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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #57F4FF it is the complementary color #A80B00. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #57F4FF. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #57F4FF shade: #5CF4FA, #6DFFFF, #7EFFFF, #8FFFFF and #A0FFFF

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #57F4FF. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #57F4FF shade: #57F4FF, #46E2EC, #35D0D9, #24BEC6 and #13ACB3

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #57F4FF shade: #56F3FF, #56C6FF, #5699FF, #566BFF and #6E56FF

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #57F4FF shade: #56F3FF, #56C6FF, #5699FF, #566BFF and #5656FF

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #57F4FF shade matches the following richer shades: #56F3FF

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #57F4FF shade: #56F3FF, #64E8F1, #71DCE3, #7FD0D6 and #8DC4C8

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #57F4FF shade: #56FFAD, #56FFDA, #56F6FF, #56C9FF and #569CFF

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #57F4FF shade: #04EEFF, #2DF1FF, #56F3FF, #7FF6FF and #A9F9FF

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #57F4FF shade: #57F4FF, #8056FF and #FFC456

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #57F4FF shade: #57F4FF, #FF56F6 and #F6FF56

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #57F4FF shade: #57F4FF, #8056FF, #FF5F56 and #D4FF56

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #57F4FF shade: #57F4FF, #B356FF, #FF5F56 and #A2FF56

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 66 / 4 / 0 / 0

HEX #57F4FF

RGB 87 244 255

HSL 183.93, 1%, 0.67%

LAB 88.9, -37.18, -17.37

 

Complementary color

CMYK 0 / 93 / 100 / 34

HEX #A80B00

RGB 168 11 0

HSL 3.93, 1%, 0.33%

LAB 35.13, 57.22, 49.19

 

CMYK 63 / 2 / 0 / 2

HEX #5CF4FA

RGB 92 244 250

HSL 182.28, 0.94%, 0.67%

LAB 88.87, -37.84, -14.8

 

CMYK 57 / 0 / 0 / 0

HEX #6DFFFF

RGB 109 255 255

HSL 180, 1%, 0.71%

LAB 92.57, -38.78, -11.81

 

CMYK 51 / 0 / 0 / 0

HEX #7EFFFF

RGB 126 255 255

HSL 180, 1%, 0.75%

LAB 93.09, -35.63, -10.98

 

CMYK 44 / 0 / 0 / 0

HEX #8FFFFF

RGB 143 255 255

HSL 180, 1%, 0.78%

LAB 93.7, -32.03, -10.01

 

CMYK 37 / 0 / 0 / 0

HEX #A0FFFF

RGB 160 255 255

HSL 180, 1%, 0.81%

LAB 94.4, -28.01, -8.89

 

CMYK 66 / 4 / 0 / 0

HEX #57F4FF

RGB 87 244 255

HSL 183.93, 1%, 0.67%

LAB 88.9, -37.18, -17.37

 

CMYK 70 / 4 / 0 / 7

HEX #46E2EC

RGB 70 226 236

HSL 183.61, 0.81%, 0.6%

LAB 82.78, -36.48, -16.63

 

CMYK 76 / 4 / 0 / 15

HEX #35D0D9

RGB 53 208 217

HSL 183.29, 0.68%, 0.53%

LAB 76.61, -35.57, -15.81

 

CMYK 82 / 4 / 0 / 22

HEX #24BEC6

RGB 36 190 198

HSL 182.96, 0.69%, 0.46%

LAB 70.37, -34.39, -14.91

 

CMYK 89 / 4 / 0 / 30

HEX #13ACB3

RGB 19 172 179

HSL 182.63, 0.81%, 0.39%

LAB 64.08, -32.88, -13.91

 

CMYK 66 / 5 / 0 / 0

HEX #56F3FF

RGB 86 243 255

HSL 184.26, 1%, 0.67%

LAB 88.59, -36.86, -17.84

 

CMYK 66 / 22 / 0 / 0

HEX #56C6FF

RGB 86 198 255

HSL 200.24, 1%, 0.67%

LAB 75.81, -14.67, -37.37

 

CMYK 66 / 40 / 0 / 0

HEX #5699FF

RGB 86 153 255

HSL 216.21, 1%, 0.67%

LAB 63.33, 10.48, -57

 

CMYK 66 / 58 / 0 / 0

HEX #566BFF

RGB 86 107 255

HSL 232.54, 1%, 0.67%

LAB 51.51, 38.27, -76.03

 

CMYK 57 / 66 / 0 / 0

HEX #6E56FF

RGB 110 86 255

HSL 248.52, 1%, 0.67%

LAB 48.5, 53.92, -80.88

 

CMYK 66 / 5 / 0 / 0

HEX #56F3FF

RGB 86 243 255

HSL 184.26, 1%, 0.67%

LAB 88.59, -36.86, -17.84

 

CMYK 66 / 22 / 0 / 0

HEX #56C6FF

RGB 86 198 255

HSL 200.24, 1%, 0.67%

LAB 75.81, -14.67, -37.37

 

CMYK 66 / 40 / 0 / 0

HEX #5699FF

RGB 86 153 255

HSL 216.21, 1%, 0.67%

LAB 63.33, 10.48, -57

 

CMYK 66 / 58 / 0 / 0

HEX #566BFF

RGB 86 107 255

HSL 232.54, 1%, 0.67%

LAB 51.51, 38.27, -76.03

 

CMYK 66 / 66 / 0 / 0

HEX #5656FF

RGB 86 86 255

HSL 240, 1%, 0.67%

LAB 46.78, 50.66, -83.76

 

CMYK 66 / 5 / 0 / 0

HEX #56F3FF

RGB 86 243 255

HSL 184.26, 1%, 0.67%

LAB 88.59, -36.86, -17.84

 

CMYK 66 / 5 / 0 / 0

HEX #56F3FF

RGB 86 243 255

HSL 184.26, 1%, 0.67%

LAB 88.59, -36.86, -17.84

 

CMYK 59 / 4 / 0 / 5

HEX #64E8F1

RGB 100 232 241

HSL 183.83, 0.83%, 0.67%

LAB 85.39, -33.42, -15.27

 

CMYK 50 / 3 / 0 / 11

HEX #71DCE3

RGB 113 220 227

HSL 183.68, 0.67%, 0.67%

LAB 81.97, -28.96, -12.95

 

CMYK 41 / 3 / 0 / 16

HEX #7FD0D6

RGB 127 208 214

HSL 184.14, 0.51%, 0.67%

LAB 78.74, -23.2, -10.77

 

CMYK 30 / 2 / 0 / 22

HEX #8DC4C8

RGB 141 196 200

HSL 184.07, 0.35%, 0.67%

LAB 75.65, -16.77, -7.75

 

CMYK 66 / 0 / 32 / 0

HEX #56FFAD

RGB 86 255 173

HSL 150.89, 1%, 0.67%

LAB 90.1, -61.54, 26.78

 

CMYK 66 / 0 / 15 / 0

HEX #56FFDA

RGB 86 255 218

HSL 166.86, 1%, 0.67%

LAB 91.04, -51.76, 5.03

 

CMYK 66 / 4 / 0 / 0

HEX #56F6FF

RGB 86 246 255

HSL 183.2, 1%, 0.67%

LAB 89.44, -38.24, -16.55

 

CMYK 66 / 21 / 0 / 0

HEX #56C9FF

RGB 86 201 255

HSL 199.17, 1%, 0.67%

LAB 76.66, -16.24, -36.05

 

CMYK 66 / 39 / 0 / 0

HEX #569CFF

RGB 86 156 255

HSL 215.15, 1%, 0.67%

LAB 64.14, 8.72, -55.71

 

CMYK 98 / 7 / 0 / 0

HEX #04EEFF

RGB 4 238 255

HSL 184.06, 1%, 0.51%

LAB 86.2, -40.5, -21.53

 

CMYK 82 / 5 / 0 / 0

HEX #2DF1FF

RGB 45 241 255

HSL 184, 1%, 0.59%

LAB 87.33, -40.2, -19.8

 

CMYK 66 / 5 / 0 / 0

HEX #56F3FF

RGB 86 243 255

HSL 184.26, 1%, 0.67%

LAB 88.59, -36.86, -17.84

 

CMYK 50 / 4 / 0 / 0

HEX #7FF6FF

RGB 127 246 255

HSL 184.22, 1%, 0.75%

LAB 90.62, -31.22, -14.67

 

CMYK 34 / 2 / 0 / 0

HEX #A9F9FF

RGB 169 249 255

HSL 184.19, 1%, 0.83%

LAB 93.19, -22.83, -10.64

 

CMYK 66 / 4 / 0 / 0

HEX #57F4FF

RGB 87 244 255

HSL 183.93, 1%, 0.67%

LAB 88.9, -37.18, -17.37

 

CMYK 50 / 66 / 0 / 0

HEX #8056FF

RGB 128 86 255

HSL 254.91, 1%, 0.67%

LAB 50.06, 56.77, -78.27

 

CMYK 0 / 23 / 66 / 0

HEX #FFC456

RGB 255 196 86

HSL 39.05, 1%, 0.67%

LAB 82.6, 10.17, 61.56

 

CMYK 66 / 4 / 0 / 0

HEX #57F4FF

RGB 87 244 255

HSL 183.93, 1%, 0.67%

LAB 88.9, -37.18, -17.37

 

CMYK 0 / 66 / 4 / 0

HEX #FF56F6

RGB 255 86 246

HSL 303.2, 1%, 0.67%

LAB 65.41, 80.85, -47.77

 

CMYK 4 / 0 / 66 / 0

HEX #F6FF56

RGB 246 255 86

HSL 63.2, 1%, 0.67%

LAB 96.73, -22.96, 76.05

 

CMYK 66 / 4 / 0 / 0

HEX #57F4FF

RGB 87 244 255

HSL 183.93, 1%, 0.67%

LAB 88.9, -37.18, -17.37

 

CMYK 50 / 66 / 0 / 0

HEX #8056FF

RGB 128 86 255

HSL 254.91, 1%, 0.67%

LAB 50.06, 56.77, -78.27

 

CMYK 0 / 63 / 66 / 0

HEX #FF5F56

RGB 255 95 86

HSL 3.2, 1%, 0.67%

LAB 61.75, 60.27, 37.8

 

CMYK 17 / 0 / 66 / 0

HEX #D4FF56

RGB 212 255 86

HSL 75.27, 1%, 0.67%

LAB 94.39, -36.24, 72.91

 

CMYK 66 / 4 / 0 / 0

HEX #57F4FF

RGB 87 244 255

HSL 183.93, 1%, 0.67%

LAB 88.9, -37.18, -17.37

 

CMYK 30 / 66 / 0 / 0

HEX #B356FF

RGB 179 86 255

HSL 273.02, 1%, 0.67%

LAB 55.54, 66.22, -69.11

 

CMYK 0 / 63 / 66 / 0

HEX #FF5F56

RGB 255 95 86

HSL 3.2, 1%, 0.67%

LAB 61.75, 60.27, 37.8

 

CMYK 36 / 0 / 66 / 0

HEX #A2FF56

RGB 162 255 86

HSL 93.02, 1%, 0.67%

LAB 91.63, -54.09, 69.17

 

Description

Color code: HEX #57F4FF | qconv.com Color code: HEX #57F4FF | qconv.com - big

With this color cyan stands out from the other colors. The values representing the blue and green hue are greater than the third value. They are close together and exceed the value of the red hue. Since the color values are relatively high compared to others, this hue appears lighter to us.

The breakdown of the color into the RGB color system: of 255 maximum color components, 87 red, 244 green and 255 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
87 244 255 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, 66 cyan, 4 magenta, none yellow and none key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
66% 4% 0% 0% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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