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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #57E47F it is the complementary color #A81B80. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #57E47F. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #57E47F shade: #5CE47A, #6DF68D, #7EFFA0, #8FFFB3 and #A0FFC6

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #57E47F. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #57E47F shade: #57E47F, #46D26C, #35C059, #24AE46 and #139C33

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #57E47F shade: #58E37F, #58E35A, #7CE358, #A1E358 and #C7E358

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #57E47F shade: #58E37F, #58E3A5, #58E3CB, #58D6E3 and #58B1E3

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #57E47F shade matches the following richer shades: #58E37F and #48F379

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #57E47F shade: #58E37F, #68D486, #77C48D, #87B494 and #97A59B

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #57E47F shade: #7BE358, #58E35A, #58E37F, #58E3A5 and #58E3CA

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #57E47F shade: #20C850, #34DE64, #58E37F, #7BE99A and #9FEFB6

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #57E47F shade: #57E47F, #58A0E3 and #E35868

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #57E47F shade: #57E47F, #7F58E3 and #E37F58

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #57E47F shade: #57E47F, #58A0E3, #E358BC and #E39B58

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #57E47F shade: #57E47F, #5876E3, #E358BC and #E3C558

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 62 / 0 / 44 / 11

HEX #57E47F

RGB 87 228 127

HSL 137.02, 0.72%, 0.62%

LAB 81.32, -59.37, 38.22

 

Complementary color

CMYK 0 / 84 / 24 / 34

HEX #A81B80

RGB 168 27 128

HSL 317.02, 0.72%, 0.38%

LAB 39.01, 62.41, -21.44

 

CMYK 60 / 0 / 46 / 11

HEX #5CE47A

RGB 92 228 122

HSL 133.24, 0.72%, 0.63%

LAB 81.38, -59.1, 40.79

 

CMYK 56 / 0 / 43 / 4

HEX #6DF68D

RGB 109 246 141

HSL 134.01, 0.88%, 0.7%

LAB 87.53, -59.24, 39.44

 

CMYK 51 / 0 / 37 / 0

HEX #7EFFA0

RGB 126 255 160

HSL 135.81, 1%, 0.75%

LAB 91, -55.7, 34.71

 

CMYK 44 / 0 / 30 / 0

HEX #8FFFB3

RGB 143 255 179

HSL 139.29, 1%, 0.78%

LAB 91.96, -48.12, 26.57

 

CMYK 37 / 0 / 22 / 0

HEX #A0FFC6

RGB 160 255 198

HSL 144, 1%, 0.81%

LAB 93.05, -40.04, 18.51

 

CMYK 62 / 0 / 44 / 11

HEX #57E47F

RGB 87 228 127

HSL 137.02, 0.72%, 0.62%

LAB 81.32, -59.37, 38.22

 

CMYK 67 / 0 / 49 / 18

HEX #46D26C

RGB 70 210 108

HSL 136.29, 0.61%, 0.55%

LAB 75.13, -58.99, 39.66

 

CMYK 72 / 0 / 54 / 25

HEX #35C059

RGB 53 192 89

HSL 135.54, 0.57%, 0.48%

LAB 68.88, -58.3, 41.14

 

CMYK 79 / 0 / 60 / 32

HEX #24AE46

RGB 36 174 70

HSL 134.78, 0.66%, 0.41%

LAB 62.58, -57.18, 42.62

 

CMYK 88 / 0 / 67 / 39

HEX #139C33

RGB 19 156 51

HSL 134.01, 0.78%, 0.34%

LAB 56.24, -55.4, 43.97

 

CMYK 61 / 0 / 44 / 11

HEX #58E37F

RGB 88 227 127

HSL 136.83, 0.71%, 0.62%

LAB 81.04, -58.79, 37.87

 

CMYK 61 / 0 / 60 / 11

HEX #58E35A

RGB 88 227 90

HSL 120.86, 0.71%, 0.62%

LAB 80.6, -63.76, 54.67

 

CMYK 45 / 0 / 61 / 11

HEX #7CE358

RGB 124 227 88

HSL 104.46, 0.71%, 0.62%

LAB 81.8, -54.69, 57.21

 

CMYK 29 / 0 / 61 / 11

HEX #A1E358

RGB 161 227 88

HSL 88.49, 0.71%, 0.62%

LAB 83.56, -42.55, 59.65

 

CMYK 12 / 0 / 61 / 11

HEX #C7E358

RGB 199 227 88

HSL 72.09, 0.71%, 0.62%

LAB 85.9, -28.24, 62.89

 

CMYK 61 / 0 / 44 / 11

HEX #58E37F

RGB 88 227 127

HSL 136.83, 0.71%, 0.62%

LAB 81.04, -58.79, 37.87

 

CMYK 61 / 0 / 27 / 11

HEX #58E3A5

RGB 88 227 165

HSL 153.24, 0.71%, 0.62%

LAB 81.69, -51.82, 19.34

 

CMYK 61 / 0 / 11 / 11

HEX #58E3CB

RGB 88 227 203

HSL 169.64, 0.71%, 0.62%

LAB 82.55, -43.14, 0.56

 

CMYK 61 / 6 / 0 / 11

HEX #58D6E3

RGB 88 214 227

HSL 185.61, 0.71%, 0.62%

LAB 79.45, -30.78, -16.81

 

CMYK 61 / 22 / 0 / 11

HEX #58B1E3

RGB 88 177 227

HSL 201.58, 0.71%, 0.62%

LAB 68.8, -11.93, -33.09

 

CMYK 61 / 0 / 44 / 11

HEX #58E37F

RGB 88 227 127

HSL 136.83, 0.71%, 0.62%

LAB 81.04, -58.79, 37.87

 

CMYK 70 / 0 / 50 / 5

HEX #48F379

RGB 72 243 121

HSL 137.19, 0.88%, 0.62%

LAB 85.43, -68.31, 46.23

 

CMYK 61 / 0 / 44 / 11

HEX #58E37F

RGB 88 227 127

HSL 136.83, 0.71%, 0.62%

LAB 81.04, -58.79, 37.87

 

CMYK 51 / 0 / 37 / 17

HEX #68D486

RGB 104 212 134

HSL 136.67, 0.56%, 0.62%

LAB 77.13, -48.05, 29.32

 

CMYK 39 / 0 / 28 / 23

HEX #77C48D

RGB 119 196 141

HSL 137.14, 0.39%, 0.62%

LAB 73.11, -35.68, 20.31

 

CMYK 25 / 0 / 18 / 29

HEX #87B494

RGB 135 180 148

HSL 137.33, 0.23%, 0.62%

LAB 69.42, -21.6, 11.52

 

CMYK 8 / 0 / 6 / 35

HEX #97A59B

RGB 151 165 155

HSL 137.14, 0.07%, 0.62%

LAB 66.41, -6.89, 3.49

 

CMYK 46 / 0 / 61 / 11

HEX #7BE358

RGB 123 227 88

HSL 104.89, 0.71%, 0.62%

LAB 81.76, -54.98, 57.15

 

CMYK 61 / 0 / 60 / 11

HEX #58E35A

RGB 88 227 90

HSL 120.86, 0.71%, 0.62%

LAB 80.6, -63.76, 54.67

 

CMYK 61 / 0 / 44 / 11

HEX #58E37F

RGB 88 227 127

HSL 136.83, 0.71%, 0.62%

LAB 81.04, -58.79, 37.87

 

CMYK 61 / 0 / 27 / 11

HEX #58E3A5

RGB 88 227 165

HSL 153.24, 0.71%, 0.62%

LAB 81.69, -51.82, 19.34

 

CMYK 61 / 0 / 11 / 11

HEX #58E3CA

RGB 88 227 202

HSL 169.21, 0.71%, 0.62%

LAB 82.53, -43.38, 1.06

 

CMYK 84 / 0 / 60 / 22

HEX #20C850

RGB 32 200 80

HSL 137.14, 0.72%, 0.45%

LAB 71.01, -64.81, 47.79

 

CMYK 77 / 0 / 55 / 13

HEX #34DE64

RGB 52 222 100

HSL 136.94, 0.72%, 0.54%

LAB 78.4, -67.08, 47.41

 

CMYK 61 / 0 / 44 / 11

HEX #58E37F

RGB 88 227 127

HSL 136.83, 0.71%, 0.62%

LAB 81.04, -58.79, 37.87

 

CMYK 47 / 0 / 34 / 9

HEX #7BE99A

RGB 123 233 154

HSL 136.91, 0.71%, 0.7%

LAB 84.39, -48.47, 28.89

 

CMYK 33 / 0 / 24 / 6

HEX #9FEFB6

RGB 159 239 182

HSL 137.25, 0.71%, 0.78%

LAB 88.2, -36.03, 19.97

 

CMYK 62 / 0 / 44 / 11

HEX #57E47F

RGB 87 228 127

HSL 137.02, 0.72%, 0.62%

LAB 81.32, -59.37, 38.22

 

CMYK 61 / 30 / 0 / 11

HEX #58A0E3

RGB 88 160 227

HSL 208.92, 0.71%, 0.62%

LAB 63.97, -2.52, -40.61

 

CMYK 0 / 61 / 54 / 11

HEX #E35868

RGB 227 88 104

HSL 353.09, 0.71%, 0.62%

LAB 56.4, 55.21, 19.72

 

CMYK 62 / 0 / 44 / 11

HEX #57E47F

RGB 87 228 127

HSL 137.02, 0.72%, 0.62%

LAB 81.32, -59.37, 38.22

 

CMYK 44 / 61 / 0 / 11

HEX #7F58E3

RGB 127 88 227

HSL 256.83, 0.71%, 0.62%

LAB 48.31, 47.83, -65.43

 

CMYK 0 / 44 / 61 / 11

HEX #E37F58

RGB 227 127 88

HSL 16.83, 0.71%, 0.62%

LAB 63.52, 35.12, 37.9

 

CMYK 62 / 0 / 44 / 11

HEX #57E47F

RGB 87 228 127

HSL 137.02, 0.72%, 0.62%

LAB 81.32, -59.37, 38.22

 

CMYK 61 / 30 / 0 / 11

HEX #58A0E3

RGB 88 160 227

HSL 208.92, 0.71%, 0.62%

LAB 63.97, -2.52, -40.61

 

CMYK 0 / 61 / 17 / 11

HEX #E358BC

RGB 227 88 188

HSL 316.83, 0.71%, 0.62%

LAB 58.92, 64.58, -25.58

 

CMYK 0 / 32 / 61 / 11

HEX #E39B58

RGB 227 155 88

HSL 28.92, 0.71%, 0.62%

LAB 69.81, 20.3, 45.43

 

CMYK 62 / 0 / 44 / 11

HEX #57E47F

RGB 87 228 127

HSL 137.02, 0.72%, 0.62%

LAB 81.32, -59.37, 38.22

 

CMYK 61 / 48 / 0 / 11

HEX #5876E3

RGB 88 118 227

HSL 227.05, 0.71%, 0.62%

LAB 52.48, 22.45, -58.84

 

CMYK 0 / 61 / 17 / 11

HEX #E358BC

RGB 227 88 188

HSL 316.83, 0.71%, 0.62%

LAB 58.92, 64.58, -25.58

 

CMYK 0 / 13 / 61 / 11

HEX #E3C558

RGB 227 197 88

HSL 47.05, 0.71%, 0.62%

LAB 80.16, -1.9, 57.24

 

Description

Color code: HEX #57E47F | qconv.com Color code: HEX #57E47F | qconv.com - big

Since the color values are relatively high compared to others, this hue appears lighter to us.

The breakdown of the color into the RGB color system: of 255 maximum color components, 87 red, 228 green and 127 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
87 228 127 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, 62 cyan, none magenta, 44 yellow and 11 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
62% 0% 44% 11% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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