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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #57C2DB it is the complementary color #A83D24. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #57C2DB. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #57C2DB shade: #5CC2D6, #6DD4E9, #7EE6FC, #8FF8FF and #A0FFFF

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #57C2DB. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #57C2DB shade: #57C2DB, #46B0C8, #359EB5, #248CA2 and #137A8F

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #57C2DB shade: #56C2DB, #569EDB, #567ADB, #5656DB and #7A56DB

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #57C2DB shade: #56C2DB, #569EDB, #567ADB, #5656DB and #5656DB

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #57C2DB shade matches the following richer shades: #56C2DB, #46CCEB and #35D6FC

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #57C2DB shade: #56C2DB, #67B7CA, #77ADBA, #88A3A9 and #989999

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #57C2DB shade: #56DBAC, #56DBD0, #56C2DB, #569FDB and #567CDB

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #57C2DB shade: #279CB8, #34B5D4, #56C2DB, #78CEE2 and #9ADAE9

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #57C2DB shade: #57C2DB, #8956DB and #DBBE56

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #57C2DB shade: #57C2DB, #DB56C2 and #C2DB56

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #57C2DB shade: #57C2DB, #8956DB, #DB6F56 and #A8DB56

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #57C2DB shade: #57C2DB, #B156DB, #DB6F56 and #80DB56

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 60 / 11 / 0 / 14

HEX #57C2DB

RGB 87 194 219

HSL 191.36, 0.65%, 0.6%

LAB 73.37, -23.41, -21.72

 

Complementary color

CMYK 0 / 64 / 79 / 34

HEX #A83D24

RGB 168 61 36

HSL 11.36, 0.65%, 0.4%

LAB 40.88, 42.68, 37.74

 

CMYK 57 / 9 / 0 / 16

HEX #5CC2D6

RGB 92 194 214

HSL 189.84, 0.6%, 0.6%

LAB 73.36, -23.93, -19

 

CMYK 53 / 9 / 0 / 9

HEX #6DD4E9

RGB 109 212 233

HSL 190.16, 0.74%, 0.67%

LAB 79.74, -24.25, -19.51

 

CMYK 50 / 9 / 0 / 1

HEX #7EE6FC

RGB 126 230 252

HSL 190.48, 0.95%, 0.74%

LAB 86.04, -24.49, -20

 

CMYK 44 / 3 / 0 / 0

HEX #8FF8FF

RGB 143 248 255

HSL 183.75, 1%, 0.78%

LAB 91.77, -28.71, -12.88

 

CMYK 37 / 0 / 0 / 0

HEX #A0FFFF

RGB 160 255 255

HSL 180, 1%, 0.81%

LAB 94.4, -28.01, -8.89

 

CMYK 60 / 11 / 0 / 14

HEX #57C2DB

RGB 87 194 219

HSL 191.36, 0.65%, 0.6%

LAB 73.37, -23.41, -21.72

 

CMYK 65 / 12 / 0 / 22

HEX #46B0C8

RGB 70 176 200

HSL 191.08, 0.54%, 0.53%

LAB 66.92, -22.83, -21.18

 

CMYK 71 / 13 / 0 / 29

HEX #359EB5

RGB 53 158 181

HSL 190.78, 0.55%, 0.46%

LAB 60.38, -22.06, -20.59

 

CMYK 78 / 14 / 0 / 36

HEX #248CA2

RGB 36 140 162

HSL 190.48, 0.64%, 0.39%

LAB 53.75, -21.01, -19.94

 

CMYK 87 / 15 / 0 / 44

HEX #137A8F

RGB 19 122 143

HSL 190.16, 0.77%, 0.32%

LAB 47.03, -19.55, -19.18

 

CMYK 61 / 11 / 0 / 14

HEX #56C2DB

RGB 86 194 219

HSL 191.28, 0.65%, 0.6%

LAB 73.34, -23.58, -21.77

 

CMYK 61 / 28 / 0 / 14

HEX #569EDB

RGB 86 158 219

HSL 207.52, 0.65%, 0.6%

LAB 62.97, -4.34, -37.76

 

CMYK 61 / 44 / 0 / 14

HEX #567ADB

RGB 86 122 219

HSL 223.76, 0.65%, 0.6%

LAB 52.96, 16.94, -53.57

 

CMYK 61 / 61 / 0 / 14

HEX #5656DB

RGB 86 86 219

HSL 240, 0.65%, 0.6%

LAB 43.87, 39.1, -68.25

 

CMYK 44 / 61 / 0 / 14

HEX #7A56DB

RGB 122 86 219

HSL 256.24, 0.65%, 0.6%

LAB 46.85, 45.72, -63.27

 

CMYK 61 / 11 / 0 / 14

HEX #56C2DB

RGB 86 194 219

HSL 191.28, 0.65%, 0.6%

LAB 73.34, -23.58, -21.77

 

CMYK 61 / 28 / 0 / 14

HEX #569EDB

RGB 86 158 219

HSL 207.52, 0.65%, 0.6%

LAB 62.97, -4.34, -37.76

 

CMYK 61 / 44 / 0 / 14

HEX #567ADB

RGB 86 122 219

HSL 223.76, 0.65%, 0.6%

LAB 52.96, 16.94, -53.57

 

CMYK 61 / 61 / 0 / 14

HEX #5656DB

RGB 86 86 219

HSL 240, 0.65%, 0.6%

LAB 43.87, 39.1, -68.25

 

CMYK 61 / 61 / 0 / 14

HEX #5656DB

RGB 86 86 219

HSL 240, 0.65%, 0.6%

LAB 43.87, 39.1, -68.25

 

CMYK 61 / 11 / 0 / 14

HEX #56C2DB

RGB 86 194 219

HSL 191.28, 0.65%, 0.6%

LAB 73.34, -23.58, -21.77

 

CMYK 70 / 13 / 0 / 8

HEX #46CCEB

RGB 70 204 235

HSL 191.27, 0.8%, 0.6%

LAB 76.37, -26.22, -25.82

 

CMYK 79 / 15 / 0 / 1

HEX #35D6FC

RGB 53 214 252

HSL 191.46, 0.97%, 0.6%

LAB 79.54, -27.74, -30.07

 

CMYK 61 / 11 / 0 / 14

HEX #56C2DB

RGB 86 194 219

HSL 191.28, 0.65%, 0.6%

LAB 73.34, -23.58, -21.77

 

CMYK 49 / 9 / 0 / 21

HEX #67B7CA

RGB 103 183 202

HSL 191.52, 0.48%, 0.6%

LAB 70.19, -19.41, -17.21

 

CMYK 36 / 7 / 0 / 27

HEX #77ADBA

RGB 119 173 186

HSL 191.64, 0.33%, 0.6%

LAB 67.54, -14.39, -12.3

 

CMYK 20 / 4 / 0 / 34

HEX #88A3A9

RGB 136 163 169

HSL 190.91, 0.16%, 0.6%

LAB 65.19, -7.99, -6.23

 

CMYK 1 / 0 / 0 / 40

HEX #989999

RGB 152 153 153

HSL 180, 0%, 0.6%

LAB 63.14, -0.36, -0.13

 

CMYK 61 / 0 / 21 / 14

HEX #56DBAC

RGB 86 219 172

HSL 158.8, 0.65%, 0.6%

LAB 79.4, -47.38, 12.44

 

CMYK 61 / 0 / 5 / 14

HEX #56DBD0

RGB 86 219 208

HSL 175.04, 0.65%, 0.6%

LAB 80.29, -38.62, -5.42

 

CMYK 61 / 11 / 0 / 14

HEX #56C2DB

RGB 86 194 219

HSL 191.28, 0.65%, 0.6%

LAB 73.34, -23.58, -21.77

 

CMYK 61 / 27 / 0 / 14

HEX #569FDB

RGB 86 159 219

HSL 207.07, 0.65%, 0.6%

LAB 63.25, -4.91, -37.31

 

CMYK 61 / 43 / 0 / 14

HEX #567CDB

RGB 86 124 219

HSL 222.86, 0.65%, 0.6%

LAB 53.5, 15.71, -52.71

 

CMYK 79 / 15 / 0 / 28

HEX #279CB8

RGB 39 156 184

HSL 191.59, 0.65%, 0.44%

LAB 59.59, -21.74, -23.52

 

CMYK 75 / 15 / 0 / 17

HEX #34B5D4

RGB 52 181 212

HSL 191.63, 0.65%, 0.52%

LAB 68.41, -24.07, -25.55

 

CMYK 61 / 11 / 0 / 14

HEX #56C2DB

RGB 86 194 219

HSL 191.28, 0.65%, 0.6%

LAB 73.34, -23.58, -21.77

 

CMYK 47 / 9 / 0 / 11

HEX #78CEE2

RGB 120 206 226

HSL 191.32, 0.65%, 0.68%

LAB 78.24, -20.77, -17.99

 

CMYK 34 / 6 / 0 / 9

HEX #9ADAE9

RGB 154 218 233

HSL 191.39, 0.64%, 0.76%

LAB 83.39, -16.58, -13.83

 

CMYK 60 / 11 / 0 / 14

HEX #57C2DB

RGB 87 194 219

HSL 191.36, 0.65%, 0.6%

LAB 73.37, -23.41, -21.72

 

CMYK 37 / 61 / 0 / 14

HEX #8956DB

RGB 137 86 219

HSL 263.01, 0.65%, 0.6%

LAB 48.37, 48.89, -60.74

 

CMYK 0 / 13 / 61 / 14

HEX #DBBE56

RGB 219 190 86

HSL 46.92, 0.65%, 0.6%

LAB 77.61, -1.76, 55.1

 

CMYK 60 / 11 / 0 / 14

HEX #57C2DB

RGB 87 194 219

HSL 191.36, 0.65%, 0.6%

LAB 73.37, -23.41, -21.72

 

CMYK 0 / 61 / 11 / 14

HEX #DB56C2

RGB 219 86 194

HSL 311.28, 0.65%, 0.6%

LAB 57.67, 64.15, -31.06

 

CMYK 11 / 0 / 61 / 14

HEX #C2DB56

RGB 194 219 86

HSL 71.28, 0.65%, 0.6%

LAB 83.34, -26.56, 60.84

 

CMYK 60 / 11 / 0 / 14

HEX #57C2DB

RGB 87 194 219

HSL 191.36, 0.65%, 0.6%

LAB 73.37, -23.41, -21.72

 

CMYK 37 / 61 / 0 / 14

HEX #8956DB

RGB 137 86 219

HSL 263.01, 0.65%, 0.6%

LAB 48.37, 48.89, -60.74

 

CMYK 0 / 49 / 61 / 14

HEX #DB6F56

RGB 219 111 86

HSL 11.28, 0.65%, 0.6%

LAB 59.07, 40.12, 33.25

 

CMYK 23 / 0 / 61 / 14

HEX #A8DB56

RGB 168 219 86

HSL 83.01, 0.65%, 0.6%

LAB 81.65, -36.61, 58.51

 

CMYK 60 / 11 / 0 / 14

HEX #57C2DB

RGB 87 194 219

HSL 191.36, 0.65%, 0.6%

LAB 73.37, -23.41, -21.72

 

CMYK 19 / 61 / 0 / 14

HEX #B156DB

RGB 177 86 219

HSL 281.05, 0.65%, 0.6%

LAB 53.08, 58.04, -52.93

 

CMYK 0 / 49 / 61 / 14

HEX #DB6F56

RGB 219 111 86

HSL 11.28, 0.65%, 0.6%

LAB 59.07, 40.12, 33.25

 

CMYK 42 / 0 / 61 / 14

HEX #80DB56

RGB 128 219 86

HSL 101.05, 0.65%, 0.6%

LAB 79.57, -50.47, 55.61

 

Description

Color code: HEX #57C2DB | qconv.com Color code: HEX #57C2DB | qconv.com - big

Since the color values are relatively high compared to others, this hue appears lighter to us.

The breakdown of the color into the RGB color system: of 255 maximum color components, 87 red, 194 green and 219 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
87 194 219 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, 60 cyan, 11 magenta, none yellow and 14 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
60% 11% 0% 14% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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