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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #57D43E it is the complementary color #A82BC1. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #57D43E. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #57D43E shade: #5CD439, #6DE64C, #7EF85F, #8FFF72 and #A0FF85

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #57D43E. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #57D43E shade: #57D43E, #46C22B, #35B018, #249E05 and #138C00

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #57D43E shade: #57D43E, #80D43E, #A8D43E, #D1D43E and #D4AF3E

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #57D43E shade: #57D43E, #3ED44E, #3ED476, #3ED49F and #3ED4C7

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #57D43E shade matches the following richer shades: #57D43E, #4AE72B and #3EFA18

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #57D43E shade: #57D43E, #64C151, #70AE64, #7D9B77 and #8A888A

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #57D43E shade: #A7D43E, #7FD43E, #57D43E, #3ED44D and #3ED475

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #57D43E shade: #379E22, #43BF2A, #57D43E, #75DC60 and #92E382

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #57D43E shade: #57D43E, #3ECFD4 and #D43E93

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #57D43E shade: #57D43E, #3E57D4 and #D43E57

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #57D43E shade: #57D43E, #3ECFD4, #BB3ED4 and #D4433E

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #57D43E shade: #57D43E, #3EA2D4, #BB3ED4 and #D4703E

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 59 / 0 / 71 / 17

HEX #57D43E

RGB 87 212 62

HSL 110, 0.64%, 0.54%

LAB 75.74, -61.37, 60.68

 

Complementary color

CMYK 13 / 78 / 0 / 24

HEX #A82BC1

RGB 168 43 193

HSL 290, 0.64%, 0.46%

LAB 44.09, 68.19, -52.45

 

CMYK 57 / 0 / 73 / 17

HEX #5CD439

RGB 92 212 57

HSL 106.45, 0.64%, 0.53%

LAB 75.86, -60.52, 62.64

 

CMYK 53 / 0 / 67 / 10

HEX #6DE64C

RGB 109 230 76

HSL 107.14, 0.75%, 0.6%

LAB 82.04, -61.12, 62.19

 

CMYK 49 / 0 / 62 / 3

HEX #7EF85F

RGB 126 248 95

HSL 107.84, 0.92%, 0.67%

LAB 88.16, -61.48, 61.4

 

CMYK 44 / 0 / 55 / 0

HEX #8FFF72

RGB 143 255 114

HSL 107.66, 1%, 0.72%

LAB 91.04, -57.42, 56.7

 

CMYK 37 / 0 / 48 / 0

HEX #A0FF85

RGB 160 255 133

HSL 106.72, 1%, 0.76%

LAB 91.99, -50.12, 49.33

 

CMYK 59 / 0 / 71 / 17

HEX #57D43E

RGB 87 212 62

HSL 110, 0.64%, 0.54%

LAB 75.74, -61.37, 60.68

 

CMYK 64 / 0 / 78 / 24

HEX #46C22B

RGB 70 194 43

HSL 109.27, 0.64%, 0.46%

LAB 69.51, -60.42, 60.82

 

CMYK 70 / 0 / 86 / 31

HEX #35B018

RGB 53 176 24

HSL 108.55, 0.76%, 0.39%

LAB 63.24, -58.96, 60.04

 

CMYK 77 / 0 / 97 / 38

HEX #249E05

RGB 36 158 5

HSL 107.84, 0.94%, 0.32%

LAB 56.92, -56.81, 57.86

 

CMYK 86 / 0 / 100 / 45

HEX #138C00

RGB 19 140 0

HSL 111.86, 1%, 0.27%

LAB 50.56, -53.68, 53.44

 

CMYK 59 / 0 / 71 / 17

HEX #57D43E

RGB 87 212 62

HSL 110, 0.64%, 0.54%

LAB 75.74, -61.37, 60.68

 

CMYK 40 / 0 / 71 / 17

HEX #80D43E

RGB 128 212 62

HSL 93.6, 0.64%, 0.54%

LAB 77.3, -49.6, 62.77

 

CMYK 21 / 0 / 71 / 17

HEX #A8D43E

RGB 168 212 62

HSL 77.6, 0.64%, 0.54%

LAB 79.48, -35.1, 65.67

 

CMYK 1 / 0 / 71 / 17

HEX #D1D43E

RGB 209 212 62

HSL 61.2, 0.64%, 0.54%

LAB 82.37, -18.5, 69.49

 

CMYK 0 / 17 / 71 / 17

HEX #D4AF3E

RGB 212 175 62

HSL 45.2, 0.64%, 0.54%

LAB 72.9, 1.71, 60.23

 

CMYK 59 / 0 / 71 / 17

HEX #57D43E

RGB 87 212 62

HSL 110, 0.64%, 0.54%

LAB 75.74, -61.37, 60.68

 

CMYK 71 / 0 / 63 / 17

HEX #3ED44E

RGB 62 212 78

HSL 126.4, 0.64%, 0.54%

LAB 75.24, -64.98, 53.6

 

CMYK 71 / 0 / 44 / 17

HEX #3ED476

RGB 62 212 118

HSL 142.4, 0.64%, 0.54%

LAB 75.71, -59.48, 35.39

 

CMYK 71 / 0 / 25 / 17

HEX #3ED49F

RGB 62 212 159

HSL 158.8, 0.64%, 0.54%

LAB 76.44, -51.4, 15.09

 

CMYK 71 / 0 / 6 / 17

HEX #3ED4C7

RGB 62 212 199

HSL 174.8, 0.64%, 0.54%

LAB 77.42, -41.45, -4.9

 

CMYK 59 / 0 / 71 / 17

HEX #57D43E

RGB 87 212 62

HSL 110, 0.64%, 0.54%

LAB 75.74, -61.37, 60.68

 

CMYK 68 / 0 / 81 / 9

HEX #4AE72B

RGB 74 231 43

HSL 110.11, 0.8%, 0.54%

LAB 81.17, -71.6, 71.77

 

CMYK 75 / 0 / 90 / 2

HEX #3EFA18

RGB 62 250 24

HSL 109.91, 0.96%, 0.54%

LAB 86.73, -79.92, 80.29

 

CMYK 59 / 0 / 71 / 17

HEX #57D43E

RGB 87 212 62

HSL 110, 0.64%, 0.54%

LAB 75.74, -61.37, 60.68

 

CMYK 48 / 0 / 58 / 24

HEX #64C151

RGB 100 193 81

HSL 109.82, 0.47%, 0.54%

LAB 70.49, -49, 47.16

 

CMYK 36 / 0 / 43 / 32

HEX #70AE64

RGB 112 174 100

HSL 110.27, 0.31%, 0.54%

LAB 65.47, -34.59, 31.78

 

CMYK 19 / 0 / 23 / 39

HEX #7D9B77

RGB 125 155 119

HSL 110, 0.15%, 0.54%

LAB 60.9, -17.61, 15.52

 

CMYK 0 / 1 / 0 / 46

HEX #8A888A

RGB 138 136 138

HSL 300, 0.01%, 0.54%

LAB 56.93, 1.14, -0.81

 

CMYK 21 / 0 / 71 / 17

HEX #A7D43E

RGB 167 212 62

HSL 78, 0.64%, 0.54%

LAB 79.41, -35.49, 65.59

 

CMYK 40 / 0 / 71 / 17

HEX #7FD43E

RGB 127 212 62

HSL 94, 0.64%, 0.54%

LAB 77.25, -49.93, 62.71

 

CMYK 59 / 0 / 71 / 17

HEX #57D43E

RGB 87 212 62

HSL 110, 0.64%, 0.54%

LAB 75.74, -61.37, 60.68

 

CMYK 71 / 0 / 64 / 17

HEX #3ED44D

RGB 62 212 77

HSL 126, 0.64%, 0.54%

LAB 75.23, -65.08, 54.01

 

CMYK 71 / 0 / 45 / 17

HEX #3ED475

RGB 62 212 117

HSL 142, 0.64%, 0.54%

LAB 75.7, -59.64, 35.88

 

CMYK 65 / 0 / 78 / 38

HEX #379E22

RGB 55 158 34

HSL 109.84, 0.65%, 0.38%

LAB 57.45, -51.94, 51.94

 

CMYK 65 / 0 / 78 / 25

HEX #43BF2A

RGB 67 191 42

HSL 109.93, 0.64%, 0.46%

LAB 68.48, -60.12, 60.11

 

CMYK 59 / 0 / 71 / 17

HEX #57D43E

RGB 87 212 62

HSL 110, 0.64%, 0.54%

LAB 75.74, -61.37, 60.68

 

CMYK 47 / 0 / 56 / 14

HEX #75DC60

RGB 117 220 96

HSL 109.84, 0.64%, 0.62%

LAB 79.51, -53.15, 50.99

 

CMYK 36 / 0 / 43 / 11

HEX #92E382

RGB 146 227 130

HSL 110.1, 0.63%, 0.7%

LAB 83.26, -42.98, 39.67

 

CMYK 59 / 0 / 71 / 17

HEX #57D43E

RGB 87 212 62

HSL 110, 0.64%, 0.54%

LAB 75.74, -61.37, 60.68

 

CMYK 71 / 2 / 0 / 17

HEX #3ECFD4

RGB 62 207 212

HSL 182, 0.64%, 0.54%

LAB 76.32, -35.54, -13.54

 

CMYK 0 / 71 / 31 / 17

HEX #D43E93

RGB 212 62 147

HSL 326, 0.64%, 0.54%

LAB 51.32, 65.24, -13.45

 

CMYK 59 / 0 / 71 / 17

HEX #57D43E

RGB 87 212 62

HSL 110, 0.64%, 0.54%

LAB 75.74, -61.37, 60.68

 

CMYK 71 / 59 / 0 / 17

HEX #3E57D4

RGB 62 87 212

HSL 230, 0.64%, 0.54%

LAB 42.15, 32.62, -67.12

 

CMYK 0 / 71 / 59 / 17

HEX #D43E57

RGB 212 62 87

HSL 350, 0.64%, 0.54%

LAB 49.65, 59.67, 20.32

 

CMYK 59 / 0 / 71 / 17

HEX #57D43E

RGB 87 212 62

HSL 110, 0.64%, 0.54%

LAB 75.74, -61.37, 60.68

 

CMYK 71 / 2 / 0 / 17

HEX #3ECFD4

RGB 62 207 212

HSL 182, 0.64%, 0.54%

LAB 76.32, -35.54, -13.54

 

CMYK 12 / 71 / 0 / 17

HEX #BB3ED4

RGB 187 62 212

HSL 290, 0.64%, 0.54%

LAB 50.41, 69.04, -53.13

 

CMYK 0 / 68 / 71 / 17

HEX #D4433E

RGB 212 67 62

HSL 2, 0.64%, 0.54%

LAB 49.93, 56.36, 35.43

 

CMYK 59 / 0 / 71 / 17

HEX #57D43E

RGB 87 212 62

HSL 110, 0.64%, 0.54%

LAB 75.74, -61.37, 60.68

 

CMYK 71 / 24 / 0 / 17

HEX #3EA2D4

RGB 62 162 212

HSL 200, 0.64%, 0.54%

LAB 63.03, -12.8, -33.84

 

CMYK 12 / 71 / 0 / 17

HEX #BB3ED4

RGB 187 62 212

HSL 290, 0.64%, 0.54%

LAB 50.41, 69.04, -53.13

 

CMYK 0 / 47 / 71 / 17

HEX #D4703E

RGB 212 112 62

HSL 20, 0.64%, 0.54%

LAB 57.97, 35.44, 44.55

 

Description

Color code: HEX #57D43E | qconv.com Color code: HEX #57D43E | qconv.com - big

Since the color values are relatively high compared to others, this hue appears lighter to us.

The breakdown of the color into the RGB color system: of 255 maximum color components, 87 red, 212 green and 62 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
87 212 62 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, 59 cyan, none magenta, 71 yellow and 17 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
59% 0% 71% 17% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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