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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #57FEF2 it is the complementary color #A8010D. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #57FEF2. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #57FEF2 shade: #5CFEED, #6DFFFF, #7EFFFF, #8FFFFF and #A0FFFF

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #57FEF2. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #57FEF2 shade: #57FEF2, #46ECDF, #35DACC, #24C8B9 and #13B6A6

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #57FEF2 shade: #57FEF2, #57FEC5, #57FE98, #57FE6B and #70FE57

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #57FEF2 shade: #57FEF2, #57DDFE, #57B0FE, #5783FE and #5757FE

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #57FEF2 shade matches the following richer shades: #57FEF2

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #57FEF2 shade: #57FEF2, #65F0E6, #72E2DA, #80D5CF and #8EC7C3

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #57FEF2 shade: #57FE97, #57FEC3, #57FEF0, #57DFFE and #57B3FE

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #57FEF2 shade: #05FDEB, #2EFDEF, #57FEF2, #80FEF5 and #A9FEF8

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #57FEF2 shade: #57FEF2, #6A57FE and #FEAD57

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #57FEF2 shade: #57FEF2, #F057FE and #FEF057

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #57FEF2 shade: #57FEF2, #6A57FE, #FE5765 and #EAFE57

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #57FEF2 shade: #57FEF2, #9C57FE, #FE5765 and #B8FE57

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 66 / 0 / 5 / 0

HEX #57FEF2

RGB 87 254 242

HSL 175.69, 0.99%, 0.67%

LAB 91.38, -45.18, -6.9

 

Complementary color

CMYK 0 / 99 / 92 / 34

HEX #A8010D

RGB 168 1 13

HSL 355.69, 0.99%, 0.33%

LAB 34.75, 58.64, 43.73

 

CMYK 64 / 0 / 7 / 0

HEX #5CFEED

RGB 92 254 237

HSL 173.7, 0.99%, 0.68%

LAB 91.36, -45.74, -4.33

 

CMYK 57 / 0 / 0 / 0

HEX #6DFFFF

RGB 109 255 255

HSL 180, 1%, 0.71%

LAB 92.57, -38.78, -11.81

 

CMYK 51 / 0 / 0 / 0

HEX #7EFFFF

RGB 126 255 255

HSL 180, 1%, 0.75%

LAB 93.09, -35.63, -10.98

 

CMYK 44 / 0 / 0 / 0

HEX #8FFFFF

RGB 143 255 255

HSL 180, 1%, 0.78%

LAB 93.7, -32.03, -10.01

 

CMYK 37 / 0 / 0 / 0

HEX #A0FFFF

RGB 160 255 255

HSL 180, 1%, 0.81%

LAB 94.4, -28.01, -8.89

 

CMYK 66 / 0 / 5 / 0

HEX #57FEF2

RGB 87 254 242

HSL 175.69, 0.99%, 0.67%

LAB 91.38, -45.18, -6.9

 

CMYK 70 / 0 / 6 / 7

HEX #46ECDF

RGB 70 236 223

HSL 175.3, 0.81%, 0.6%

LAB 85.31, -44.58, -5.99

 

CMYK 76 / 0 / 6 / 15

HEX #35DACC

RGB 53 218 204

HSL 174.91, 0.69%, 0.53%

LAB 79.19, -43.78, -4.99

 

CMYK 82 / 0 / 8 / 22

HEX #24C8B9

RGB 36 200 185

HSL 174.51, 0.69%, 0.46%

LAB 73.01, -42.73, -3.89

 

CMYK 90 / 0 / 9 / 29

HEX #13B6A6

RGB 19 182 166

HSL 174.11, 0.81%, 0.39%

LAB 66.78, -41.33, -2.66

 

CMYK 66 / 0 / 5 / 0

HEX #57FEF2

RGB 87 254 242

HSL 175.69, 0.99%, 0.67%

LAB 91.38, -45.18, -6.9

 

CMYK 66 / 0 / 22 / 0

HEX #57FEC5

RGB 87 254 197

HSL 159.52, 0.99%, 0.67%

LAB 90.29, -56.02, 14.81

 

CMYK 66 / 0 / 40 / 0

HEX #57FE98

RGB 87 254 152

HSL 143.35, 0.99%, 0.67%

LAB 89.48, -64.82, 36.45

 

CMYK 66 / 0 / 58 / 0

HEX #57FE6B

RGB 87 254 107

HSL 127.19, 0.99%, 0.67%

LAB 88.91, -71.28, 56.84

 

CMYK 56 / 0 / 66 / 0

HEX #70FE57

RGB 112 254 87

HSL 111.02, 0.99%, 0.67%

LAB 89.4, -67.98, 65.83

 

CMYK 66 / 0 / 5 / 0

HEX #57FEF2

RGB 87 254 242

HSL 175.69, 0.99%, 0.67%

LAB 91.38, -45.18, -6.9

 

CMYK 66 / 13 / 0 / 0

HEX #57DDFE

RGB 87 221 254

HSL 191.86, 0.99%, 0.67%

LAB 82.32, -26.53, -26.81

 

CMYK 66 / 31 / 0 / 0

HEX #57B0FE

RGB 87 176 254

HSL 208.02, 0.99%, 0.67%

LAB 69.63, -2.9, -46.48

 

CMYK 66 / 48 / 0 / 0

HEX #5783FE

RGB 87 131 254

HSL 224.19, 0.99%, 0.67%

LAB 57.48, 23.48, -65.82

 

CMYK 66 / 66 / 0 / 0

HEX #5757FE

RGB 87 87 254

HSL 240, 0.99%, 0.67%

LAB 46.97, 49.9, -82.89

 

CMYK 66 / 0 / 5 / 0

HEX #57FEF2

RGB 87 254 242

HSL 175.69, 0.99%, 0.67%

LAB 91.38, -45.18, -6.9

 

CMYK 66 / 0 / 5 / 0

HEX #57FEF2

RGB 87 254 242

HSL 175.69, 0.99%, 0.67%

LAB 91.38, -45.18, -6.9

 

CMYK 58 / 0 / 4 / 6

HEX #65F0E6

RGB 101 240 230

HSL 175.68, 0.82%, 0.67%

LAB 87.39, -39.84, -6.51

 

CMYK 50 / 0 / 4 / 11

HEX #72E2DA

RGB 114 226 218

HSL 175.71, 0.66%, 0.67%

LAB 83.46, -33.9, -5.95

 

CMYK 40 / 0 / 3 / 16

HEX #80D5CF

RGB 128 213 207

HSL 175.76, 0.5%, 0.67%

LAB 80, -27.13, -5.15

 

CMYK 29 / 0 / 2 / 22

HEX #8EC7C3

RGB 142 199 195

HSL 175.79, 0.34%, 0.67%

LAB 76.4, -19.16, -3.93

 

CMYK 66 / 0 / 41 / 0

HEX #57FE97

RGB 87 254 151

HSL 142.99, 0.99%, 0.67%

LAB 89.46, -64.99, 36.92

 

CMYK 66 / 0 / 23 / 0

HEX #57FEC3

RGB 87 254 195

HSL 158.8, 0.99%, 0.67%

LAB 90.25, -56.46, 15.77

 

CMYK 66 / 0 / 6 / 0

HEX #57FEF0

RGB 87 254 240

HSL 174.97, 0.99%, 0.67%

LAB 91.33, -45.7, -5.95

 

CMYK 66 / 12 / 0 / 0

HEX #57DFFE

RGB 87 223 254

HSL 191.14, 0.99%, 0.67%

LAB 82.89, -27.51, -25.95

 

CMYK 66 / 30 / 0 / 0

HEX #57B3FE

RGB 87 179 254

HSL 206.95, 0.99%, 0.67%

LAB 70.47, -4.57, -45.16

 

CMYK 98 / 0 / 7 / 1

HEX #05FDEB

RGB 5 253 235

HSL 175.65, 0.98%, 0.51%

LAB 89.99, -52.73, -5.43

 

CMYK 82 / 0 / 6 / 1

HEX #2EFDEF

RGB 46 253 239

HSL 175.94, 0.98%, 0.59%

LAB 90.35, -49.91, -6.94

 

CMYK 66 / 0 / 5 / 0

HEX #57FEF2

RGB 87 254 242

HSL 175.69, 0.99%, 0.67%

LAB 91.38, -45.18, -6.9

 

CMYK 50 / 0 / 4 / 0

HEX #80FEF5

RGB 128 254 245

HSL 175.71, 0.98%, 0.75%

LAB 92.6, -37.24, -6.52

 

CMYK 33 / 0 / 2 / 0

HEX #A9FEF8

RGB 169 254 248

HSL 175.76, 0.98%, 0.83%

LAB 94.35, -26.84, -5.3

 

CMYK 66 / 0 / 5 / 0

HEX #57FEF2

RGB 87 254 242

HSL 175.69, 0.99%, 0.67%

LAB 91.38, -45.18, -6.9

 

CMYK 58 / 66 / 0 / 0

HEX #6A57FE

RGB 106 87 254

HSL 246.83, 0.99%, 0.67%

LAB 48.31, 52.48, -80.65

 

CMYK 0 / 32 / 66 / 0

HEX #FEAD57

RGB 254 173 87

HSL 30.9, 0.99%, 0.67%

LAB 77.07, 21.81, 55.03

 

CMYK 66 / 0 / 5 / 0

HEX #57FEF2

RGB 87 254 242

HSL 175.69, 0.99%, 0.67%

LAB 91.38, -45.18, -6.9

 

CMYK 6 / 66 / 0 / 0

HEX #F057FE

RGB 240 87 254

HSL 294.97, 0.99%, 0.67%

LAB 63.75, 78.46, -54.95

 

CMYK 0 / 6 / 66 / 0

HEX #FEF057

RGB 254 240 87

HSL 54.97, 0.99%, 0.67%

LAB 93.48, -12.45, 72.56

 

CMYK 66 / 0 / 5 / 0

HEX #57FEF2

RGB 87 254 242

HSL 175.69, 0.99%, 0.67%

LAB 91.38, -45.18, -6.9

 

CMYK 58 / 66 / 0 / 0

HEX #6A57FE

RGB 106 87 254

HSL 246.83, 0.99%, 0.67%

LAB 48.31, 52.48, -80.65

 

CMYK 0 / 66 / 60 / 0

HEX #FE5765

RGB 254 87 101

HSL 354.97, 0.99%, 0.67%

LAB 60.63, 64.05, 27.87

 

CMYK 8 / 0 / 66 / 0

HEX #EAFE57

RGB 234 254 87

HSL 67.19, 0.99%, 0.67%

LAB 95.61, -27.19, 74.25

 

CMYK 66 / 0 / 5 / 0

HEX #57FEF2

RGB 87 254 242

HSL 175.69, 0.99%, 0.67%

LAB 91.38, -45.18, -6.9

 

CMYK 39 / 66 / 0 / 0

HEX #9C57FE

RGB 156 87 254

HSL 264.79, 0.99%, 0.67%

LAB 52.99, 61.02, -72.81

 

CMYK 0 / 66 / 60 / 0

HEX #FE5765

RGB 254 87 101

HSL 354.97, 0.99%, 0.67%

LAB 60.63, 64.05, 27.87

 

CMYK 28 / 0 / 66 / 0

HEX #B8FE57

RGB 184 254 87

HSL 85.15, 0.99%, 0.67%

LAB 92.47, -46.07, 70.02

 

Description

Color code: HEX #57FEF2 | qconv.com Color code: HEX #57FEF2 | qconv.com - big

With this color cyan stands out from the other colors. The values representing the blue and green hue are greater than the third value. They are close together and exceed the value of the red hue. Since the color values are relatively high compared to others, this hue appears lighter to us.

The breakdown of the color into the RGB color system: of 255 maximum color components, 87 red, 254 green and 242 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
87 254 242 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, 66 cyan, none magenta, 5 yellow and none key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
66% 0% 5% 0% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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