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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #57DBC2 it is the complementary color #A8243D. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #57DBC2. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #57DBC2 shade: #5CDBBD, #6DEDD0, #7EFFE3, #8FFFF6 and #A0FFFF

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #57DBC2. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #57DBC2 shade: #57DBC2, #46C9AF, #35B79C, #24A589 and #139376

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #57DBC2 shade: #56DBC2, #56DB9E, #56DB7A, #56DB56 and #7ADB56

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #57DBC2 shade: #56DBC2, #56D0DB, #56ACDB, #5689DB and #5665DB

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #57DBC2 shade matches the following richer shades: #56DBC2, #46EBCC and #35FCD6

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #57DBC2 shade: #56DBC2, #67CAB7, #77BAAD, #88A9A3 and #989999

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #57DBC2 shade: #56DB7A, #56DB9D, #56DBC0, #56D2DB and #56AFDB

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #57DBC2 shade: #27B89C, #34D4B5, #56DBC2, #78E2CE and #9AE9DA

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #57DBC2 shade: #57DBC2, #5656DB and #DB8B56

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #57DBC2 shade: #57DBC2, #C056DB and #DBC056

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #57DBC2 shade: #57DBC2, #5656DB, #DB5671 and #DBDB56

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #57DBC2 shade: #57DBC2, #7E56DB, #DB5671 and #B3DB56

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 60 / 0 / 11 / 14

HEX #57DBC2

RGB 87 219 194

HSL 168.64, 0.65%, 0.6%

LAB 79.95, -42.01, 1.54

 

Complementary color

CMYK 0 / 79 / 64 / 34

HEX #A8243D

RGB 168 36 61

HSL 348.64, 0.65%, 0.4%

LAB 37.7, 53.62, 19.11

 

CMYK 58 / 0 / 14 / 14

HEX #5CDBBD

RGB 92 219 189

HSL 165.83, 0.64%, 0.61%

LAB 79.96, -42.3, 4.24

 

CMYK 54 / 0 / 12 / 7

HEX #6DEDD0

RGB 109 237 208

HSL 166.41, 0.78%, 0.68%

LAB 86.19, -42.38, 3.3

 

CMYK 51 / 0 / 11 / 0

HEX #7EFFE3

RGB 126 255 227

HSL 166.98, 1%, 0.75%

LAB 92.35, -42.39, 2.42

 

CMYK 44 / 0 / 4 / 0

HEX #8FFFF6

RGB 143 255 246

HSL 175.18, 1%, 0.78%

LAB 93.46, -34.18, -5.72

 

CMYK 37 / 0 / 0 / 0

HEX #A0FFFF

RGB 160 255 255

HSL 180, 1%, 0.81%

LAB 94.4, -28.01, -8.89

 

CMYK 60 / 0 / 11 / 14

HEX #57DBC2

RGB 87 219 194

HSL 168.64, 0.65%, 0.6%

LAB 79.95, -42.01, 1.54

 

CMYK 65 / 0 / 13 / 21

HEX #46C9AF

RGB 70 201 175

HSL 168.09, 0.55%, 0.53%

LAB 73.66, -41.72, 2.55

 

CMYK 71 / 0 / 15 / 28

HEX #35B79C

RGB 53 183 156

HSL 167.54, 0.55%, 0.46%

LAB 67.3, -41.24, 3.66

 

CMYK 78 / 0 / 17 / 35

HEX #24A589

RGB 36 165 137

HSL 166.98, 0.64%, 0.39%

LAB 60.86, -40.51, 4.89

 

CMYK 87 / 0 / 20 / 42

HEX #139376

RGB 19 147 118

HSL 166.41, 0.77%, 0.33%

LAB 54.36, -39.39, 6.29

 

CMYK 61 / 0 / 11 / 14

HEX #56DBC2

RGB 86 219 194

HSL 168.72, 0.65%, 0.6%

LAB 79.92, -42.19, 1.5

 

CMYK 61 / 0 / 28 / 14

HEX #56DB9E

RGB 86 219 158

HSL 152.48, 0.65%, 0.6%

LAB 79.1, -50.39, 19.41

 

CMYK 61 / 0 / 44 / 14

HEX #56DB7A

RGB 86 219 122

HSL 136.24, 0.65%, 0.6%

LAB 78.49, -56.99, 37.07

 

CMYK 61 / 0 / 61 / 14

HEX #56DB56

RGB 86 219 86

HSL 120, 0.65%, 0.6%

LAB 78.06, -61.82, 53.5

 

CMYK 44 / 0 / 61 / 14

HEX #7ADB56

RGB 122 219 86

HSL 103.76, 0.65%, 0.6%

LAB 79.31, -52.32, 55.25

 

CMYK 61 / 0 / 11 / 14

HEX #56DBC2

RGB 86 219 194

HSL 168.72, 0.65%, 0.6%

LAB 79.92, -42.19, 1.5

 

CMYK 61 / 5 / 0 / 14

HEX #56D0DB

RGB 86 208 219

HSL 184.96, 0.65%, 0.6%

LAB 77.4, -30.48, -15.61

 

CMYK 61 / 21 / 0 / 14

HEX #56ACDB

RGB 86 172 219

HSL 201.2, 0.65%, 0.6%

LAB 66.97, -12.09, -31.53

 

CMYK 61 / 37 / 0 / 14

HEX #5689DB

RGB 86 137 219

HSL 216.99, 0.65%, 0.6%

LAB 57.06, 7.86, -47.05

 

CMYK 61 / 54 / 0 / 14

HEX #5665DB

RGB 86 101 219

HSL 233.23, 0.65%, 0.6%

LAB 47.5, 29.91, -62.36

 

CMYK 61 / 0 / 11 / 14

HEX #56DBC2

RGB 86 219 194

HSL 168.72, 0.65%, 0.6%

LAB 79.92, -42.19, 1.5

 

CMYK 70 / 0 / 13 / 8

HEX #46EBCC

RGB 70 235 204

HSL 168.73, 0.8%, 0.6%

LAB 84.52, -49.06, 2.86

 

CMYK 79 / 0 / 15 / 1

HEX #35FCD6

RGB 53 252 214

HSL 168.54, 0.97%, 0.6%

LAB 89.5, -55.43, 4.81

 

CMYK 61 / 0 / 11 / 14

HEX #56DBC2

RGB 86 219 194

HSL 168.72, 0.65%, 0.6%

LAB 79.92, -42.19, 1.5

 

CMYK 49 / 0 / 9 / 21

HEX #67CAB7

RGB 103 202 183

HSL 168.48, 0.48%, 0.6%

LAB 75.17, -33.69, 0.54

 

CMYK 36 / 0 / 7 / 27

HEX #77BAAD

RGB 119 186 173

HSL 168.36, 0.33%, 0.6%

LAB 70.91, -24.23, -0.15

 

CMYK 20 / 0 / 4 / 34

HEX #88A9A3

RGB 136 169 163

HSL 169.09, 0.16%, 0.6%

LAB 66.71, -12.53, -0.65

 

CMYK 1 / 0 / 0 / 40

HEX #989999

RGB 152 153 153

HSL 180, 0%, 0.6%

LAB 63.14, -0.36, -0.13

 

CMYK 61 / 0 / 44 / 14

HEX #56DB7A

RGB 86 219 122

HSL 136.24, 0.65%, 0.6%

LAB 78.49, -56.99, 37.07

 

CMYK 61 / 0 / 28 / 14

HEX #56DB9D

RGB 86 219 157

HSL 152.03, 0.65%, 0.6%

LAB 79.08, -50.6, 19.9

 

CMYK 61 / 0 / 12 / 14

HEX #56DBC0

RGB 86 219 192

HSL 167.82, 0.65%, 0.6%

LAB 79.87, -42.68, 2.49

 

CMYK 61 / 4 / 0 / 14

HEX #56D2DB

RGB 86 210 219

HSL 184.06, 0.65%, 0.6%

LAB 77.98, -31.44, -14.74

 

CMYK 61 / 20 / 0 / 14

HEX #56AFDB

RGB 86 175 219

HSL 199.85, 0.65%, 0.6%

LAB 67.84, -13.7, -30.19

 

CMYK 79 / 0 / 15 / 28

HEX #27B89C

RGB 39 184 156

HSL 168.41, 0.65%, 0.44%

LAB 67.36, -43.38, 3.72

 

CMYK 75 / 0 / 15 / 17

HEX #34D4B5

RGB 52 212 181

HSL 168.38, 0.65%, 0.52%

LAB 76.77, -47.39, 3.79

 

CMYK 61 / 0 / 11 / 14

HEX #56DBC2

RGB 86 219 194

HSL 168.72, 0.65%, 0.6%

LAB 79.92, -42.19, 1.5

 

CMYK 47 / 0 / 9 / 11

HEX #78E2CE

RGB 120 226 206

HSL 168.68, 0.65%, 0.68%

LAB 83.36, -35.47, 0.28

 

CMYK 34 / 0 / 6 / 9

HEX #9AE9DA

RGB 154 233 218

HSL 168.61, 0.64%, 0.76%

LAB 87.1, -27.44, -0.41

 

CMYK 60 / 0 / 11 / 14

HEX #57DBC2

RGB 87 219 194

HSL 168.64, 0.65%, 0.6%

LAB 79.95, -42.01, 1.54

 

CMYK 61 / 61 / 0 / 14

HEX #5656DB

RGB 86 86 219

HSL 240, 0.65%, 0.6%

LAB 43.87, 39.1, -68.25

 

CMYK 0 / 37 / 61 / 14

HEX #DB8B56

RGB 219 139 86

HSL 23.91, 0.65%, 0.6%

LAB 65.12, 25.44, 40.65

 

CMYK 60 / 0 / 11 / 14

HEX #57DBC2

RGB 87 219 194

HSL 168.64, 0.65%, 0.6%

LAB 79.95, -42.01, 1.54

 

CMYK 12 / 61 / 0 / 14

HEX #C056DB

RGB 192 86 219

HSL 287.82, 0.65%, 0.6%

LAB 55.05, 61.62, -49.67

 

CMYK 0 / 12 / 61 / 14

HEX #DBC056

RGB 219 192 86

HSL 47.82, 0.65%, 0.6%

LAB 78.13, -2.79, 55.67

 

CMYK 60 / 0 / 11 / 14

HEX #57DBC2

RGB 87 219 194

HSL 168.64, 0.65%, 0.6%

LAB 79.95, -42.01, 1.54

 

CMYK 61 / 61 / 0 / 14

HEX #5656DB

RGB 86 86 219

HSL 240, 0.65%, 0.6%

LAB 43.87, 39.1, -68.25

 

CMYK 0 / 61 / 48 / 14

HEX #DB5671

RGB 219 86 113

HSL 347.82, 0.65%, 0.6%

LAB 54.98, 54.22, 12.26

 

CMYK 0 / 0 / 61 / 14

HEX #DBDB56

RGB 219 219 86

HSL 60, 0.65%, 0.6%

LAB 85.2, -16.47, 63.39

 

CMYK 60 / 0 / 11 / 14

HEX #57DBC2

RGB 87 219 194

HSL 168.64, 0.65%, 0.6%

LAB 79.95, -42.01, 1.54

 

CMYK 42 / 61 / 0 / 14

HEX #7E56DB

RGB 126 86 219

HSL 258.05, 0.65%, 0.6%

LAB 47.24, 46.55, -62.62

 

CMYK 0 / 61 / 48 / 14

HEX #DB5671

RGB 219 86 113

HSL 347.82, 0.65%, 0.6%

LAB 54.98, 54.22, 12.26

 

CMYK 18 / 0 / 61 / 14

HEX #B3DB56

RGB 179 219 86

HSL 78.05, 0.65%, 0.6%

LAB 82.33, -32.43, 59.45

 

Description

Color code: HEX #57DBC2 | qconv.com Color code: HEX #57DBC2 | qconv.com - big

Since the color values are relatively high compared to others, this hue appears lighter to us.

The breakdown of the color into the RGB color system: of 255 maximum color components, 87 red, 219 green and 194 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
87 219 194 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, 60 cyan, none magenta, 11 yellow and 14 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
60% 0% 11% 14% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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