 / 42 / 31

HEX #57B167

RGB 87 177 103

HSL 130.67, 0.37%, 0.52%

LAB 65.32, -43.05, 29.8

 

CMYK 51 / 19 / 0 / 31

HEX #5790B1

RGB 87 144 177

HSL 202, 0.37%, 0.52%

LAB 57.22, -9.35, -23.06

 

CMYK 0 / 51 / 8 / 31

HEX #B157A2

RGB 177 87 162

HSL 310, 0.37%, 0.52%

LAB 50.42, 46.64, -24.2

 

CMYK 0 / 32 / 51 / 31

HEX #B17857

RGB 177 120 87

HSL 22, 0.37%, 0.52%

LAB 55.55, 18.51, 27.09

 

CMYK 51 / 0 / 42 / 31

HEX #57B167

RGB 87 177 103

HSL 130.67, 0.37%, 0.52%

LAB 65.32, -43.05, 29.8

 

CMYK 51 / 34 / 0 / 31

HEX #5775B1

RGB 87 117 177

HSL 220, 0.37%, 0.52%

LAB 49.4, 6.43, -35.21

 

CMYK 0 / 51 / 8 / 31

HEX #B157A2

RGB 177 87 162

HSL 310, 0.37%, 0.52%

LAB 50.42, 46.64, -24.2

 

CMYK 0 / 17 / 51 / 31

HEX #B19357

RGB 177 147 87

HSL 40, 0.37%, 0.52%

LAB 62.43, 3.47, 35.77

 

Description

Color code: HEX #57B167 | qconv.com Color code: HEX #57B167 | qconv.com - big

Since the color values are relatively high compared to others, this hue appears lighter to us.

The breakdown of the color into the RGB color system: of 255 maximum color components, 87 red, 177 green and 103 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
87 177 103 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, 51 cyan, none magenta, 42 yellow and 31 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
51% 0% 42% 31% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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