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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #57E56F it is the complementary color #A81A90. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #57E56F. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #57E56F shade: #5CE56A, #6DF77D, #7EFF90, #8FFFA3 and #A0FFB6

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #57E56F. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #57E56F shade: #57E56F, #46D35C, #35C149, #24AF36 and #139D23

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #57E56F shade: #57E46F, #65E457, #8BE457, #B1E457 and #D8E457

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #57E56F shade: #57E46F, #57E495, #57E4BB, #57E4E1 and #57C1E4

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #57E56F shade matches the following richer shades: #57E46F and #47F464

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #57E56F shade: #57E46F, #67D579, #76C584, #86B58E and #96A698

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #57E56F shade: #8BE457, #65E457, #57E46E, #57E494 and #57E4BA

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #57E56F shade: #1FCA3C, #33DF50, #57E46F, #7BEA8D and #9EEFAC

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #57E56F shade: #57E56F, #57B0E4 and #E45778

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #57E56F shade: #57E56F, #6E57E4 and #E46E57

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #57E56F shade: #57E56F, #57B0E4, #E457CD and #E48B57

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #57E56F shade: #57E56F, #5786E4, #E457CD and #E4B557

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 62 / 0 / 52 / 10

HEX #57E56F

RGB 87 229 111

HSL 130.14, 0.73%, 0.62%

LAB 81.41, -62.1, 46.08

 

Complementary color

CMYK 0 / 85 / 14 / 34

HEX #A81A90

RGB 168 26 144

HSL 310.14, 0.73%, 0.38%

LAB 39.71, 64.77, -30.2

 

CMYK 60 / 0 / 54 / 10

HEX #5CE56A

RGB 92 229 106

HSL 126.13, 0.72%, 0.63%

LAB 81.49, -61.7, 48.55

 

CMYK 56 / 0 / 49 / 3

HEX #6DF77D

RGB 109 247 125

HSL 126.96, 0.9%, 0.7%

LAB 87.61, -61.95, 47.24

 

CMYK 51 / 0 / 44 / 0

HEX #7EFF90

RGB 126 255 144

HSL 128.37, 1%, 0.75%

LAB 90.77, -58.2, 42.25

 

CMYK 44 / 0 / 36 / 0

HEX #8FFFA3

RGB 143 255 163

HSL 130.71, 1%, 0.78%

LAB 91.69, -50.82, 34.24

 

CMYK 37 / 0 / 29 / 0

HEX #A0FFB6

RGB 160 255 182

HSL 133.89, 1%, 0.81%

LAB 92.74, -42.9, 26.23

 

CMYK 62 / 0 / 52 / 10

HEX #57E56F

RGB 87 229 111

HSL 130.14, 0.73%, 0.62%

LAB 81.41, -62.1, 46.08

 

CMYK 67 / 0 / 56 / 17

HEX #46D35C

RGB 70 211 92

HSL 129.36, 0.62%, 0.55%

LAB 75.24, -61.58, 47.43

 

CMYK 73 / 0 / 62 / 24

HEX #35C149

RGB 53 193 73

HSL 128.57, 0.57%, 0.48%

LAB 69.02, -60.7, 48.73

 

CMYK 79 / 0 / 69 / 31

HEX #24AF36

RGB 36 175 54

HSL 127.77, 0.66%, 0.41%

LAB 62.76, -59.31, 49.82

 

CMYK 88 / 0 / 78 / 38

HEX #139D23

RGB 19 157 35

HSL 126.96, 0.78%, 0.35%

LAB 56.46, -57.19, 50.43

 

CMYK 62 / 0 / 51 / 11

HEX #57E46F

RGB 87 228 111

HSL 130.21, 0.72%, 0.62%

LAB 81.1, -61.74, 45.71

 

CMYK 56 / 0 / 62 / 11

HEX #65E457

RGB 101 228 87

HSL 114.04, 0.72%, 0.62%

LAB 81.26, -61.42, 56.8

 

CMYK 39 / 0 / 62 / 11

HEX #8BE457

RGB 139 228 87

HSL 97.87, 0.72%, 0.62%

LAB 82.73, -50.54, 58.85

 

CMYK 22 / 0 / 62 / 11

HEX #B1E457

RGB 177 228 87

HSL 81.7, 0.72%, 0.62%

LAB 84.75, -37.23, 61.64

 

CMYK 5 / 0 / 62 / 11

HEX #D8E457

RGB 216 228 87

HSL 65.11, 0.72%, 0.62%

LAB 87.38, -22.01, 65.24

 

CMYK 62 / 0 / 51 / 11

HEX #57E46F

RGB 87 228 111

HSL 130.21, 0.72%, 0.62%

LAB 81.1, -61.74, 45.71

 

CMYK 62 / 0 / 35 / 11

HEX #57E495

RGB 87 228 149

HSL 146.38, 0.72%, 0.62%

LAB 81.67, -55.57, 27.58

 

CMYK 62 / 0 / 18 / 11

HEX #57E4BB

RGB 87 228 187

HSL 162.55, 0.72%, 0.62%

LAB 82.43, -47.59, 8.84

 

CMYK 62 / 0 / 1 / 11

HEX #57E4E1

RGB 87 228 225

HSL 178.72, 0.72%, 0.62%

LAB 83.42, -38.06, -9.81

 

CMYK 62 / 15 / 0 / 11

HEX #57C1E4

RGB 87 193 228

HSL 194.89, 0.72%, 0.62%

LAB 73.39, -20.23, -26.55

 

CMYK 62 / 0 / 51 / 11

HEX #57E46F

RGB 87 228 111

HSL 130.21, 0.72%, 0.62%

LAB 81.1, -61.74, 45.71

 

CMYK 71 / 0 / 59 / 4

HEX #47F464

RGB 71 244 100

HSL 130.06, 0.89%, 0.62%

LAB 85.48, -71.53, 55.83

 

CMYK 62 / 0 / 51 / 11

HEX #57E46F

RGB 87 228 111

HSL 130.21, 0.72%, 0.62%

LAB 81.1, -61.74, 45.71

 

CMYK 52 / 0 / 43 / 16

HEX #67D579

RGB 103 213 121

HSL 129.82, 0.57%, 0.62%

LAB 77.19, -50.84, 36.02

 

CMYK 40 / 0 / 33 / 23

HEX #76C584

RGB 118 197 132

HSL 130.63, 0.41%, 0.62%

LAB 73.19, -38.04, 25.18

 

CMYK 26 / 0 / 22 / 29

HEX #86B58E

RGB 134 181 142

HSL 130.21, 0.24%, 0.62%

LAB 69.52, -23.56, 14.92

 

CMYK 10 / 0 / 8 / 35

HEX #96A698

RGB 150 166 152

HSL 127.5, 0.08%, 0.62%

LAB 66.54, -8.36, 5.33

 

CMYK 39 / 0 / 62 / 11

HEX #8BE457

RGB 139 228 87

HSL 97.87, 0.72%, 0.62%

LAB 82.73, -50.54, 58.85

 

CMYK 56 / 0 / 62 / 11

HEX #65E457

RGB 101 228 87

HSL 114.04, 0.72%, 0.62%

LAB 81.26, -61.42, 56.8

 

CMYK 62 / 0 / 52 / 11

HEX #57E46E

RGB 87 228 110

HSL 129.79, 0.72%, 0.62%

LAB 81.09, -61.88, 46.17

 

CMYK 62 / 0 / 35 / 11

HEX #57E494

RGB 87 228 148

HSL 145.96, 0.72%, 0.62%

LAB 81.65, -55.75, 28.07

 

CMYK 62 / 0 / 18 / 11

HEX #57E4BA

RGB 87 228 186

HSL 162.13, 0.72%, 0.62%

LAB 82.41, -47.82, 9.33

 

CMYK 85 / 0 / 70 / 21

HEX #1FCA3C

RGB 31 202 60

HSL 130.18, 0.73%, 0.46%

LAB 71.46, -67.67, 56.63

 

CMYK 77 / 0 / 64 / 13

HEX #33DF50

RGB 51 223 80

HSL 130.12, 0.73%, 0.54%

LAB 78.5, -69.93, 56.33

 

CMYK 62 / 0 / 51 / 11

HEX #57E46F

RGB 87 228 111

HSL 130.21, 0.72%, 0.62%

LAB 81.1, -61.74, 45.71

 

CMYK 47 / 0 / 40 / 8

HEX #7BEA8D

RGB 123 234 141

HSL 129.73, 0.73%, 0.7%

LAB 84.47, -51.03, 35.57

 

CMYK 34 / 0 / 28 / 6

HEX #9EEFAC

RGB 158 239 172

HSL 130.37, 0.72%, 0.78%

LAB 87.96, -38.08, 24.77

 

CMYK 62 / 0 / 52 / 10

HEX #57E56F

RGB 87 229 111

HSL 130.14, 0.73%, 0.62%

LAB 81.41, -62.1, 46.08

 

CMYK 62 / 23 / 0 / 11

HEX #57B0E4

RGB 87 176 228

HSL 202.13, 0.72%, 0.62%

LAB 68.52, -11.26, -34.07

 

CMYK 0 / 62 / 47 / 11

HEX #E45778

RGB 228 87 120

HSL 345.96, 0.72%, 0.62%

LAB 56.75, 57.31, 10.83

 

CMYK 62 / 0 / 52 / 10

HEX #57E56F

RGB 87 229 111

HSL 130.14, 0.73%, 0.62%

LAB 81.41, -62.1, 46.08

 

CMYK 52 / 62 / 0 / 11

HEX #6E57E4

RGB 110 87 228

HSL 249.79, 0.72%, 0.62%

LAB 46.62, 45.41, -68.8

 

CMYK 0 / 52 / 62 / 11

HEX #E46E57

RGB 228 110 87

HSL 9.79, 0.72%, 0.62%

LAB 60.19, 44.07, 34.38

 

CMYK 62 / 0 / 52 / 10

HEX #57E56F

RGB 87 229 111

HSL 130.14, 0.73%, 0.62%

LAB 81.41, -62.1, 46.08

 

CMYK 62 / 23 / 0 / 11

HEX #57B0E4

RGB 87 176 228

HSL 202.13, 0.72%, 0.62%

LAB 68.52, -11.26, -34.07

 

CMYK 0 / 62 / 10 / 11

HEX #E457CD

RGB 228 87 205

HSL 309.79, 0.72%, 0.62%

LAB 59.63, 67.76, -34.17

 

CMYK 0 / 39 / 62 / 11

HEX #E48B57

RGB 228 139 87

HSL 22.13, 0.72%, 0.62%

LAB 66.25, 29.16, 41.75

 

CMYK 62 / 0 / 52 / 10

HEX #57E56F

RGB 87 229 111

HSL 130.14, 0.73%, 0.62%

LAB 81.41, -62.1, 46.08

 

CMYK 62 / 41 / 0 / 11

HEX #5786E4

RGB 87 134 228

HSL 220, 0.72%, 0.62%

LAB 56.76, 12.85, -52.56

 

CMYK 0 / 62 / 10 / 11

HEX #E457CD

RGB 228 87 205

HSL 309.79, 0.72%, 0.62%

LAB 59.63, 67.76, -34.17

 

CMYK 0 / 21 / 62 / 11

HEX #E4B557

RGB 228 181 87

HSL 40, 0.72%, 0.62%

LAB 76.21, 6.81, 53.3

 

Description

Color code: HEX #57E56F | qconv.com Color code: HEX #57E56F | qconv.com - big

Since the color values are relatively high compared to others, this hue appears lighter to us.

The breakdown of the color into the RGB color system: of 255 maximum color components, 87 red, 229 green and 111 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
87 229 111 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, 62 cyan, none magenta, 52 yellow and 10 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
62% 0% 52% 10% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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