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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #57BAA1 it is the complementary color #A8455E. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #57BAA1. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #57BAA1 shade: #5CBA9C, #6DCCAF, #7EDEC2, #8FF0D5 and #A0FFE8

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #57BAA1. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #57BAA1 shade: #57BAA1, #46A88E, #35967B, #248468 and #137255

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #57BAA1 shade: #58BAA2, #58BA87, #58BA6C, #5EBA58 and #79BA58

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #57BAA1 shade: #58BAA2, #58B9BA, #589EBA, #5884BA and #5869BA

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #57BAA1 shade matches the following richer shades: #58BAA2, #45CDAB, #32E0B4 and #1FF3BE

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #57BAA1 shade: #58BAA2, #6BA798, #7E958F, #918285 and #A46F7C

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #57BAA1 shade: #58BA6C, #58BA86, #58BAA0, #58BABA and #58A0BA

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #57BAA1 shade: #378874, #43A68D, #58BAA2, #75C6B2 and #93D2C2

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #57BAA1 shade: #57BAA1, #585FBA and #BA7958

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #57BAA1 shade: #57BAA1, #A058BA and #BAA058

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #57BAA1 shade: #57BAA1, #585FBA, #BA5872 and #BAB458

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #57BAA1 shade: #57BAA1, #6F58BA, #BA5872 and #A3BA58

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 53 / 0 / 13 / 27

HEX #57BAA1

RGB 87 186 161

HSL 164.85, 0.42%, 0.54%

LAB 69.27, -35.15, 3.88

 

Complementary color

CMYK 0 / 59 / 44 / 34

HEX #A8455E

RGB 168 69 94

HSL 344.85, 0.42%, 0.46%

LAB 43.34, 43.07, 6.15

 

CMYK 51 / 0 / 16 / 27

HEX #5CBA9C

RGB 92 186 156

HSL 160.85, 0.41%, 0.55%

LAB 69.32, -35.18, 6.72

 

CMYK 47 / 0 / 14 / 20

HEX #6DCCAF

RGB 109 204 175

HSL 161.68, 0.48%, 0.61%

LAB 75.78, -35.06, 5.78

 

CMYK 43 / 0 / 13 / 13

HEX #7EDEC2

RGB 126 222 194

HSL 162.5, 0.59%, 0.68%

LAB 82.15, -34.91, 4.9

 

CMYK 40 / 0 / 11 / 6

HEX #8FF0D5

RGB 143 240 213

HSL 163.3, 0.76%, 0.75%

LAB 88.43, -34.75, 4.08

 

CMYK 37 / 0 / 9 / 0

HEX #A0FFE8

RGB 160 255 232

HSL 165.47, 1%, 0.81%

LAB 93.81, -33.18, 2.11

 

CMYK 53 / 0 / 13 / 27

HEX #57BAA1

RGB 87 186 161

HSL 164.85, 0.42%, 0.54%

LAB 69.27, -35.15, 3.88

 

CMYK 58 / 0 / 15 / 34

HEX #46A88E

RGB 70 168 142

HSL 164.08, 0.41%, 0.47%

LAB 62.73, -35.11, 4.88

 

CMYK 65 / 0 / 18 / 41

HEX #35967B

RGB 53 150 123

HSL 163.3, 0.48%, 0.4%

LAB 56.09, -34.93, 5.99

 

CMYK 73 / 0 / 21 / 48

HEX #248468

RGB 36 132 104

HSL 162.5, 0.57%, 0.33%

LAB 49.35, -34.53, 7.25

 

CMYK 83 / 0 / 25 / 55

HEX #137255

RGB 19 114 85

HSL 161.68, 0.71%, 0.26%

LAB 42.5, -33.73, 8.71

 

CMYK 53 / 0 / 13 / 27

HEX #58BAA2

RGB 88 186 162

HSL 165.31, 0.42%, 0.54%

LAB 69.33, -34.68, 3.42

 

CMYK 53 / 0 / 27 / 27

HEX #58BA87

RGB 88 186 135

HSL 148.78, 0.42%, 0.54%

LAB 68.71, -40.73, 17.27

 

CMYK 53 / 0 / 42 / 27

HEX #58BA6C

RGB 88 186 108

HSL 132.24, 0.42%, 0.54%

LAB 68.22, -45.73, 30.97

 

CMYK 49 / 0 / 53 / 27

HEX #5EBA58

RGB 94 186 88

HSL 116.33, 0.42%, 0.54%

LAB 68.17, -47.05, 41.04

 

CMYK 35 / 0 / 53 / 27

HEX #79BA58

RGB 121 186 88

HSL 99.8, 0.42%, 0.54%

LAB 69.39, -38.54, 42.8

 

CMYK 53 / 0 / 13 / 27

HEX #58BAA2

RGB 88 186 162

HSL 165.31, 0.42%, 0.54%

LAB 69.33, -34.68, 3.42

 

CMYK 53 / 1 / 0 / 27

HEX #58B9BA

RGB 88 185 186

HSL 180.61, 0.42%, 0.54%

LAB 69.7, -28.05, -9.22

 

CMYK 53 / 15 / 0 / 27

HEX #589EBA

RGB 88 158 186

HSL 197.14, 0.42%, 0.54%

LAB 61.72, -14.14, -21.26

 

CMYK 53 / 29 / 0 / 27

HEX #5884BA

RGB 88 132 186

HSL 213.06, 0.42%, 0.54%

LAB 54.16, 0.54, -32.94

 

CMYK 53 / 44 / 0 / 27

HEX #5869BA

RGB 88 105 186

HSL 229.59, 0.42%, 0.54%

LAB 46.61, 16.94, -44.84

 

CMYK 53 / 0 / 13 / 27

HEX #58BAA2

RGB 88 186 162

HSL 165.31, 0.42%, 0.54%

LAB 69.33, -34.68, 3.42

 

CMYK 66 / 0 / 17 / 20

HEX #45CDAB

RGB 69 205 171

HSL 165, 0.58%, 0.54%

LAB 74.74, -44.62, 6.27

 

CMYK 78 / 0 / 20 / 12

HEX #32E0B4

RGB 50 224 180

HSL 164.83, 0.74%, 0.54%

LAB 80.34, -52.79, 9.44

 

CMYK 87 / 0 / 22 / 5

HEX #1FF3BE

RGB 31 243 190

HSL 165, 0.9%, 0.54%

LAB 86.06, -59.35, 12.32

 

CMYK 53 / 0 / 13 / 27

HEX #58BAA2

RGB 88 186 162

HSL 165.31, 0.42%, 0.54%

LAB 69.33, -34.68, 3.42

 

CMYK 36 / 0 / 9 / 35

HEX #6BA798

RGB 107 167 152

HSL 165, 0.25%, 0.54%

LAB 64.19, -22.94, 1.59

 

CMYK 15 / 0 / 4 / 42

HEX #7E958F

RGB 126 149 143

HSL 164.35, 0.1%, 0.54%

LAB 59.81, -9.39, 0.43

 

CMYK 0 / 10 / 8 / 43

HEX #918285

RGB 145 130 133

HSL 348, 0.06%, 0.54%

LAB 55.76, 6.23, 0.45

 

CMYK 0 / 32 / 24 / 36

HEX #A46F7C

RGB 164 111 124

HSL 345.28, 0.23%, 0.54%

LAB 52.64, 22.93, 1.39

 

CMYK 53 / 0 / 42 / 27

HEX #58BA6C

RGB 88 186 108

HSL 132.24, 0.42%, 0.54%

LAB 68.22, -45.73, 30.97

 

CMYK 53 / 0 / 28 / 27

HEX #58BA86

RGB 88 186 134

HSL 148.16, 0.42%, 0.54%

LAB 68.69, -40.94, 17.78

 

CMYK 53 / 0 / 14 / 27

HEX #58BAA0

RGB 88 186 160

HSL 164.08, 0.42%, 0.54%

LAB 69.28, -35.16, 4.44

 

CMYK 53 / 0 / 0 / 27

HEX #58BABA

RGB 88 186 186

HSL 180, 0.42%, 0.54%

LAB 69.99, -28.54, -8.78

 

CMYK 53 / 14 / 0 / 27

HEX #58A0BA

RGB 88 160 186

HSL 195.92, 0.42%, 0.54%

LAB 62.31, -15.22, -20.36

 

CMYK 60 / 0 / 15 / 47

HEX #378874

RGB 55 136 116

HSL 165.19, 0.42%, 0.37%

LAB 51.48, -29.76, 3.39

 

CMYK 60 / 0 / 15 / 35

HEX #43A68D

RGB 67 166 141

HSL 164.85, 0.42%, 0.46%

LAB 61.99, -35.05, 4.36

 

CMYK 53 / 0 / 13 / 27

HEX #58BAA2

RGB 88 186 162

HSL 165.31, 0.42%, 0.54%

LAB 69.33, -34.68, 3.42

 

CMYK 41 / 0 / 10 / 22

HEX #75C6B2

RGB 117 198 178

HSL 165.19, 0.42%, 0.62%

LAB 74.43, -29.5, 2.25

 

CMYK 30 / 0 / 8 / 18

HEX #93D2C2

RGB 147 210 194

HSL 164.76, 0.41%, 0.7%

LAB 79.72, -23.43, 1.51

 

CMYK 53 / 0 / 13 / 27

HEX #57BAA1

RGB 87 186 161

HSL 164.85, 0.42%, 0.54%

LAB 69.27, -35.15, 3.88

 

CMYK 53 / 49 / 0 / 27

HEX #585FBA

RGB 88 95 186

HSL 235.71, 0.42%, 0.54%

LAB 43.95, 23.19, -49.09

 

CMYK 0 / 35 / 53 / 27

HEX #BA7958

RGB 186 121 88

HSL 20.2, 0.42%, 0.54%

LAB 56.9, 21.8, 28.48

 

CMYK 53 / 0 / 13 / 27

HEX #57BAA1

RGB 87 186 161

HSL 164.85, 0.42%, 0.54%

LAB 69.27, -35.15, 3.88

 

CMYK 14 / 53 / 0 / 27

HEX #A058BA

RGB 160 88 186

HSL 284.08, 0.42%, 0.54%

LAB 49.49, 45.77, -39.83

 

CMYK 0 / 14 / 53 / 27

HEX #BAA058

RGB 186 160 88

HSL 44.08, 0.42%, 0.54%

LAB 66.74, 0.32, 40.72

 

CMYK 53 / 0 / 13 / 27

HEX #57BAA1

RGB 87 186 161

HSL 164.85, 0.42%, 0.54%

LAB 69.27, -35.15, 3.88

 

CMYK 53 / 49 / 0 / 27

HEX #585FBA

RGB 88 95 186

HSL 235.71, 0.42%, 0.54%

LAB 43.95, 23.19, -49.09

 

CMYK 0 / 53 / 39 / 27

HEX #BA5872

RGB 186 88 114

HSL 344.08, 0.42%, 0.54%

LAB 50.26, 42.19, 4.25

 

CMYK 0 / 3 / 53 / 27

HEX #BAB458

RGB 186 180 88

HSL 56.33, 0.42%, 0.54%

LAB 72.09, -10.26, 47.08

 

CMYK 53 / 0 / 13 / 27

HEX #57BAA1

RGB 87 186 161

HSL 164.85, 0.42%, 0.54%

LAB 69.27, -35.15, 3.88

 

CMYK 40 / 53 / 0 / 27

HEX #6F58BA

RGB 111 88 186

HSL 254.08, 0.42%, 0.54%

LAB 44.1, 32.85, -48.75

 

CMYK 0 / 53 / 39 / 27

HEX #BA5872

RGB 186 88 114

HSL 344.08, 0.42%, 0.54%

LAB 50.26, 42.19, 4.25

 

CMYK 12 / 0 / 53 / 27

HEX #A3BA58

RGB 163 186 88

HSL 74.08, 0.42%, 0.54%

LAB 71.97, -22.76, 46.49

 

Description

Color code: HEX #57BAA1 | qconv.com Color code: HEX #57BAA1 | qconv.com - big

Since the color values are relatively high compared to others, this hue appears lighter to us.

The breakdown of the color into the RGB color system: of 255 maximum color components, 87 red, 186 green and 161 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
87 186 161 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, 53 cyan, none magenta, 13 yellow and 27 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
53% 0% 13% 27% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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