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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #57E335 it is the complementary color #A81CCA. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #57E335. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #57E335 shade: #5CE330, #6DF543, #7EFF56, #8FFF69 and #A0FF7C

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #57E335. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #57E335 shade: #57E335, #46D122, #35BF0F, #24AD00 and #139B00

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #57E335 shade: #57E335, #86E335, #B5E335, #E3E235 and #E3B335

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #57E335 shade: #57E335, #35E342, #35E371, #35E3A0 and #35E3CF

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #57E335 shade matches the following richer shades: #57E335 and #4BF622

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #57E335 shade: #57E335, #62D047, #6DBE5A, #79AB6C and #84997F

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #57E335 shade: #B4E335, #86E335, #57E335, #35E340 and #35E36F

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #57E335 shade: #35AE17, #40D21C, #57E335, #75E859 and #93ED7D

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #57E335 shade: #57E335, #35E3E3 and #E3359D

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #57E335 shade: #57E335, #3557E3 and #E33557

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #57E335 shade: #57E335, #35E3E3, #C035E3 and #E33535

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #57E335 shade: #57E335, #35AFE3, #C035E3 and #E36935

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 62 / 0 / 77 / 11

HEX #57E335

RGB 87 227 53

HSL 108.28, 0.76%, 0.55%

LAB 80.3, -67.12, 68.26

 

Complementary color

CMYK 17 / 86 / 0 / 21

HEX #A81CCA

RGB 168 28 202

HSL 288.28, 0.76%, 0.45%

LAB 43.39, 73.61, -58.82

 

CMYK 59 / 0 / 79 / 11

HEX #5CE330

RGB 92 227 48

HSL 105.25, 0.76%, 0.54%

LAB 80.42, -66.26, 69.89

 

CMYK 56 / 0 / 73 / 4

HEX #6DF543

RGB 109 245 67

HSL 105.84, 0.9%, 0.61%

LAB 86.48, -67.14, 70.04

 

CMYK 51 / 0 / 66 / 0

HEX #7EFF56

RGB 126 255 86

HSL 105.8, 1%, 0.67%

LAB 90.15, -64.85, 67.16

 

CMYK 44 / 0 / 59 / 0

HEX #8FFF69

RGB 143 255 105

HSL 104.8, 1%, 0.71%

LAB 90.95, -58.35, 60.52

 

CMYK 37 / 0 / 51 / 0

HEX #A0FF7C

RGB 160 255 124

HSL 103.51, 1%, 0.74%

LAB 91.89, -51.18, 53.38

 

CMYK 62 / 0 / 77 / 11

HEX #57E335

RGB 87 227 53

HSL 108.28, 0.76%, 0.55%

LAB 80.3, -67.12, 68.26

 

CMYK 67 / 0 / 84 / 18

HEX #46D122

RGB 70 209 34

HSL 107.66, 0.72%, 0.48%

LAB 74.2, -65.84, 67.63

 

CMYK 72 / 0 / 92 / 25

HEX #35BF0F

RGB 53 191 15

HSL 107.05, 0.85%, 0.4%

LAB 68.06, -64.02, 65.84

 

CMYK 79 / 0 / 100 / 32

HEX #24AD00

RGB 36 173 0

HSL 107.51, 1%, 0.34%

LAB 61.88, -61.52, 62.58

 

CMYK 88 / 0 / 100 / 39

HEX #139B00

RGB 19 155 0

HSL 112.65, 1%, 0.3%

LAB 55.67, -58.14, 57.52

 

CMYK 62 / 0 / 77 / 11

HEX #57E335

RGB 87 227 53

HSL 108.28, 0.76%, 0.55%

LAB 80.3, -67.12, 68.26

 

CMYK 41 / 0 / 77 / 11

HEX #86E335

RGB 134 227 53

HSL 92.07, 0.76%, 0.55%

LAB 81.98, -54.17, 70.45

 

CMYK 20 / 0 / 77 / 11

HEX #B5E335

RGB 181 227 53

HSL 75.86, 0.76%, 0.55%

LAB 84.49, -37.3, 73.7

 

CMYK 0 / 0 / 77 / 11

HEX #E3E235

RGB 227 226 53

HSL 59.66, 0.76%, 0.55%

LAB 87.48, -18.25, 77.62

 

CMYK 0 / 21 / 77 / 11

HEX #E3B335

RGB 227 179 53

HSL 43.45, 0.76%, 0.55%

LAB 75.34, 5.66, 66.54

 

CMYK 62 / 0 / 77 / 11

HEX #57E335

RGB 87 227 53

HSL 108.28, 0.76%, 0.55%

LAB 80.3, -67.12, 68.26

 

CMYK 77 / 0 / 71 / 11

HEX #35E342

RGB 53 227 66

HSL 124.48, 0.76%, 0.55%

LAB 79.66, -72.21, 63.03

 

CMYK 77 / 0 / 50 / 11

HEX #35E371

RGB 53 227 113

HSL 140.69, 0.76%, 0.55%

LAB 80.12, -66.76, 43.38

 

CMYK 77 / 0 / 30 / 11

HEX #35E3A0

RGB 53 227 160

HSL 156.9, 0.76%, 0.55%

LAB 80.87, -58.19, 20.69

 

CMYK 77 / 0 / 9 / 11

HEX #35E3CF

RGB 53 227 207

HSL 173.1, 0.76%, 0.55%

LAB 81.95, -46.87, -2.53

 

CMYK 62 / 0 / 77 / 11

HEX #57E335

RGB 87 227 53

HSL 108.28, 0.76%, 0.55%

LAB 80.3, -67.12, 68.26

 

CMYK 70 / 0 / 86 / 4

HEX #4BF622

RGB 75 246 34

HSL 108.4, 0.92%, 0.55%

LAB 85.77, -76.4, 77.89

 

CMYK 62 / 0 / 77 / 11

HEX #57E335

RGB 87 227 53

HSL 108.28, 0.76%, 0.55%

LAB 80.3, -67.12, 68.26

 

CMYK 53 / 0 / 66 / 18

HEX #62D047

RGB 98 208 71

HSL 108.18, 0.59%, 0.55%

LAB 74.93, -56.37, 56.45

 

CMYK 43 / 0 / 53 / 25

HEX #6DBE5A

RGB 109 190 90

HSL 108.6, 0.43%, 0.55%

LAB 70.05, -43.98, 42.49

 

CMYK 29 / 0 / 37 / 33

HEX #79AB6C

RGB 121 171 108

HSL 107.62, 0.27%, 0.55%

LAB 65.18, -28.89, 27.27

 

CMYK 14 / 0 / 17 / 40

HEX #84997F

RGB 132 153 127

HSL 108.46, 0.11%, 0.55%

LAB 60.98, -12.56, 11.21

 

CMYK 21 / 0 / 77 / 11

HEX #B4E335

RGB 180 227 53

HSL 76.21, 0.76%, 0.55%

LAB 84.43, -37.69, 73.62

 

CMYK 41 / 0 / 77 / 11

HEX #86E335

RGB 134 227 53

HSL 92.07, 0.76%, 0.55%

LAB 81.98, -54.17, 70.45

 

CMYK 62 / 0 / 77 / 11

HEX #57E335

RGB 87 227 53

HSL 108.28, 0.76%, 0.55%

LAB 80.3, -67.12, 68.26

 

CMYK 77 / 0 / 72 / 11

HEX #35E340

RGB 53 227 64

HSL 123.79, 0.76%, 0.55%

LAB 79.65, -72.38, 63.73

 

CMYK 77 / 0 / 51 / 11

HEX #35E36F

RGB 53 227 111

HSL 140, 0.76%, 0.55%

LAB 80.09, -67.05, 44.3

 

CMYK 70 / 0 / 87 / 32

HEX #35AE17

RGB 53 174 23

HSL 108.08, 0.77%, 0.39%

LAB 62.58, -58.35, 59.69

 

CMYK 70 / 0 / 87 / 18

HEX #40D21C

RGB 64 210 28

HSL 108.13, 0.76%, 0.47%

LAB 74.36, -67.55, 69.05

 

CMYK 62 / 0 / 77 / 11

HEX #57E335

RGB 87 227 53

HSL 108.28, 0.76%, 0.55%

LAB 80.3, -67.12, 68.26

 

CMYK 50 / 0 / 62 / 9

HEX #75E859

RGB 117 232 89

HSL 108.25, 0.76%, 0.63%

LAB 83.03, -58.52, 58.09

 

CMYK 38 / 0 / 47 / 7

HEX #93ED7D

RGB 147 237 125

HSL 108.21, 0.76%, 0.71%

LAB 86.13, -47.61, 45.73

 

CMYK 62 / 0 / 77 / 11

HEX #57E335

RGB 87 227 53

HSL 108.28, 0.76%, 0.55%

LAB 80.3, -67.12, 68.26

 

CMYK 77 / 0 / 0 / 11

HEX #35E3E3

RGB 53 227 227

HSL 180, 0.76%, 0.55%

LAB 82.51, -41.36, -12.3

 

CMYK 0 / 77 / 31 / 11

HEX #E3359D

RGB 227 53 157

HSL 324.14, 0.76%, 0.55%

LAB 53.29, 73.01, -16.16

 

CMYK 62 / 0 / 77 / 11

HEX #57E335

RGB 87 227 53

HSL 108.28, 0.76%, 0.55%

LAB 80.3, -67.12, 68.26

 

CMYK 77 / 62 / 0 / 11

HEX #3557E3

RGB 53 87 227

HSL 228.28, 0.76%, 0.55%

LAB 42.94, 36.96, -74.39

 

CMYK 0 / 77 / 62 / 11

HEX #E33557

RGB 227 53 87

HSL 348.28, 0.76%, 0.55%

LAB 51.34, 66.99, 23.06

 

CMYK 62 / 0 / 77 / 11

HEX #57E335

RGB 87 227 53

HSL 108.28, 0.76%, 0.55%

LAB 80.3, -67.12, 68.26

 

CMYK 77 / 0 / 0 / 11

HEX #35E3E3

RGB 53 227 227

HSL 180, 0.76%, 0.55%

LAB 82.51, -41.36, -12.3

 

CMYK 15 / 77 / 0 / 11

HEX #C035E3

RGB 192 53 227

HSL 287.93, 0.76%, 0.55%

LAB 51.03, 75.73, -60.62

 

CMYK 0 / 77 / 77 / 11

HEX #E33535

RGB 227 53 53

HSL 0, 0.76%, 0.55%

LAB 50.84, 65.4, 42.27

 

CMYK 62 / 0 / 77 / 11

HEX #57E335

RGB 87 227 53

HSL 108.28, 0.76%, 0.55%

LAB 80.3, -67.12, 68.26

 

CMYK 77 / 23 / 0 / 11

HEX #35AFE3

RGB 53 175 227

HSL 197.93, 0.76%, 0.55%

LAB 67.25, -15.91, -35.57

 

CMYK 15 / 77 / 0 / 11

HEX #C035E3

RGB 192 53 227

HSL 287.93, 0.76%, 0.55%

LAB 51.03, 75.73, -60.62

 

CMYK 0 / 54 / 77 / 11

HEX #E36935

RGB 227 105 53

HSL 17.93, 0.76%, 0.55%

LAB 58.69, 44.38, 50.4

 

Description

Color code: HEX #57E335 | qconv.com Color code: HEX #57E335 | qconv.com - big

With this color, green stands out from the other colors. The value that represents the green hue is greater than the other two values. It stands out far from the value for the red and blue hue. Since the color values are relatively high compared to others, this hue appears lighter to us.

The breakdown of the color into the RGB color system: of 255 maximum color components, 87 red, 227 green and 53 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
87 227 53 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, 62 cyan, none magenta, 77 yellow and 11 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
62% 0% 77% 11% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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