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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #57E6C7 it is the complementary color #A81938. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #57E6C7. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #57E6C7 shade: #5CE6C2, #6DF8D5, #7EFFE8, #8FFFFB and #A0FFFF

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #57E6C7. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #57E6C7 shade: #57E6C7, #46D4B4, #35C2A1, #24B08E and #139E7B

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #57E6C7 shade: #56E5C6, #56E5A0, #56E579, #5AE556 and #80E556

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #57E6C7 shade: #56E5C6, #56DEE5, #56B7E5, #5690E5 and #566AE5

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #57E6C7 shade matches the following richer shades: #56E5C6 and #46F5CF

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #57E6C7 shade: #56E5C6, #66D6BD, #75C6B4, #85B6AC and #95A7A3

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #57E6C7 shade: #56E577, #56E59E, #56E5C4, #56E1E5 and #56BAE5

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #57E6C7 shade: #1ECBA5, #32E0BA, #56E5C6, #7AEBD2 and #9EF0DE

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #57E6C7 shade: #57E6C7, #565BE5 and #E58A56

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #57E6C7 shade: #57E6C7, #C456E5 and #E5C456

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #57E6C7 shade: #57E6C7, #565BE5, #E55677 and #E5E156

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #57E6C7 shade: #57E6C7, #7C56E5, #E55677 and #BFE556

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 62 / 0 / 13 / 10

HEX #57E6C7

RGB 87 230 199

HSL 166.99, 0.74%, 0.62%

LAB 83.31, -45.6, 3.77

 

Complementary color

CMYK 0 / 85 / 67 / 34

HEX #A81938

RGB 168 25 56

HSL 346.99, 0.74%, 0.38%

LAB 36.57, 56.29, 20.82

 

CMYK 60 / 0 / 16 / 10

HEX #5CE6C2

RGB 92 230 194

HSL 164.35, 0.73%, 0.63%

LAB 83.32, -45.91, 6.44

 

CMYK 56 / 0 / 14 / 3

HEX #6DF8D5

RGB 109 248 213

HSL 164.89, 0.91%, 0.7%

LAB 89.48, -46.03, 5.45

 

CMYK 51 / 0 / 9 / 0

HEX #7EFFE8

RGB 126 255 232

HSL 169.3, 1%, 0.75%

LAB 92.48, -41.23, 0.02

 

CMYK 44 / 0 / 2 / 0

HEX #8FFFFB

RGB 143 255 251

HSL 177.86, 1%, 0.78%

LAB 93.59, -32.99, -8.1

 

CMYK 37 / 0 / 0 / 0

HEX #A0FFFF

RGB 160 255 255

HSL 180, 1%, 0.81%

LAB 94.4, -28.01, -8.89

 

CMYK 62 / 0 / 13 / 10

HEX #57E6C7

RGB 87 230 199

HSL 166.99, 0.74%, 0.62%

LAB 83.31, -45.6, 3.77

 

CMYK 67 / 0 / 15 / 17

HEX #46D4B4

RGB 70 212 180

HSL 166.48, 0.62%, 0.55%

LAB 77.09, -45.25, 4.83

 

CMYK 73 / 0 / 17 / 24

HEX #35C2A1

RGB 53 194 161

HSL 165.96, 0.57%, 0.48%

LAB 70.81, -44.72, 5.99

 

CMYK 80 / 0 / 19 / 31

HEX #24B08E

RGB 36 176 142

HSL 165.43, 0.66%, 0.42%

LAB 64.47, -43.92, 7.28

 

CMYK 88 / 0 / 22 / 38

HEX #139E7B

RGB 19 158 123

HSL 164.89, 0.79%, 0.35%

LAB 58.06, -42.73, 8.72

 

CMYK 62 / 0 / 14 / 10

HEX #56E5C6

RGB 86 229 198

HSL 166.99, 0.73%, 0.62%

LAB 82.96, -45.58, 3.8

 

CMYK 62 / 0 / 30 / 10

HEX #56E5A0

RGB 86 229 160

HSL 151.05, 0.73%, 0.62%

LAB 82.14, -54.02, 22.55

 

CMYK 62 / 0 / 47 / 10

HEX #56E579

RGB 86 229 121

HSL 134.69, 0.73%, 0.62%

LAB 81.51, -60.87, 41.4

 

CMYK 61 / 0 / 62 / 10

HEX #5AE556

RGB 90 229 86

HSL 118.32, 0.73%, 0.62%

LAB 81.23, -64.44, 57.1

 

CMYK 44 / 0 / 62 / 10

HEX #80E556

RGB 128 229 86

HSL 102.38, 0.73%, 0.62%

LAB 82.54, -54.47, 58.92

 

CMYK 62 / 0 / 14 / 10

HEX #56E5C6

RGB 86 229 198

HSL 166.99, 0.73%, 0.62%

LAB 82.96, -45.58, 3.8

 

CMYK 62 / 3 / 0 / 10

HEX #56DEE5

RGB 86 222 229

HSL 182.94, 0.73%, 0.62%

LAB 81.77, -34.34, -14.39

 

CMYK 62 / 20 / 0 / 10

HEX #56B7E5

RGB 86 183 229

HSL 199.3, 0.73%, 0.62%

LAB 70.53, -14.87, -31.51

 

CMYK 62 / 37 / 0 / 10

HEX #5690E5

RGB 86 144 229

HSL 215.66, 0.73%, 0.62%

LAB 59.51, 7.04, -48.75

 

CMYK 62 / 54 / 0 / 10

HEX #566AE5

RGB 86 106 229

HSL 231.61, 0.73%, 0.62%

LAB 49.43, 30.17, -64.89

 

CMYK 62 / 0 / 14 / 10

HEX #56E5C6

RGB 86 229 198

HSL 166.99, 0.73%, 0.62%

LAB 82.96, -45.58, 3.8

 

CMYK 71 / 0 / 16 / 4

HEX #46F5CF

RGB 70 245 207

HSL 166.97, 0.9%, 0.62%

LAB 87.54, -52.48, 5.65

 

CMYK 62 / 0 / 14 / 10

HEX #56E5C6

RGB 86 229 198

HSL 166.99, 0.73%, 0.62%

LAB 82.96, -45.58, 3.8

 

CMYK 52 / 0 / 12 / 16

HEX #66D6BD

RGB 102 214 189

HSL 166.61, 0.58%, 0.62%

LAB 78.81, -38.02, 2.61

 

CMYK 41 / 0 / 9 / 22

HEX #75C6B4

RGB 117 198 180

HSL 166.67, 0.42%, 0.62%

LAB 74.49, -29.04, 1.24

 

CMYK 27 / 0 / 5 / 29

HEX #85B6AC

RGB 133 182 172

HSL 167.76, 0.25%, 0.62%

LAB 70.47, -18.31, -0.15

 

CMYK 11 / 0 / 2 / 35

HEX #95A7A3

RGB 149 167 163

HSL 166.67, 0.09%, 0.62%

LAB 67.03, -7.09, -0.08

 

CMYK 62 / 0 / 48 / 10

HEX #56E577

RGB 86 229 119

HSL 133.85, 0.73%, 0.62%

LAB 81.48, -61.17, 42.34

 

CMYK 62 / 0 / 31 / 10

HEX #56E59E

RGB 86 229 158

HSL 150.21, 0.73%, 0.62%

LAB 82.1, -54.42, 23.53

 

CMYK 62 / 0 / 14 / 10

HEX #56E5C4

RGB 86 229 196

HSL 166.15, 0.73%, 0.62%

LAB 82.91, -46.06, 4.78

 

CMYK 62 / 2 / 0 / 10

HEX #56E1E5

RGB 86 225 229

HSL 181.68, 0.73%, 0.62%

LAB 82.64, -35.74, -13.09

 

CMYK 62 / 19 / 0 / 10

HEX #56BAE5

RGB 86 186 229

HSL 198.04, 0.73%, 0.62%

LAB 71.39, -16.45, -30.18

 

CMYK 85 / 0 / 19 / 20

HEX #1ECBA5

RGB 30 203 165

HSL 166.82, 0.74%, 0.46%

LAB 73.35, -49.77, 7.43

 

CMYK 78 / 0 / 17 / 12

HEX #32E0BA

RGB 50 224 186

HSL 166.9, 0.74%, 0.54%

LAB 80.48, -51.32, 6.47

 

CMYK 62 / 0 / 14 / 10

HEX #56E5C6

RGB 86 229 198

HSL 166.99, 0.73%, 0.62%

LAB 82.96, -45.58, 3.8

 

CMYK 48 / 0 / 11 / 8

HEX #7AEBD2

RGB 122 235 210

HSL 166.73, 0.74%, 0.7%

LAB 86.11, -38.21, 2.18

 

CMYK 34 / 0 / 8 / 6

HEX #9EF0DE

RGB 158 240 222

HSL 166.83, 0.73%, 0.78%

LAB 89.33, -28.82, 0.77

 

CMYK 62 / 0 / 13 / 10

HEX #57E6C7

RGB 87 230 199

HSL 166.99, 0.74%, 0.62%

LAB 83.31, -45.6, 3.77

 

CMYK 62 / 60 / 0 / 10

HEX #565BE5

RGB 86 91 229

HSL 237.9, 0.73%, 0.62%

LAB 45.8, 39.34, -70.79

 

CMYK 0 / 40 / 62 / 10

HEX #E58A56

RGB 229 138 86

HSL 21.82, 0.73%, 0.62%

LAB 66.14, 30.02, 42.17

 

CMYK 62 / 0 / 13 / 10

HEX #57E6C7

RGB 87 230 199

HSL 166.99, 0.74%, 0.62%

LAB 83.31, -45.6, 3.77

 

CMYK 14 / 62 / 0 / 10

HEX #C456E5

RGB 196 86 229

HSL 286.15, 0.73%, 0.62%

LAB 56.14, 64.5, -53.54

 

CMYK 0 / 14 / 62 / 10

HEX #E5C456

RGB 229 196 86

HSL 46.15, 0.73%, 0.62%

LAB 80.07, -0.67, 58.08

 

CMYK 62 / 0 / 13 / 10

HEX #57E6C7

RGB 87 230 199

HSL 166.99, 0.74%, 0.62%

LAB 83.31, -45.6, 3.77

 

CMYK 62 / 60 / 0 / 10

HEX #565BE5

RGB 86 91 229

HSL 237.9, 0.73%, 0.62%

LAB 45.8, 39.34, -70.79

 

CMYK 0 / 62 / 48 / 10

HEX #E55677

RGB 229 86 119

HSL 346.15, 0.73%, 0.62%

LAB 56.73, 57.97, 11.41

 

CMYK 0 / 2 / 62 / 10

HEX #E5E156

RGB 229 225 86

HSL 58.32, 0.73%, 0.62%

LAB 87.57, -15.34, 66.16

 

CMYK 62 / 0 / 13 / 10

HEX #57E6C7

RGB 87 230 199

HSL 166.99, 0.74%, 0.62%

LAB 83.31, -45.6, 3.77

 

CMYK 46 / 62 / 0 / 10

HEX #7C56E5

RGB 124 86 229

HSL 255.94, 0.73%, 0.62%

LAB 47.75, 48.89, -67.48

 

CMYK 0 / 62 / 48 / 10

HEX #E55677

RGB 229 86 119

HSL 346.15, 0.73%, 0.62%

LAB 56.73, 57.97, 11.41

 

CMYK 17 / 0 / 62 / 10

HEX #BFE556

RGB 191 229 86

HSL 75.94, 0.73%, 0.62%

LAB 85.9, -32.43, 63.55

 

Description

Color code: HEX #57E6C7 | qconv.com Color code: HEX #57E6C7 | qconv.com - big

With this color cyan stands out from the other colors. The values representing the blue and green hue are greater than the third value. They are close together and exceed the value of the red hue. Since the color values are relatively high compared to others, this hue appears lighter to us.

The breakdown of the color into the RGB color system: of 255 maximum color components, 87 red, 230 green and 199 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
87 230 199 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, 62 cyan, none magenta, 13 yellow and 10 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
62% 0% 13% 10% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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