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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #57CB7A it is the complementary color #A83485. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #57CB7A. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #57CB7A shade: #5CCB75, #6DDD88, #7EEF9B, #8FFFAE and #A0FFC1

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #57CB7A. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #57CB7A shade: #57CB7A, #46B967, #35A754, #249541 and #13832E

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #57CB7A shade: #57CB7A, #57CB5A, #72CB57, #92CB57 and #B1CB57

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #57CB7A shade: #57CB7A, #57CB99, #57CBB8, #57BECB and #579FCB

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #57CB7A shade matches the following richer shades: #57CB7A, #45DD73 and #33EE6C

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #57CB7A shade: #57CB7A, #68B981, #7AA788, #8C968F and #9E8496

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #57CB7A shade: #72CB57, #57CB5B, #57CB7A, #57CB99 and #57CBB8

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #57CB7A shade: #309F52, #3ABE62, #57CB7A, #76D593 and #96DEAC

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #57CB7A shade: #57CB7A, #5791CB and #CB5762

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #57CB7A shade: #57CB7A, #7A57CB and #CB7A57

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #57CB7A shade: #57CB7A, #5791CB, #CB57A8 and #CB9157

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #57CB7A shade: #57CB7A, #576ECB, #CB57A8 and #CBB457

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 57 / 0 / 40 / 20

HEX #57CB7A

RGB 87 203 122

HSL 138.1, 0.53%, 0.57%

LAB 73.64, -50.54, 30.79

 

Complementary color

CMYK 0 / 69 / 21 / 34

HEX #A83485

RGB 168 52 133

HSL 318.1, 0.53%, 0.43%

LAB 41.96, 55.34, -19.97

 

CMYK 55 / 0 / 42 / 20

HEX #5CCB75

RGB 92 203 117

HSL 133.51, 0.52%, 0.58%

LAB 73.72, -50.2, 33.49

 

CMYK 51 / 0 / 38 / 13

HEX #6DDD88

RGB 109 221 136

HSL 134.46, 0.62%, 0.65%

LAB 80.03, -50.15, 32.17

 

CMYK 47 / 0 / 35 / 6

HEX #7EEF9B

RGB 126 239 155

HSL 135.4, 0.78%, 0.72%

LAB 86.27, -50.02, 30.92

 

CMYK 44 / 0 / 32 / 0

HEX #8FFFAE

RGB 143 255 174

HSL 136.61, 1%, 0.78%

LAB 91.87, -48.99, 28.97

 

CMYK 37 / 0 / 24 / 0

HEX #A0FFC1

RGB 160 255 193

HSL 140.84, 1%, 0.81%

LAB 92.95, -40.96, 20.93

 

CMYK 57 / 0 / 40 / 20

HEX #57CB7A

RGB 87 203 122

HSL 138.1, 0.53%, 0.57%

LAB 73.64, -50.54, 30.79

 

CMYK 62 / 0 / 44 / 27

HEX #46B967

RGB 70 185 103

HSL 137.22, 0.45%, 0.5%

LAB 67.26, -50.4, 32.2

 

CMYK 68 / 0 / 50 / 35

HEX #35A754

RGB 53 167 84

HSL 136.32, 0.52%, 0.43%

LAB 60.81, -50, 33.7

 

CMYK 76 / 0 / 56 / 42

HEX #249541

RGB 36 149 65

HSL 135.4, 0.61%, 0.36%

LAB 54.29, -49.2, 35.25

 

CMYK 85 / 0 / 65 / 49

HEX #13832E

RGB 19 131 46

HSL 134.46, 0.75%, 0.29%

LAB 47.71, -47.76, 36.75

 

CMYK 57 / 0 / 40 / 20

HEX #57CB7A

RGB 87 203 122

HSL 138.1, 0.53%, 0.57%

LAB 73.64, -50.54, 30.79

 

CMYK 57 / 0 / 56 / 20

HEX #57CB5A

RGB 87 203 90

HSL 121.55, 0.53%, 0.57%

LAB 73.2, -55.28, 46.06

 

CMYK 44 / 0 / 57 / 20

HEX #72CB57

RGB 114 203 87

HSL 106.03, 0.53%, 0.57%

LAB 74.18, -48.19, 48.84

 

CMYK 28 / 0 / 57 / 20

HEX #92CB57

RGB 146 203 87

HSL 89.48, 0.53%, 0.57%

LAB 75.77, -37.41, 51.09

 

CMYK 13 / 0 / 57 / 20

HEX #B1CB57

RGB 177 203 87

HSL 73.45, 0.53%, 0.57%

LAB 77.73, -25.56, 53.85

 

CMYK 57 / 0 / 40 / 20

HEX #57CB7A

RGB 87 203 122

HSL 138.1, 0.53%, 0.57%

LAB 73.64, -50.54, 30.79

 

CMYK 57 / 0 / 25 / 20

HEX #57CB99

RGB 87 203 153

HSL 154.14, 0.53%, 0.57%

LAB 74.21, -44.55, 15.25

 

CMYK 57 / 0 / 9 / 20

HEX #57CBB8

RGB 87 203 184

HSL 170.17, 0.53%, 0.57%

LAB 74.95, -37.31, -0.38

 

CMYK 57 / 6 / 0 / 20

HEX #57BECB

RGB 87 190 203

HSL 186.72, 0.53%, 0.57%

LAB 71.67, -26.01, -15.58

 

CMYK 57 / 22 / 0 / 20

HEX #579FCB

RGB 87 159 203

HSL 202.76, 0.53%, 0.57%

LAB 62.62, -9.76, -29.39

 

CMYK 57 / 0 / 40 / 20

HEX #57CB7A

RGB 87 203 122

HSL 138.1, 0.53%, 0.57%

LAB 73.64, -50.54, 30.79

 

CMYK 69 / 0 / 48 / 13

HEX #45DD73

RGB 69 221 115

HSL 138.16, 0.69%, 0.57%

LAB 78.59, -62.04, 40.57

 

CMYK 79 / 0 / 55 / 7

HEX #33EE6C

RGB 51 238 108

HSL 138.29, 0.85%, 0.57%

LAB 83.41, -71.31, 49.73

 

CMYK 57 / 0 / 40 / 20

HEX #57CB7A

RGB 87 203 122

HSL 138.1, 0.53%, 0.57%

LAB 73.64, -50.54, 30.79

 

CMYK 44 / 0 / 30 / 27

HEX #68B981

RGB 104 185 129

HSL 138.52, 0.37%, 0.57%

LAB 68.91, -37.24, 20.88

 

CMYK 27 / 0 / 19 / 35

HEX #7AA788

RGB 122 167 136

HSL 138.67, 0.2%, 0.57%

LAB 64.61, -21.67, 11.21

 

CMYK 7 / 0 / 5 / 41

HEX #8C968F

RGB 140 150 143

HSL 138, 0.05%, 0.57%

LAB 61.11, -4.98, 2.44

 

CMYK 0 / 16 / 5 / 38

HEX #9E8496

RGB 158 132 150

HSL 318.46, 0.12%, 0.57%

LAB 58.01, 13.11, -5.92

 

CMYK 44 / 0 / 57 / 20

HEX #72CB57

RGB 114 203 87

HSL 106.03, 0.53%, 0.57%

LAB 74.18, -48.19, 48.84

 

CMYK 57 / 0 / 55 / 20

HEX #57CB5B

RGB 87 203 91

HSL 122.07, 0.53%, 0.57%

LAB 73.22, -55.16, 45.61

 

CMYK 57 / 0 / 40 / 20

HEX #57CB7A

RGB 87 203 122

HSL 138.1, 0.53%, 0.57%

LAB 73.64, -50.54, 30.79

 

CMYK 57 / 0 / 25 / 20

HEX #57CB99

RGB 87 203 153

HSL 154.14, 0.53%, 0.57%

LAB 74.21, -44.55, 15.25

 

CMYK 57 / 0 / 9 / 20

HEX #57CBB8

RGB 87 203 184

HSL 170.17, 0.53%, 0.57%

LAB 74.95, -37.31, -0.38

 

CMYK 70 / 0 / 48 / 38

HEX #309F52

RGB 48 159 82

HSL 138.38, 0.54%, 0.41%

LAB 58.07, -48.22, 31.26

 

CMYK 69 / 0 / 48 / 25

HEX #3ABE62

RGB 58 190 98

HSL 138.18, 0.53%, 0.49%

LAB 68.47, -55.41, 36.22

 

CMYK 57 / 0 / 40 / 20

HEX #57CB7A

RGB 87 203 122

HSL 138.1, 0.53%, 0.57%

LAB 73.64, -50.54, 30.79

 

CMYK 45 / 0 / 31 / 16

HEX #76D593

RGB 118 213 147

HSL 138.32, 0.53%, 0.65%

LAB 78.2, -42.48, 24.09

 

CMYK 32 / 0 / 23 / 13

HEX #96DEAC

RGB 150 222 172

HSL 138.33, 0.52%, 0.73%

LAB 82.76, -32.7, 17.52

 

CMYK 57 / 0 / 40 / 20

HEX #57CB7A

RGB 87 203 122

HSL 138.1, 0.53%, 0.57%

LAB 73.64, -50.54, 30.79

 

CMYK 57 / 29 / 0 / 20

HEX #5791CB

RGB 87 145 203

HSL 210, 0.53%, 0.57%

LAB 58.59, -1.86, -35.66

 

CMYK 0 / 57 / 52 / 20

HEX #CB5762

RGB 203 87 98

HSL 354.31, 0.53%, 0.57%

LAB 52.28, 47.03, 17.03

 

CMYK 57 / 0 / 40 / 20

HEX #57CB7A

RGB 87 203 122

HSL 138.1, 0.53%, 0.57%

LAB 73.64, -50.54, 30.79

 

CMYK 40 / 57 / 0 / 20

HEX #7A57CB

RGB 122 87 203

HSL 258.1, 0.53%, 0.57%

LAB 46, 40.76, -55.49

 

CMYK 0 / 40 / 57 / 20

HEX #CB7A57

RGB 203 122 87

HSL 18.1, 0.53%, 0.57%

LAB 59.25, 28.14, 32.46

 

CMYK 57 / 0 / 40 / 20

HEX #57CB7A

RGB 87 203 122

HSL 138.1, 0.53%, 0.57%

LAB 73.64, -50.54, 30.79

 

CMYK 57 / 29 / 0 / 20

HEX #5791CB

RGB 87 145 203

HSL 210, 0.53%, 0.57%

LAB 58.59, -1.86, -35.66

 

CMYK 0 / 57 / 17 / 20

HEX #CB57A8

RGB 203 87 168

HSL 318.1, 0.53%, 0.57%

LAB 54.39, 55.35, -21.29

 

CMYK 0 / 29 / 57 / 20

HEX #CB9157

RGB 203 145 87

HSL 30, 0.53%, 0.57%

LAB 64.67, 15.62, 39.15

 

CMYK 57 / 0 / 40 / 20

HEX #57CB7A

RGB 87 203 122

HSL 138.1, 0.53%, 0.57%

LAB 73.64, -50.54, 30.79

 

CMYK 57 / 46 / 0 / 20

HEX #576ECB

RGB 87 110 203

HSL 228.1, 0.53%, 0.57%

LAB 48.87, 19.19, -51.03

 

CMYK 0 / 57 / 17 / 20

HEX #CB57A8

RGB 203 87 168

HSL 318.1, 0.53%, 0.57%

LAB 54.39, 55.35, -21.29

 

CMYK 0 / 11 / 57 / 20

HEX #CBB457

RGB 203 180 87

HSL 48.1, 0.53%, 0.57%

LAB 73.56, -3.2, 49.65

 

Description

Color code: HEX #57CB7A | qconv.com Color code: HEX #57CB7A | qconv.com - big

Since the color values are relatively high compared to others, this hue appears lighter to us.

The breakdown of the color into the RGB color system: of 255 maximum color components, 87 red, 203 green and 122 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
87 203 122 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, 57 cyan, none magenta, 40 yellow and 20 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
57% 0% 40% 20% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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