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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #541237 it is the complementary color #ABEDC8. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #541237. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #541237 shade: #591232, #6A2445, #7B3658, #8C486B and #9D5A7E

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #541237. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #541237 shade: #541237, #430024, #320011, #210000 and #100000

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #541237 shade: #541137, #541125, #541113 and #541111

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #541237 shade: #541137, #541148, #4D1154, #3B1154 and #291154

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #541237 shade matches the following richer shades: #541137, #5C0938 and #640139

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #541237 shade: #541137, #4B1A36, #432235, #3B2A34 and #333233

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #541237 shade: #4D1154, #541149, #541137, #541125 and #541114

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #541237 shade: #10030A, #320A20, #541137, #76194D and #982063

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #541237 shade: #541237, #543B11 and #115154

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #541237 shade: #541237, #375411 and #113754

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #541237 shade: #541237, #543B11, #11542E and #112A54

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #541237 shade: #541237, #544F11, #11542E and #111654

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 0 / 79 / 35 / 67

HEX #541237

RGB 84 18 55

HSL 326.36, 0.65%, 0.2%

LAB 18.34, 33.71, -6.58

 

Complementary color

CMYK 28 / 0 / 16 / 7

HEX #ABEDC8

RGB 171 237 200

HSL 146.36, 0.65%, 0.8%

LAB 88.64, -28.13, 11.33

 

CMYK 0 / 80 / 44 / 65

HEX #591232

RGB 89 18 50

HSL 332.96, 0.66%, 0.21%

LAB 19.17, 34.65, -1.7

 

CMYK 0 / 66 / 35 / 58

HEX #6A2445

RGB 106 36 69

HSL 331.71, 0.49%, 0.28%

LAB 26.03, 34.72, -4.26

 

CMYK 0 / 56 / 28 / 52

HEX #7B3658

RGB 123 54 88

HSL 330.43, 0.39%, 0.35%

LAB 33.04, 34.13, -5.98

 

CMYK 0 / 49 / 24 / 45

HEX #8C486B

RGB 140 72 107

HSL 329.12, 0.32%, 0.42%

LAB 40.03, 33.32, -7.26

 

CMYK 0 / 43 / 20 / 38

HEX #9D5A7E

RGB 157 90 126

HSL 327.76, 0.27%, 0.48%

LAB 46.96, 32.46, -8.28

 

CMYK 0 / 79 / 35 / 67

HEX #541237

RGB 84 18 55

HSL 326.36, 0.65%, 0.2%

LAB 18.34, 33.71, -6.58

 

CMYK 0 / 100 / 46 / 74

HEX #430024

RGB 67 0 36

HSL 327.76, 1%, 0.13%

LAB 11.42, 33.11, -3.53

 

CMYK 0 / 100 / 66 / 80

HEX #320011

RGB 50 0 17

HSL 339.6, 1%, 0.1%

LAB 6.49, 26.1, 2.69

 

CMYK 0 / 100 / 100 / 87

HEX #210000

RGB 33 0 0

HSL 0, 1%, 0.06%

LAB 2.92, 13.1, 4.62

 

CMYK 0 / 100 / 100 / 94

HEX #100000

RGB 16 0 0

HSL 0, 1%, 0.03%

LAB 1, 4.46, 1.57

 

CMYK 0 / 80 / 35 / 67

HEX #541137

RGB 84 17 55

HSL 325.97, 0.66%, 0.2%

LAB 18.19, 34.11, -6.8

 

CMYK 0 / 80 / 56 / 67

HEX #541125

RGB 84 17 37

HSL 342.09, 0.66%, 0.2%

LAB 17.55, 32.03, 5.11

 

CMYK 0 / 80 / 77 / 67

HEX #541113

RGB 84 17 19

HSL 358.21, 0.66%, 0.2%

LAB 17.14, 30.68, 17.3

 

CMYK 0 / 80 / 80 / 67

HEX #541111

RGB 84 17 17

HSL 0, 0.66%, 0.2%

LAB 17.11, 30.57, 18.48

 

CMYK 0 / 80 / 35 / 67

HEX #541137

RGB 84 17 55

HSL 325.97, 0.66%, 0.2%

LAB 18.19, 34.11, -6.8

 

CMYK 0 / 80 / 14 / 67

HEX #541148

RGB 84 17 72

HSL 310.75, 0.66%, 0.2%

LAB 19.03, 36.69, -17.36

 

CMYK 8 / 80 / 0 / 67

HEX #4D1154

RGB 77 17 84

HSL 293.73, 0.66%, 0.2%

LAB 18.45, 37.12, -26.54

 

CMYK 30 / 80 / 0 / 67

HEX #3B1154

RGB 59 17 84

HSL 277.61, 0.66%, 0.2%

LAB 15.33, 32.93, -31.71

 

CMYK 51 / 80 / 0 / 67

HEX #291154

RGB 41 17 84

HSL 261.49, 0.66%, 0.2%

LAB 12.69, 29.2, -36.14

 

CMYK 0 / 80 / 35 / 67

HEX #541137

RGB 84 17 55

HSL 325.97, 0.66%, 0.2%

LAB 18.19, 34.11, -6.8

 

CMYK 0 / 90 / 39 / 64

HEX #5C0938

RGB 92 9 56

HSL 326.02, 0.82%, 0.2%

LAB 19.04, 39.08, -6.06

 

CMYK 0 / 99 / 43 / 61

HEX #640139

RGB 100 1 57

HSL 326.06, 0.98%, 0.2%

LAB 20.15, 43.32, -4.92

 

CMYK 0 / 80 / 35 / 67

HEX #541137

RGB 84 17 55

HSL 325.97, 0.66%, 0.2%

LAB 18.19, 34.11, -6.8

 

CMYK 0 / 65 / 28 / 71

HEX #4B1A36

RGB 75 26 54

HSL 325.71, 0.49%, 0.2%

LAB 17.92, 26.78, -6.67

 

CMYK 0 / 49 / 21 / 74

HEX #432235

RGB 67 34 53

HSL 325.45, 0.33%, 0.2%

LAB 18.34, 18.79, -5.47

 

CMYK 0 / 29 / 12 / 77

HEX #3B2A34

RGB 59 42 52

HSL 324.71, 0.17%, 0.2%

LAB 19.37, 9.88, -3.36

 

CMYK 0 / 2 / 0 / 80

HEX #333233

RGB 51 50 51

HSL 300, 0.01%, 0.2%

LAB 20.92, 0.67, -0.48

 

CMYK 8 / 80 / 0 / 67

HEX #4D1154

RGB 77 17 84

HSL 293.73, 0.66%, 0.2%

LAB 18.45, 37.12, -26.54

 

CMYK 0 / 80 / 13 / 67

HEX #541149

RGB 84 17 73

HSL 309.85, 0.66%, 0.2%

LAB 19.08, 36.86, -17.96

 

CMYK 0 / 80 / 35 / 67

HEX #541137

RGB 84 17 55

HSL 325.97, 0.66%, 0.2%

LAB 18.19, 34.11, -6.8

 

CMYK 0 / 80 / 56 / 67

HEX #541125

RGB 84 17 37

HSL 342.09, 0.66%, 0.2%

LAB 17.55, 32.03, 5.11

 

CMYK 0 / 80 / 76 / 67

HEX #541114

RGB 84 17 20

HSL 357.31, 0.66%, 0.2%

LAB 17.16, 30.73, 16.67

 

CMYK 0 / 81 / 38 / 94

HEX #10030A

RGB 16 3 10

HSL 327.69, 0.68%, 0.04%

LAB 1.78, 4.65, -1.35

 

CMYK 0 / 80 / 36 / 80

HEX #320A20

RGB 50 10 32

HSL 327, 0.67%, 0.12%

LAB 8.99, 22.66, -4.55

 

CMYK 0 / 80 / 35 / 67

HEX #541137

RGB 84 17 55

HSL 325.97, 0.66%, 0.2%

LAB 18.19, 34.11, -6.8

 

CMYK 0 / 79 / 35 / 54

HEX #76194D

RGB 118 25 77

HSL 326.45, 0.65%, 0.28%

LAB 26.97, 44.02, -7.97

 

CMYK 0 / 79 / 35 / 40

HEX #982063

RGB 152 32 99

HSL 326.5, 0.65%, 0.36%

LAB 35.22, 53.66, -9.25

 

CMYK 0 / 79 / 35 / 67

HEX #541237

RGB 84 18 55

HSL 326.36, 0.65%, 0.2%

LAB 18.34, 33.71, -6.58

 

CMYK 0 / 30 / 80 / 67

HEX #543B11

RGB 84 59 17

HSL 37.61, 0.66%, 0.2%

LAB 26.89, 6.42, 29.12

 

CMYK 80 / 4 / 0 / 67

HEX #115154

RGB 17 81 84

HSL 182.69, 0.66%, 0.2%

LAB 30.98, -18.03, -7.45

 

CMYK 0 / 79 / 35 / 67

HEX #541237

RGB 84 18 55

HSL 326.36, 0.65%, 0.2%

LAB 18.34, 33.71, -6.58

 

CMYK 35 / 0 / 80 / 67

HEX #375411

RGB 55 84 17

HSL 85.97, 0.66%, 0.2%

LAB 32.24, -22.53, 33.55

 

CMYK 80 / 35 / 0 / 67

HEX #113754

RGB 17 55 84

HSL 205.97, 0.66%, 0.2%

LAB 21.91, -2.01, -21.41

 

CMYK 0 / 79 / 35 / 67

HEX #541237

RGB 84 18 55

HSL 326.36, 0.65%, 0.2%

LAB 18.34, 33.71, -6.58

 

CMYK 0 / 30 / 80 / 67

HEX #543B11

RGB 84 59 17

HSL 37.61, 0.66%, 0.2%

LAB 26.89, 6.42, 29.12

 

CMYK 80 / 0 / 45 / 67

HEX #11542E

RGB 17 84 46

HSL 145.97, 0.66%, 0.2%

LAB 31.01, -30.27, 16.48

 

CMYK 80 / 50 / 0 / 67

HEX #112A54

RGB 17 42 84

HSL 217.61, 0.66%, 0.2%

LAB 17.53, 7.26, -28.38

 

CMYK 0 / 79 / 35 / 67

HEX #541237

RGB 84 18 55

HSL 326.36, 0.65%, 0.2%

LAB 18.34, 33.71, -6.58

 

CMYK 0 / 6 / 80 / 67

HEX #544F11

RGB 84 79 17

HSL 55.52, 0.66%, 0.2%

LAB 32.96, -5.99, 35.06

 

CMYK 80 / 0 / 45 / 67

HEX #11542E

RGB 17 84 46

HSL 145.97, 0.66%, 0.2%

LAB 31.01, -30.27, 16.48

 

CMYK 80 / 74 / 0 / 67

HEX #111654

RGB 17 22 84

HSL 235.52, 0.66%, 0.2%

LAB 11.5, 22.15, -38.17

 

Description

Color code: HEX #541237 | qconv.com Color code: HEX #541237 | qconv.com - big

Since the color values are relatively low compared to others, this hue appears darker to us.

The breakdown of the color into the RGB color system: of 255 maximum color components, 84 red, 18 green and 55 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
84 18 55 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, none cyan, 79 magenta, 35 yellow and 67 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
0% 79% 35% 67% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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