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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #57C2A6 it is the complementary color #A83D59. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #57C2A6. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #57C2A6 shade: #5CC2A1, #6DD4B4, #7EE6C7, #8FF8DA and #A0FFED

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #57C2A6. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #57C2A6 shade: #57C2A6, #46B093, #359E80, #248C6D and #137A5A

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #57C2A6 shade: #56C2A5, #56C288, #56C26B, #5DC256 and #7BC256

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #57C2A6 shade: #56C2A5, #56C1C2, #56A4C2, #5687C2 and #566AC2

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #57C2A6 shade matches the following richer shades: #56C2A5, #43D4AE, #31E7B7 and #1EF9C0

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #57C2A6 shade: #56C2A5, #68AF9D, #7B9D94, #8E8A8B and #A07782

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #57C2A6 shade: #56C26B, #56C288, #56C2A5, #56C2C2 and #56A5C2

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #57C2A6 shade: #349179, #3FAF92, #56C2A5, #74CDB5 and #92D8C5

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #57C2A6 shade: #57C2A6, #565DC2 and #C27A56

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #57C2A6 shade: #57C2A6, #A556C2 and #C2A556

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #57C2A6 shade: #57C2A6, #565DC2, #C25673 and #C2BA56

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #57C2A6 shade: #57C2A6, #6F56C2, #C25673 and #A9C256

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 55 / 0 / 14 / 24

HEX #57C2A6

RGB 87 194 166

HSL 164.3, 0.47%, 0.55%

LAB 71.8, -37.62, 4.81

 

Complementary color

CMYK 0 / 64 / 47 / 34

HEX #A83D59

RGB 168 61 89

HSL 344.3, 0.47%, 0.45%

LAB 41.82, 46.28, 7.09

 

CMYK 53 / 0 / 17 / 24

HEX #5CC2A1

RGB 92 194 161

HSL 160.59, 0.46%, 0.56%

LAB 71.85, -37.7, 7.61

 

CMYK 49 / 0 / 15 / 17

HEX #6DD4B4

RGB 109 212 180

HSL 161.36, 0.54%, 0.63%

LAB 78.25, -37.61, 6.64

 

CMYK 45 / 0 / 13 / 10

HEX #7EE6C7

RGB 126 230 199

HSL 162.12, 0.68%, 0.7%

LAB 84.56, -37.48, 5.74

 

CMYK 42 / 0 / 12 / 3

HEX #8FF8DA

RGB 143 248 218

HSL 162.86, 0.88%, 0.77%

LAB 90.8, -37.33, 4.9

 

CMYK 37 / 0 / 7 / 0

HEX #A0FFED

RGB 160 255 237

HSL 168.63, 1%, 0.81%

LAB 93.93, -32.09, -0.29

 

CMYK 55 / 0 / 14 / 24

HEX #57C2A6

RGB 87 194 166

HSL 164.3, 0.47%, 0.55%

LAB 71.8, -37.62, 4.81

 

CMYK 60 / 0 / 16 / 31

HEX #46B093

RGB 70 176 147

HSL 163.58, 0.43%, 0.48%

LAB 65.33, -37.54, 5.84

 

CMYK 66 / 0 / 19 / 38

HEX #359E80

RGB 53 158 128

HSL 162.86, 0.5%, 0.41%

LAB 58.76, -37.3, 6.98

 

CMYK 74 / 0 / 22 / 45

HEX #248C6D

RGB 36 140 109

HSL 162.12, 0.59%, 0.35%

LAB 52.1, -36.82, 8.27

 

CMYK 84 / 0 / 26 / 52

HEX #137A5A

RGB 19 122 90

HSL 161.36, 0.73%, 0.28%

LAB 45.35, -35.94, 9.76

 

CMYK 56 / 0 / 15 / 24

HEX #56C2A5

RGB 86 194 165

HSL 163.89, 0.47%, 0.55%

LAB 71.74, -38.07, 5.26

 

CMYK 56 / 0 / 30 / 24

HEX #56C288

RGB 86 194 136

HSL 147.78, 0.47%, 0.55%

LAB 71.1, -44.46, 20.02

 

CMYK 56 / 0 / 45 / 24

HEX #56C26B

RGB 86 194 107

HSL 131.67, 0.47%, 0.55%

LAB 70.61, -49.65, 34.54

 

CMYK 52 / 0 / 56 / 24

HEX #5DC256

RGB 93 194 86

HSL 116.11, 0.47%, 0.55%

LAB 70.58, -50.78, 44.88

 

CMYK 37 / 0 / 56 / 24

HEX #7BC256

RGB 123 194 86

HSL 99.44, 0.47%, 0.55%

LAB 71.87, -41.6, 46.72

 

CMYK 56 / 0 / 15 / 24

HEX #56C2A5

RGB 86 194 165

HSL 163.89, 0.47%, 0.55%

LAB 71.74, -38.07, 5.26

 

CMYK 56 / 1 / 0 / 24

HEX #56C1C2

RGB 86 193 194

HSL 180.56, 0.47%, 0.55%

LAB 72.24, -30.18, -9.82

 

CMYK 56 / 15 / 0 / 24

HEX #56A4C2

RGB 86 164 194

HSL 196.67, 0.47%, 0.55%

LAB 63.69, -15.42, -22.73

 

CMYK 56 / 30 / 0 / 24

HEX #5687C2

RGB 86 135 194

HSL 212.78, 0.47%, 0.55%

LAB 55.28, 0.87, -35.75

 

CMYK 56 / 45 / 0 / 24

HEX #566AC2

RGB 86 106 194

HSL 228.89, 0.47%, 0.55%

LAB 47.21, 18.49, -48.51

 

CMYK 56 / 0 / 15 / 24

HEX #56C2A5

RGB 86 194 165

HSL 163.89, 0.47%, 0.55%

LAB 71.74, -38.07, 5.26

 

CMYK 68 / 0 / 18 / 17

HEX #43D4AE

RGB 67 212 174

HSL 164.28, 0.63%, 0.55%

LAB 76.88, -47.17, 7.73

 

CMYK 79 / 0 / 21 / 9

HEX #31E7B7

RGB 49 231 183

HSL 164.18, 0.79%, 0.55%

LAB 82.5, -54.97, 10.94

 

CMYK 88 / 0 / 23 / 2

HEX #1EF9C0

RGB 30 249 192

HSL 164.38, 0.95%, 0.55%

LAB 87.89, -61.22, 13.87

 

CMYK 56 / 0 / 15 / 24

HEX #56C2A5

RGB 86 194 165

HSL 163.89, 0.47%, 0.55%

LAB 71.74, -38.07, 5.26

 

CMYK 41 / 0 / 10 / 31

HEX #68AF9D

RGB 104 175 157

HSL 164.79, 0.31%, 0.55%

LAB 66.55, -26.62, 2.23

 

CMYK 22 / 0 / 6 / 38

HEX #7B9D94

RGB 123 157 148

HSL 164.12, 0.15%, 0.55%

LAB 62.05, -13.65, 0.84

 

CMYK 0 / 3 / 2 / 44

HEX #8E8A8B

RGB 142 138 139

HSL 345, 0.02%, 0.55%

LAB 57.84, 1.68, -0.01

 

CMYK 0 / 26 / 19 / 37

HEX #A07782

RGB 160 119 130

HSL 343.9, 0.18%, 0.55%

LAB 54.32, 17.77, 0.27

 

CMYK 56 / 0 / 45 / 24

HEX #56C26B

RGB 86 194 107

HSL 131.67, 0.47%, 0.55%

LAB 70.61, -49.65, 34.54

 

CMYK 56 / 0 / 30 / 24

HEX #56C288

RGB 86 194 136

HSL 147.78, 0.47%, 0.55%

LAB 71.1, -44.46, 20.02

 

CMYK 56 / 0 / 15 / 24

HEX #56C2A5

RGB 86 194 165

HSL 163.89, 0.47%, 0.55%

LAB 71.74, -38.07, 5.26

 

CMYK 56 / 0 / 0 / 24

HEX #56C2C2

RGB 86 194 194

HSL 180, 0.47%, 0.55%

LAB 72.53, -30.66, -9.38

 

CMYK 56 / 15 / 0 / 24

HEX #56A5C2

RGB 86 165 194

HSL 196.11, 0.47%, 0.55%

LAB 63.99, -15.96, -22.28

 

CMYK 64 / 0 / 17 / 43

HEX #349179

RGB 52 145 121

HSL 164.52, 0.47%, 0.39%

LAB 54.41, -33.33, 4.72

 

CMYK 64 / 0 / 17 / 31

HEX #3FAF92

RGB 63 175 146

HSL 164.46, 0.47%, 0.47%

LAB 64.8, -38.65, 5.61

 

CMYK 56 / 0 / 15 / 24

HEX #56C2A5

RGB 86 194 165

HSL 163.89, 0.47%, 0.55%

LAB 71.74, -38.07, 5.26

 

CMYK 43 / 0 / 12 / 20

HEX #74CDB5

RGB 116 205 181

HSL 163.82, 0.47%, 0.63%

LAB 76.5, -32.42, 3.63

 

CMYK 32 / 0 / 9 / 15

HEX #92D8C5

RGB 146 216 197

HSL 163.71, 0.47%, 0.71%

LAB 81.43, -26.01, 2.38

 

CMYK 55 / 0 / 14 / 24

HEX #57C2A6

RGB 87 194 166

HSL 164.3, 0.47%, 0.55%

LAB 71.8, -37.62, 4.81

 

CMYK 56 / 52 / 0 / 24

HEX #565DC2

RGB 86 93 194

HSL 236.11, 0.47%, 0.55%

LAB 43.8, 26.62, -53.98

 

CMYK 0 / 37 / 56 / 24

HEX #C27A56

RGB 194 122 86

HSL 20, 0.47%, 0.55%

LAB 58.09, 24.38, 31.31

 

CMYK 55 / 0 / 14 / 24

HEX #57C2A6

RGB 87 194 166

HSL 164.3, 0.47%, 0.55%

LAB 71.8, -37.62, 4.81

 

CMYK 15 / 56 / 0 / 24

HEX #A556C2

RGB 165 86 194

HSL 283.89, 0.47%, 0.55%

LAB 50.16, 49.83, -43.38

 

CMYK 0 / 15 / 56 / 24

HEX #C2A556

RGB 194 165 86

HSL 43.89, 0.47%, 0.55%

LAB 68.79, 0.87, 44.36

 

CMYK 55 / 0 / 14 / 24

HEX #57C2A6

RGB 87 194 166

HSL 164.3, 0.47%, 0.55%

LAB 71.8, -37.62, 4.81

 

CMYK 56 / 52 / 0 / 24

HEX #565DC2

RGB 86 93 194

HSL 236.11, 0.47%, 0.55%

LAB 43.8, 26.62, -53.98

 

CMYK 0 / 56 / 41 / 24

HEX #C25673

RGB 194 86 115

HSL 343.89, 0.47%, 0.55%

LAB 51.11, 46.06, 5.04

 

CMYK 0 / 4 / 56 / 24

HEX #C2BA56

RGB 194 186 86

HSL 55.56, 0.47%, 0.55%

LAB 74.36, -10.18, 50.82

 

CMYK 55 / 0 / 14 / 24

HEX #57C2A6

RGB 87 194 166

HSL 164.3, 0.47%, 0.55%

LAB 71.8, -37.62, 4.81

 

CMYK 43 / 56 / 0 / 24

HEX #6F56C2

RGB 111 86 194

HSL 253.89, 0.47%, 0.55%

LAB 44.13, 36.31, -53.35

 

CMYK 0 / 56 / 41 / 24

HEX #C25673

RGB 194 86 115

HSL 343.89, 0.47%, 0.55%

LAB 51.11, 46.06, 5.04

 

CMYK 13 / 0 / 56 / 24

HEX #A9C256

RGB 169 194 86

HSL 73.89, 0.47%, 0.55%

LAB 74.63, -24.47, 50.63

 

Description

Color code: HEX #57C2A6 | qconv.com Color code: HEX #57C2A6 | qconv.com - big

Since the color values are relatively high compared to others, this hue appears lighter to us.

The breakdown of the color into the RGB color system: of 255 maximum color components, 87 red, 194 green and 166 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
87 194 166 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, 55 cyan, none magenta, 14 yellow and 24 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
55% 0% 14% 24% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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