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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #57DD5A it is the complementary color #A822A5. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #57DD5A. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #57DD5A shade: #5CDD55, #6DEF68, #7EFF7B, #8FFF8E and #A0FFA1

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #57DD5A. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #57DD5A shade: #57DD5A, #46CB47, #35B934, #24A721 and #13950E

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #57DD5A shade: #55DC58, #76DC55, #9BDC55, #BFDC55 and #DCD455

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #57DD5A shade: #55DC58, #55DC7C, #55DCA1, #55DCC5 and #55CEDC

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #57DD5A shade matches the following richer shades: #55DC58, #45EC48 and #34FD39

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #57DD5A shade: #55DC58, #66CB68, #76BB78, #87AA87 and #979A97

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #57DD5A shade: #9BDC55, #77DC55, #55DC57, #55DC7B and #55DC9F

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #57DD5A shade: #25B929, #33D537, #55DC58, #77E37A and #9AEA9B

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #57DD5A shade: #57DD5A, #55BFDC and #DC5589

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #57DD5A shade: #57DD5A, #5755DC and #DC5755

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #57DD5A shade: #57DD5A, #55BFDC, #DC55DA and #DC7255

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #57DD5A shade: #57DD5A, #5596DC, #DC55DA and #DC9B55

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 61 / 0 / 59 / 13

HEX #57DD5A

RGB 87 221 90

HSL 121.34, 0.66%, 0.6%

LAB 78.74, -61.86, 52.53

 

Complementary color

CMYK 0 / 80 / 2 / 34

HEX #A822A5

RGB 168 34 165

HSL 301.34, 0.66%, 0.4%

LAB 41.51, 65.99, -40.05

 

CMYK 58 / 0 / 62 / 13

HEX #5CDD55

RGB 92 221 85

HSL 116.91, 0.67%, 0.6%

LAB 78.84, -61.27, 54.85

 

CMYK 54 / 0 / 56 / 6

HEX #6DEF68

RGB 109 239 104

HSL 117.78, 0.81%, 0.67%

LAB 84.99, -61.63, 53.74

 

CMYK 51 / 0 / 52 / 0

HEX #7EFF7B

RGB 126 255 123

HSL 118.64, 1%, 0.74%

LAB 90.5, -61.04, 51.84

 

CMYK 44 / 0 / 44 / 0

HEX #8FFF8E

RGB 143 255 142

HSL 119.47, 1%, 0.78%

LAB 91.38, -53.97, 44.12

 

CMYK 37 / 0 / 37 / 0

HEX #A0FFA1

RGB 160 255 161

HSL 120.63, 1%, 0.81%

LAB 92.38, -46.29, 36.28

 

CMYK 61 / 0 / 59 / 13

HEX #57DD5A

RGB 87 221 90

HSL 121.34, 0.66%, 0.6%

LAB 78.74, -61.86, 52.53

 

CMYK 66 / 0 / 65 / 20

HEX #46CB47

RGB 70 203 71

HSL 120.45, 0.56%, 0.54%

LAB 72.54, -61.2, 53.61

 

CMYK 71 / 0 / 72 / 27

HEX #35B934

RGB 53 185 52

HSL 119.55, 0.56%, 0.46%

LAB 66.29, -60.13, 54.39

 

CMYK 78 / 0 / 80 / 35

HEX #24A721

RGB 36 167 33

HSL 118.66, 0.67%, 0.39%

LAB 60, -58.46, 54.56

 

CMYK 87 / 0 / 91 / 42

HEX #13950E

RGB 19 149 14

HSL 117.78, 0.83%, 0.32%

LAB 53.67, -55.94, 53.57

 

CMYK 61 / 0 / 60 / 14

HEX #55DC58

RGB 85 220 88

HSL 121.33, 0.66%, 0.6%

LAB 78.36, -62.17, 52.96

 

CMYK 46 / 0 / 61 / 14

HEX #76DC55

RGB 118 220 85

HSL 105.33, 0.66%, 0.6%

LAB 79.44, -54.01, 55.78

 

CMYK 30 / 0 / 61 / 14

HEX #9BDC55

RGB 155 220 85

HSL 88.89, 0.66%, 0.6%

LAB 81.19, -41.89, 58.21

 

CMYK 13 / 0 / 61 / 14

HEX #BFDC55

RGB 191 220 85

HSL 72.89, 0.66%, 0.6%

LAB 83.4, -28.3, 61.27

 

CMYK 0 / 4 / 61 / 14

HEX #DCD455

RGB 220 212 85

HSL 56.44, 0.66%, 0.6%

LAB 83.42, -12.64, 61.93

 

CMYK 61 / 0 / 60 / 14

HEX #55DC58

RGB 85 220 88

HSL 121.33, 0.66%, 0.6%

LAB 78.36, -62.17, 52.96

 

CMYK 61 / 0 / 44 / 14

HEX #55DC7C

RGB 85 220 124

HSL 137.33, 0.66%, 0.6%

LAB 78.79, -57.26, 36.46

 

CMYK 61 / 0 / 27 / 14

HEX #55DCA1

RGB 85 220 161

HSL 153.78, 0.66%, 0.6%

LAB 79.44, -50.37, 18.29

 

CMYK 61 / 0 / 10 / 14

HEX #55DCC5

RGB 85 220 197

HSL 169.78, 0.66%, 0.6%

LAB 80.26, -42.06, 0.4

 

CMYK 61 / 6 / 0 / 14

HEX #55CEDC

RGB 85 206 220

HSL 186.22, 0.66%, 0.6%

LAB 76.82, -29.4, -17.02

 

CMYK 61 / 0 / 60 / 14

HEX #55DC58

RGB 85 220 88

HSL 121.33, 0.66%, 0.6%

LAB 78.36, -62.17, 52.96

 

CMYK 71 / 0 / 69 / 7

HEX #45EC48

RGB 69 236 72

HSL 121.08, 0.81%, 0.6%

LAB 82.77, -72.11, 64.15

 

CMYK 79 / 0 / 77 / 1

HEX #34FD39

RGB 52 253 57

HSL 121.49, 0.98%, 0.6%

LAB 87.62, -80.63, 73.86

 

CMYK 61 / 0 / 60 / 14

HEX #55DC58

RGB 85 220 88

HSL 121.33, 0.66%, 0.6%

LAB 78.36, -62.17, 52.96

 

CMYK 50 / 0 / 49 / 20

HEX #66CB68

RGB 102 203 104

HSL 121.19, 0.49%, 0.6%

LAB 73.89, -49.57, 40.3

 

CMYK 37 / 0 / 36 / 27

HEX #76BB78

RGB 118 187 120

HSL 121.74, 0.34%, 0.6%

LAB 70, -35.51, 27.25

 

CMYK 21 / 0 / 21 / 33

HEX #87AA87

RGB 135 170 135

HSL 120, 0.17%, 0.6%

LAB 66.25, -18.94, 14.2

 

CMYK 2 / 0 / 2 / 40

HEX #979A97

RGB 151 154 151

HSL 120, 0.01%, 0.6%

LAB 63.28, -1.66, 1.19

 

CMYK 30 / 0 / 61 / 14

HEX #9BDC55

RGB 155 220 85

HSL 88.89, 0.66%, 0.6%

LAB 81.19, -41.89, 58.21

 

CMYK 46 / 0 / 61 / 14

HEX #77DC55

RGB 119 220 85

HSL 104.89, 0.66%, 0.6%

LAB 79.48, -53.71, 55.83

 

CMYK 61 / 0 / 60 / 14

HEX #55DC57

RGB 85 220 87

HSL 120.89, 0.66%, 0.6%

LAB 78.35, -62.28, 53.38

 

CMYK 61 / 0 / 44 / 14

HEX #55DC7B

RGB 85 220 123

HSL 136.89, 0.66%, 0.6%

LAB 78.78, -57.42, 36.94

 

CMYK 61 / 0 / 28 / 14

HEX #55DC9F

RGB 85 220 159

HSL 152.89, 0.66%, 0.6%

LAB 79.4, -50.79, 19.28

 

CMYK 80 / 0 / 78 / 27

HEX #25B929

RGB 37 185 41

HSL 121.62, 0.67%, 0.44%

LAB 65.94, -63.38, 57.77

 

CMYK 76 / 0 / 74 / 16

HEX #33D537

RGB 51 213 55

HSL 121.48, 0.66%, 0.52%

LAB 75.18, -69.08, 62.33

 

CMYK 61 / 0 / 60 / 14

HEX #55DC58

RGB 85 220 88

HSL 121.33, 0.66%, 0.6%

LAB 78.36, -62.17, 52.96

 

CMYK 48 / 0 / 46 / 11

HEX #77E37A

RGB 119 227 122

HSL 121.67, 0.66%, 0.68%

LAB 81.98, -52.1, 41.74

 

CMYK 34 / 0 / 34 / 8

HEX #9AEA9B

RGB 154 234 155

HSL 120.75, 0.66%, 0.76%

LAB 86.05, -39.86, 30.84

 

CMYK 61 / 0 / 59 / 13

HEX #57DD5A

RGB 87 221 90

HSL 121.34, 0.66%, 0.6%

LAB 78.74, -61.86, 52.53

 

CMYK 61 / 13 / 0 / 14

HEX #55BFDC

RGB 85 191 220

HSL 192.89, 0.66%, 0.6%

LAB 72.47, -21.94, -23.64

 

CMYK 0 / 61 / 38 / 14

HEX #DC5589

RGB 220 85 137

HSL 336.89, 0.66%, 0.6%

LAB 55.6, 57.37, -1.01

 

CMYK 61 / 0 / 59 / 13

HEX #57DD5A

RGB 87 221 90

HSL 121.34, 0.66%, 0.6%

LAB 78.74, -61.86, 52.53

 

CMYK 60 / 61 / 0 / 14

HEX #5755DC

RGB 87 85 220

HSL 240.89, 0.66%, 0.6%

LAB 43.79, 40.18, -68.95

 

CMYK 0 / 60 / 61 / 14

HEX #DC5755

RGB 220 87 85

HSL 0.89, 0.66%, 0.6%

LAB 54.75, 51.93, 28.41

 

CMYK 61 / 0 / 59 / 13

HEX #57DD5A

RGB 87 221 90

HSL 121.34, 0.66%, 0.6%

LAB 78.74, -61.86, 52.53

 

CMYK 61 / 13 / 0 / 14

HEX #55BFDC

RGB 85 191 220

HSL 192.89, 0.66%, 0.6%

LAB 72.47, -21.94, -23.64

 

CMYK 0 / 61 / 1 / 14

HEX #DC55DA

RGB 220 85 218

HSL 300.89, 0.66%, 0.6%

LAB 58.77, 68.64, -42.97

 

CMYK 0 / 48 / 61 / 14

HEX #DC7255

RGB 220 114 85

HSL 12.89, 0.66%, 0.6%

LAB 59.8, 38.91, 34.75

 

CMYK 61 / 0 / 59 / 13

HEX #57DD5A

RGB 87 221 90

HSL 121.34, 0.66%, 0.6%

LAB 78.74, -61.86, 52.53

 

CMYK 61 / 32 / 0 / 14

HEX #5596DC

RGB 85 150 220

HSL 211.11, 0.66%, 0.6%

LAB 60.7, 0.37, -41.86

 

CMYK 0 / 61 / 1 / 14

HEX #DC55DA

RGB 220 85 218

HSL 300.89, 0.66%, 0.6%

LAB 58.77, 68.64, -42.97

 

CMYK 0 / 30 / 61 / 14

HEX #DC9B55

RGB 220 155 85

HSL 31.11, 0.66%, 0.6%

LAB 68.98, 17.18, 45.75

 

Description

Color code: HEX #57DD5A | qconv.com Color code: HEX #57DD5A | qconv.com - big

With this color, green stands out from the other colors. The value that represents the green hue is greater than the other two values. It stands out far from the value for the red and blue hue. Since the color values are relatively high compared to others, this hue appears lighter to us.

The breakdown of the color into the RGB color system: of 255 maximum color components, 87 red, 221 green and 90 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
87 221 90 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, 61 cyan, none magenta, 59 yellow and 13 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
61% 0% 59% 13% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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