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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #57F2E6 it is the complementary color #A80D19. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #57F2E6. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #57F2E6 shade: #5CF2E1, #6DFFF4, #7EFFFF, #8FFFFF and #A0FFFF

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #57F2E6. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #57F2E6 shade: #57F2E6, #46E0D3, #35CEC0, #24BCAD and #13AA9A

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #57F2E6 shade: #58F2E6, #58F2BD, #58F293, #58F26A and #70F258

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #57F2E6 shade: #58F2E6, #58D5F2, #58ABF2, #5882F2 and #5858F2

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #57F2E6 shade matches the following richer shades: #58F2E6

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #57F2E6 shade: #58F2E6, #67E4DA, #75D5CE, #84C7C2 and #92B8B5

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #57F2E6 shade: #58F293, #58F2BC, #58F2E5, #58D6F2 and #58ADF2

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #57F2E6 shade: #11E7D6, #32EFE0, #58F2E6, #7FF5EC and #A5F8F1

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #57F2E6 shade: #57F2E6, #6A58F2 and #F2A858

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #57F2E6 shade: #57F2E6, #E558F2 and #F2E558

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #57F2E6 shade: #57F2E6, #6A58F2, #F25865 and #E0F258

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #57F2E6 shade: #57F2E6, #9858F2, #F25865 and #B2F258

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 64 / 0 / 5 / 5

HEX #57F2E6

RGB 87 242 230

HSL 175.35, 0.86%, 0.65%

LAB 87.6, -43.03, -6.23

 

Complementary color

CMYK 0 / 92 / 85 / 34

HEX #A80D19

RGB 168 13 25

HSL 355.35, 0.86%, 0.35%

LAB 35.37, 57.34, 38.31

 

CMYK 62 / 0 / 7 / 5

HEX #5CF2E1

RGB 92 242 225

HSL 173.2, 0.85%, 0.65%

LAB 87.59, -43.54, -3.62

 

CMYK 57 / 0 / 4 / 0

HEX #6DFFF4

RGB 109 255 244

HSL 175.48, 1%, 0.71%

LAB 92.27, -41.6, -6.57

 

CMYK 51 / 0 / 0 / 0

HEX #7EFFFF

RGB 126 255 255

HSL 180, 1%, 0.75%

LAB 93.09, -35.63, -10.98

 

CMYK 44 / 0 / 0 / 0

HEX #8FFFFF

RGB 143 255 255

HSL 180, 1%, 0.78%

LAB 93.7, -32.03, -10.01

 

CMYK 37 / 0 / 0 / 0

HEX #A0FFFF

RGB 160 255 255

HSL 180, 1%, 0.81%

LAB 94.4, -28.01, -8.89

 

CMYK 64 / 0 / 5 / 5

HEX #57F2E6

RGB 87 242 230

HSL 175.35, 0.86%, 0.65%

LAB 87.6, -43.03, -6.23

 

CMYK 69 / 0 / 6 / 12

HEX #46E0D3

RGB 70 224 211

HSL 174.94, 0.71%, 0.58%

LAB 81.47, -42.5, -5.32

 

CMYK 74 / 0 / 7 / 19

HEX #35CEC0

RGB 53 206 192

HSL 174.51, 0.61%, 0.51%

LAB 75.27, -41.78, -4.33

 

CMYK 81 / 0 / 8 / 26

HEX #24BCAD

RGB 36 188 173

HSL 174.08, 0.68%, 0.44%

LAB 69.01, -40.8, -3.23

 

CMYK 89 / 0 / 9 / 33

HEX #13AA9A

RGB 19 170 154

HSL 173.64, 0.8%, 0.37%

LAB 62.69, -39.46, -2

 

CMYK 64 / 0 / 5 / 5

HEX #58F2E6

RGB 88 242 230

HSL 175.32, 0.86%, 0.65%

LAB 87.63, -42.88, -6.2

 

CMYK 64 / 0 / 22 / 5

HEX #58F2BD

RGB 88 242 189

HSL 159.35, 0.86%, 0.65%

LAB 86.63, -52.78, 13.76

 

CMYK 64 / 0 / 39 / 5

HEX #58F293

RGB 88 242 147

HSL 142.99, 0.86%, 0.65%

LAB 85.85, -61.08, 34.17

 

CMYK 64 / 0 / 56 / 5

HEX #58F26A

RGB 88 242 106

HSL 127.01, 0.86%, 0.65%

LAB 85.31, -67.13, 53.08

 

CMYK 54 / 0 / 64 / 5

HEX #70F258

RGB 112 242 88

HSL 110.65, 0.86%, 0.65%

LAB 85.83, -63.63, 61.56

 

CMYK 64 / 0 / 5 / 5

HEX #58F2E6

RGB 88 242 230

HSL 175.32, 0.86%, 0.65%

LAB 87.63, -42.88, -6.2

 

CMYK 64 / 12 / 0 / 5

HEX #58D5F2

RGB 88 213 242

HSL 191.3, 0.86%, 0.65%

LAB 79.66, -25.97, -24.51

 

CMYK 64 / 29 / 0 / 5

HEX #58ABF2

RGB 88 171 242

HSL 207.66, 0.86%, 0.65%

LAB 67.73, -3.86, -42.94

 

CMYK 64 / 46 / 0 / 5

HEX #5882F2

RGB 88 130 242

HSL 223.64, 0.86%, 0.65%

LAB 56.54, 20.17, -60.7

 

CMYK 64 / 64 / 0 / 5

HEX #5858F2

RGB 88 88 242

HSL 240, 0.86%, 0.65%

LAB 46.26, 45.62, -77.34

 

CMYK 64 / 0 / 5 / 5

HEX #58F2E6

RGB 88 242 230

HSL 175.32, 0.86%, 0.65%

LAB 87.63, -42.88, -6.2

 

CMYK 64 / 0 / 5 / 5

HEX #58F2E6

RGB 88 242 230

HSL 175.32, 0.86%, 0.65%

LAB 87.63, -42.88, -6.2

 

CMYK 55 / 0 / 4 / 11

HEX #67E4DA

RGB 103 228 218

HSL 175.2, 0.7%, 0.65%

LAB 83.67, -37.07, -5.68

 

CMYK 45 / 0 / 3 / 16

HEX #75D5CE

RGB 117 213 206

HSL 175.63, 0.53%, 0.65%

LAB 79.52, -30.05, -5.38

 

CMYK 34 / 0 / 3 / 22

HEX #84C7C2

RGB 132 199 194

HSL 175.52, 0.37%, 0.65%

LAB 75.85, -22.23, -4.25

 

CMYK 21 / 0 / 2 / 28

HEX #92B8B5

RGB 146 184 181

HSL 175.26, 0.21%, 0.65%

LAB 72.05, -13.33, -2.69

 

CMYK 64 / 0 / 39 / 5

HEX #58F293

RGB 88 242 147

HSL 142.99, 0.86%, 0.65%

LAB 85.85, -61.08, 34.17

 

CMYK 64 / 0 / 22 / 5

HEX #58F2BC

RGB 88 242 188

HSL 158.96, 0.86%, 0.65%

LAB 86.61, -53, 14.25

 

CMYK 64 / 0 / 5 / 5

HEX #58F2E5

RGB 88 242 229

HSL 174.94, 0.86%, 0.65%

LAB 87.6, -43.14, -5.71

 

CMYK 64 / 12 / 0 / 5

HEX #58D6F2

RGB 88 214 242

HSL 190.91, 0.86%, 0.65%

LAB 79.94, -26.47, -24.07

 

CMYK 64 / 29 / 0 / 5

HEX #58ADF2

RGB 88 173 242

HSL 206.88, 0.86%, 0.65%

LAB 68.29, -4.97, -42.06

 

CMYK 93 / 0 / 7 / 9

HEX #11E7D6

RGB 17 231 214

HSL 175.23, 0.86%, 0.49%

LAB 82.98, -49.02, -4.75

 

CMYK 79 / 0 / 6 / 6

HEX #32EFE0

RGB 50 239 224

HSL 175.24, 0.86%, 0.57%

LAB 85.9, -47.71, -5.67

 

CMYK 64 / 0 / 5 / 5

HEX #58F2E6

RGB 88 242 230

HSL 175.32, 0.86%, 0.65%

LAB 87.63, -42.88, -6.2

 

CMYK 48 / 0 / 4 / 4

HEX #7FF5EC

RGB 127 245 236

HSL 175.42, 0.86%, 0.73%

LAB 89.8, -35.51, -5.99

 

CMYK 33 / 0 / 3 / 3

HEX #A5F8F1

RGB 165 248 241

HSL 174.94, 0.86%, 0.81%

LAB 92.35, -26.58, -4.66

 

CMYK 64 / 0 / 5 / 5

HEX #57F2E6

RGB 87 242 230

HSL 175.35, 0.86%, 0.65%

LAB 87.6, -43.03, -6.23

 

CMYK 56 / 64 / 0 / 5

HEX #6A58F2

RGB 106 88 242

HSL 247.01, 0.86%, 0.65%

LAB 47.57, 48.33, -75.16

 

CMYK 0 / 31 / 64 / 5

HEX #F2A858

RGB 242 168 88

HSL 31.17, 0.86%, 0.65%

LAB 74.56, 19.58, 51.36

 

CMYK 64 / 0 / 5 / 5

HEX #57F2E6

RGB 87 242 230

HSL 175.35, 0.86%, 0.65%

LAB 87.6, -43.03, -6.23

 

CMYK 5 / 64 / 0 / 5

HEX #E558F2

RGB 229 88 242

HSL 294.94, 0.86%, 0.65%

LAB 61.7, 73.6, -51.68

 

CMYK 0 / 5 / 64 / 5

HEX #F2E558

RGB 242 229 88

HSL 54.94, 0.86%, 0.65%

LAB 89.68, -11.88, 67.9

 

CMYK 64 / 0 / 5 / 5

HEX #57F2E6

RGB 87 242 230

HSL 175.35, 0.86%, 0.65%

LAB 87.6, -43.03, -6.23

 

CMYK 56 / 64 / 0 / 5

HEX #6A58F2

RGB 106 88 242

HSL 247.01, 0.86%, 0.65%

LAB 47.57, 48.33, -75.16

 

CMYK 0 / 64 / 58 / 5

HEX #F25865

RGB 242 88 101

HSL 354.94, 0.86%, 0.65%

LAB 58.79, 59.86, 25.08

 

CMYK 7 / 0 / 64 / 5

HEX #E0F258

RGB 224 242 88

HSL 67.01, 0.86%, 0.65%

LAB 91.71, -25.44, 69.61

 

CMYK 64 / 0 / 5 / 5

HEX #57F2E6

RGB 87 242 230

HSL 175.35, 0.86%, 0.65%

LAB 87.6, -43.03, -6.23

 

CMYK 37 / 64 / 0 / 5

HEX #9858F2

RGB 152 88 242

HSL 264.94, 0.86%, 0.65%

LAB 51.91, 56.79, -67.9

 

CMYK 0 / 64 / 58 / 5

HEX #F25865

RGB 242 88 101

HSL 354.94, 0.86%, 0.65%

LAB 58.79, 59.86, 25.08

 

CMYK 26 / 0 / 64 / 5

HEX #B2F258

RGB 178 242 88

HSL 84.94, 0.86%, 0.65%

LAB 88.77, -42.98, 65.6

 

Description

Color code: HEX #57F2E6 | qconv.com Color code: HEX #57F2E6 | qconv.com - big

With this color cyan stands out from the other colors. The values representing the blue and green hue are greater than the third value. They are close together and exceed the value of the red hue. Since the color values are relatively high compared to others, this hue appears lighter to us.

The breakdown of the color into the RGB color system: of 255 maximum color components, 87 red, 242 green and 230 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
87 242 230 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, 64 cyan, none magenta, 5 yellow and 5 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
64% 0% 5% 5% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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